Indie Selective Lucy Carlyle from Lockwood&Co. Primarily show based, but with influences from the books. x
-Rules
-Verses
NASA

roma★

Game Changer & Make Some Noise
Doug Jones
No title available
sheepfilms
Aqua Utopia|海の底で記憶を紡ぐ

shark vs the universe

❣ Chile in a Photography ❣
Cosimo Galluzzi
🪼
art blog(derogatory)
let's talk about Bridgerton tea, my ask is open
Cosmic Funnies

pixel skylines
The Bright Sessions
🩵 avery cochrane 🩵
I'd rather be in outer space 🛸
Keni
Show & Tell
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@fcistygirl
Indie Selective Lucy Carlyle from Lockwood&Co. Primarily show based, but with influences from the books. x
-Rules
-Verses
𝐟𝐨𝐫 𝐲𝐨𝐮 𝐢 𝐰𝐨𝐮𝐥𝐝: a little assortment of prompts revolving around painful, bottled up affection and endless yearning, as well as the possible result of finally taking action. remember to tag your dark themes. add +reverse to swap the roles.
[ 𝐥𝐨𝐧𝐠𝐢𝐧𝐠 ] : receiver notices sender looking at them longingly. [ 𝐝𝐫𝐞𝐚𝐦 ] : receiver hears sender calling their name while asleep. [ 𝐰𝐚𝐫𝐦𝐭𝐡 ] : sender drapes a coat / cape / etc. around receiver's shoulders. [ 𝐬𝐜𝐞𝐧𝐭 ] : receiver is hugging a coat / cape / etc. that belongs to the sender. [ 𝐜𝐚𝐥𝐦 ] : sender is helping the receiver through a panic attack / severe anxiety. [ 𝐡𝐚𝐧𝐝 ] : sender takes a hold of receiver's both hands. [ 𝐫𝐞𝐬𝐭 ] : sender and receiver are spooning for comfort and warmth. [ 𝐚𝐥𝐦𝐨𝐬𝐭 ] : sender and receiver are finally about to kiss, but are interrupted. [ 𝐭𝐚𝐬𝐭𝐞 ] : sender and receiver are finally sharing a passionate kiss. [ 𝐟𝐨𝐮𝐧𝐝 ] : sender has just found the receiver who's been missing for weeks. [ 𝐥𝐨𝐬𝐬 ] : after being misinformed that the sender has died, receiver is grieving. [ 𝐥𝐨𝐮𝐝 ] : sender is expressing anger over receiver's constant recklessness. [ 𝐣𝐞𝐚𝐥𝐨𝐮𝐬 ] : sender is voicing their negative opinion about a person who appears to be close with the receiver. [ 𝐦𝐢𝐧𝐞 ] : sender has just told receiver "you belong to me". [ 𝐰𝐡𝐲 ] : sender has just asked receiver "why don't you love me". [ 𝐯𝐢𝐨𝐥𝐞𝐧𝐭 ] : sender has harmed someone who threatened the receiver. [ 𝐠𝐫𝐢𝐦 ] : sender has killed someone who threatened the receiver. [ 𝐡𝐮𝐫𝐭 ] : sender has gotten injured protecting the receiver. [ 𝐚𝐥𝐨𝐧𝐞 ] : sender is getting frustrated with their repressed affection and asks receiver to leave them alone. [ 𝐜𝐫𝐮𝐞𝐥 ] : unable to handle their fondness towards receiver, the sender lashes out and they end up in a heated argument. [ 𝐚𝐩𝐨𝐥𝐨𝐠𝐲 ] : sender is apologising for appearing cold. [ 𝐬𝐭𝐨𝐩 ] : sender is telling receiver they "deserve better than whatever this is".
🌺 send this to ten blogs you think are wonderful 🌺
Thank you dear! Sending it right back! <3
Joe Bolton, from "Alcohol" [ID'd]
the tortured poets department: the anthology sentence starters.
i just don't understand how you don't miss me.
i may never open up the way i did for you.
do you hate me?
you knew the price goin' in.
i can tell when somebody still wants me.
whether i'm gonna curse you out or take you back to my house, i haven't decided yet.
you were never not mine.
even if it's handcuffed, i'm leaving here with you.
we broke all the pieces but still want to play the game.
told my friends i hate you, but i love you just the same.
pick your poison, babe. i'm poison either way.
they tried to warn you about me.
you're in terrible danger.
i tried to warn you about them.
if you want to break my cold, cold heart, just say "i loved you the way that you were."
you said some things that i can't unabsorb.
you needed me, but you needed drugs more.
if you want to tear my world apart, say you'll always wonder.
will i always wonder?
i can't pretend like i understand.
how did it end?
it's happening again.
tell me 'bout the first time you saw me.
are you gonna marry, kiss, or kill me?
no one's ever had me, not like you.
tell me something awful.
tell me all your secrets.
i don't believe in good luck now that i know what's what.
seems like it was never even fun back then.
i'm lonely, but i'm good.
i'm bitter, but i swear i'm fine.
this place made me feel worthless.
i can't forgive the way you made me feel.
there wouldn't be this if there hadn't been you.
maybe you've reframed it and in your mind you didn't beat my spirit black and blue.
i don't think you've changed much.
everyone knows that my mother is a saintly woman but she used to say she wished that you were dead.
does it feel alright to not know me?
i'm addicted to the "if only."
i guess a lesser woman would've lost hope.
i don't want money. i just want someone who wants my company.
do you believe me now?
they say what doesn't kill you makes you aware. what happens if it becomes who you are?
is it something i did?
i thought it was just goodbye for now.
you said you were gonna grow up then you were gonna come find me.
life was always easier on you than it was on me.
i didn't want to hang around.
we must stop meeting like this.
you are bloodthirsty.
you have no room in your dreams for regrets.
i'm not a donor but i'd give you my heart if you needed it.
the story isn't mine anymore.
Milo Manheim as the Skull
Barefoot in the kitchen Sacred new beginnings That became my religion, listen...
Cornelia Street - Taylor Swift
I had so much fun with all the little details in this. Especially the teapots took me forever.
. SOULMATE STARTER PROMPTS .
These prompts assume that both muses are soulmates. Send + [reverse] for our muses to switch places.
[ color ] - for my muse to suddenly see color when their meet your muse. [ sound ] - for my muse to suddenly hear sound when they meet your muse. [ voice ] - for my muse to be unable to speak until they meet your muse. [ music ] - for my muse to be unable to sing/hear music until they meet your muse. [ mark ] - for my muse to discover that your muse’s soul mark is the same as theirs. [ hide ] - for my muse to hide their soul mark from your muse. [ nightmare ] - for my muse to meet your muse in their nightmares. [ dream ] - for my muse to meet your muse in their dreams. [ pain ] - for my muse to feel a sudden pain whenever your muse gets injured. [ bruises ] - for an injury to suddenly appear on my muse because your muse was injured. [ bloom ] - for flowers to bloom on my muse where your muse was injured. [ vision ] - for my muse to see what your muse is experiencing in a vision. [ tattoo ] - for my muse to get a tattoo/piercing that appears on your muses body. [ countdown ] - for a countdown on my muses wrist to reach 0 as your muse draws near. [ touch ] - for my muse to be able to feel everything your muse can feel. [ written ] - for my muse to write something on their skin that will appear on your muses body. [ drawn ] - for my muse to draw something on their skin that will appear on your muses body. [ first ] - for my muses first words to your muse to be written on their body. [ last ] - for my muses last words to your muse to be written on their body. [ date ] - for the date when our muses meet to be written on their body. [ place ] - for the place where our muses meet to be written on their body. [ initials ] - for your muses initials to be written on my muses body. [ constellation ] - for a constellation to appear on our muses bodies as they interact. [ immortal ] - for my muse to always fall back into love with your muse, an immortal being, throughout each of their lifetimes. [ file ] - for my muse to receive a file containing all information about your muse, their soulmate. [ string ] - for my muse to follow the red string wrapped around their finger to your muse. [ death ] - for my muse to die at the same time yours does. [ protect ] - for my muse to know the time and cause of your muses death, and prevent it. [ failure ] - for my muse to now the time and cause of your muses death, and fail to prevent it.
why would you use a refined weapon if you can just punch ghosts around?
also, i missed drawing her
PROMPTS FOR FAKE DATING & GOING UNDERCOVER * assorted dialogue for muses going undercover as a couple and having to maintain the illusion that they're dating, and all the chaos, feelings, and whatnot that come with it, suggested by dollhidden, adjust as necessary, send "reverse" for the reversal of action prompts
DIALOGUE PROMPTS
come on. at least pretend that you like me.
if we hold hands, that'll sell the illusion even more.
what petnames do you think we'd use if we were actually dating?
please don't make this too difficult on me.
stop letting go of my hand.
you're going to pay for this later.
that was way too close of a call.
[petname]? that's what we're going with?
could you at least look like you like me for an hour? is that so hard?
admit it. i'm not half bad.
didn't think i would enjoy this as much as i am.
did you take acting classes growing up?
excuse me! i'm just trying to sell the illusion!
do you think they bought it?
you don't look like you love me. you look like you're constipated.
way to lay it on thick. i think you might have done too good of a job.
pretend to laugh at one of my jokes.
i guess i didn't expect you to dress up for this. i'm impressed.
you know, if you treated me like that on the regular, i might actually start falling in love with you.
they have to believe we're together. how hard can it be?
quick, pretend like you're about to kiss me.
you clearly care more about the tiny appetizers than you do me.
i'm just here for the free champagne.
you clean up nice.
that honestly wasn't as bad as i thought it would be.
they're looking over here. quick, say something funny.
that... was surprisingly smooth of you.
you don't date much, do you?
we should pretend to date more often.
hey! my eyes are up here!
shit, they're coming. kiss me.
ACTION PROMPTS all of these are written as if both parties are fake dating and going undercover at some specified event, but feel free to add your own scenarios if you'd like!
[ hand ] sender quickly takes receiver's hand in public to avoid getting caught
[ waist ] sender quickly slides an arm around receiver's waist in public to avoid getting caught
[ propose ] sender stages a dramatic fake proposal to further sell their relationship to the crowd, catching receiver completely off guard
[ fake fight ] sender and receiver stage a coordinated fake fight/messy breakup in front of the crowd
[ kiss ] realizing they need to sell their relationship to an important person/people, sender and receiver kiss for the first time
[ coat ] noticing receiver is cold, sender gives them their coat
[ entrance ] sender and receiver approach the entrance of the secret event and discuss their plans for selling their fake relationship to the crowd
[ slip away ] sender slips away from receiver in order to take a break from pretending, and receiver goes to find them
[ off limits ] sender and receiver are exploring an off limit portion of the event space, get caught, and are forced to try to explain how they got lost
[ the big kiss ] to conceal the fact that they're exploring an off limit portion of the event space, sender kisses receiver dramatically once they're caught
[ introduce ] sender introduces receiver as their lover/date/partner to a very important (and potentially dangerous) person at this event
[ family ] sender introduces receiver as their lover/date/partner to their family, who just so happens to also be at the event
[ lost ] sender loses receiver in the crowd and rushes to relocate them before their cover is blown
[ flirt ] when someone else shows interest in receiver, sender steps in and makes it clear they're "taken"
[ exit ] sender and receiver have successfully accomplished their goal, and now must sneak out of the event as covertly as possible
[ spill ] sender accidentally spills their drink on receiver and rushes them to the restroom to clean them up
[ private ] in a brief moment of privacy between the two fake daters, sender admits to receiver that they don't think receiver is as bad as they thought
Send "Grab" for your muse to grab mine's wrist, preventing them from leaving.
Drops this and runs as if I didnt spend 5+ hours on it
No matter how experienced an agent is in this field, it's easy to fall into a state of fear and panic. The ghosts have that effect and it doesn't matter how brave or strong you are. Anyone can experience it. Lockwood too, but he never allows himself to show it. He's a leader and a leader can't afford to let his emotions get the best of him.
His hand fold into hers naturally and he watches her with patience as she tunes into her talents. They might be in the thick of it but there's still time to let her gather as much insight as she can. He's already looking at her when she meets his gaze. "Good, that's all we need. Perhaps we might still have time to secure their sources. We'll use the iron we have left to create an obstacle for them, if we're lucky it'll buy us even more time. A way out is our priority." He squeezes her hand to reassure her.
Usually Lucy is GOOD at keeping track of things, and keeping her fears in check, but then again, everyone has an off day, right? And she's more than glad to have Lockwood and George by her side when things go wrong. The squeeze of his hand is reassuring and she nods, allowing the touch to linger a little longer, before going back to listening.
She can hear the ghosts approaching, but there's something else, too, a sort of...knocking sound, that comes from the other side of the room. "Over there." Lucy says, eyes flying open and reaching to hand Lockwood whatever iron she still has left before heading to the wall, knocking against it. "It's hollow..."
"You look exquisite, Luce." - ( Lockwood ) @lockwd
It's a very LOCKWOOD thing to say, that's for sure, and Lucy nearly rolls her eyes, but it's mainly to prevent herself from blushing at his compliment. It's nothing new for him to compliment her either, and yet it hits different than whenever anyone else does it.
"Thank you," She manages a smile as she takes the last step and then stops. "I have...things to do, so don't wait for me with dinner, yeah?"