How it started vs How it's going Jujutsu Kaisen Season 2 OPs

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How it started vs How it's going Jujutsu Kaisen Season 2 OPs
now everybody knows they share the same brain cell
Sum1 asked me to compile sd characters names in kr, so here u go! I hope this makes it easier for u fellow twt hoez✌️
Slam Dunk: 슬램덩크
Shohoku (Buksan / 북산)
Sakuragi: Kang Baekho (강백호)
Akagi: Chae Chisu (채치수)
Mitsui: Jung Dae Man (정대만)
Miyagi: Song Tae Seop (송태섭)
Rukawa: Seo Tae Woong (서태웅)
Kogure: Kwon Junho (권준호)
Yasuda: Lee Daljae (이달재)
Ayako: Lee Hanna (이한나)
Anzai-sensei: Ahn Hansoo (안한수)
Yohei: Yang Hoyeol (양호열)
Haruko: Chae Sooyeon (채소연)
Ryonan (Neungnam / 능남)
Sendoh: Yoon Dae Hyeop (윤대협)
Uozumi: Byeon Deok Gyu (변덕규)
Fukuda: Hwang Taesan (황태산)
Koshino: Ahn Yeongsoo (안영수)
Hikoichi: Park Kyungtae (박경태)
Kainan (Haenam / 해남)
Maki🫶: Lee Jung Hwan (이정환)
Kiyota: Jeon Hojang (전호장)
Jin: Shin Junseop (신준섭)
Shoyo (Sangyang / 상양)
Fujima: Kim Soo Gyeom (김수겸)
Hanagata: Seong Hyeon Joon (성현준)
* note that im only including more prominent characters. Feel free 2 rb and add more if u want, or just ask n i ll reply.
** the romaja is just how i personally read the names so there might b sum weirdness in the spacing, romanization, etc🤪 but i 100% guarantee that the hangul/kr letter is correct.
the success of slam dunk
Something I often hear from others is that “Slam Dunk is underrated”. To an extent, this is true. The series isn’t very talked about among younger fans of manga, and newer sports series such as Haikyuu are mentioned more by younger fans. However, Slam Dunk is not underrated in the slightest. Its numbers of copies sold worldwide (170 million copies, making it the seventh best selling manga of all time) speaks for itself, but in this essay I want to break down both the numbers and impact that truly show Slam Dunk’s success.
During the time of the series' publishing in Shonen Jump, Japan had been going through an economic fall. The Japanese economy suffered a prolonged recession that followed the collapse of the economic success of the 80’s. Corporations had stopped hiring new employees in order to maintain their current ones. This meant that many people were out of work, and it led to high unemployment. While this doesn’t directly affect Inoue, it puts lots of pressure on his manga to do well. After all, if he couldn’t make something that sold, he was out of a job. He had also stated that his editors were against him making a basketball manga due to it being unknown in the country, yet he did it regardless — despite knowing that he could easily be out of a job and face the financial difficulties many others were facing throughout the 90’s.
Throughout the 90’s, basketball wasn't very known in Japan. The NBA was at its peak in popularity, but this popularity didn’t translate to Japan. Baseball and soccer were far more known sports in Japan, and so Inoue was faced with the task of introducing basketball to his readers. (He did a good job of this). Slam Dunk starts off more comedic and casual compared to an intense sports series, and this was done to appeal to a wider audience. In fact, some of the most popular chapters and episodes at the time had been the gym fight arc, which didn’t exactly have much to do with basketball. But as the series progressed, Inoue was faced with two choices; to continue with the writing structure that was selling, or to double down on the basketball aspect of the series and risk alienating and losing his audience.
But instead of backing down, Inoue decided to take the risk. The story became more and more basketball focused, but he didn’t alienate his audience. In fact, the story was becoming more and more popular. At the time, it contended with Dragon Ball Z, and at times was even outselling.
The apex of the series’ popularity had been towards the end of its serialization in 1995-1996, throughout the Shohoku vs Sannoh match. And then it ended. Inoue’s editors wanted him to continue the series as it was one of the magazine’s best selling, and instead, he just left. A complete power move. The series had lots of material that could have been used to continue the series, such as what happened to Shohoku (particularly Sakuragi) after the Sannoh match, him getting the girl, him becoming an even better player. I think that Inoue knew the series could have been even bigger if he had continued, but I also believe that it ended where it needed to. If Slam Dunk had been dragged longer, it may have gotten stale, and it might not have been as beloved as it is right now. Additionally, Inoue’s other big titles such as Vagabond or REAL don’t have endings due to long hiatus, and it’s possible that Slam Dunk may have faced similar treatment.
Aside from its overall sales, another interesting metric that encapsulates Slam Dunk’s success is its sales per volume estimate.
Slam Dunk being second only to One Piece (the best selling manga of all time) highlights just how successful it is.
Additionally, here is a sales chart of the best selling manga in September 2022. The fact Slam Dunk places here despite being a series that has been completed for over 25 years speaks for itself.
The series is very impressive sales wise already, but another component on just how successful Slam Dunk is its cultural impact in Japan. I already stated Inoue was forced with the task of introducing basketball to Japan. And to say he introduced it to them would be an understatement; it can be said that Slam Dunk popularized the sport.
Around the 90’s, while basketball was at its peak in popularity due to the NBA, Japan didn’t pick up on this. Baseball and football were still far more popular. As I said before, Inoue was tasked to introduce basketball to his readers.
Introduced is an understatement, and Inoue’s story actually increased enrollment in basketball among Japanese youth. In fact, throughout 1990-1995, around one million Japanese high schoolers were playing basketball as an extracurricular. And when Slam Dunk ended its serialization, this number dropped again.
Additionally, when the NBA came to Japan during the time the series was being published, the stadiums for their games were packed. This adds onto just how much more popular basketball was getting in Japan. And even now, it can be said basketball is a much popular sport in Japan.
But he didn’t just introduce the game itself; he also showed the culture surrounded by basketball.
Basketball culture is another prominent thing shown in Slam Dunk, from the boys hooping in Jordans, the baggy clothes they wear, to the sneakerhead culture. Inoue bridged 90’s American culture to Japan, and he made it a thing among Japanese youth.
Something else I want to note is that Nike allowed for Inoue’s use of their products in the manga. On my initial read, this surprised me, since I figured that Nike would have copyrighted the series. However, the reason they allowed for Inoue’s display of their products was because it essentially advertised their products to the Japanese market. In fact, Jordan’s and Nike’s sneakers had a massive increase in Japanese sales throughout the series’ publication (particularly the shoes worn by Sakuragi and Rukawa). Additionally, Nike also had a collaboration with Inoue to make red Jordan’s with Slam Dunk’s panels.
The series wasn’t known in just Japan, but throughout other Asian countries such as South Korea, China, and The Philippines. And as a result, basketball got popularized in these countries as well. If you were to ask anyone from there from around the 80’s-90’s, it’d be difficult to not find a Slam Dunk reader.
Throughout all this, I firmly believe that Slam Dunk isn’t underrated. It is arguably one of the most influential mangas, and easily one of the most successful.
Again looking at the sales ticket of Slam Dunk across Asian countries over the last few months, Slam Dunk fan are old, but NOT dead and there are A LOT of fans. SD was our youth and the love for SD never dies. No matter how much time we have to wait, we will always come to see SD movies. :)
沢北襲来
so I just started watching Run With The Wind
A comprehensive essay on the effects of Sakuragi Hanamichi on Rukawa Kaede from Slam Dunk
Over the years, there have been quite a few rivalries portrayed in great detail between “dual protagonists” from famous shounen manga. Yet the relationship between Sakuragi Hanamichi and Rukawa Kaede from the most influential sports manga Slam Dunk was and still is regarded as “the gold standard” for this particular type of dynamic. However, as great as the bond that these two share, it’s puzzling that there seems to be a greater focus on the impact that Rukawa has on Sakuragi. I have read some analyses that even claim “Rukawa, at best, thinks of Sakuragi as a really hard-to-get-along-with teammate,” or that, “Sakuragi only helps Rukawa build better teamwork to some extent”.
In this essay, my goal is to explore the natural progress of the relationship between these dual protagonists as well as the apparent development and growth of Rukawa Kaede as a character after he meets Sakuragi Hanamichi. For the purpose of this essay, I will focus only on Rukawa Kaede’s perspective as the effects that Rukawa has on Sakuragi deserve another essay entirely.
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mitsui + his gang, a brief analysis
one of the many things i realised in mitsui's introduction arc is that he's not a fighter. while mitsui might have walked around kanagawa pretending to be one, one wonders if he just happened to pick on people/other delinquents weaker than him, or if tetsuo and the other guys protected him from the tougher gangs.
i mean, yohei absolutely trashed mitsui, and he's easily half a head shorter than him:
(the smol and the tol, perfect spooning sparring sizes 🥲)
((the second implication here should also be that yohei is a truly phenomenal fighter who just chooses to hold back))
it only makes things even more bittersweet when mitsui shows up trying to protect tetsuo from being beaten up by a rival biker gang, because the latter (along with hotta, etc) was mitsui's sole pillar of support in the two years he spent adrift after he left the basketball team.
this is why mitsui and his gang is one of my favourite parts of slam dunk. i mean, showing up with a huge flag that says 炎の男 三っちゃん is some real homie shit. mitsui might have fell into a dark spot, but the guys that were with him at his lowest also saw him shine at his brightest.
Mitsui gang is the best
fanclubs
actually girls love yohei
Sweets Database.
You can read it on my livejournal, the link in the bio.
As minor as it may seem I’m so glad that mappa is taking their time with showing these quiet moments of domesticity in csm because that’s really why I love the series so much, the characters feel so human and a large part of that is seeing their mundane daily lives in contrast with the chaos of being devil hunters. Like hell yeah, show me Aki’s morning routine and the way he measures out his laundry detergent. Show me the Hayakawa family all eating dinner together. That’s what I wanna see babeyyyy
Yoo Sun Ho as Grand Prince Gyeseong
people not liking denji for his sexuality driven motivations when he’s like not a disgusting pervert at all. he’s like the most respectful horny manga character, he never sexually harasses anyone or spies on anyone, he’s literally just horny. the ladies are the ones using that to take advantage of him (cough cough makima) or using it as bartering chips to have him accomplish things (power and himeno) he literally never does anything disrespectful, he’s just crass, that doesn’t make him bad or gross. I honestly love having a manga character who’s sex and girl obsessed without being a massive “comedic relief” perv about it
You really cannot take the sexuality aspect away from Chainsaw Man, there’s a lot to be said about it, a lot of very interesting commentary one can say about it, but I’m a huge fan of the narrative thread: Makima is Domination given flesh and she exerts her influence on an actual child who has known no love besides his intimately familial bond with his chainsaw dog thing and whose entire concept of “women” is “porn” and “my hormones want me to have sex and grab boobs”, but the boy, Denji, on every occasion he actually got close to scoring, to achieving this intimacy he thought he longed for, not this sexual release, but rather, sexual ascension, something in him immediately went “this isn’t it, chief, this just isn’t it”, not for the drunken pity fuck he almost got, and definitely not when he got frisky with Power at her insistence. In the first situation, he instinctively feels that the complete lack of affection and the fact that this was more humiliating than titilating is just wrong, it isn’t how it’s supposed to be for him, and in the latter, he certainly loves Power as a sister and best friend, but not as a love interest or object of lust, so it just feels gross and weird as hell, and his closing thoughts are “yeah no this is just wrong”, and in a way, Makima tries to break him precisely by giving him exactly the affection she knew he wanted – close bonds of trust and platonic love – so she herself could rip those away from him when the time was right.
And it all comes down crashing because 1) she didn’t realize not only just how much they meant to Denji, but how much Denji meant to them as well, and 2) the chainsaw dog thing within Denji loves him so much that he’s absolutely not going to stand around and let him go down without a fighting chance.
To put it bluntly, sexuality in the narrative of Chainsaw Man is a topic handled with far, far more nuance than you’d expect from a manga that most people will describe to you as “dude has chainsaw powers and goes fucking wild”, because it is not about sexuality in a vacuum, nor is it about glorifying or vilifying it, it’s simply treating sexuality as one of the many cogs in the overarching, complex clockwork that is “the bonds of affection and love with those around you”.
He got to eat real cake :’)