steven universe is really The Best Show

Discoholic 🪩
noise dept.
Alisa U Zemlji Chuda

Origami Around

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Kaledo Art
Aqua Utopia|海の底で記憶を紡ぐ
Claire Keane
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will byers stan first human second
Cosmic Funnies

❣ Chile in a Photography ❣
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Misplaced Lens Cap

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@f1l0y1
steven universe is really The Best Show
I’ve said this before and I’ll say it again but it is absolutely an example of civilizational inadequacy that only deaf people know ASL
“oh we shouldn’t teach children this language, it will only come in handy if they [checks notes] ever have to talk in a situation where it’s noisy or they need to be quiet”
My mom learned it because she figured she’ll go deaf when she gets old
My family went holiday SCUBA diving once, and a couple of Deaf guys were in the group. I was really little and I spent most of the briefing overcome with the realization that while the rest of us were going to have regulators in our mouths and be underwater fairly soon, they were going to be able to do all the same stuff and keep talking.
The only reason some form of sign language is not a standard skill is ableism, as far as I can tell.
For anyone interested in learning, Bill Vicars has full lessons of ASL on youtube that were used in my college level classes.
https://www.youtube.com/user/billvicars
and here’s the link to the website he puts in his videos:
https://www.lifeprint.com/
I’m very sorry but I’m losing my shit bc the way the SCUBA diving comment is phrased kind of made it sound like the Deaf divers CAN BREATHE UNDERWATER
Also recommend Rochelle Barlow!
Many people have asked me over the years whether I’ve thought about learning sign language due to my hearing impairment. I have considered it, many times - my hearing is bad now and continues to deteriorate, the struggle to communicate is increasingly difficult, and there is a very real chance that I will reach a point where I am functionally unable to hear people speak. And yet every time I consider it, I keep coming back to the same problem - that in order to do me any good, sign language must be used by those around me. Of all the people who know me, only one currently speaks it, and that’s by sheer coincidence. How many of my loved ones would - or even could - learn an entire language just for me? Even if all of them did, think about how many people you interact with just by living an ordinary life. There’s coworkers of course, but also health professionals and repairmen and delivery drivers, mechanics and bank tellers and post office workers. Even a trip to the grocery store requires some level of interaction with cashiers and baggers, possibly the workers at the deli or behind the butcher counter or in the seafood department. What are my odds that any of them will know sign language? Unless I relocate somewhere with a large Deaf community, the answer is - as you may have guessed - not good.
Ultimately, I end up reaching the same conclusion every time. Sign language is too rarely spoken to be useful to me, even though I am exactly the sort of person it was invented to help. Those of us who are lucky live in an society where text-based communication is fast and easy and widely accessible, but not all of us do and I can just imagine how much harder the struggle is for whose who don’t have that.
Helen Keller once said, “Blindness separates people from things, but deafness separates people from people.” How much less isolating would hearing impairment be if we could listen in a language everyone spoke?
I think we need to talk about the under appreciated Window Seat fandom
I mean really? With the book shelves?
It’s like an alcove of happiness.
You want a whole row of individual seats? Fine, here you go.
Or how about a whole window bed for those snugglers out there.
Curtains.. Guys this one has curtains.
Seriously? This is basically a glass cube of bliss.
You can even get them with corners! Not enough corners? Okay.
Ba-BAM!! Corners for cocooning.
There’s also the Roman-esque themed seat for the historians out there.
If you don’t want to snuggle up in blankets with hot cocoa in this then I don’t even know why you’re on this planet. I mean dat stonework.
This one’s an entire rectangle. Just imagine all the cuddling that could happen in there. It’s practically a fortress.
This one’s fucking curved okay? it’s just chillin, up of the ground, and curved for your lounging convenience.
don’t like rectangles or square? Okay. Have a fucking trapezoid seat.
@succumbtoyourtendertone @onlytohisintimates y’all,,,,,,,,
THESE ARE MY FAVORITE THING
<3
Some illustrations from Tehanu, the fourth book of Earthsea by Ursula K. Le Guin.
Tehanu and Tales from Earthsea are my favorite books in the series. It’s a series I wish I’d read when I was younger, but I’m also so happy that I got to experience them as an adult. I cannot describe my love for them. These drawings were posted in March for my $2+ patrons on Patreon. https://www.patreon.com/JessFink
For people who want to start reading Neil Gaiman’s The Sandman
I only got into Sandman last June. I wish I had read it sooner but no one really described it well to me so I went in almost completely unawares.
The main character in Sandman is Morpheus AKA Dream of The Endless. He is the living embodiment of dreams. His usual appearance (as his form changes depending on who is looking upon him) has peculiar, bone-white, skin and completely-black eyes with tiny star-like pupils that flare when he’s using his powers. He has wild black hair and is extremely thin.
His minion are entities of Dreams and Nightmares. He seems to have a fondness for Halloween aesthetics from Jack-o-lanterns and Gothic castles to spooky old houses (like The House of Secrets and The House of Mystery), and ravens.
Morpheus AKA Dream of The Endless is of a family of beings known as… well… The Endless.
The Endless are a family of anthropomorphic personifications. That means they are living embodiments of certain concepts. For example Morpheus / Dream’s older sister is Death. She’s essentially the Grim Reaper.
The family consists of Destiny, Death, Dream, Destruction, Desire, Despair, and little Delirium (She used to be Delight but she went mad).
Most of Sandman is the story of Morpheus and what happens to him. The place to begin is Sandman: Preludes and Nocturnes.
In this story Morpheus gets summoned and captured by early twentieth century occultists who had been trying to capture Death but got him by mistake. He is kept locked in a windowless cellar in a glass cage for nearly a century.
When he finally escapes he gets his revenge on the son of his original captor and then seeks out his tools that were taken from him when he was captured. These tools include his pouch of dream sand (he is the Sandman after all), his helm (a battle helmet, though he rarely if ever goes into battle, made from a skull and spine of Old Gods and resembles a gas mask), and his rubly dreamstone amulet, a conduit for his power (like a wizard’s wand).
The first storyline is Morpheus reclaiming these lost artifacts. At one point this leads him to Hell where he faces a demon who has gotten a hold of his helm. The demon challenges him to a game of wits, creativity, and imagination as opposed to physical combat.
Morpheus used to be something of an asshole but he undergoes considerable character growth through the course of the series and becomes more and more compassionate.
Often he finds himself simply trying to set right the wrongs of his own past. For example Sandman: Season of Mists starts with Morpheus reluctantly (he’s very afraid) going back to Hell to rescue a soul he wrongfully left there centuries before only to find that Lucifer is quitting (basis for the plot of the Fox / Netflix TV series).
Lucifer leaves Morpheus the key to Hell and and now Morpheus must figure out what to do with it while The Dreaming (his realm) is bombarded with deities and beings of folklore who all want the key to Hell for themselves since it’s “Prime psychic real estate.”
The Sandman is strange. It’s surreal and it’s beautiful. Each volume of Sandman is drawn in a different art style. There’s very little combat-style action or explosions though there is occasional horror and gore. It’s more like a work of pure literature than any traditional idea of a comic book.
The order Sandman should be read in is as follows:
1. The Sandman: Preludes and Nocturnes 2. The Sandman: The Doll’s House 3. The Sandman: Dream Country 4. The Sandman: Season of Mists 5. The Sandman: A Game of You 6. The Sandman: Fables and Reflections 7. The Sandman: Brief Lives 8. The Sandman: The Worlds’ End 9. The Sandman: The Kindly Ones 10. The Sandman: The Wake The Sandman: Dream Hunters The Sandman Endless Nights The Sandman Overture (a very beautiful prequel)
The Sandman can also be read in the Omnibus form (three volumes) or in the “Absolute editions” (There are six in all). The Absolute editions are better than the omnibuses and physically easier to read (larger print) but they are more expensive.
mrs-bees-for-eyes This is for you.
This may be useful for some of you, I hope…
These are my 9 favourite pieces from The Shortest Story so far. I’m so, so proud of what I’ve built with this project. It’s made me love writing fiction again.
Right now I’m Kickstarting a book of 88 of these stories, including:
13 stories narrated by Cecil Baldwin, voice of Welcome to Night Vale, who narrated the trailer
Incredible guest authors, including Robert Shearman (Doctor Who), Helen Marshall (Hair Side, Flesh Side) and Shawn Coss (Any Means Necessary, Cyanide and Happiness)
I’d love if you could check out the book or boost this post. You can also read an album of my 30 best stories on Imgur right now, including unreleased material! Thanks so, so much.
MerMay #5! Another coral naga, i was experimenting a bit with shapes, putting her tail in a kinda geometric pattern (reminds me a bit of a celtic knot)
Super cool!
More often than not I’ll crack into a sprawling fantasy series and, while I appreciate the luscious descriptions of furniture, landscapes, and clothing, all I’m focused on is that I don’t actually know how this world works. I only know what it looks like.
Including some functionality to your universe can add to immersion and give your reader a strong foundation on which to build their mental model of your universe.
You certainly don’t need to use all of these questions! In fact, I recommend against that, as all of these certainly won’t make it into your final draft. I personally find that starting my worldbuilding off with 5 to 10 functional questions helps pave the way for glittery and elaborate aesthetic development later on.
How is the healthcare funded in your world?
How does healthcare functionally differ between the wealthy and the poor? (i.e. can only the wealthy go to hospitals? do poor families often have to rely on back-alley procedures?)
Where are health centers (i.e. hospitals, small clinics, etc.) organized in your cities?
Does it differ in smaller towns?
How does this affect people’s ability to get healthcare?
Is healthcare magical, and if it is, how does that affect the healthcare system?
If healing is instantaneous, how does that affect people’s views on injury, illness, and chronic ailments?
If you have both magical and physical healthcare, which one is deemed superior and how does that affect society?
What illnesses are common in your world?
How does this affect daily life?
What do the people in your world think illnesses are?
Is it a miasma theory?
Humor theory?
Demons?
Do they know about biological viruses and bacteria?
How does this affect healthcare?
How do people get water?
Is the water sanitary and if not, how do they sanitize it?
How does agriculture work?
Is it large corporations or individual farms?
What sort of agricultural technology exists in your world and how does it affect food production?
Are farmers wealthy or poor?
What sort of natural resources does your world/country(ies) have and how are they obtained?
How does this affect the average wealth of the country?
How does this wealth affect the culture?
What livestock or beasts of burden are most valued? Least valued? Why?
What is considered a luxury good vs. a regular good?
What forms of transportation does your world have?
What classes use what forms of transportation?
How far has the average citizen traveled, given your transportation limitations?
Which cities are the most accessible and which are the least? Why?
How do popular transportation methods change how cities/towns are laid out?
Does your world have public transportation? What is it?
Is there a coming-of-age aspect to travel?
Describe your world’s postal system or whatever equivalent there is.
Who pays for it?
How reliable is it?
Are there emergency methods for transporting information?
How does your world keep time (i.e. watches, sundials, water clock, etc.)?
Does your world have a currency system, barter system, or something else?
If you have multiple countries, do different currencies have different values across said countries?
How does this affect travel?
Do you have banks in your world and if so, how are they run?
Who owns the banks? Government? Wealthy? How does this affect the economy and/or class system?
How does credit operate in your universe?
Does your world operate more on big corporations or small business? Something in between?
How are workers/labourers treated in your world?
Are there workers unions and if so, what are common views on unions?
Describe your tax system. If you don’t have a tax system, explain why and how your world is affected by that.
Can certain social classes not own property, certain livestock, certain businesses, etc.? Why?
How are business records kept? Are business records kept?
If your world has technology, does your world prioritize developing entertainment tech, communications tech, transportation tech or something else entirely?
What does this say about your world?
How does this affect your economy?
To the closest approximation, what type of government does your world have?
How are rulers/presidents/nobles put in place?
How much power does an individual ruler have?
Is there a veto process?
If you have multiple countries, do they have different types of rulers?
Describe any large-scale alliances (i.e. countries, factions, etc.) that are present in your world.
How did they come about and how are they maintained?
Are they strained or peaceful?
How does it affect the greater politics of your world?
Describe how wars are fought both internationally and nationally.
Do methods of war differ between countries/races?
What about philosophies about war?
If there is a military, what is its hierarchy structure?
How does the military recruit?
Is the military looked upon favourably in your society?
What weapons are used by each country/type of people during warfare, and how does that affect war strategies?
Describe the sentencing system of your world.
Is your accused innocent until proven guilty, or guilty until proven innocent?
How are lawbreakers punished?
If you have prisons, describe how they are organized and run, and who owns them.
Does differing ownership change how the prisons operate?
What are the major ways in which laws between countries vary?
Do laws between cities vary? If so, how and why?
How does citizenship work in your world? What rights and privileges do citizens have that others do not?
Can certain classes or races not become citizens?
Are there certain taboo subjects or opinions that artist/authors/musicians are not allowed to depict (i.e. portraying the official religion in a negative light, explicit sexual material, etc.)? What does this say about your society?
How do people get around these censorship laws?
What is the official hierarchy of duty in your world? (i.e. is family the most important, or patriotism? What about clan?)
How many languages are there in your world, and how many languages share a common origin?
How many people are multilingual?
Which language is the most common?
How is multilingualism viewed?
How are different languages viewed? (i.e. is one language ugly/barbaric while another is romantic and sensual?)
Feel free to add your own questions in reblogs or in comments!
I'd like to do a giveaway of this Size S Obitsu brand doll. She has an amateurish faceup (done by me) and the pictured clothes plus a few barbie outfits. I'm moving and won't have anyplace to keep her. PM me if you want her - I'm only asking that you pay shipping. First come, first serve. (And if you redo her with nice face and bodypaint I'd love to see pictures!)
Arctic Moth taking care of Arctic Woolly Bear caterpillars!
Random Wilderness Encounters (1d100)
Here’s a complete list of my Wilderness Encounters (#1-5)! After this I’ll be posting Random Town Encounters. If you guys want other environments let me know! (Ocean, Island, Mountain, Underworld, ???)
[1] A friendly stray dog appears, when asked to speak the dog has a lot to share [2] Materializing out of thin air, a magician appears claiming one of the party members is their long lost cousin. Surely this must be a mistake? [3] The sky above turns into a strange hue, birds begin flying in strange patterns in response [4] Copper sign on a large oak tree warns of a dangerous beast that hunts in the area [5] Strange traveling merchant appears selling exotic fish and unique magical spices. They’re desperate for loyal customers, surely this won’t be the last the party sees of them [6] There is a shift in the aura, the party have crossed into a large-scale summoning circle [7] A faint tune is heard, a pleasant and somewhat familiar whistling. But only half of the party can hear it [8] The trees appear to be sickly, covered in an acidic substance. The source of the infection lies deeper within the woods. It is hungry [9] Ruins of an abandoned town lie before you, only a few decades old. What awaits within the shadows? [10] A strange marketplace is stationed near a spring, all the merchants seem to be friendly but you can’t help but feel like something suspicious is going down… [11] The temperature drops to an insanely low degree almost immediately. Destroyed trees and earth lie ahead covered in ice crystals and blood [12] A carriage rides toward you in the distance, the driver smiles and waves. As they pass by, a tied up body wriggles and falls out of the carriage [13] Pointed plant spurs shower the party attaching to their clothes, they are difficult to remove and grow in size very rapidly [14] The aroma of baked goods floods your nose, it’s rich and enticing. A colossal sized monster is baking goods in a makeshift oven near a river [15] Goblins camping on a hill loudly argue about a dishonest game of cards. Looks like their betting pool is full of interesting treasure [16] Forest spirits glow and awaken as the party enters their domain. The spirits offer a safe way through the forest as long as they promise not to steal any of the enchanted flowers within [17] A wounded Minotaur rests against a tree slipping in and out of consciousness [18] Blessed by a beautiful night, the party gaze upon a shooting star. It glows brightly, increasing with size as it makes contact with the earth itself not too far away [19] Travel is pleasant until the party notices their packs seem to be lessening in weight [20] Twin travelers, no more than 6 years of age, approach the party lost and scared. They refuse to let anyone open up their knapsacks [21] A band of muggers attack the party, they are completely drunk and can barely hold a dagger [22] It seems you’ve stumbled onto the hidden base of an Alchemist, strange abominations infused with Chromatic Orbs guard the premise [23] “Huh. That’s weird, did that plant just move or was it just me?” [24] While scavenging for food, you stumble upon an adorable but frightened rabbit. Every time it sneezes it changes forms, starting with Owlbear [25] An abandoned grain mill provides some convenient shelter for the night. Inside the mill the party discover a complex mechanical endoskeleton, the rusted metal gears creak uneasily [26] Nearby, a crowd has gathered around a clay golem without a master. The crowd watches, enchanted as the golem paints masterpieces. The paint has a strange property… [27] Two Monsters are locked in combat, bloodied and breathing heavily. It seems their glorious duel is one of honor, maybe bet on a winner? [28] A Dragon flies overhead holding onto a hoard of gold and treasures. A sudden change in direction causes a piece of their treasure to fall [29] Dozens of fish with human legs crawl out of a lake. This school of peculiar fish seem to be on a mission [30] Rock music is heard in the distance followed by bouts of cheering, strange aromas fill the air. It seems you are approaching a Music Festival [31] You’ve wandered onto the premises of a camp for young Wizards. A Wizarding tournament is taking place and things get very dangerous, very fast [32] A cobblestone bridge stretches across a deep ravine. An Orc guarding the bridge demands you pay the toll, fortunately it is very small. After crossing the bridge you simply cannot remember where you are or where you’re going- Oh, a hey! A bridge! (And repeat) [33] A Mage stands in front of an unfinished tower. Upon seeing the party, they ask for assistance [34] A few hundred feet ahead, a strange house on wheels attached to two horses is parked on the side of the road. The house is somewhat destroyed but a sign on the roof is visible, “The Legendary Vagabond’s Sensational Creature Exhibit” [35] The ground below rumbles as a Monster emerges catching one of the party members in their teeth [36] In the center of the forest clearing, an abandoned field of flowers sway. These strange flowers are growing out the decayed body of a Dryad [37] A wild chicken jumps out of the bushes, it’s beak covered in blood. Surely this chicken is no threat, right? [38] Seated beside the river shore, an ethereal creature weeps. They reveal themselves as a Demigod with daddy issues [39] Hungrily, a non-traditional Chimera stalks the party. The beast is stitched together poorly [40] Inside the log of a fallen tree lies a poorly concealed treasure chest full of stolen loot. I’m sure nobody will mind if we take it? [41] Mysterious beasts occupy a dark hollow inside a hill, they want to play a bizarre game with promise of a grand reward [42] A sleeping Cyclops presents an awkward obstacle for the party, sleeping on the path. Nothing seems to be waking them and going around them is dangerous due to the environment [43] A nearby earthquake collapses the ground, revealing some glowing ore [44] Rotted flora is everywhere, upon further inspection this rot spreads out for miles [45] Wonderful! A village! Oh and everyone here is so nice… New mayors? Oh no, you must be mistaken! Oh, you’re certain? Well then [46] Lightning strikes the ground creating a dimensional rift. Certain conditions must have been met for this to have happened. Why not investigate? [47] Faint, indescribable sounds are heard from every direction. As you leave the dense foliage you discover beasts and Monsters of all types in cages. Welcome to the zoo [48] Little miss spider sips on some cider, eating her curds and whey. Along came the party, all powerful and hearty who scared miss spider away… You guys should probably apologize [49] A few tattered shacks sit beside the open road, nothing of interest is found within. The only thing to note is that they seem to be breathing… [50] Something straight out of Monster Factory is now stalking the party. Are they friend or foe? [51] A poet down on their luck bumps into the party. Did I mention they’re a Beholder? Let’s hope somebody can inspire this beast, or else [52] Just outside the village a group of angsty Bards are practicing their instruments. Their music is loud and dangerous, they don’t seem to understand a thing about Bardic magic [53] The coolest wizard you’ve ever seen dogsleds past your crew, spraying them with glittering ice. Did I mention it’s summer? [54] Just ahead, you see a ruined castle covered in moss and vines overlooking a quiet lake [55] Looks like a small creature has found its way into someone’s pack. This menace has eaten all of your rations and drank all of their booze! [56] YUCK! A swarm of bugs have gotten the best of your party. Fortunately, only one of you was bitten. Unfortunately, it looks like now they’ve developed a new, very unfortunate allergy [57] Blistering heat has rendered your whole party sweaty and exhausted, movement is quite difficult. I sure hope some baddies don’t show up right now [58] The unluckiest member of your party has their luck turned around, they found a precious jewel lodged in the dirt. They feel inspired [59] The unluckiest member of your party continues their trend of haplessness, they find a precious jewel lodged in the dirt. It whispers to them at night, haunting their dreams [60] After a hearty sleep the party awaken to find that they’ve been sleeping on top of a buried tomb [61] A large scale battle is taking place, bodies everywhere. Wait, this doesn’t seem to be a battlefield but a serious LARP session [62] Rusted weapons have been lazily discarded into a sunken pit. As the party approaches they discover this heap of weapons is actually somebody, or something’s collection [63] A drunken Necromancer attempts to impress the party by casting hazardous spells [64] Arrows fire at the party from behind. Someone’s been hired to take them out [65] For the past few hours you’ve felt as if someone has been watching you from afar. A Druid has been tracking your party. Outsiders are rare in this forest [66] A group Merchants are completely lost. Neither of them can remember anything from their past [67] Religious statues are placed haphazardly around the area, nothing is out of the ordinary until the sun goes down [68] Dozens of animated skeletons are exercising and doing some really intense yoga [69] Beside a babbling brook, a young cow drinks alone. They’re irresistibly adorable [70] An uneventful day of travel, the weather is calm the trees are- THUD! WHAT THE- The party leader has bumped into something invisible [71] All metal objects are intensely pulled toward an unknown source. Steel weapons and armor don’t stand a chance [72] It appears resting on that rock was quite the mistake. The stone rumbles and animates, grumpy and combative [73] Meditating on floating chunks of earth is a powerful looking Monk. They claim to have been awaiting the party’s arrival. The Monk issues a challenge, a test of strength [74] You’ve somehow stumbled onto a delightful Toad farm. Do you think a Witch lives around here or is there just a Toad enthusiast in these parts? [75] The morning sun stirs you awake to an unexpected scene. You and your friends have been tied up and kidnapped, seated in the back of a caravan. It smells oddly of pickled vegetables [76] A fishing contest is being held at the lake. The grand prize is a shockingly large sum of currency [77] It is a moonless night, travel is nearly impossible. As the party decide to sleep for the night, glowing is seen in the distance. When investigated the glowing creature is seemingly friendly and it attempts to guide the party through the night [78] Forest fairies are holding a festival for their gods, they invite the party to join [79] ACHOO! The pollen in the air is really strong… Wait… Are those trees growing or are we shrinking? Of course we’re shrinking! Why wouldn’t we be shrinking!? [80] In order to pass through this forest unharmed you must answer the goddess’s riddle. Unfortunately for the party she speaks a dead language, they hear only strange whispers [81] A group of Goblins attack! After giving them a good licking you run into them again. And again… And again. Maybe we should just make peace with these dorks [82] Introduce the most ridiculous NPC and have them stuck in some quicksand. Really let their character shine through, whether they are stupidly entertaining or horribly unbearable [83] A strange light glows in the distance on top of a mountain. Is this a sign of good fortune or something much more sinister? [84] A lone child plays the flute in the forest, they appear almost ethereal. It is a haunting melody [85] Shattered Gargoyles sit in an overgrown garden, a treasure chest lies among the rubble [86] Pick your favorite Cryptid and make them canonical to your world. Have the beast stalk the party for mysterious cryptic reasons. And yes, the Loch Ness Monster is an excellent choice [87] The forest clearing leads to a crystal clear freshwater lake. In the depths of the water something terrifying is waiting to be discovered [88] Two hyper intelligent, talking rabbits stop the party in their tracks. All they request are some books to read [89] A tree, twice as tall as the others appears to be growing… Weapons? (All of those are cursed, of course) [90] Next to the road, a group of Archaeologists are taking dirt samples. They’re convinced they will find some buried artifacts in the area. They are willing to pay a ridiculous sum of money if you give them some assistance, just as long as you keep this whole thing to yourselves [91] Resting through the night was very pleasant for the party leader. When they attempt to greet their comrades, they have found themselves in a bed a long ways away from their resting point [92] Dried up lake beds and decaying trees among a field of animal bones. You have reached the outside of a Necromancer’s circle [93] Orcs with a sense of humor attempt to prank the party. Their prank is perfectly harmless, it involves just a little bit of bottled unicorn piss [94] Travel is impossible on this moonless night. Unfortunately, sleeping until morning does not solve the situation, nighttime persists indefinitely [95] A colorful formation on the side of the mountain piques your interest. Inside lies the abandoned home of a giant and it is full of unique treasure. Let’s just hope something else hasn’t taken residence within the forgotten halls [96] Tons of bubblegum covers the roads, it is awful to travel through. The source of this mishap is a young Wizard with a sweet tooth [97] Crashed into the side of a plateau, a metallic construct with strange markings and glowing lights. Surely this isn’t an actual extraterrestrial? [98] While foraging for food, the party find a path of mushrooms leading into a dense Fungal Forest. Rare and undiscovered fungi grow within [99] The most obnoxious bard in the world joins the party at their campfire. They claim to be weak and in need of good company, offering booze to win them over. Did I mention this bard is an infamous necromancer on the run? Yeah, that might be important to know [100] Have you ever heard of the Adventure Zone? Well, Taako, Magnus and Merle have suddenly found themselves into your campaign. They are completely lost
(via)
first part of my thai mermaids series made for the thailand grand festival in sydney! Inspired by a series of traditional Thai garments
Thailand grand festival is a festival to celebrate and promote our culture, for any Aussies interested its on at tumbalong park, sydney today! :)
A gif for Mermay!
This is my favorite Mermay GIF this year!
The Year of the Dog bath bomb from Moon's Harvest has made my bath the color of too-strong, opaque fruit punch.
Temples are built for gods. Knowing this a farmer builds a small temple to see what kind of god turns up.
Arepo built a temple in his field, a humble thing, some stones stacked up to make a cairn, and two days later a god moved in.
“Hope you’re a harvest god,” Arepo said, and set up an altar and burnt two stalks of wheat. “It’d be nice, you know.” He looked down at the ash smeared on the stone, the rocks all laid askew, and coughed and scratched his head. “I know it’s not much,” he said, his straw hat in his hands. “But - I’ll do what I can. It’d be nice to think there’s a god looking after me.”
The next day he left a pair of figs, the day after that he spent ten minutes of his morning seated by the temple in prayer. On the third day, the god spoke up.
“You should go to a temple in the city,” the god said. Its voice was like the rustling of the wheat, like the squeaks of fieldmice running through the grass. “A real temple. A good one. Get some real gods to bless you. I’m no one much myself, but I might be able to put in a good word?” It plucked a leaf from a tree and sighed. “I mean, not to be rude. I like this temple. It’s cozy enough. The worship’s been nice. But you can’t honestly believe that any of this is going to bring you anything.”
“This is more than I was expecting when I built it,” Arepo said, laying down his scythe and lowering himself to the ground. “Tell me, what sort of god are you anyway?”
“I’m of the fallen leaves,” it said. “The worms that churn beneath the earth. The boundary of forest and of field. The first hint of frost before the first snow falls. The skin of an apple as it yields beneath your teeth. I’m a god of a dozen different nothings, scraps that lead to rot, momentary glimpses. A change in the air, and then it’s gone.”
The god heaved another sigh. “There’s no point in worship in that, not like War, or the Harvest, or the Storm. Save your prayers for the things beyond your control, good farmer. You’re so tiny in the world. So vulnerable. Best to pray to a greater thing than me.”
Arepo plucked a stalk of wheat and flattened it between his teeth. “I like this sort of worship fine,” he said. “So if you don’t mind, I think I’ll continue.”
“Do what you will,” said the god, and withdrew deeper into the stones. “But don’t say I never warned you otherwise.”
Arepo would say a prayer before the morning’s work, and he and the god contemplated the trees in silence. Days passed like that, and weeks, and then the Storm rolled in, black and bold and blustering. It flooded Arepo’s fields, shook the tiles from his roof, smote his olive tree and set it to cinder. The next day, Arepo and his sons walked among the wheat, salvaging what they could. The little temple had been strewn across the field, and so when the work was done for the day, Arepo gathered the stones and pieced them back together.
“Useless work,” the god whispered, but came creeping back inside the temple regardless. “There wasn’t a thing I could do to spare you this.”
“We’ll be fine,” Arepo said. “The storm’s blown over. We’ll rebuild. Don’t have much of an offering for today,” he said, and laid down some ruined wheat, “but I think I’ll shore up this thing’s foundations tomorrow, how about that?”
The god rattled around in the temple and sighed.
A year passed, and then another. The temple had layered walls of stones, a roof of woven twigs. Arepo’s neighbors chuckled as they passed it. Some of their children left fruit and flowers. And then the Harvest failed, the gods withdrew their bounty. In Arepo’s field the wheat sprouted thin and brittle. People wailed and tore their robes, slaughtered lambs and spilled their blood, looked upon the ground with haunted eyes and went to bed hungry. Arepo came and sat by the temple, the flowers wilted now, the fruit shriveled nubs, Arepo’s ribs showing through his chest, his hands still shaking, and murmured out a prayer.
“There is nothing here for you,” said the god, hudding in the dark. “There is nothing I can do. There is nothing to be done.” It shivered, and spat out its words. “What is this temple but another burden to you?”
“We -” Arepo said, and his voice wavered. “So it’s a lean year,” he said. “We’ve gone through this before, we’ll get through this again. So we’re hungry,” he said. “We’ve still got each other, don’t we? And a lot of people prayed to other gods, but it didn’t protect them from this. No,” he said, and shook his head, and laid down some shriveled weeds on the altar. “No, I think I like our arrangement fine.”
“There will come worse,” said the god, from the hollows of the stone. “And there will be nothing I can do to save you.”
The years passed. Arepo rested a wrinkled hand upon the temple of stone and some days spent an hour there, lost in contemplation with the god.
And one fateful day, from across the wine-dark seas, came War.
Arepo came stumbling to his temple now, his hand pressed against his gut, anointing the holy site with his blood. Behind him, his wheat fields burned, and the bones burned black in them. He came crawling on his knees to a temple of hewed stone, and the god rushed out to meet him.
“I could not save them,” said the god, its voice a low wail. “I am sorry. I am sorry. I am so so sorry.” The leaves fell burning from the trees, a soft slow rain of ash. “I have done nothing! All these years, and I have done nothing for you!”
“Shush,” Arepo said, tasting his own blood, his vision blurring. He propped himself up against the temple, forehead pressed against the stone in prayer. “Tell me,” he mumbled. “Tell me again. What sort of god are you?”
“I -” said the god, and reached out, cradling Arepo’s head, and closed its eyes and spoke.
“I’m of the fallen leaves,” it said, and conjured up the image of them. “The worms that churn beneath the earth. The boundary of forest and of field. The first hint of frost before the first snow falls. The skin of an apple as it yields beneath your teeth.” Arepo’s lips parted in a smile.
“I am the god of a dozen different nothings,” it said. “The petals in bloom that lead to rot, the momentary glimpses. A change in the air -” Its voice broke, and it wept. “Before it’s gone.”
“Beautiful,” Arepo said, his blood staining the stones, seeping into the earth. “All of them. They were all so beautiful.”
And as the fields burned and the smoke blotted out the sun, as men were trodden in the press and bloody War raged on, as the heavens let loose their wrath upon the earth, Arepo the sower lay down in his humble temple, his head sheltered by the stones, and returned home to his god.
Sora found the temple with the bones within it, the roof falling in upon them.
“Oh, poor god,” she said, “With no-one to bury your last priest.” Then she paused, because she was from far away. “Or is this how the dead are honored here?” The god roused from its contemplation.
“His name was Arepo,” it said, “He was a sower.”
Sora startled, a little, because she had never before heard the voice of a god. “How can I honor him?” She asked.
“Bury him,” the god said, “Beneath my altar.”
“All right,” Sora said, and went to fetch her shovel.
“Wait,” the god said when she got back and began collecting the bones from among the broken twigs and fallen leaves. She laid them out on a roll of undyed wool, the only cloth she had. “Wait,” the god said, “I cannot do anything for you. I am not a god of anything useful.”
Sora sat back on her heels and looked at the altar to listen to the god.
“When the Storm came and destroyed his wheat, I could not save it,” the god said, “When the Harvest failed and he was hungry, I could not feed him. When War came,” the god’s voice faltered. “When War came, I could not protect him. He came bleeding from the battle to die in my arms.” Sora looked down again at the bones.
“I think you are the god of something very useful,” she said.
“What?” the god asked.
Sora carefully lifted the skull onto the cloth. “You are the god of Arepo.”
Generations passed. The village recovered from its tragedies—homes rebuilt, gardens re-planted, wounds healed. The old man who once lived on the hill and spoke to stone and rubble had long since been forgotten, but the temple stood in his name. Most believed it to empty, as the god who resided there long ago had fallen silent. Yet, any who passed the decaying shrine felt an ache in their hearts, as though mourning for a lost friend. The cold that seeped from the temple entrance laid their spirits low, and warded off any potential visitors, save for the rare and especially oblivious children who would leave tiny clusters of pink and white flowers that they picked from the surrounding meadow.
The god sat in his peaceful home, staring out at the distant road, to pedestrians, workhorses, and carriages, raining leaves that swirled around bustling feet. How long had it been? The world had progressed without him, for he knew there was no help to be given. The world must be a cruel place, that even the useful gods have abandoned, if farms can flood, harvests can run barren, and homes can burn, he thought.
He had come to understand that humans are senseless creatures, who would pray to a god that cannot grant wishes or bless upon them good fortune. Who would maintain a temple and bring offerings with nothing in return. Who would share their company and meditate with such a fruitless deity. Who would bury a stranger without the hope for profit. What bizarre, futile kindness they had wasted on him. What wonderful, foolish, virtuous, hopeless creatures, humans were.
So he painted the sunset with yellow leaves, enticed the worms to dance in their soil, flourished the boundary between forest and field with blossoms and berries, christened the air with a biting cold before winter came, ripened the apples with crisp, red freckles to break under sinking teeth, and a dozen other nothings, in memory of the man who once praised the god’s work on his dying breath.
“Hello, God of Every Humble Beauty in the World,” called a familiar voice.
The squinting corners of the god’s eyes wept down onto curled lips. “Arepo,” he whispered, for his voice was hoarse from its hundred-year mutism.
“I am the god of devotion, of small kindnesses, of unbreakable bonds. I am the god of selfless, unconditional love, of everlasting friendships, and trust,” Arepo avowed, soothing the other with every word.
“That’s wonderful, Arepo,” he responded between tears, “I’m so happy for you—such a powerful figure will certainly need a grand temple. Will you leave to the city to gather more worshippers? You’ll be adored by all.”
“No,” Arepo smiled.
“Farther than that, to the capitol, then? Thank you for visiting here before your departure.”
“No, I will not go there, either,” Arepo shook his head and chuckled.
“Farther still? What ambitious goals, you must have. There is no doubt in my mind that you will succeed, though,” the elder god continued.
“Actually,” interrupted Arepo, “I’d like to stay here, if you’ll have me.”
The other god was struck speechless. “…. Why would you want to live here?”
“I am the god of unbreakable bonds and everlasting friendships. And you are the god of Arepo.”
I reblogged this once with the first story. Now the story has grown and I’m crying. This is gorgeous, guys. This is what dreams are made of.