Interior of the Andrea Doria ocean liner - Gio Ponti & Piero Fornasetti

if i look back, i am lost
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Interior of the Andrea Doria ocean liner - Gio Ponti & Piero Fornasetti
After mowing the lawn with scythe I was left in awe. If I were cutting grain Iām sure I would have scored only a mere loafs worth.. The terrible ratio between the input and output of calories. So precious but abundant we take them for granted. I probably have terrible scythe technique but I did sharpen the blade beforehand.
Carlo Mollino, Polaroid, 1960s
I visited āCasa Carlo Mollinoā this week. Iād tried two years earlier, but my request was met with laughter-they book months, if not years, in advance apparently.
Mollino was a strange man. His lifeās work seems less his architecture than the pornography he meticulously staged in two dedicated apartments - uncovered when died. He had no heirs, so everything went to the Italian state when he died
But stranger still are the father and son who now manage what theyāve assembled of his legacy, having seized the opportunity left by the absence of any estate or will. They are the main custodians of his legacy.
Instead of a grounded history, the tour veers into the afterlife, ancient Egypt, and esoteric symbols. The pair come across as cultists devoted to their self-appointed idol- the dead Mollino.
I wanted to inquire about Mussolini and the impact of the war on Italian design. Instead, I ended up watching a seance with āMollinoā speaking through a medium - while the father pressed for answers about the architect, the afterlife, and the Egyptians.
One Christmas, not so long ago, I attended midnight mass at this church with a friends family. I took LSD before hand. The priest made a big fuss, if I remember correctly, for the boys in front who had joined the military. Afterwards, outside in the cold, we all ate Panettone and drank Prosecco.