Let me light that for you.
Characters:
{Alphonse Monroe} {Irvan Tempus} {Irma Tempus} {Baba Yaga}
Info:
{Rules} {Realms} {Lore} {Universes}

pixel skylines
The Bright Sessions
Not today Justin
PUT YOUR BEARD IN MY MOUTH
untitled
NASA
Doug Jones

tannertan36
Mike Driver
Color Me Curious

Jar Jar Binks Fan Club

titsay
official daine visual archive

shark vs the universe
EXPECTATIONS

PR's Tumblrdome
No title available

❣ Chile in a Photography ❣
$LAYYYTER
todays bird

seen from Brazil
seen from Colombia

seen from United States

seen from United States

seen from United States

seen from Colombia
seen from United Kingdom
seen from United States

seen from United States

seen from India

seen from Brazil
seen from Colombia

seen from Brazil
seen from United States

seen from Argentina
seen from France
seen from United States
seen from United Kingdom
seen from Romania
seen from United States
@fashionablyenigmatic
Let me light that for you.
Characters:
{Alphonse Monroe} {Irvan Tempus} {Irma Tempus} {Baba Yaga}
Info:
{Rules} {Realms} {Lore} {Universes}
There is this trailer that's been pissing me off at work for a movie called One Night Only. The concept is very simple what if there was only one day a year everyone was allowed to have sex. It's a romantic comedy starring a reasonably handsome Callum Turner. And Monica Barbaro. It looks fine. But it opens up apocalyptic "You better have a blind spot for this to enjoy the movie" questions that is driving me crazy. And the director is absolutely going to gloss over the whole thing. What do you mean Everyone is allowed to have sex one night a year? That sounds insane. The consequences from the premise alone gets dark very fast. People having sex everywhere doesn't sound bad in theory but like what happens in 9 months? The hospitals get jammed. With one night only babies. No one can receive help. A plague of venereal diseases swallow up the country? World? Is this a thing where some magical force prevents people from getting pregnant on this one night only? Or is this some insane distopian law that some idiot put in place . Anyone with half a brain will go Wait a minute what's happening again? The second they slide pass the scene where evitably Callum takes off his shirt and reveals gorgeous abs. I'm honestly hoping that he shows peach at some point as I'm sure Pole is a no go. But the he haha it's a romantic comedy starring to hot people finding love in the least romantic night of the year. But you don't get to ask questions about WHY EVERYONE IS ONLY ALLOWED TO FUCK ONE NIGHT A YEAR. ITS A DISTOPIAN NIGHTMARE. AND THAT WOULD MAKE A BETTER FUCKING MOVIE.
Just sits around dripping blood and blood-mucus.
Wipes his snout, then wipes that on the nearest surface.
Alphonse sighs....and walks out of the room..comes back into the room with a firehose and turns it on full blast AT khazaan. "SO HOW HAVE YOU BEEN?!" he shouts over the firehose
I work at a theater here's my two cents
Backrooms:Good. If you go in blind it will come across as very avant garde but will still scare the shit out of you. Going in knowing about it will make you feel smart. I had a couple people leave because it was that scary.
Scary Movie:Bad. doesn't know where to aim the comedy gun and the bullets don't hit anywhere important and it tries to be offensive and lands on tedious.
Obsession: Great. A wildly creepy film about love in its worst state. Highly recommend.
The breadwinner: Bland. Come on you are on Tumblr do you really wanna see a movie about a dad failing to be a dad? While the wife is off trying to make a product she sold on shark tank work. (The family is devastated that shes gone for 4 weeks oh no poor them) Trigger warning Kevin O Leary exists.
Bedside confessions
“I don’t know, Stan… Benni is such a good kid despite everything. And I feel like they’ve been… outperforming even me lately. Maybe I should retire.”
Stan rolled his eyes. “For real this time?”
“Yes, for real this time. Besides, I can still keep up with my hobbies.”
“Your hobbies become jobs. You like the praise and attention your work gets you. I don’t think you’re capable of fully retiring.”
“Well, Irma has a contingency plan for when, or if, I do. Honestly, I think it’d throw her through a loop if I actually went through with it.” Alphonse sighed and stared at the ceiling. “When Cadmus finally settled into being a functioning adult, I worried he’d never find something to excel at. Then he got into big business, finance, and whatever else he does around the realm. Then the triplets came along and started carving out their own paths. Artisanal workmanship practically baked into them.”
He paused.
“And I think Benni finally found their spark. Despite the life they were handed… we were never great parents, but I’m proud of them. Proud and a little devastated that they’ve surpassed me.” He snorted softly. “Also mildly annoyed that the fashion genius turned out to be Karnus, who refuses to actually create anything.”
Stan frowned. “What are you getting at, babe? You’re rambling.”
“…I think our time is slowing down. We’re not the main characters in our own lives anymore.” Alphonse’s eyes darted away, suddenly sheepish. “I think we should try to put things right before we’re… written out.”
Stan looked at him for a long moment. “What exactly do you have left to put right?”
“I said we. And it’s not like we’re leaving anytime soon, so we still have time to ask forgiveness and break a few generational curses.”
“Generational?”
“We’ve lived for generations, Stan. You more than me. Our baggage is generational by definition.” He rubbed at his face. “Point is, we should work our shit out now so our later years are easier to live with.”
“What’s easier than this?” Stan gestured lazily around the room. “You keep us comfortable. We spend half the winter fucking to the annoyance of our children.”
Alphonse laughed despite himself, then quieted again. “That’s not the same thing as being at peace with ourselves. Honestly… wouldn’t you rather have a better relationship with Benni?”
“I do have a relationship with them. I get along with Karnus, and the grandkids love me.”
“…Stan.” Alphonse turned to him flatly. “Do you not see Benni as a separate person from Karnus and Syliph...Do you even talk to Syliph?"
“Well, they all came from the same kid..…”
“They’re triplets, We need relationships with each of them individually. Or at the very least, one where I’m not getting shot at with crossbows.”
@passimtemere @violeteyedkiller
Meeting with Them
There is nothing more terrifying on this Earth than two gay businessmen who sign your checks calling you into their office.
The message arrives without context. No subject line that softens the blow. No “quick chat” to lull you into false security. Just: Come upstairs.
Upstairs.
You don’t know why. That’s the worst part. Your brain, ever the overachiever, begins producing possibilities like a cursed slot machine that only lands on disaster. Fired. Promoted. Reassigned. Investigated. Fired again, but creatively this time. Every outcome feels equally catastrophic, just dressed in different outfits.
Your pulse starts to climb, steady at first, then sprinting. You can feel it in your throat, behind your eyes, in your fingertips. There’s a strange prickling at the edges of your vision, like static creeping in. You briefly wonder if this is what people mean when they say they “saw stars,” except these aren’t stars. These are sparks. Electrical. Wrong.
You already know you’ll have to go to the doctor afterward. There is no way your cortisol levels are survivable long-term. This is the kind of stress that leaves a residue.
You work for Dolore Inc., which is, as far as you can tell, less a company and more a predator wearing a corporate logo. It consumes other companies. Not metaphorically, not in the friendly “merger” sense. It eats them. Absorbs them. Digests them. You don’t know how. You don’t ask. You’ve seen what happens to people who ask too many questions. They don’t get answers. They just… stop appearing in meetings.
You deal with numbers. Clean, obedient numbers. Numbers don’t breathe. Numbers don’t stare back. Numbers don’t call you upstairs.
You are in middle management. Sixth floor. Accounting. A safe, beige purgatory where ambition goes to nap. You are not important enough for this. That thought repeats, louder each time.
Surely there is someone else.
There is a hierarchy here. There are layers. Buffers. People whose entire job is to stand between you and them. Your manager exists. Your manager’s manager exists. There are at least three human shields who should intercept whatever this is before it ever reaches you.
So why you?
Why a private meeting?
Why directly with the Them?
Your mind begins to snag on smaller, sharper thoughts now. Did you miss something? A decimal point? A line item? Was there an email you didn’t respond to quickly enough? Did you respond too quickly? Too casually? Too formally? Did you say “per my last email” to the wrong person?
You try to remember your last week. Then your last month. Then everything collapses into a useless blur of spreadsheets and polite corporate language. Nothing stands out. Which is worse. Because if nothing stands out, then it could be anything.
Or everything.
The elevator ride up feels longer than it should, like the building is stretching just to spite you. Each floor number lights up with a quiet, deliberate ding, and with each one your chest tightens another fraction. By the time you reach their floor, breathing feels… optional. Decorative.
You step out.
The hallway is too quiet.
Of course it is.
The receptionist doesn’t notice you at first. You hover for a moment, palms damp, unsure whether to announce yourself or wait. Then they glance up. A flick of the eyes. A quick, measuring look, like they already know why you’re here and have decided you’re not worth delaying.
A small nod toward the door. “Go on in.”
Holy fuck.
The office is huge. Cathedral huge. The ceiling stretches up higher than seems necessary, like it’s trying to impress God.
And behind them, the city.
It spills out in endless glass and steel, soaked in deep purple twilight. The light bleeds through the floor-to-ceiling windows, staining everything in bruised violet. It doesn’t feel like evening. It feels like the world is holding its breath.
They are silhouettes at first. Then your eyes adjust.
You step forward. Too fast? Too slow? Every step echoes like a decision you can’t undo.
They’re already looking at you. Staring. Waiting.
Why can’t you remember their names?
You know one is Mr. Dolore. But which one?
The one sitting behind the desk, hands folded neatly, green eyes catching the lamplight in a way that makes them look faintly… lit from within? Watching you like you’re a chess piece already solved?
Or the one standing just behind him, slightly to the side, looming without effort, posture relaxed but coiled, like he could move very fast if he wanted to?
Both of them are sharp. Not just well-dressed. Edged. Tailored into something dangerous.
And those smiles.
God, those smiles.
No teeth. Not really. Just the suggestion of them. But your brain, traitor that it is, fills in the blanks. Fangs. Of course there are fangs. You just never noticed until now.
What are their names?!
Your mind scrambles, flipping uselessly through fragments. Caliban Dolore? Shakespeare? Wrong. Wrong. Wrong.
Say something. Default. Safe. Neutral. Corporate.
'Hello, Mr. Dolore. How can I help you?'
Your voice comes out wrong. Horribly wrong.
“Hey… Mmn Donyou neEd help?”
Silence. Heavy. Absolute.
Fuck.
---
Cadmus chuckled from his own office, glancing at Percy with a look that clearly said Told you.
Percy turned his head, breaking the tense quiet. “Mr. Smith, right? You found that financial error that nearly crippled one of our branches.”
Cadmus raised an eyebrow. “Ours?”
Percy’s cheeks warmed. “Well… maybe someday.”
Cadmus smirked and reached up, brushing a hand lightly against Percy’s chin. “Tease.~”
Percy nudged him, awkwardly pointing toward Mr. Smith.
Cadmus straightened, addressing him. “Right. We wanted to thank you, Mr. Smith. A bonus has been added to your next paycheck, and we made sure to note this for your next performance review. You did everyone here a massive service by catching that error—I would have hated dealing with the panic and fallout.”
Percy muttered, “Trust me… saves me headaches dealing with his.”
Cadmus laughed softly. “Percy! You are free to go, Mr. Smith.”
You nodded, Tripped and left the office and collapsed in the elevator.
@passimtemere
A Battle you can't win.
Irma’s office had once belonged to Al at Monroe Fashions, though “belonged” was generous. He’d treated it like a decorative afterthought, a place to abandon paperwork while he haunted the workrooms and design floors where the real magic happened. Irma, practical as ever, claimed it without ceremony. On paper, Alphonse Monroe ran the business. In practice, Irma Tempest kept its pulse steady so he could dream without the building catching fire.
Now she sat behind the desk, posture immaculate, fingers steepled, watching Al unravel into a stream of anxious words about Benni and Stan. His voice filled the room, quick and fraying at the edges.
She lifted a single finger.
Silence dropped instantly. Even the air seemed to behave.
“Benni sees Stan’s transformation into a better person as a kind of insult,” Irma said, her tone level, precise. “They were a child. Parents are supposed to love and care for their children. That isn’t a lofty ideal, Al. It’s the bare minimum. So when they see that he can change, it forces a much uglier thought to the surface, that he was always capable of being better… and simply chose not to be when they needed him most.”
The words settled heavily, like dust that refused to be brushed away.
Alphonse exhaled and drifted toward the window, teacup in hand, the city stretching out below him in indifferent lines of light. He stared out as if the answer might be written somewhere between the buildings.
“I understand that, Irma. I do,” he said, quieter now. “But how am I supposed to explain Stan’s past to them? His first real love, his children… slaughtered by humans. And not after he failed them, but after he fought—truly fought—against his own kind to keep them safe. It broke something fundamental in him. After that, he didn’t just grieve. He curdled. He became cruel, hollowed out, convinced he was incapable of love, unworthy of it. For centuries.”
He paused, thumb tracing the rim of his teacup.
“And that’s not even touching the rest of it. The torture. The manipulation. People taking his pain and reshaping it into something they had the audacity to call love. Even with me…” A faint, humorless smile flickered. “For a long time, I wasn’t anything more than a convenience. A source of comfort. It took everything I had to carve out something real in him. Something that could last.”
Irma didn’t soften.
“I don’t think Benni gives a fuck about any of that, Al,” she said plainly. “And frankly, they shouldn’t have to. They didn’t enter this world cushioned by tragedy they could contextualize. They were born straight into the aftermath of it.”
She leaned back slightly, gaze unwavering.
“You didn’t even know they were your child. Stan never told you. You had to piece that truth together yourself like a detective with half the evidence burned. And yes, you tried. You stepped in as ‘Uncle Al,’ brought them joy, protected them where you could. That mattered.”
A small pause. Not gentle, but deliberate.
“But you couldn’t rewrite what they learned early on. That they weren’t worth staying for. That love was conditional, inconsistent, or absent altogether. And if I’m being fair… your love doesn’t always land the way you think it does. It’s bright, it’s generous, but it’s also… polished. Sweetened. It can feel like you’re trying to fix their emotions instead of letting them exist.”
Alphonse turned from the window, something wounded flickering across his face.
“…So you’re saying I can’t fix this? That I’m somehow incapable of helping Benni understand—”
“It isn’t your mess to fix,” Irma cut in, clean as a blade. “This is between Stan and Benni. Their relationship, their damage, their repair. Every time you step in to defend Stan, you’re not helping. You’re driving the wedge deeper, reinforcing the idea that their pain comes second to his redemption.”
She tilted her head slightly, expression sharpening.
“You also have a tendency,” she continued, “to come across like some desperate housewife utterly devoted to a man who can do no wrong simply because you love him. It’s not endearing. It’s annoying.”
The room went still again.
“Benni is supposed to be a Being of Balance,” Irma went on, quieter now but no less firm. “Or at least, they’re meant to become one. That means they have to navigate this themselves, define what balance even means while dragging around the weight of being the child of two ancient, catastrophically flawed beings. You and Stan know too much about the world… and somehow not enough where it matters.”
Her gaze flicked briefly to the window, then back to Al.
“Time does strange things to people like us. It layers pain until it dulls, blurs, becomes indistinguishable from everything else. You forget what it feels like when it’s sharp. Immediate.”
A faint, dry edge slipped into her voice.
“That’s why Benni doesn’t just lash out in small, harmless ways. They don’t spritz you with water like a misbehaving cat.”
A beat.
“They pick up a crossbow.”
@passimtemere @violeteyedkiller
Really dumb but made me giggle. Drabble about Alice in Oz
Alice did not know where she was. This, unfortunately, was not unusual for her.
When she was twelve, she had tumbled down a rabbit hole and landed in a place where logic behaved like a drunk guest at a tea party. There had been a Queen of Hearts with a fondness for sudden executions, a cat who offered riddles in place of help, and a Hatter whose relationship with time was, at best, strained. It had all possessed the slippery texture of a dream, though the memory of it clung to her with stubborn clarity.
Now, at twenty-three, she found herself once again displaced though this time without the courtesy of a proper fall. She had been visiting a friend in Kansas, a girl named Dorothy with a talent for attracting peculiar weather. One moment Alice had been seated comfortably in a carriage beneath an open sky; the next, the world had howled. The wind rose with theatrical enthusiasm, the horizon twisted, and before she could so much as protest, the carriage and Alice with it was swept up into the churning throat of a tornado.
Which was how she came to be here.
Wherever here was.
The land stretched around her in unfamiliar shapes and colors, vivid in a way that suggested either enchantment or poor decision-making on the part of reality itself. And, as if to confirm that she had not stumbled into anything sensible, she was currently being pursued by a group of uniformed guards whose intentions seemed distinctly unfriendly.
Alice ran, skirts gathered in one hand, heart hammering with a rhythm that felt suspiciously like déjà vu.
“Really,” she muttered to herself between breaths, “this sort of thing is becoming a pattern.”The road beneath her feet was paved in yellow brick bright, gleaming, and entirely too cheerful for a situation involving pursuit. The houses she passed were squat and tidy, like they had been gently pressed down by a giant’s hand. Stranger still were the people. Most of them were quite short so short, in fact, that at first Alice assumed they were children dressed in adult clothes, playing at seriousness.
A closer look disabused her of that notion, and left her with a prickle of guilt. These were no children.
The guards chasing her, however, were unmistakably grown men. They thundered down the road in uniforms of sharp green, spears raised, voices carrying with alarming enthusiasm.
“GET HER!”
It was, Alice noted with some irritation, a command that no one in this peculiar land seemed inclined to obey. Unfortunately, they were equally disinclined to help her. Doors stayed shut. Windows watched silently. Not a single soul lifted a finger.
“Charming,” Alice muttered, darting down a narrow alleyway.
She had just begun to wonder if she had run herself into a trap when quite suddenly she was yanked sideways. Small hands, quick and firm, pulled her through what looked like an ordinary section of wall. A hidden door snapped shut behind her with a soft but decisive click.
“Are you alright?” a voice asked.
Alice barely had time to turn before another, more excitable voice piped up.
“Derry, throw a sour bomb!”
“You got it, boss!”
A small figure produced a red glass bottle, its contents swirling ominously. With practiced ease, he lit the tip and lobbed it back into the alley. The door shut just in time.
A muffled pop echoed through the wall, followed by the faint, oddly sweet scent of poppies. Outside came the clatter of armor, the thud of bodies colliding, and a chorus of thoroughly undignified groans as the guards collapsed in a heap.
Inside, all was suddenly quiet.
Alice stared at her rescuers, breath still catching up with her.
“Who are you?” she demanded.
The young man who had pulled her in grinned, clearly pleased with both the rescue and the theatrics.
“We’re friends of Dorothy,” he said, with a little flourish.
A few others gathered behind him, equally small, equally self-assured.
“But,” he added, “you can call us the Lollipop Guild.”
Benni's last fuck to give.
Cadmus had been watching Benni for a while now. Not that watching—the quiet, invasive hum of mind-reading that Benni could sniff out like ozone before a storm. (Too many short games of guess who) No, this was different. Still. Intent. Like a cat parked in a sunbeam, eyes half-lidded but very much awake.
Benni, with their careful calibrations every word weighed, every reaction sanded smooth, every decision run through the tribunal of What keeps the peace? Layered over it all, that persistent guilt, fossilized deep in the marrow, courtesy of a lifetime of being nudged, steered, and outright manipulated by other people's expectations.
Cadmus hated it. Not Benni never Benni. Just the… performance of it. The polite little dance around their own spine.
And now?
Now he could feel it. That final, brittle thread. The last shriveled scrap of Fuck in the barrel about to float away.
Across the room, Benni sat curled into the corner, eyes fixed on the window but not really seeing anything beyond it. The candy shop still clung to them—sugar and artificial fruit, a sticky-sweet ghost. Their shoulders sagged under the weight of a thousand tiny concessions.
The memory looped.
The customer. Loud. Indignant. Performing outrage like it was community theater and they were gunning for an award.
There’s a tooth in the taffy.
A child, conveniently tearful.
A demand disguised as a complaint.
And Benni had just… folded.
An expensive dark chocolate bar with raspberry filling. A $15 gift card. A bright, obedient smile stapled onto their face like it belonged there.
“Come back soon!”
The words echoed now like a bad joke told too many times.
Benni’s lip twitched.
Then, softly at first, like something testing the air:
“Maybe next time I’ll let you shave me bald for the inconvenience of your kid losing another baby tooth, you fucking bitch.”
Silence.
A beat.
Cadmus lit up like someone had struck a match in a dark room.
“THERE IT IS!” he shouted, practically vibrating with delight. “The last fuck gone. We can hold a funeral!"
Benni blinked, slow and heavy, like they’d just surfaced from deep water.
Cadmus was already on his feet, grinning like a man who’d just witnessed a rare celestial event.
“Benni,” he said, reverent and thrilled all at once, “I am so happy for you. Welcome to your ‘no more fucks to give’ era. Population: you. Climate: liberating as hell.”
He spread his arms like he was unveiling a grand stage.
“You’re gonna run. Oh, you are going to run and watch people either fall in line… or fall clean off the map trying to keep up.”
Benni exhaled. Not tired this time. Not resigned.
Something else.
Something lighter. Sharper.
Like a blade that had finally remembered it was meant to cut.
@passimtemere
The new scary movie is getting the Epic movie treat but trying to survive on its own nostalgia
foreman. babe. we’re at the bottom end of season 8. you have worked here for almost a decade. why are you still surprised there's medical malpractice going on at the medical malpractice department that you, personally, used to do medical malpractice at
some of my fave tags on this post
god this show is truly bonkers isn’t it.
Reblog this to tell the person you reblogged it from that you'd missed them if they left this hell site.
“I personally don’t see the issue with reading Stan. He’s an open book—if you’re truly, deeply in love with him and take copious notes on every minor detail: the things he does, the hows and whys. You study him like a zoologist. And let me tell you, he is a wild animal in bed. For example, he does this thing with his teeth that makes you think he’s about to tear into your flesh—and makes you wish he would. What was I saying? Ah, yes. If you love him like I do, then study him. Just don’t be obvious about it. I get away with it because I put a ring on it.”
"Fucking magic users.." He hisses with disdain, regardless of the fact that he's made family with magic users, depends on them to make his home safe, and lives in a city that is imbued with what many would consider magic.
Alphonse runs down the hall with a net trying to capture a candleabra that had sprouted legs because he wasn't focused when trying to make it taller. "GET BACK HERE!"
The Joker and Harley can work if you 1. Take away the abuse aspect, 2. Make them both unforgivibly horny for the Batman 3.Make the crimes they commit actually comedy based and not psychological torture. Give me a modern Adam west Batman who has a utility belt for the most niche situations. Play it as sincerely as possible. I am so done with superhero APOCALYPTIC SCENARIO. Give me Joker holds Gotham's rich and famous hostage with a forced stand up special and laughing gas in the vents.
....I'm not the hatman am I?
Darling...that's me. I wear the hats in this relationship.
Toby fox is voicing who in what