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The GOOD OMENS FOR PALESTINE Charity Fanzine is now OPEN FOR DIGITAL PURCHASE!
The day is finally here! From now until May 13th, you can purchase Good Omens for Palestine for a minimum price of $10 USD.
Get the zine here!!!
[below the cut, i’m going to be discussing the tactics serial rapist and sex trafficker neil gaiman is using on instagram right now. i won’t be going into explicit detail about the allegations against him, but this is, obviously, a post about a rapist. the typical warnings apply.]
neil gaiman softlaunching his comeback right now is obscenely calculated. the current news cycles in the united kingdom and united states, both places of residency for gaiman, are focused on an institution of child rape by extremely powerful people. the aspect of gaiman’s sexual violence that was emphasized by reporters when the allegations came to light was the bdsm dynamic, and the idea that the lines between bdsm and sexual abuse can be unclear; had the focus been on a different aspect, such as the formulaic procuring of young women over whom he had power and his subsequent use of this power to coerce them into sex, or the involvement of his young son as an exhibitionist party, i suspect that he would have had to wait another couple of years, as these things too closely echo the reporting on epstein. in the face of the epstein files, the angle of undernegotiated kink appears benign, maybe even misunderstood by society — a feeling that attracted much of his audience in the first place.
notice how he starts with vulnerability, a sense that he loves each person who has been supporting him as an individual, a sense that they are heroic for sticking by the underdog. notice how he mentions proof he does not show in the rest of the post, primarily as a means of reassurance. you knew he couldn’t have done this. in fact, here’s a reward for trusting him:
it’s so boring in its brutality. appeal to mass emotion around how awful everything feels (neatly placing “neil gaiman accused of rape” alongside the current human rights atrocities in the process), calculated display of vague vulnerability and bookish wisdom, and then the centerpiece: a reward for sticking beside him long enough to get to this slide. all the horror that you, as a fan of his, had to go through is finally worth it. some beauty has come out of this destruction. his next book is going to be big. book buzz sandwiched between platitudes. never once in this post does he clarify what “the allegations” even are.
this is perfectly tailored for his particular fanbase. it’s twee without being too precious. it’s glossy without being too removed. it gives the feeling of intimacy without actually discussing anything. it’s made to comfort people who desperately need the allegations to be untrue, and the timing could not be better.
i don’t think much of the audience this is geared towards will read the substack articles he pushes in the post; i genuinely believe this is enough for them. journalists will read them, though, and readers who hadn’t heard of his allegations before will probably find the version of them resurrected by the coming news cycle tame in comparison to the reports of sexual abuse being discussed on a wider level at the moment. he’s using some of the same tactics of fostering parasociality, making a subject feel special, and revealing emotional vulnerability that he used against his victims in their accounts. to be clear, i’m not suggesting neil gaiman is grooming the public—this is about book sales. it’s not the behavior of an evil mastermind, it’s the behavior of a rapist in the literary world. this is marketing. the rape and trafficking of multiple women is a prop used for sympathy.
please be a killjoy. bring it up. don’t let him get away with sweeping this under the rug and attempting to profit off of it. don’t give rapists an inch.
lol, and additionally - and i must stress this - lmao
lol, and additionally - and i must stress this - lmao
if your gut reaction to the allegations against neil gaiman is “i wonder what david and michael think about this” and not “i hope the victims get the support and resources they need and deserve” then i need you to not only touch grass but probably eat it and smoke it too bc touching is not enough
#crowley being the proudest husband
GOOD OMENS 2.06 | Every Day
Methinks the angel doth protest too much.
TIL there are only around 120 anonymous Michelin restaurant inspectors in the world. They spend 3 out of every 4 weeks on the road, and must vacate a region for 10 years if they think a restaurant suspects their identity.
via reddit.com
Imagine thinking your spouse is a sexy secret agent for decades only to find out he’s a restaurant critic for fat tire boy magazine
Better yet imagine a real spy getting in trouble and mistaking a restaurant critic for a fellow agent. But the critic takes their job very seriously and won’t reveal themselves and so gets pulled into some kind of huge dangerous conspiracy whilst continuing to take notes on the quality of every restaurant they almost get shot in.
the implications of crowley talking in a baby voice to the bentley are insane bc he does it while holding the plants meaning either crowley has gone completely soft in season 2 or he’s waging psychological warfare with the plants, making sure they know who is the favorite. both options are absolutely bonkers
if you want to check out my old book! aziracrow nsfw collection, head over to ao3 <3
ko-fi
Aziraphale reads
thinking about their peaceful morning in the cottage
Everyday it's a-gettin closer~
A small simple sketch illustration I threw together yesterday. Just the ineffable husbands relaxing in a field of grass and flowers! 💕✨
FULL VERSION👀
I swear, the cottage wives au is getting written, I have two witnesses…… but I can’t resist some art in the meantime
Ko-Fi
"Hard on the buttocks, horses. Major design flaw if you ask me."
This is your reminder that Crowley doesn't like riding horses because he has no ass. No ass at all. He has the physique of a svelte noodle. But instead of admitting he's the problem because he has no ass, he blames it on the design of the horse, because he can't take accountability for anything, not a single thing, not ever.
evening walk