final journey. @federicogiallo - Tumblr Blog

ayer / 23 / he/him / seasian / GMT-8 i try my best to trigger tag, but i may forget. feel free to send me an ask, and i can keep it in my inbox for reference. majority of the time, this runs on an untagged queue.

spotify.

goodreads.

backloggd

red sideblog → @onedennyboo

blue sideblog → @xinghuishen

green sideblog → @gopherwoodark

yellow sideblog → @donubi

t8i72

t.me/t8I72

miamaimania

“Dancing Nymphs In A Frame Of Bats” (c. 1902) ☽ René Lalique ◆ Art Nouveau brooch

handmadelolita

Otome no Sewing Long OP Tutorial (Link)

Tuareg; Niger. Michel Renaudeau

dozydawn

opal carved by makoto nakano

bleedthebeat

@staff announced that they’ll run back their reblog bullshit but let’s not jump to praise them please

1. they are the ones who caused this problem. they should not be applauded for fixing it. it did not need to be a problem in the first place.

2. trans women and people of color are still being flagged as mature for posting selfies and suspended left and right. staff is doing nothing about this and will not address it.

3. they do not care about their userbase. they care about money. the corporation is not your friend. they will happily change the website on a whim if they think it will make them more money. they are only doing this because they were scared of losing money from losing users and the subsequent ad revenue.

it’s a relief that they listened this time, but there are plenty of other things they won’t respond to. and they still intend to make some kind of change to reblogs in the future, presumably aiming to continue their gradual twitterification of the website. don’t settle for this, and still be wary

nullheaven

389

Mona Hatoum, Grater Divide, 2002 Mild steel, 204 cm x variable width and depth

earnedmagic

Mona Hatoum is a Palestinian artist. From Artform’s 2021 Rape is a Border:

Take Grater Divide, 2002. The work is ridiculous: a standing metal cheese grater more than six feet high. Installed in a gallery, it works as a room divider, but the holes make privacy impossible. The wall is a weapon rather than a shield: A person undressing behind it could be cut as well as peeped at, opened up by sharp edges made for shredding. The work is not only an enlargement of a grater, however, but also a miniaturization of a divide, prototyping, in particular, the West Bank barrier Israel had begun to construct on appropriated Palestinian land. A person traveling through a border checkpoint may be asked to undress—strip searches are not prohibited by Israeli law. In the United States, they have been allowed ever since the 1985 Supreme Court case United States v. Rosa Elvira Montoya de Hernandez, which originated with the cavity search of Hernandez, who was traveling to Los Angeles from Colombia. In both countries, the coercive invasion of bodies is more likely to be visited on people of color, who are disproportionately singled out for selective or heightened “screening.” This word’s very meaning is reframed, or enlarged, by the Grater Divide. Gloria Anzaldúa, the queer Chicana theorist of Borderlands/La Frontera (1987), called the United States–Mexico border an “open wound” where “the Third World grates against the first and bleeds.” All borders are graters: not solid walls but permeable ones whose pores are sharpened to pierce what passes through.