This is not for you.
todays bird
DEAR READER
ojovivo
art blog(derogatory)

Kiana Khansmith
Not today Justin
he wasn't even looking at me and he found me
Keni

⁂
Aqua Utopia|海の底で記憶を紡ぐ
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blake kathryn
Sade Olutola
let's talk about Bridgerton tea, my ask is open
we're not kids anymore.

izzy's playlists!

Janaina Medeiros

Origami Around
taylor price

tannertan36
seen from Türkiye

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@fayzart136
This is not for you.
WIP of a Type Help lineup. For some reason this drawing is really fighting me, but I do like these designs! Just have to keep whittling away at it.
These designs aren't final, but I just had to paint this. Close-up and process video below the cut.
Feeling sappy
I managed to find some old Gone series art I thought I'd lost by going through people's reblogs (the Tumblr search function came in handy for once!) and man... what a time capsule!
For those unaware, my username is Fayz because I started with making exclusively Gone fanart for like a solid year or two, back in 2015. I was 15 with nothing more than printer paper and colored pencils as material, and I'd draw for hours every day. I so vividly remember the pride I had of certain drawings, the collaboration with my younger sister on ideas and headcanons, I even recall the weather for the drawings I made outside. I didn't realize how much memories those drawings held.
Even beyond that, seeing the old tags that people left, the nice asks I got, the way the fandom was so small yet so welcoming... I can honestly say that I wouldn't be the artist I am now if it wasn't for that encouragement. Heck, I only started this blog because two fellow fans I met on Kik (of all places!) encouraged me to!
On a more sombre note, I've been stuck in art block for... a while. Going on quite a few months now. I get very critical at every stage of the process, and it's hard to practice when my brain just doesn't make it enjoyable. But it's nice to be reminded of a time when making art felt like magic. When I felt nothing but pride and love for my craft and the joy it brought others. Maybe thats a kind of enthousasm thats hard to recapture past the age of 16, but I can always try. Regardless I'm glad I experienced it.
As I said in the tags of this post, idk if I should repost some drawings, and if so, which. But this one (which I made after hitting 200 followers) feels too apt not to post.
Feeling sappy
I managed to find some old Gone series art I thought I'd lost by going through people's reblogs (the Tumblr search function came in handy for once!) and man... what a time capsule!
For those unaware, my username is Fayz because I started with making exclusively Gone fanart for like a solid year or two, back in 2015. I was 15 with nothing more than printer paper and colored pencils as material, and I'd draw for hours every day. I so vividly remember the pride I had of certain drawings, the collaboration with my younger sister on ideas and headcanons, I even recall the weather for the drawings I made outside. I didn't realize how much memories those drawings held.
Even beyond that, seeing the old tags that people left, the nice asks I got, the way the fandom was so small yet so welcoming... I can honestly say that I wouldn't be the artist I am now if it wasn't for that encouragement. Heck, I only started this blog because two fellow fans I met on Kik (of all places!) encouraged me to!
On a more sombre note, I've been stuck in art block for... a while. Going on quite a few months now. I get very critical at every stage of the process, and it's hard to practice when my brain just doesn't make it enjoyable. But it's nice to be reminded of a time when making art felt like magic. When I felt nothing but pride and love for my craft and the joy it brought others. Maybe thats a kind of enthousasm thats hard to recapture past the age of 16, but I can always try. Regardless I'm glad I experienced it.
There are no ghosts in Galley House.
Made with this very fun pixel converter. But I spend too long on detailing to not post the unedited version, so:
OKay so I'm still stuck in pretty bad art block. Like... it's rough. Silly memes was the best I can do for now!
BUT there's this really good iF that I played, and I simply had to make some fanart!
@thebarontheabyss made something truly special, and I will eagerly await how the story will develop further!
art ask game idea
Send me a number 1-100 and I'll draw/doodle something from my most played songs!
Messy screenshot redraw because this movie is absolutely gorgeous, and I want to figure out Esmeralda's design a bit more.
Timelapse (plus another redraw I didn't finish) under the cut.
Quasi and Phoebus's frenemie-ship is everything to me tbh <3
A little sketch based on this meme:
And the dialogue that inspired it:
Reasons why Der Glöckner von Notre Dame (1999) is the best adaptation
(a non-exhaustive and mostly opinion-based list)
@the-l-spacer asked me recently why this adaptation is my favorite, and consented to the infodump I'm about to present. The short answer is: I think it takes the best parts of the movie, adds depth to it, and executes all its ideas wonderfully. The long answer is.... very long, hence the cut.
These were meant to be "quick sketches" to explore some poses, but whoops!
Timelapse under the cut
And the hunchback looked his master in his piercing eye And for the very first time in his life He told a lie.
Timelapse under the cut (brief flash warning, I play around with layer modes at some points)
Oh sweet, you're also a Hunchback fan?
Have you heard the Jonathan Miranda and Caleb Hyles metal version of Bells Of Notre Dame?
Oh wow, it really has been a while since my last special interest "wave" if this is coming as a surprise! Absolutely I am!
Thank you for reminding me of that video! I had watched it, but I forgot it existed. It's an incredible banger.
What’s ur favourite version of Hunchback of Notre Dame 👉👈
!! Ooh, that's a difficult question to answer without going into a TED-talk!
The short answer is: the german musical based on the Disney movie (Der Glöckner von Notre Dame), which ran from 1999-2002. There's an English sub bootleg, so it is more accessible than it sounds!
I love it because it keeps the best parts of the movie, while deepening and ironing out the story. I actually like the gargoyles, for one. I could make a whole list of things I love about it (I nearly did), but in short I think it has the best characterization and plot of the three Disney adaptations.
(The song Tanz auf die Zeil/Balancing Act alone wins the "competition", I will never ever understand how or why that got cut.)
Save me, hyperfixation, save me .... Serotonin town needs you....
I'm still figuring out the designs of everyone, but I liked how these turned out.
Bonus: dialogue that I actually Cannot Believe is canon.