also I don't think parents "these days" are uniquely terrible, I just think neglect is showing up in new ways as technology progresses. today's ipad kid would've been wandering around in a ditch alone all day and night before. parents not wanting to have to deal with children is not a new phenomenon.
no i don't think those characters are siblings i think they're friends. I don't think that's their mom I actually think she's their friend. I don't think they're related actually I think they're friends with each other.
there have been four editing passes on my spider sex book, and each time they take away so many commas. no fresh commas are being added, this is just a continued culling. if you see a comma in the final book please understand that it survived so much
Getting dumped really puts children's cartoon villains into perspective. Like dude you're SO right, love and caring ARE disgusting and we SHOULD cast a spell to drain all human emotion into your amulet.
pop health science is so annoying bc it'll be like "did you know? eating strawberries will give you mega cancer" and you're like pfft whatever begone influencer. but sometimes then you'll see a reasonably credible article like "Study Shows Possible Link Between Strawberries and Mega Cancer" and you're not usually the type to follow that kind of thing religiously but idk maybe you should consider not eating strawberries? but then there's another article saying "Strawberry/Mega Cancer Study Debunked" and it turns out the original study had a sample size of 3 and was funded by Big Blueberry, and strawberries may have a small connection to mega cancer but only if you are genetically predisposed to mega cancer and eat 50 strawberries every day. so you return to your strawberry eating life. but whenever you eat strawberries in public someone tells you about the mega cancer.
I'm going to start this by saying if you're NOT BLACK and you come on here trying to tell me what other Black people are saying, or tell me about the books - A)you're getting blocked B) I know what you are - so stay in a white baby's place, which is not my comments.
See. the one thing that has remained true about all three seasons, is that Memory IS A Monster. Just not in the way these showrunners and writers are thinking.
The importance of having Black people in the writers room is not just the handling of dialog, but in the assistance of knowing details and the effect it may, or may not have on an audience. Now we know Rolin Jones wasn't eeeeeeeever going to allow them to call the trial a LYNCHING, because whiteness has to defend itself, but there are other things that stand out to me as a Black viewer.
LOUIS THE PIMP
I remember the very first time Mr. Charles and I watched S1Ep1 and Daniel says "You were a pimp!" in this kind of 'homg, what kind of Black debauchery is this' way. We were cackling.
Have you ever met S1Ep1 Louis de Pointe du Lac? He banters with the girls, who in turn are not afraid to say whatever they want to him. He tries to smooth over problems and the only person we see him get rowdy with is Paul, because "You couldn't look weak on Liberty Street”
This was no Iceberg Slim. This wasn't Max Julien's Goldie. He wasn't even Willie Dynamite. That doesn't take away from the effect Louis had on his girls, those that cried and as he said, he stuffed his ears from the hearing of said cries - but he wasn't like others that I knew from the culture.
So, why has so much been made of Louis The Pimp this season? It's been hammered on again and again. Well, I think Merrick Mayfair tells us what the issue is in Episode 6.
"Great Mama Ernestine sends her regards, says the du Lac boys walked past her porch heads so high you wouldn’t know their money came from flesh."
You know who else had money that came from flesh? Louis de Pointe du Lac. The white one, from the books and films. Vampiredom's saddest, loneliest Participant in That Most Peculiar Institution.
I think this is RJ & Crew's way of saying "Sure, swap 'em out. Racebend to your heart's content, but he's not any better than the slave master and don't you forget it!"
Which is disingenuous for reasons I shouldn't have to explain to grown ass adults on this site.
This season, in my opinion, is about resentment of the Black characters. You don't have to agree, because I'm not writing this for agreement. I'm just thinking out loud. If you like s3, I love that for you. Anyways, the fandom to some degree has always hated Louis, but now I believe the writers are showing their hatred of this Louis to us. This Claudia This season is about the unmaking of these Black characters.
We've all seen the "Louisiana fried chicken" comment. That's not by accident, or a throwaway line. That's to "humble" the Black man that bought his sister a honeymoon package on The Blackstar Line - a shipping line incorporated by Marcus Garvey, the organizer of the Universal Negro Improvement Association.
Rolin & Co. have fans clamouring for the 'knocking down a peg or two" of the Black man who loved his 'churchy', mentally ill brother enough to not institutionalize him and with him, give us a taste of our much beloved Nicholas, or Hines Brothers.
"With Episode 1, titled “In Throes of Increasing Wonder…,” the show not only crafts one of the best pilots in the history of television, it also showcases Black culture in New Orleans, and how essential this is to Louis’ life. It’s clear here, from Louis being called a slur by a fellow businessman to the familial joy seen at his sister Grace’s (Kalyne Coleman) wedding, that Blackness is not only integral to Louis’ story, but the story this adaptation is trying to tell." Paste Magazine
This is about the unmaking of Louis de Pointe du Lac and Claudia.
"I always thought that Louis slightly cribbed James Baldwin's speech patterns, and that's what he took with him to Dubai. It's an affectation. But then as he comes back to himself, his real, true New Orleans accent creeps back in." Jacob Anderson, Backstage
Claudia, Episode 6:
"took your Black queen and ran off with him across the ocean..."
Young militants referred to Baldwin, unsmilingly, as Martin Luther Queen. Henry Louis Gates, The Fire Last Time
The use of another Black voice to say these things is certainly interesting, but unsurprising. (I don't need to get into everything she said for obvious reasons - if you're fine with everything she said, hooray for you, we're here for what I think.)
"The one good thing in my bleak… [sobbing] Black life, and I don’t know where she is!"
I won't argue the difficulty of living as a Black woman with people who aren't either one, or agree with the sentiment above. I will point out that in her time in NOLA, following her transformation, Claudia did live better materially than most Black girls and women. The most notable exceptions that we know through the show being Grace and Florence - who did not live 'bleak Black lives'.
Claudia as a vampire had better chances at survival than most Black girls and women, even in her worst circumstances. But that line, isn't about any of that - that line is to undo every moment in S1 where Claudia did have moments of happiness. To undo moments in S2 where she found acceptance and what she wanted.
"Bleak Black Life", indeed. Catchy isn't it? Like the antithesis of 'Black Lives Matter'. AND IF YOU DON'T BELIEVE US - LOOK AT DEE PHARMA. A COCAINE WHORE BUCKET. (they like buckets, these white writers - buckets of chicken, whore buckets...)
AND SPEAKING OF HYPERSEXUALIZATION…
"Some joy I know, knowin’ is how good I humiliated you in New Orleans, how I ginned up the train for the slave here.
'Lestat said he’d do worse than rape me, Daddy Lou.'
Worked good, didn’t it?"
Because the only solution to having an audience thinking their white lead was capable of victimizing these Blacks that the writers didn't want in the first place, is to show that a lynched, Black female (I use this word deliberately) is unworthy of your belief with regards to him.
The same white guy that killed poor Miss Lilly for the crime of being a poor substitute for Louis. That dropped Louis from miles above earth. That raged at Claudia like she was a rival lover instead of an inconvenient daughter.
This guy can't be held up as the great focus for the Great Conversion to S3 and a whiter audience and whiter tastes without the undoing and unmaking and unmanning of the lead/s of S1&S2.
Come on now, this was a bit heavy handed (from Merrick's summoning):
"Son of Ham," - That's real cute, paired with Claudia calling him a slave multiple times.
I don't need to get hit repeatedly on the head with a hammer to get the message Rolin & Co are sending. I'm out - but I just wanted to be clear about the why.
many women are excited to get old and weird, but i have great news that it's fully possible to become weird now, before you get old. just imagine the heights of weirdness you will be able to reach in fifty years if you get started now. that's what I think
romaincrisis
stormborns
gummygunk
turnnoffyourmind
titsay
ellievsbear
andulkaphoto
