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@erasmusofakielos
"If he had been offered this as an adult he couldn't remember it." King's Rising by C.S.Pacat
Technically, this story starts about ten years ago when I was still on this stupid website and witnessing from afar the discourse surrounding C.S. Pacat’s Captive Prince. I was pretty busy with being a kid at the time, so I threw the novel on the faithful TBR list with promises to one day go back and find out for myself what the fuck all that was about.
Well, it only took me ten years. Time to crack at it.
I will start off by saying that I came into the book with the best of intentions. For years, I’ve always been sympathetic to this book and the way it got torn apart by public opinion. I was convinced this book had nuance that its critics had misinterpreted, if not outright ignored. More recently, the idea of reading Captive Prince became a bit of a, well, bit between me and my friends. I went on a months-long saga of trying to get my library to buy it for me. It was a huge ordeal. Frankly, I wanted this novel to be an underdog I could root for-- a real everyone is wrong about this book except me moment.
It turns out, everyone is wrong about this book except me.
I hate it for the correct reasons.
For those who do not know, Captive Prince is the first of a trilogy of the same name. It started as a web story, turned indie publication, turned Penguin Random House distribution. It’s about a disgraced prince who becomes the sex slave of the prince of an enemy nation. On top of the slavery, there is a lot of rape and CSA.
This book is often classified as erotic smut. The sexual slavery is supposed to be kinky. This is some kind of BDSM. That’s fine by me. I took a pornography seminar in college, which was taught by a professor who was writing a book about the history of queer BDSM literature. A lot of it was hardcore. I am used to reading smut that does not appeal to my kinks. I can tell when something is meant to be erotic even as it is horrifying.
Captive Prince’s second biggest problem is that it’s not erotic. Not one bit. Our point of view character, Damen, is horrified by the sexual acts he witnesses and rightly calls them rape. The prose is pretty clear that it is rape. There’s no unwitting sensuality, even when it is being done onto him. Pacat puts the emphasis on the horror of the scenario. It’s not smut.
So if it’s not erotic, then it must be plot-heavy. Right? Not really. Laurent’s machinations saves the plot from flopping entirely, but there really is not much of a plot. Events sort of happen, and right when you think the story is about to get going, the novel ends. On top of that, the plot is not structured to support a political intrigue story.
The story opens with Damen already betrayed by his half-brother and sent off as a slave to fantasy France. What we learn about his background comes in internal musing during a bathing scene, with few splatterings of extra details later. Because the story begins with Damen enslaved and denies the reader a chance to truly understand what his relationship with one of the main antagonists is like, you get the impression that it really does not matter. The betrayal is the excuse for Damen to be in the sexy situation; don’t think about it too hard.
Except, the situations aren’t sexy! The plot wants to be about the politics! Why didn’t the story start before the betrayal? Why was the reader denied meeting Kastor and understanding the political atmosphere in fantasy Greece? Why was I denied the opportunity to see what kind of person Damen was before his life went to shit?
I cannot emphasize enough how infuriating Damen is. I get it. He’s Laurent’s foil. He’s not supposed to be cunning or well-versed in court politics. But there is no way he’s this naive. The plot wants you to believe that all these French people are such advanced schemers that he has no hope of playing their games-- except, this is some of the most obvious political moves in the world. Sure, Damen doesn’t get the context of every situation, but he should be able to know what would happen if he helps the Reagent and not Laurent. For Christ’s sake, he’s 25 and the heir to a throne! He should know better! I refuse to believe fantasy Greece has such simplistic politics that this man can be so shocked by political allegiances and bartering.
By far his dumbest move was trying to run away right after being accused of trying to assassinate Laurent. Like, c’mon dude! Everyone is only going to be more suspicious of you, and the guard is going to be out there looking for other perpetrators. Use your damn brain.
Maybe Damen really is this dumb. Hard to tell. Would be easier to tell if I got to see him, you know, before the whole betrayal thing. Maybe life in fantasy Greece really was that good, or he’s always been this dumb. Context would be excellent.
Which takes us back to the giant elephant in the room: the sex slavery.
Writers are allowed to write about whatever they please. They should explore darker topics. They should strive to make the reader uncomfortable. This isn’t an argument that no one should write about sexual slavery. This is a criticism for how poorly Pacat handles this.
Sexual slavery seems to be a constant in all of the mentioned kingdoms in this fantasy world. However, they are all beholden to different customs. That’s good world building. I appreciate that. What I don’t appreciate is the lack of nuance.
The text makes it clear that the French are cruel to their slaves and that they do slavery “wrong.” Damen has plenty of moments where he is horrified by what he is witnessing. You would think that this would lead him, someone who used to have his own slaves, to realizing that this system is inhumane. I wish that was the conclusion the novel drew.
I read the greater portion of this book over the weekend, disbursed between around seven hours driving. I had a lot of time to think about this book and discuss my thoughts to a captive (ha!) audience. At one point of time, my brother joked that maybe the text was going to say that there was a correct way to do slavery.
And what do you know? That is what the text says!
I don’t expect characters, especially protagonists, to be virtuous. I love reading about bastards. If Damen wants to insist in his brain that his culture’s take on slavery is the correct one, he’s allowed to do that. My problem is that there is no nuance. There are no characters anywhere who object to slavery, waffle on the topic, or whatever. You either believe in it like the not-French do, or like the not-Greeks do. It offers two perspectives, and even goes so far as to reaffirm the “correct” way via Erasmus’s storyline.
This would have been such an easy problem to fix. Fantasy Greece’s slavery is not only described to be consensual, but also involves a lot of professional training. So, don’t call it slavery then! Call it a harem, complete with trained concubines! That would have gone so far in not only making your worldbuilding far less monolithic, but also made Damen far more sympathetic. I certainly do not care about the wellbeing of a slave holder who experiences the horrors of slavery and walks away believing that his methodology was correct. You could even have a character cheekily suggest that the two systems are the same. That would have worked so much better!
(It would also go so far to prevent Damen from being stupidly naive. A lot of his argument for why his kingdom’s system is better comes down to a culture belief in respecting your slave and the social punishment that would be inflicted on masters found to be cruel-- my brother in Christ, you cannot seriously believe that a system like that would be flawless and truly protect a group of people with little to no rights.)
This just pisses me off so much! This had such an easy fix, and you let it slip through your fingers! You fucked it up!
The only thing preventing me from loathing this novel completely is Laurent and his relationship with the Reagent and Nicaise. I enjoy the gradual reversal of opinions for Laurent and the Reagent, with one seeming cruel and the other just until vice versa. There’s a subtlety in realizing what exactly happened to Laurent, and I appreciate how it’s implied and not stated outright as of right now. It makes Laurent’s relationship with Nicaise all the more compelling. And Nicaise is a great example of a tragic figure-- such a cruel person who is stuck in a cruel situation. I appreciate all of them.
Everything else? Fuck off.
One last note I wasn’t able to put anywhere else-- Pacat’s prose is not good. She obviously has a pedestrian writing style. Which is fine. But she tries to elevate it and make it sound more fantasy-esque by using distractingly fancy words and awkward phrasing. There was always something more pressing on my mind than her occasional awkward turns of phrase, so it didn’t bug me all that much. That is, until the last few pages when she hit me with this: "Punctuating [the noise within the stable] was the discharge of breath through equine nostrils, and the occasional strike of a hoof against paving."
I lost it. “Discharge of breath through equine nostrils?” For the love of god, just say the damn horses huffed. This shouldn’t bug me as much as it does, and yet I am irate. This is now my top contender for Worst Sentence of the Year.
I am happy that I read this and learned for myself what this novel is like. I understand the controversy a lot more. Yes, this novel is extremely problematic. It has one of the worst depictions of fantasy slavery I have ever read. But it’s not romanticized. If you say this book is problematic because it thinks slavery is romantic, you read this wrong.
The skill displayed in writing Laurent’s plotline suggests to me that there is hope for the remaining two novels, especially in regard to Damen’s insistence that his form of slavery is superior. Maybe when he gets back to not-Greece, he’ll realize that things weren’t always better for the slaves there. Or this trilogy will continue masquerading as a kinky erotica epic and refuse to actually criticize the sexual slavery it thinks it is already being critical of until it is solidly both a terrible fantasy and erotic novel. Whatever happens first.
Unfortunately, I refuse to put any money down on this series so I have to get my local library to spend precious tax dollars on getting me the next two volumes. It took about three months for the first book to come in, so hopefully we’ll get to find out how the rest of the story goes before the year ends. I’m sure my friends and family will be very happy to continue listening to me scream about the politics of sexual slavery.
--
Captive Prince by C.S. Pacat
Rating: (the world's most generous) 3/5
My dude somehow you managed to be wrong in every single point….. please if you’re going to write an essay on a series or comment on characters you should read all the books!!
This post is almost painful to read in some places🙃 (I don’t say this to be rude but just as a fact -
Even at the start; This book is often classified as erotic smut.—> NO ITS NOT? CP is most definitely not erotic smut. There is (off the top of my head; it’s been a few years since I’ve read the series) 3? 4? Sex scenes over the trilogy. And I wouldn’t describe them as “erotic smut” at all.
Anyway pacat is a master at writing complex characters and if you finish the series you’ll see what I mean, but you really can’t make sweeping judgments like all this based off a series you haven’t consumed.
pen pal
Laurent starts writing emails to inmates in Marlas Penitentiary in his third year of university. The only reason he considers doing it at first is because of Auguste, who writes in one of his weekly emails in the middle of a long, sour summer: These emails help, you know. They keep me sane.
The sadness Laurent feels at reading that is immeasurable. He has to go for a run afterwards, because running is more productive than crying. If Laurent starts crying, he won’t do anything else for the rest of the day. Or week.
He keeps writing to Auguste every week, but as he does so, he feels like he could do more.
A few weeks later, Laurent tells Auguste about it over the phone. Laurent never lies, or keeps things from Auguste. The last time he did, he ruined Auguste’s life.
Keep reading
I got carried away painting that Tom Holland photoshoot but with Todoroki (the flames on the left side, ya know)
epilogue
Redraw of that scene from It’s Always Sunny. It hit me that the reason Todoroki, Iida and Midoriya work so well as a team is because they make up the classic looks-brains-wildcard trichotomy
Uraraka is the muscle
a concept: todoroki and midoriya dressing up as each other’s cursed first hero costumes for a halloween party
bonus:
61. tododeku?
61 | “I love you. I’m completely and utterly in love with you. Please don’t get married.”
Pairing: Midoriya Izuku/Todoroki Shouto
It was announced on a pleasant evening in May. Todoroki absentmindedly scrolled through the news, looking for any sort of entertainment to keep him busy for a few hours. The faint hum of the pot of coffee on the stove was the only sound in the room, save for the continuous clicks coming from the TV remote.
He reached the television channel that usually displayed hero gossip, frowning when he saw a familiar face covering the screen. Bright green hair, a plethora of freckles, cheeky smile, and nervous rambling? This was the number one hero, Deku. Or, Todoroki’s best friend, Midoriya Izuku.
Todoroki’s best friend that he was undeniably in love with.
But something was wrong. Midoriya wasn’t alone on the screen like he usually was. There wasn’t a clip of him fighting the latest villain like there usually was. No, this time, there was someone besides him.
‘Pro heroes Deku and Uravity announce their engagement!’
And Todoroki’s heart stopped.
…
He was running. His left side burned and his right side froze, his hair flying behind him as he ran at top speed to Midoriya’s apartment. Beads of sweat shamelessly trickled down his neck, his throat bobbing up and down as he ran.
He should have seen it coming. The signs were so clear, yet Todoroki had completely ignored them. The way Midoriya’s eyes lit up when talking about Uraraka when the two of them were out for drinks. The way he spoke animatedly about her even in casual conversation. The way he praised her for any villain she defeated single handedly.
But Todoroki didn’t want to believe it. He wouldn’t believe it till he heard it straight from Midoriya’s mouth. He always thought the two of them had something special. He always thought it would be Todoroki and Midoriya. Shouto and Deku.
He was so blind.
When he got to Midoriya’s front door, he didn’t hesitate to knock, hard. His white knuckles rapped against the wood of the door, and he ignored the small blisters that were beginning to surface with every passing second.
The door opened with a short click, and Todoroki came face to face with Midoriya, who had flushed red cheeks and looked genuinely confused.
“Todoroki-kun? What are you-”
“Izuku,” Todoroki said, his voice caught in his throat as he painted for breath. Midoriya’s eyes widened upon the usage of his first name. Todoroki didn’t stop. “I love you.” The words were pouring out of his mouth at top speed. “I love you. I’m completely and utterly in love with you.” He hung his head down, his eyes pinching shut. “Please don’t get married.”
He was met with silence.
Todoroki’s eyes darted up to meet Midoriya’s gaze again. The shorter boy was looking down at him, eyebrows furrowed and lips slightly parted.
“Married?” he repeated, tilting his head to the side. “What do you mean? I’m not getting married.”
Todoroki sputtered. Was this some kind of joke? “What do I mean? The news said that you’re getting married to Uraraka.”
Midoriya’s head tilted back as if realization had suddenly dawned on him. “Oh.” He paused to let out a throaty laugh. “That was just Ochako joking around in front of the cameras.” He glanced at Todoroki. “You believed that?”
“Yes,” came Todoroki’s reply instantly.
“But you know how the tabloids like to twist the truth,” Midoriya pushed. “We’re just friends, really. Besides, if I was getting married, you’d be the first to know.”
Todoroki immediately straightened up, his cheeks tainted with a crimson hue and his hand reaching up to run through his half-and-half locks. He coughed awkwardly, looking away from the boy in front of him.
“Um. Okay then,” he started, not sure what he was supposed to say. He glanced behind him, knowing it was time to take his leave. “I’ll see you tomorrow.”
As he turned around, a rough hand fell onto his shoulder, making him stop dead in place. “Wait!” Midoriya’s voice said, his tone low and unwavering. Todoroki moved back so he could see him, watching as Midoriya looked anywhere but back at his face. “You should… you should stay for a bit.”
Something in his chest pounded, but he ignored it. Instead, Todoroki nodded once, turning around completely and offering the tiniest hint of a smile to his friend- possibly something more.
“I will.”
send me a number + a pairing and I’ll write you a drabble
graduation blues
“Can you see this Midoriya…Sir? She smiled!”
He saw buddy…He saw.
Actor Au where the character's meet their younger selves 😭
Ah yes I too love Shouto ‘I would kill a man for you if you asked, Midoriya’ Todoroki
(Original post by @ bnhajourney)
DO NOT REPOST!
“I feel so blessed!”
I need to see Deku being carried and protec
Dad for One from One for All's perspective as an incredibly distressed ghost
Bonus:
but wait there is more!!! 🎬 twitter | instagram
the joke is that he loves his students and would never abandon them