Act III of pentiment you destroyed me
Based on the Window of St. Vitus in Prague by Alphonse Mucha
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Act III of pentiment you destroyed me
Based on the Window of St. Vitus in Prague by Alphonse Mucha
"i hate Gernot" i say, and then i trip and fall to the ground. dozens of photos spill from my pockets, all revealing Gernot. i panic. "this isn't what it looks like," i say, frantically scooping up all the pics. "these aren't mine i swear" more photos fall.
Mother Illuminata……… (also Zdena in the doodle)
stupid sexy andreas >:/
St. Mary’s ruins in Wales
very good game, let me pet the cat
the holy face of christ
miniature from an illustrated vita christi, a manuscript created in east anglia c. 1190-1200 and expanded with added devotional texts and illuminations in northern england c. 1480–90 (the image above belongs to this second cycle)
source: Los Angeles, J. Paul Getty Museum, Ms. 101, fol. 77r
Salve sancta facies Nostri redemptoris, In qua nitet species Divini splendoris. Impressa panniculo Nivea candoris, Dataque Veronice Signum ob amoris. Salve, decus seculi, Speculum sanctorum, Quod videre cupiunt Spiritus celorum. Nos ab omni macula Purga vitiorum, Atque nos consortio Iunge beatorum. Salve nostra gratia In hac vita dura, Labili ac fragili Cito transitura. Nos provehat superis Felix hec figura, Ad videndum faciem Que est Christi pura. Esto nobis quesumus Verum adiuvandum, Dulce refrigerium Atque consolamen. Sic fruamur requie, Omnes dicant. Amen. This is not exactly the same text (minor alternations) but it reflects the meter, which is very whimsical @i-scan-your-poems
Scansion:
sálve sáncta fáciés nóstri rédemptóris, ín qua nítet spéciés divíni splendóris. impréssa pannículó níveá candóris, dátaqué Veroníce sígnum ób amóris.
Metrical form: The basic structure is one that a lot of medieval Latin songs have (or have variations on), which is rhyming couplets with:
/ u / u / u / / u / u / u
(The strong positions can be either primary or secondary stresses of the word.) Compare éstuáns intrínsecus / íra véheménti or the first parts of the stanzas in témpus tránsit gélidúm / múndus rénovátur, both from the carmina burana.
I notice that this writer accentuates some words differently than I/classical Latin would, which might be how they actually pronounce them or might be just metri causa. So Veronīcē and dīvīnus and impressa should all be accented on the penult, but this poem only scans if you accent them on the antepenult.
Rhyme scheme: ABCB DBEB FGHG IGJG etc
Uhmmmm what the dog doing
my beloved brother guy ღ
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more
since it’s pentimentiversary and i don’t have any fic to post for it (yet) i’ll share a playlist instead :) go my andreas :)
do we have a we built this city/singing cows animation for pentiment?
ötz is lucky he wasn’t there or his nose would have been way more broken by act III
ohhhhh my god u found a dead monk in your abbey? should we tell everyone? should we throw a party? should we invite bernard gui?
been really getting into pentiment lately
November: Gathering the Acorns, by Jean Colombe circa 1400, from the Book of Hours