TVSTRANGERTHINGS
wallacepolsom
let's talk about Bridgerton tea, my ask is open
"I'm Dorothy Gale from Kansas"
Kiana Khansmith
pixel skylines
Stranger Things
occasionally subtle
Peter Solarz
he wasn't even looking at me and he found me
cherry valley forever
sheepfilms
Xuebing Du
Product Placement
No title available
YOU ARE THE REASON
Show & Tell
roma★
hello vonnie
tannertan36
seen from Malaysia
seen from United States
seen from Portugal
seen from Argentina
seen from United States
seen from United States
seen from Malaysia
seen from United States
seen from United States
seen from United States
seen from United States
seen from Germany
seen from United Kingdom
seen from Malaysia
seen from France
seen from Azerbaijan
seen from Bangladesh
seen from United States
seen from T1
seen from Türkiye
@fallboard
There’s a place we know we all must pass Through the liminal curtain between where grass grows And none flourish in such a way which goes to show A stirring of life here as we know it while the light glows still Across our skin, through our fur, in that promise that one day we will walk Tall across the line thin as thread and wide as a canyon spanning—Enough Talk. Enough talk now.
Image Credit: W. Kleinman
Let’s see if we can go back to where I lost it, that thing. Let’s see if we can pick up where I left off. I know it’s around here somewhere.
I recently got a Sequential Prophet 10 Rev4 and decided to explore some of its presets (a bit tweaked) in this informal jam. It was inspired by a VR Chat avatar custom-colored for me by a good friend locally as we move into my favorite season--Fall.
A live stoned live jam with my peacock boyfriend in the synth nest, featuring me on the Moog Matriarch and Behringer DeepMind 12 and they on the Synthstrom Deluge and Korg Volca Modular.
Loosely inspired by a mutual love for Jeff Noon’s 1993 novel Vurt.
Yep, I got stoned again. Testing out another recording setup. This is dumb and I’m sorry.
Original song by Jordi Cubino
Cover art from video by Zarla Sheenaza
Oof it’s been a long time since posting. A lot going on in my life, but I decided to sit down and reevaluated what I needed to keep going on my musical journey and I think the equipment I was using to record my piano was just not up to the task. I have to admit, I’m getting weary of spending more time playing audio engineer than composer, but learning this stuff early on is something I hope will help me be more motivated to post the near future.
As I teased out this tune I imagined an otherworldly marketplace where time was bought and sold, exchanged, negotiated and bartered. Where the moments and memories in “Tomography” became the currency, the individual slices of life the medium of exchange.
I also have a bitch of a hangnail on my left pinky, but I wanted to put SOMETHING out tonight so here it is.
Got real blazed and decided to drown myself in reverb this time and pretend I was on a concert stage. This is a classical concept I’ve been working on for a number of years but I thought it would be a good test of the new mics.
Icon Art by InuHein
When I was very young, maybe five years old, my father took me to the UK to visit some friends and though the memories have dimmed over the years, I still remember watching the iconic animated short “The Snowman,” which featured this haunting melody. It always reminds me of the Holidays and I thought I might kick off December with this classic. (Full disclosure I think I’m playing this in the style of another solo artist whose name I cannot currently recall).
I’ve had this tune stuck in my head for a number of years now, but recently started workshopping it with my band, the Midnight Noise Addiction, so I thought I’d dust it off and work on it again solo to get more ideas.
I love Hayao Miyazaki, I mean, who doesn’t at this point? My introduction to his work came far before John Lasseter and Disney decided to heavily promote his films in the USA and rather was shown to me on a Chinese bootleg sub of Laptuta, since it had no official US version at the time. I was spellbound, and soon went in search of other films that we now know and love today, like Princess Mononoke and Nausicaa. But the one constant that connected me most to these films was the extraordinary music of Joe Hisaishi. This score will always be among my all time favorites and I can only hope to do justice to his work here.
This has always been a song that resonated with me, as well as so many in my circle and in my generation. While Tears for Fears charged the radiowaves in the 80s with this original, I feel like Gary Jules captured an entirely new dimension to their song in his solo rendition as made famous by the film Donnie Darko. I had done this piece live, but hadn’t recorded it so one night I decided to remedy that. I hope you enjoy.
Building upon some of the motifs in “I Watched Some Fractals” this piece is kind of currently reflecting my mood. Been feeling a bit restless and confused today. Here’s to clarity.
When inspiration strikes, when the creative urge calls the same neurons fire as when you first see someone with whom you could potentially be in love.
Today’s been dark, and grey, and full of socialization. I went out shooting today and had a pretty good time. Smoked some stuff and played Night in the Woods, which certainly sets more than one tone. I’ve also had the phrasing from my most recent sketch “Tomorgraphy” kicking around in my head so I decided to mess with it some and see what came out of it.
Technically not American Lit, but possibly have the Limoncello and Tequila to thank.
That creeping thing.
ROFL is resplendent. He is Bode.
![The Timebrokers [SKETCH]](https://64.media.tumblr.com/tumblr_pdljqjaKwo1roxv1uo1_1534494763_cover.jpg)
![Another Iteration [SKETCH]](https://64.media.tumblr.com/tumblr_opmcmqnH4G1roxv1uo1_1494221427_cover.jpg)
