Untitled (Collective Landscape#4), remix, collage made by 40 oil paintings, Lambda Print, 64x120 cm, 2015.

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Untitled (Collective Landscape#4), remix, collage made by 40 oil paintings, Lambda Print, 64x120 cm, 2015.
Sunn 0))) by Charles Peterson for The Wire (May 2026 edition)
paul preciado “can the monster speak?” (2020)
[Medicine and the law of gender binarism portray the process of transsexuality as a narrow and dangerous path, a definitive, irreversible mutation, that can be achieved only in extreme conditions, such that few people, as few as possible, would be able to follow that path. I, however, would say that the path is easier and more pleasant than most of the experiences and experiments that the dominant discourse suggests are desirable and obligatory and which have been legitimized by medical and judicial institutions. In itself, gender transition is easier to accomplish than going to school every day at the same time throughout the long years of childhood and adolescence, easier than a faithful monogamous marriage, easier than pregnancy and childbirth, easier than starting a family, easier than finding a rewarding full-time job, easier than being happy in a consumer society, easier than growing old and being shut away in a retirement home. I would go so far as to say that, contrary to what is routinely claimed, the mutation process that accompanies gender transitioning is one of the most beautiful and joyous things that I have ever done in my life. All the things that are terrible and terrifying about transsexuality and gender transitioning are not found in the process of transition itself, but in the way in which the boundaries between the sexes punish and threaten to kill anyone who dares cross them. It is not gender transitioning that is horrifying and dangerous, but the regime of sexual difference.]
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Harold Edgerton, Cows and Flare at Stonehenge, 1944
ok i absolutely need to know what accents u all have pls reblog and tell me or comment or whatever I must know
Ancient Thanet Sands | Sand martin nests (June 2026)
folk & blues musician, Elizabeth "Libba" Cotten (circa 1960s)
1.8" Eocene Fossil Balloon Vine (Cardiospermum) Leaf - Utah
Hieronymus Bosch, Detail from “Ascent of the Blessed", 1504
“The Mirror” (1975) ☽ Andrei Tarkovsky