Vintage Comic - The Monkees Annual 1969Â (1969) (UK)
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PUT YOUR BEARD IN MY MOUTH
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@florelai
Vintage Comic - The Monkees Annual 1969Â (1969) (UK)
since ur a fan of the smiths name 5 of the gayest marrissey moments
GOD anon where do I even begin. Iâm not going to be mentioning any songs alone or the myriad of homoerotic photoshoots because weâll be here all day but here are some of the craziest ones I remember:
1. The whole Angie, Johnny, Moz trio (doomed throuple) and Moz being his best man + what do you see in her / I know itâs over (verse 2, and just the whole song being written right before or right after âcanât remember which rnâ Johnnyâs wedding)
(When your bf is hanging out with his wife)
2.
Morrissey talking about meeting Johnny for the first time in his autobiography. No other comment
3. Them sharing jewellery and having matching earrings on opposite ears
4. When morrissey changed the lyrics of billy budd in 1997 from âSince I took up with you // Things have been bad // Yeah, but now it's twelve years onâ to fifteen years so it lines up with the year the smiths formed (1982)
5. Uh morrisseys post smiths guitarist bf (Vini Reilly) who Morrissey dumped right after viva hate finished who also looks exactly like Johnny
Honourable mentions:
And the multiple examples of them dancing together
john and paul one soul in two bodies thing fucks me up quite regularly but some of the worst examples of this is john saying "i don't know what he wanted because i never knew what i wanted" re whether paul found what he was looking for with linda and when he says "because when i feel weak, i think he must feel strong" about why he expected better from paul with his solo songs....they were a quantum entanglement
can you believe that pop music is what it is now because two boys played guitars mirroring each other and they got matching haircuts one summer and they looked into each other's eyes and bled into each other đŹđŹ
i need those pictures of john, yoko, and paul looking like the most evil throuple in existence
the vibe is sooooo rancid i love it
I'm watching early Beatles interviews and I found this. happy pride month <3
reporter: I noticed the two married men are sitting together and [inaudible]
John: that's because we're queer
John and Paul being cute / doing a bit
Paul about to speak up...
George: IN ENGLAND WE MADE THREE ALBUMS
mutual masturbation except it's just the two of you playing your guitars while face to face with one another
certified beatles post
never forget when davy jones called ric klein a fag on the christmas special
I wish sean wasn't an asshole bc he's so fucking funny
John Lennon Playboy interview (1980) / I Know (I Know) by John Lennon / Some People Never Know by Wings / I Know (I Know) by John Lennon / John Lennon - Weekend World, April 8, 1973 / I Know (I Know) by John Lennon / Julia by The Beatles / I Know (I Know) by John Lennon / Dear Boy by Paul and Linda McCartney / I Know (I Know) by John Lennon / Paul McCartney Playboy Interview (1984) / Getting Better by The Beatles / Beautiful Boy by John Lennon / I Know (I Know) by John Lennon / John Lennon Playboy interview (1980) / Yesterday by The Beatles / I Know (I Know) by John Lennon / Oh! Darling by The Beatles / Jealous Guy by John Lennon / KCSN interview with Mal Evans (1975)
Ok, imagine this. You're Paul McCartney, and it's January 19th, 1967. You've just finished laying down the basic track for your next album's grand finale, called "A Day In The Life". Unbeknownst (?) to you, this song was borne out of your childhood boy-best-friend/writing partner's starkly gleeful reaction to the news of your new friend's violent death just a month prior. There's reason to believe your partner was quite jealous/resentful of this newfound friendship. Not only have you dropped acid with your friend when you've been refusing to share that same experience with your partner, but the previous year you had your friend over for Christmas with the family up in Liverpool, after which you proceeded to break your face in a moped crash during a joint moonlit ride. Your friend's subsequent death in a car crash might have come to inform your partner's concept of Instant Karma.
You're Paul McCartney, and it's January 24th, 1967. You're having dinner with this playwright you like. You claim his is the only play you've managed to sit through without getting a 'sore arse'. You like the play so much you've invested ÂŁ1,000 in it. It's about this bisexual catholic boy whose mother just died (Hal), his childhood boy-best-friend/partner in crime, and the robbery they're in the process of committing. There's reason to believe you might have identified with this Hal character. Incidentally, this character seems to be named after the playwright's partner of 16 years, Halliwell.
You're Paul McCartney, and it's August 9th, 1967. The news breaks out that the previous night, the playwright has been bludgeoned to death by his partner, in a fit of rage and jealously, with 9 hammer blows to the head. The partner has then immediately committed suicide by overdosing on pills. The song that plays at the playwrights funeral, 9 days later, is his favorite record, "A Day In The Life". Unbeknownst to you, your friend and manager will die from a pill overdose in 9 days.
You're Paul McCartney, and it's the summer of 1968. Life as you knew it is falling apart. Your partner is now, out of the blue, seemingly in love with this new woman. Not only did you have to deal with them briefly living at your house, where just the year before you blissfully cohabitated with your partner, but he has also broken the sanctity of your creative space by bringing her into the studio and all writing sessions. At some point, you bring to the recording sessions a song about this guy named HalliMaxwell, who goes around bludgeoning people to death with his silver hammer. Incidentally, his first victim seems to be named after your partner of 11 years. You don't end up actually recording the track until a year later, during which you infamously psychologically torture your other two bandmates with it for three whole days. The way you speak about it, this song appears to echo your own concept of Instant Karma:
Maxwellâs Silver Hammer was my analogy for when something goes wrong out of the blue, as it so often does, as I was beginning to find out at that time in my life. [...] We still use that expression even now when something unexpected happens.
â Paul McCartney in Barry Miles' Many Years From Now (1997).
Some of my songs are based on personal experience, but my style is to veil it. A lot of them are made up, like âMaxwellâs Silver Hammerâ which is the kind of song I like to write. Itâs just a silly story about all these people, Iâd never met. Itâs just like writing a play: you donât have to know the people, you just make them up. I remember George once saying to me, âI couldnât write songs like that.â He writes more from personal experience. Johnâs style was to show the naked truth. If I was a painter, Iâd probably mask things a little bit more than some people. The song epitomizes the downfalls of life. Just when everything is going smoothly â Bang! Bang! â Down comes Maxwellâs silver hammer and ruins everything.
â Paul McCartney in The Beatles Anthology (2000).
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Maxwell's Silver Hammer (1969): Bang! Bang! Maxwell's silver hammer / Came down upon her head. / Bang! Bang! Maxwell's silver hammer / Made sure that she was dead.
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Instant Karma! (1970): Instant karma's gonna get you / Going to knock you on the head / You gonna break your body, darling / Pretty soon you're going to be dead
The best channel on television !
person who wears pads: i prefer wearing pads person who wears tampons: how can you walk around all day wearing a wet diaper full of blood that's so gross i could never! paul mccartney: john lennon wasnât gay because if he wanted to have sex with men he wouldâve had sex with me
âIâm still the same guy you loved in Liverpoolâ is a new development.
And whether Paul means John said those words or meant those words Iâm actually very proud of him for being able to share that.
whatever. paul mccartney
bunny paul