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@ghostr0tz
Letting out static like cats hissing at each other
human flesh is not just for cannibals
I got carried away with today warmup
What a "Uh-huh, honey" will get you.
.."just try harder"
wip
I donât know if anyone has mentioned this yet, but
In the scene where Vox captures Lucifer, I noticed that instead of being mad that Alastor was fighting someone else, it was more as if he was upset that they both werenât focusing on him. As he tells them when he stops their fighting, âThis is my moment.â
He echos this again when Valentino and Velvette intervenes his (mass) murder-suicide attempt. He says this backing away from them, hunching in on himself with a droopy antenna (the one we know isnât damaged), gesturing to himself, and his voice distortion softens a bit to sound more human when he says âThis is my moment.â
Adding on to this, Vox does see Valentino and Velvette as his family. In âWhen I Think About the Future,â Vox refers to his relationship with them as âplaying house.â Applying this context to the scene, Vox feels like his family is taking away his moment again
To me, this feels more like someone who had always been neglected any attention as a kid from their parents.
With Valentino being silhouetted in the frame and him being taller than Vox, it kinda looks like a kid begging their parent to give them attention.
In his taunting of Charlie, Vox tells her that âYou are a pale imitation of your mother, and sheâd be disgusted at the weak, pitiful failure youâve become.â Vox specifically calls out failure, and heâs so angry saying these words to her when throughout the season, he enjoyed taunting her. Also throughout the season, weâve seen how similar Vox and Charlie are. In this moment, he is seeing himself in Charlie. Heâs speaking someone elseâs words that were said to him. These words are a major part of the trauma he experienced at some point.
I say trauma because Lucifer calling him a failure is what started his flashback sequence in âBrighter.â He specifically saw himself as a failure as a weatherman until he started killing people.
I made a post about this, but I honestly think Vox did like being a weatherman at one point. As to why: here. But that begs the question: who caused his trauma? It wasnât Alastor because he didnât know Alastor till he died. Alastor is the surrogate or the substitute that Vox projects these feelings on. It had to be someone as important to him as Alastor.
Looking back at the shot of Vox calling Charlie a âfailure,â thereâs this odd fallen piece of cloth that I couldnât really tell what it was. Curtain? Table cloth? But then it clicked in my head, doesnât it look like a blouse or the top of a dress? Thereâs this bust line- I know we like the Voobs ⢠but this looks very much like a feminine figure that is placed on top of Voxâs imagine- making Vox âa pale imitation ofâ a woman. His mother.
His mother was probably very emotionally neglectful and abusive that never gave him much attention. His mother was probably also a very successful and famous entertainer that never let her son have a moment that made him feel special and thought he was a failure.
Is this anything
Happy Holidays with the duo ever <3
SINSMAS PRIDE
StaticApple sinsmas redraws... I love this scene so much bro the composition the emphasis it's so... peak... I had to make an actual Christmas related piece anyway so here they freaking are
Become a supporter of Fritz Sallufix today!
Again I have extra pages/art/WHATEVER on my Ko-fi so go check that out if ever (Disclaimer: I never draw anything beyond suggestive)
unexpected interaction!
UMM okay um okay HUGE SHOUT-OUT to @polmin and her recent HOT AND BEAUTIFUL art of these two dorks. I loved the idea and the pose she used and just wanted to draw them like that too Ń_Ń Polmin THANKS FOR THE FOOD đ
Doodles of Vincent from @psychegabe 's magma.
Bruh
Go, white goy, go!
Also I'm thinking about the Exterminations again and how messed up it is that the only characters who care about them are Vox (evil, using outrage to manipulate people) and Sera (the one who caused them! but she feels so guilty now:( so it's okay). Like, it really just feels like the writers didn't actually know how to handle that plotline and make real forgiveness and redemption happen for difficult things that harmed so many people who should be pushing back and having feelings about this. Why would any Sinner trust Heaven? Oh, that's right. Because Vox tried to kill them all and they have no one else to rally behind. Cool.
On the other hand I dont care due it being hell and hell residents are pos.
đ Genocides always use the rhetoric that their victims deserve death, that they're horrible people, that they'll never amount to anything. Using that as a defense of a fictional genocide is, imo, profoundly foolish. Hazbin is a universe that has not defined exactly how a soul is damned, but seeing as Sir Pentious was confirmed to be damned to hell because he was ashamed of not telling the police about a crime he saw committed, and that there are literally canonically child Sinners in Hell. One can assume that not everyone there is a piece of shit. That's the reason why Sera feels bad about the Exterminations: she realized the propaganda (about Sinners being irredeemable monsters, the worst of humanity) used to support them was incorrect.
Also, Heaven is not a force of good in this universe. If one is coming from the culturally Christian perspective of Heaven being perfect and incapable of wrongful doinh, one has to separate the background and worldbuilding of Hazbin Hotel from the ideas of Heaven and Hell in religion in order to examine the series as it wants to present itself. Heaven is full of misogyny and violence, exactly like Hell, they just hide it behind a veneer of perfection and call themselves paradise.
There are no Saints in heaven (outside of St Peter who had that title as a figure in Christian mythology). Only Winners. The world of Hazbin is not one of Sinners and Saints. There are only Sinners and Winners - this implies to me that getting into Heaven does not mean someone is good. Only they they won.