i’d give it just to give

#extradirty
PUT YOUR BEARD IN MY MOUTH
One Nice Bug Per Day

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Noah Kahan
Interview Vampire Daily

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roma★
cherry valley forever

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Lint Roller? I Barely Know Her
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EXPECTATIONS

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@get-it-off-my-desk
i’d give it just to give
MITSKI – STAR (2024)
[I'm Your Man - Mitski // Hound with a Joint of Meat and a Cat Looking on - Jan Baptist Weenix // House of Wolves - My Chemical Romance // The Boar Hunt - Frans Snyders]
(ID in alt text)
not to be sad on main but why am i so ugly?
i really hate knowing no one will ever be so entranced when they see me and feel nervous/ giddy around me
no one will have a crush on me or find me attractive or anything of that sort
no one will freak out because i talked to them or paid attention to them
no one at all
i’m invisible
— On Cassandra of Troy
"Cassandra" by Florence and the Machine // "Cassandra" by Anthony Frederick Augustus Sandys // "A Thousand Ships" by Natalie Haynes // "The Cassandra Scene in Aeschylus' Agamemnon" by Seth L. Shein // "Ajax and Cassandra" by Johann Heinrich Wilhelm Tischbein // "Elektra" by Jennifer Saint // "Cassandra of Troy" by Jan Drenovec // "mad, mad, mad" by @diradea // "mad woman" by Taylor Swift // "Helen and Cassandra" by Al Stewart // "Cassandra of Troy" by Evelyn de Morgan // "The Daughters of Troy" by Euripides
Elia of Dorne and Cassandra of Troy parallels
Daenerys IV, ADWD // The Oresteia- Aeschylus // Tyrion X - A Storm of Swords // Aeneid by Virgil - Book II // Cassandra’s monologue, Agamemnon by Aeschylus //Cassandra by Anthony Fredrick Augustus Sandys - 1864// Ajax and Cassandra by Solomon J Solomon - 1886 // Kassandra by Florence and the Machine
I wish Americans fucked with more foreign music. You don’t have to know the language to appreciate a good record. Folks in other countries listen to our music and don’t speak a lick of english. Music needs no translator
yall wont trick me into listening to kpop
You can try Radiooooo.com - The Musical Time Machine!!
choose a country, pick a decade, and GO!!
you’ll get an endless streaming of songs (ad free!).
I personally found myself loving 1970s Ghana, Senegal and Cote d’Ivoire! Also 1920s and 1970s Japan for sure! Cambodian music: spectacular. Love Armenia and Mali as well. I’ve been told 70s Germany is weird and 30s Algeria is cool but I haven’t gotten around to those yet. Italy’s 1960s is bomb ofc but I’m biased ;)
This is the best website anyone has ever shared.
Also Radiogarden
I am once again asking Swifties to understand that Taylor Swift songs and albums are not "about" anyone other than Taylor Swift and how she is thinking or feeling or reacting to any particular stimuli in her life. And that is more true than ever with this album.
the album is brutally honest, satirical, a bit cringe here and there, depressing and experimental at the same time, I would not side eye anyone for saying "I don't understand this" or "this isn't my cup of tea" or even "what the fuck is this" because it's obviously not a 1989 or midnights kind of album for everyone. I understand why she said she "had to put this out" but while she is at the peak of her career, she released an album that is not for beginners nor really for overall critics, it's knees deep into the taylor swift lore and probably the most herself an album has ever been, that does not mean it is a masterpiece but it makes it so insanely special
Welcome to the Eras Tour, it's been waiting for you.
— Shot by the incredible Addy Miller
Hogwarts houses not as your defining trait but the way you survived your childhood — the way you coped with your trauma.
Ravenclaw is the book you buried your nose in as you put one foot in front of the other. They are the children who stayed under the bed with flashlights to catch the monster under the bed. They are the children who came to believe themselves to be monsters. Ravenclaw is a room where you store all the things you try to forget. It’s spending years trying to think your way out of that room. Its knowing the world is a vicious place and finding wonder in it anyways.
Slytherin is keeping your head down and your eyes open. It’s blood in your mouth and venom on your tongue. Slytherin is being sharp and precise and deadly as a snake because there’s no other way to survive. It’s knowing there’s no space for you in this world unless you’re willing to carve it out. They are the children who learned to bide their time. To wait for the perfect moment to strike. To go in for the kill. Slytherin is knowing there is no justice in this world unless you make it.
Gryffindor is a tightly clenched fist to keep your hands from shaking. Its children who used to hide under the bed. Children who swore they’d never let anyone make them afraid again. Gryffindor is raised eyebrows and hackles. It’s children who know fear like a second skin. They wrap themselves in it like a home. Gryffindor is digging your toes into the earth and widening your stance. It’s matching the lions predatory gaze with a challenge of your own and clenching your jaw so it doesn’t tremble.
Hufflepuff is a pair of trembling hands that hold on tight. It’s knowing that caring leads to betrayal and deciding to care anyways. It’s tear stains and heart strings boldly on display. It’s knowing life isn’t fair but choosing to try anyway. They are the children that know the world is cruel. They are the children that love it anyway.
Julius Johann Ferdinand Kronberg (Swedish, 1850 - 1921) Inslumrad, 1883
(detail) Nu Allongé, 1918 Delphin Enjolras (French, born in 1857)
Salvador Viniegra (1862-1915) "The First kiss of Adam and Eve" (1891) Located in the Museo Del Prado, Madrid, Spain
Courage, Anxiety and Despair: Watching the Battle, 1850, by James Sant.