throwaway tumblr for reasons

there's nothing here but ghosts

[gentlemanjuniper]

Asexuality, Fic, and Murderbot

I'm seeing some heated posts on the tags essentially threatening fans who are interested in writing romance-adjacent fic and I'm getting nervous about the tone that this is striking. As a real-life asexual I have seen my experiences be policed a lot into categories of 'acceptable' asexuality (aka, no romance for you, no life partnerships for you, or are you really ace?) and I really hope that this fandom won't, in an effort to uplift ace and aro people, become hostile to people exploring those identities with nuance and complexity.

I can only speak for myself, but I don't feel like people writing 'ship' fic (say, ART/Murderbot) are disrespecting or disregarding me. I feel like they are asking really interesting questions that brings them closer to my experience: how might two asexual beings navigate a relationship? What might a non-traditional, non-heteronormative definition of 'romance' or 'partnership' look like for two robots whose feelings aren't mappable onto human romantic or sexual feelings? What might intimacy look like without sex? What are the boundaries between romantic love and platonic love anyway, how do we define them, and how can a world of sentient robots allow us to think through those questions through the symbolic space of fiction? I think that stuff is really interesting BECAUSE I'm ace!!!

Idk, I'm not the voice of all aces everwhere obviously. I'm just really hoping that this fandom doesn't become so hostile to people writing fic that we lock ourselves into an extremely narrow definition of acceptable asexuality*. My own relationship to asexuality has changed so much over my lifetime and has involved negotiation with attraction, romance, and sex. It makes me bummed to think we're already policing this stuff. *Focusing on asexuality here because I don't personally know, having only read the first three books so far, if Murderbot is definitively aromantic or not, since this entire conversation assumes that any relationship to romance would be through a bot lens anyway and not human in nature to begin with. Is there a robot equivalent to romance that is distinctly non-human in nature, utterly resisting human binaries of romantic/aromantic? If so what would it look like? This is the stuff I want fandom to not be heckled out of exploring!!!

[gentlemanjuniper]

If I could inject just a little positivity to the news...

Season 2 has a lot of filler and stretches out a pretty simple mystery to six episodes. That's the appeal to some, I get it. But tightness and focus was not its strong suit. I remember feeling like it wasted a ton of time on side characters and it's possible shaving the story down to 90 minutes will skim things down to its most essential beats and be stronger for it. Basically, S2 got a lot of time given to it, and this is obviously my personal opinion but I don't think it used all of it well. I think S2 itself could have been half the length simply by employing more efficient storytelling and we'd not mourn too much.

A lot of S2's weaker plotlines feel built around people that Neil wanted to work with again, with so many recurring actors (I'm thinking of the zombies specifically, when that minisode could have easily been tighter without them). A lot of s2 to me feels like Neil just making work for the people he likes and wants to work with and a movie has to be more accountable to things like that.

Lots of entire fandoms exist around single movies. 90 minutes is not nothing. It's enough for many, many films to tell a complete story with cute character interactions and satisfying emotional arcs, especially when A&C are the only real significant connecting threads between both seasons thus far.

I don't think there are as many loose threads that absolutely need resolving as people may be thinking. Would I like to know why Aziraphale did the '40s apology dance? Would I like to see his bookshop gun? Sure. Are either of those necessarily essential to closing out the story? I don't think so. Really, what needs resolving is the second coming and, directly connected to that, Aziraphale and Crowley's rift. To me, not knowing the story obviously, that seems super reasonable to do in 90 minutes?

I don't think anyone involved in the final season can possibly be blind to the appeal of the show being Aziraphale and Crowley over anything else. That's certainly the reason why their roles were expanded to begin with from the book and why the second season was, nominally, all about them. They also now have to pay MS and DT for appearing in a movie rather than an ensemble show, there's no way they won't be front and center. Amazon wants a show that will make money and market itself; there's a reason why all the promo material for S2 was of Crowley and Aziraphale, because people engage with that stuff, reblog it, make art that promotes the show, etc. It makes no artistic or financial sense to make a movie that sidelines them.

GO is at its best when it has Terry's voice most strongly in it. That's why to me, S2 was a weaker, more meandering season overall (that, and I think the minisodes, while fun, just make the season feel comprised of different voices not always working in tandem towards a common goal). If I was a writer hired to condense a season into a film, and one of the authors had been rightfully disgraced, I would go out of my way to ensure the clearly Terry stuff is most significantly emphasized. It's telling to me that the Pratchett estate is producing and it's possible that the end result will result in more Terry, less Neil.

Think of it this way: everything we've gotten after S1 has always been extra. Imagine telling a fan of the book in the 90s that not only will you get a six episode adaptation, you also get a totally new second season, AND a movie?

Basically: I know this is disappointing but I think a lot of the pleasure of the Good Omens fandom was ALWAYS people picking up on and expanding on details, and y'all managed to do that just fine when A&C were only ensemble members in S1. You can and will do that with a movie too. And this solution both a) ensures first and foremost that Neil won't be involved or the allegations swept under the rug, and b) gives an opportunity for the heart of the story to be emphasized with greater focus, clarity and less filler.

Will we lose good stuff? Probably. But it's also possible we will get a tighter, more condensed, focused version of the best bits, the Terry Pratchett-est bits. I can easily see a 90 minute movie that, knowing they HAVE to focus on the important stuff now, is more Crowley and Aziraphale centric than ever.

[turquoisedata]

Wish I could make everyone read this tbh. 3, 5 and 6 are particularly important.

[meatballlady]

GOS2 was so weak on its own that I (still) believe it has to have been on purpose.

It might turn out that it was just a poorly written season, at which point I'll have lost a lot of time and mental energy, but I can't wait till s3 to find out.

[gentlemanjuniper]

I actually do think NG is just weak at romance, personally. Like, he can create a romantic moment, but he's less good at romantic arcs that aren't simply pinging strong characters off external plots or brief snippets a la the wonderful Hard Times montage.

If you look at what he did with S2, I think it's bizarre that how Crowley and Aziraphale feel or think about their relationship is so unclear that fandom still can't agree on, say, whether or not Crowley has known all along he loves Aziraphale or whether a random unsolicited comment from Nina (of all people) made him realize it. The text itself isn't direct about any of this and gives mixed messages--either it's "you need to say what you're really thinking" or it's "you need to realize you're in love"! "We've spent all this time pretending that we're not" as part of an overtly romantic love confession doesn't track at all with Crowley suddenly realizing his feelings are romantic yesterday. Like, it can't be all of these things at once! And how aware was Aziraphale, if we ignore any fandom theories? We can guess based on MS's performance, but the text is coy about this too, almost like NG prioritized keeping it at a level of plausible deniability until the final episode (not given to critics) over clearly identifying and tracing a romantic arc between them.

There's just a weird lack of curiosity about their emotional inner worlds and S2 didn't really set a clear, consistent goal for their romantic arc until that last 15 minutes imo. Of course this is subjective, though!

[schoolhater]

link to the article

siraj's tumblr blog

siraj's gofundme

[gentlemanjuniper]

If I could inject just a little positivity to the news...

Season 2 has a lot of filler and stretches out a pretty simple mystery to six episodes. That's the appeal to some, I get it. But tightness and focus was not its strong suit. I remember feeling like it wasted a ton of time on side characters and it's possible shaving the story down to 90 minutes will skim things down to its most essential beats and be stronger for it. Basically, S2 got a lot of time given to it, and this is obviously my personal opinion but I don't think it used all of it well. I think S2 itself could have been half the length simply by employing more efficient storytelling and we'd not mourn too much.

A lot of S2's weaker plotlines feel built around people that Neil wanted to work with again, with so many recurring actors (I'm thinking of the zombies specifically, when that minisode could have easily been tighter without them). A lot of s2 to me feels like Neil just making work for the people he likes and wants to work with and a movie has to be more accountable to things like that.

Lots of entire fandoms exist around single movies. 90 minutes is not nothing. It's enough for many, many films to tell a complete story with cute character interactions and satisfying emotional arcs, especially when A&C are the only real significant connecting threads between both seasons thus far.

I don't think there are as many loose threads that absolutely need resolving as people may be thinking. Would I like to know why Aziraphale did the '40s apology dance? Would I like to see his bookshop gun? Sure. Are either of those necessarily essential to closing out the story? I don't think so. Really, what needs resolving is the second coming and, directly connected to that, Aziraphale and Crowley's rift. To me, not knowing the story obviously, that seems super reasonable to do in 90 minutes?

I don't think anyone involved in the final season can possibly be blind to the appeal of the show being Aziraphale and Crowley over anything else. That's certainly the reason why their roles were expanded to begin with from the book and why the second season was, nominally, all about them. They also now have to pay MS and DT for appearing in a movie rather than an ensemble show, there's no way they won't be front and center. Amazon wants a show that will make money and market itself; there's a reason why all the promo material for S2 was of Crowley and Aziraphale, because people engage with that stuff, reblog it, make art that promotes the show, etc. It makes no artistic or financial sense to make a movie that sidelines them.

GO is at its best when it has Terry's voice most strongly in it. That's why to me, S2 was a weaker, more meandering season overall (that, and I think the minisodes, while fun, just make the season feel comprised of different voices not always working in tandem towards a common goal). If I was a writer hired to condense a season into a film, and one of the authors had been rightfully disgraced, I would go out of my way to ensure the clearly Terry stuff is most significantly emphasized. It's telling to me that the Pratchett estate is producing and it's possible that the end result will result in more Terry, less Neil.

Think of it this way: everything we've gotten after S1 has always been extra. Imagine telling a fan of the book in the 90s that not only will you get a six episode adaptation, you also get a totally new second season, AND a movie?

Basically: I know this is disappointing but I think a lot of the pleasure of the Good Omens fandom was ALWAYS people picking up on and expanding on details, and y'all managed to do that just fine when A&C were only ensemble members in S1. You can and will do that with a movie too. And this solution both a) ensures first and foremost that Neil won't be involved or the allegations swept under the rug, and b) gives an opportunity for the heart of the story to be emphasized with greater focus, clarity and less filler.

Will we lose good stuff? Probably. But it's also possible we will get a tighter, more condensed, focused version of the best bits, the Terry Pratchett-est bits. I can easily see a 90 minute movie that, knowing they HAVE to focus on the important stuff now, is more Crowley and Aziraphale centric than ever.

[alexcabotgf]

MESSI THE DOG at the 96th Academy Awards (March 10, 2024)

[sscarletvenus]

PLEASE WATCH

video from bisan in gaza. this message is from Palestinians opening up regarding the specific things they would like to say if the whole world was watching.

bisan, motaz, plestia and many other journalists in gaza are being accused by israel of working for hamas just because they have tirelessly strived to document the inhumane atrocities the people of haza have been subjected to. DO NOT LET THEM BE SILENCED. they are the eyes of history, and through them you and me see. we must never stop talking abouts this. EVER.

[leaholong]

[sonaapareeya]

[fellshish]

Aziraphale probably thinks crowley is out there tempting people all seductively and hot because he thinks crowley is seductive and hot while in actuality crowley’s just some rained out loser [affectionate] moving road signs or whatever in the middle of the night. So like one day in their Arrangement with capital A for some reason crowley decides to secretly follow aziraphale to watch him try and ‘be crowley’ and act demon-y and tempt people and that’s when he finds out that for tempting occasions aziraphale just wears the sluttiest outfits he can find and crowley’s brain just… short circuits

[gentlemanjuniper]

but 'slutty' to Aziraphale one tug loose on his bowtie and no cufflinks

[ineffableteeth]

I am screaming look at these photos

Cut scene of Crowley sleeping on a WALL in his PAJAMAS (HE WEARS PAJAMAS ((AND BLACK SILK ONES AT THAT)))

(From the Script book) He DOES wake up a mess and he DOES clean up instantly (WE WERE ROBBED OF MESSY HAIR CROWLEY)

CONCEPT ART FOR CROWLEYS BEDROOM

I CANT

[plumbum-art-deactivated20250302]

[gentlemanjuniper]

it's gut-stabbingly, harrowingly unfathomable that mary and anne did not kiss amidst the flames of their burning antiques and armoirs in THAT final scene

[shoomlah]

I have a feeling that beneath the little halo on your noble head There lies a thought or two the devil might be interested to know You're like the finish of a novel that I'll finally have to take to bed You fascinate me so

You Fascinate Me So, Blossom Dearie

[shoomlah]

...And a reblog with a couple detail shots, as a treat. 🖤

[guardian-of-soho]

Crowley starts off his confession already terrified, already most of the way to mourning, but his voice really starts to go to pieces when he says “and we’ve spent our entire existence pretending we aren’t. Well, these last few years, not really.” And you can just see it sinking in — after all these years of pretending, this is all we get? These few years of half-admitting, half-having? Never saying it was love?

I think that’s why he can’t get through “and I would like to spend — ”. Whatever time we have left together. Really together. Before it all comes apart. He’s just realizing that after all this time, he won’t get to.

[queerfables]

I wanted this post to be more coherent but I am coming apart at the seams. Listen. Listen to me. Listen look no look me in the eyes and listen LISTEN.

Crowley and Aziraphale know. They're in love, and they know. Their love is requited, and they know. That's why it hurts so much! They don't say it. They can't say it. The consequences for both of them could be disastrous. But they know, they know, they know.

This is forbidden love at it's absolute pinnacle. This is centuries of dancing around an unsayable, inescapable truth. Loving someone this way is intense. It's a fiercely romantic headrush, because everything is high stakes fantasy and it's you and your beloved against the world. It's a soul crushing nightmare because the thing you want more than anything is always there, just out of reach. It's passion and yearning and stolen touches and desperately hoping the other person understands all the things you can't say.

It's also just unbelievably stupid. You have a sizzling moment of intimacy with someone and then three days later you're trying to act like business associates.

This dynamic has been present since season one, and sometimes the atmosphere between Crowley and Aziraphale becomes urgent and surreal enough that they almost name it. There's the bandstand, where Crowley suggests they could run away together. There's Aziraphale in 1967 saying, maybe one day we'll dine at the Ritz. These aren't the words of those unsure of another's feelings. These are declarations made in the clearest terms they dare.

The clincher for me is Aziraphale's face when Shax says she wouldn't have thought he was Crowley's type. It's a nasty comment meant to play on Aziraphale's insecurities: "If you're anything to him, it must be something sordid, and I'm surprised you can even offer him that." And she completely misses the mark! Aziraphale disregards her words without a thought. That eyebrow says he knows exactly how Crowley feels about him, and Shax's insinuation is laughable. He is uniquely Crowley's type.

It's less definitive for Crowley, and it makes sense that it would be. For the most part, Crowley is the accelerator and Aziraphale is the brakes. It is hard to hold faith that someone wants you when all they can tell you is "slow down". That doesn't mean he's unsure of Aziraphale's feelings. It means that he's unsure how much he's allowed to say. Aziraphale wants him to push right up until he doesn't, and it hurts them both when they go too far and have to walk it back. Even so, Crowley's confession makes it pretty clear that they're both in on this unspoken thing between them:

"you and me ... group of the two of us ... and we've spent our existence pretending that we aren't"

And then he kisses Aziraphale. And he doesn't do it carefully or tentatively. He doesn't wait for Aziraphale to be ready. Because that's how this dance goes, isn't it? Aziraphale wants him to push, and it's going to hurt and they're going to have to walk it back but fuck it all because Crowley is going to give them the thing they've spent their existence pretending they didn't want.

[camilleflyingrotten]

VAVOOM

[briannacherrygarcia]

Just sketching some fluff

[hattersarts]

a longing.