Faliyos the Wanderer

While the angels, all pallid and wan, Uprising, unveiling, affirm That the play is the tragedy, “Man,” And its hero, the Conqueror Worm I had mouth, but I must not scream.

[faliyoslin]

A cursed creature

Literally a freak.

Just a freak but I am trying to be politely, I am not writing in first language, forgive me.

For politics? *just a rainbow capitalist maybe, maybe something worse

Any questions

Sorry I feel kind of weird

Emm

Voting ended onNov 5, 2023

[faliyoslin]

Alienated Germania

This work continues my exploration of Germania, drawing again from her 1848 allegorical image. Rather than fixing the figure in a single historical moment, I intentionally disperse the timeline. There are subtle pre–Second World War references, but no precise dates—only symbols that recur across different periods of nationalist imagination.

I place her in a kimono-like garment, borrowing the color logic and structure of 着物 (kimono) to shift Germania into a different visual system. This displacement allows the image to function less as historical reconstruction and more as myth.

The black flames in the background are titled Karmic Fire (カルマの火). They echo the visual language of extremist symbols such as the Black Sun, while also drawing from the Buddhist concept of 業火 (gōka)—a fire generated by one’s own actions. Here, fire represents self-inflicted destruction, suggesting the irrationality of revenge rather than its justification. The flames are also inspired by the fiery halos behind Kongō-rikishi statues in Japanese Buddhist sculpture.

German oak leaves appear as kanzashi (簪)-like hair ornaments, transforming a nationalist emblem into a fragile decorative object. The dagger resembles an SA dagger, while the Iron Cross is left deliberately without a specific historical version, functioning only as an inherited image. Other elements—such as radiating black eagle feathers and a map-like form beneath the blade—remain intentionally ambiguous, pointing to historical violence without fixing its meaning.

[sand-and-swamp-and-wildfire]

Mother of Grain — Ergot, Ignis Sacer, Das Mutterkorn.

This is sort of a companion piece, sort of a spiritual opposite to Trogoautoegocrat. I've much less to say about this one, it contains imagery I've used in other places before.

[faliyoslin]

Omg I thought the formation of Germany was looking like an Antichrist or pagan Séance before!

[faliyoslin]

「焔は形を持たず、されど人はそれを祖国と呼ぶ。」

“the flame has no form, yet people call it their fatherland.”

I draw germania, or Germany in hetalia in ukiyoe style, after I tired hetalia France in Chinese Qing Dynasty art style, now I used the different mixes

his work can be read as a tribute to the Germania figure associated with the 1848 revolutions—the same allegorical image that presided over the Frankfurt Parliament. At the same time, it reflects on nationalism and the Romanticist fantasy of the medieval past. Germania, or this personified Behemoth, never lived through the medieval world; the armor he wears is therefore not a historical relic but a projection of nineteenth-century imagination. It no longer functions as armor in any practical sense and serves a purpose no different from the elaborate dress of a courtesan .

The pose and expression draw inspiration from Tsukioka Yoshitoshi’s muzan-e (“cruelty pictures”), a grotesque subgenre within the late ukiyo-e tradition known for its theatricality, emotional exaggeration, and morbid intensity. By referencing muzan-e, the work intentionally positions the figure within a visual language associated with violence, spectacle, and psychological distortion—an ironic counterpoint to the heroic nationalism often attached to Germania.

The armor design, in contrast, is based on pre–World War I German postcards, many of which carried overt nationalist symbolism. The combination of these two incompatible traditions—the grotesque ukiyo-e mode and the nationalist European visual vocabulary—creates a deliberate tension, emphasizing the artificiality and constructed nature of national personifications.

Also, I have another ukiyoe version of germania, i will pose it if the reaction is quite strong

[faliyoslin]

Whatever, happy birthday, froggy

[faliyoslin]

As an antique store owner, I found a old painting, seems like the end of 19th century Qing dynasty. The theme is that a western figure who portrayed in the traditional Chinese style.

But, the contents are…… weird. I mean…… I can’t figure out what creature it is on the right side bottom, and it…… made me disturbed.

@underhell69 Pangea travelled through cultures

[faliyoslin]

Ridson on the Reliquary, 2025, digital art .

Because of his sophistry, the tongue of this blasphemous self-saint was worshiped after death.

[faliyoslin]

Hetalia has fallen, millions must rejoin their flesh

[faliyoslin]

@underhell69 i am your fan and i drew this my version of aushun (fem) in your art style

Your art and au story is literally a masterpiece for me, da black humor and the really detailed contents of cosmic horror combined with those leviathan dreadful creatures!

Also I love your FACE and stylish stuffs, I really want to see more, especially about France, Germany, Austria and those from the old continents

Hope everything is going well

[faliyoslin]

Ireland MCGI

I have been to there two weeks ago, beautiful country, love their food.

I saw the original art of in their national gallery,

[faliyoslin]

My moon light

[faliyoslin]

the death of lady Maria

[faliyoslin]

[faliyoslin]

Animal Crossing but France

[faliyoslin]

Alexus the knight.