[silverscreencaps]

Thelma & Louise (1991) dir. Ridley Scott

[shesnake]

Passages (2023) dir. Ira Sachs

[ashleysjohnson]

I really value when people use violence for me, it's actually one of my love languages.

BOTTOMS (2023) dir. Emma Seligman

[catchymemes]

[feral-ballad]

We are alive. And now the work is to be gentler with ourselves and with the world. I want such a sweet life for you. I want the fierceness of attention, of the light coming over the hill, of your own hand bringing a cup to your mouth. Of love, which will abide so much longer than the fire.

Molly McCully Brown, from Places I've Taken My Body: Essays

[photografya-deactivated20230917]

[terrierpuppy]

[diabeticlesbian]

This dedication by Lee Lynch in her novel The Swashbuckler is the only battle cry I’ve ever needed

[librarycards]

[image description: book dedication that reads:

“For every dyke who’s stared down a straight; for every dyke who’s dared dress in drag; for every dyke who’s been proudly femme or proudly butch; for every one of us who’s survived the insults, the daily fears and humiliations, the beatings; for every dyke who’s dared live her life –– and for every dyke who didn’t survive –– I offer this book as tribute.”]

[typhlonectes]

The raccoon room…

[its-all-down-hill]

[keepingitneutral]

The Unal House, 1972-2008, Uzes, 30700 France,

Claude Haüsermann-Costy & Joël Unal Architects

[sawasawako-archived]

thinking about how orpheus turning to look back at eurydice isn’t a sign of mortal frailness but a sign of love

[milsae]

Self-care

[denotational-deactivated2014022]

[maryolive]

once again thinking about this 1956 love letter from james schuyler to john button

[brunetteg1rl]

dogs on the window.

[weltenwellen]

James Baldwin, If Beale Street Could Talk

[weltenwellen]

Anaïs Nin, The Early Diary of Anaïs Nin, 1923–1927