Ephemorata

*ephemera + inamorata* illustration, moss, photos, books, reliquaria, wunderkammern, ruins, astronomy, dogs, shadows, mirrors, anatomy, woodcuts, body, color, fingerprints, fragments, watermarks, beehives, static, queerness, foxes, sparks, bones

[photoarchive]

Rodney Evans, Photography students, Texas Southern University, Houston, TX, 1961

[angrylovelyheart]

[vintagelasvegas]

Market Town opened April 1955 at South Main & Oakey. The complex was developed by 26 year-old Merv Adelson. Unknown photographer, shared by Ralph Delligatti.

[inhaletheswans]

A Study of modern Danish Porcelain, John Ruskin. Watercolour over graphite on wove paper. Ashmolean Museum

[20th-century-man]

Photo by Peter Basch, c. 1955.

[20th-century-man]

Jayne Mansfield / Modern Man Yearbook of Queens, 1960.

[hildegardavon]

Attributed to Francesco Cozza, ca.1605-1682

[Salome] La décollation de saint Jean-Baptiste, n/d, oil on canvas, 32x23.5 cm

Private Collection

[7pleiades7]

Roses (1843) by Ferdinand Georg Waldmüller (Austrian, 1793 – 1865), oil on panel, 48 cm (18.8 in) x 39 cm (15.3 in), Gartenpalais Liechtenstein, Vienna

[20th-century-man]

Grace Kelly / during production of Alfred Hitchcock’s To Catch A Thief (1955)

[soracities]

a mood: hope gangloff + women chilling

[rosieandthemoon]

Richard Kühnel, 1895

[claddaghcottage]

Art nouveau

[bal-bullier]

Joan Eardley

Summer Grasses and Barley on the Clifftop (1962)

[fifties-sixties-everyday-life]

1960

[pinkblanc]

National Geographic Magazine, January 1999

[oncanvas]

Untitled, Keith Haring, 1985

Acrylic on board 62.5 x 34 cm (24 ⅝ x 13 ⅜ in.)

[postcard-from-the-past]

Japanese vintage postcard

[rougejaunebleu]

Rolph Scarlett Yellow Bar 1942 Oil on canvas 129.9 x 145.1 cm