The Character pipeline
There was another comic like this that i was desperately looking for, but I couldn't find it. so i made my own
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Discoholic đȘ©
Lint Roller? I Barely Know Her
let's talk about Bridgerton tea, my ask is open
Three Goblin Art
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JBB: An Artblog!
Aqua Utopiaïœæ”·ăźćșă§èšæ¶ă玥ă
ojovivo
wallacepolsom

Origami Around
Acquired Stardust
dirt enthusiast
i don't do bad sauce passes
PUT YOUR BEARD IN MY MOUTH

Kaledo Art
hello vonnie

â
will byers stan first human second
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@gingerscity
The Character pipeline
There was another comic like this that i was desperately looking for, but I couldn't find it. so i made my own
I would still use my turn signals in the Mad Max Wasteland. They'd call me "Signal" because I'd hit my blinker before ramming the enemy hot rods into the side of a desert ravine. I'd use my turn signal every time. They would respect me for this.
"That is Signal, the Last Follower of the Old Law."
Murderbot 1x07 "Complementary Species"
pros of eating your lunch outside on a nice spring day: feeling the sun, getting vitamin d, hearing birds chirping, watching the bees and the lizards and the squirrels
cons of eating your lunch outside on a nice spring day:
MY NAPKINS
I think this ship (spaceship) is really funny
a chainsaw is a lot like a hot glue gun
when you have one in your hands you start to get Ideas about your surroundings
Per @spoonstrek
stand_down.mp4
Verified âïž
oh what in the hell
You are so lucky.
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Everything I read about recovering from burnout is like âit takes months or even years to fully recoverâ and itâs like okayâŠ. I have a weekend before I gotta clock in on Monday
what if we all explode
This very production of Orpheus & Eurydice is now available to stream, free, for the month of June.
never immune to found family :â)
the vivid sensory-memory of sucking water out of a washcloth as a child
This is a perfect time to read the brilliant and unforgettable graphic novel(s) Persepolis by Marjane Satrapi, about growing up in Iran during and after the Iranian Revolution, and the rise of the oppressive theocracy that persists to this day.
Both graphic novels are available free online (Persepolis vol. 1, Persepolis vol. 2)
It also was adapted to a wonderful film (co-directed and co-written by the author) which is available to watch for free on Sundance Now (sign up for the free trial)
aang choosing katara over the avatar state being seen as a touching display of his love for her is honestly one of the most egregious misreadings of the source text that exists in atla fandom and i really wish this interpretation would stop being touted in support of kat.aang when it is anything but favourable to either the ship or aang himself as a character.
aang having to let go of katara isnât â in fact, logically cannot be â about having to let go of love, because there is no mention of having to do the same for sokka, toph, appa or momo. and even if we make the caveat that pathik was referring only to romantic love, it still canât be true because we know that previous avatars have loved and been loved romantically without issue. roku, kyoshi and kuruk all had romantic partners, so there is no reason aang cannot. then it follows that aang needing to let go of katara specifically can only be because what he feels for her is not love â true, pure, selfless love â but attachment. aangâs choice isnât actually for katara at all; itâs a choice for himself, because he doesnât want to let go of her.
thereâs a reason that aangâs grief over the air nomads gets brought up in this same episode, because it is inextricably intertwined with both his feelings for katara and his role as the avatar. after all, it was his being the avatar that led to the fire nationâs attack; it was his abandonment of that role out of fear that caused him to survive instead of being slaughtered with the rest of his people. the weight of his responsibility, and his failure to meet it, is the weight of his grief, and he cannot accept the former without coming to terms with the latter. this is a large part of why aang has latched onto katara, as a crutch to avoid having to face not only the reality of his loss, but the reality of who he is, and why he has to let her go in order to master the avatar state, the embodiment of what he once ran from.
the narrative framing of the guru episode makes it clear that the audience is meant to view aangâs choice as the wrong one. thereâs pathikâs ominous warning â aang intentionally concealing the truth about not having mastered the avatar state from toph and sokka â and even irohâs advice about choosing love over power (which gets thrown around a lot to defend the narrative dropping this plotline later on) is notably given without iroh being aware of the actual nuance of aangâs situation. with knowledge of the full context, itâs highly likely that iroh (a proponent of meeting your destiny on your own terms) would have said something entirely different.
itâs also narratively inaccurate to attribute the choice of the avatar state to being the choice of power, just as it is to attribute the choice of katara to that of love. within aangâs arc and the set up of his character, the avatar state does not represent power but actualization: the manifestation of who he truly is, and must become. itâs the equivalent of aragorn taking up the crown of gondor, simba returning to pride rock â a staple of the classic heroâs journey, where the protagonist fulfills his goal by facing what he does not want to face and accepting who the story needs him to be. if we apply the Want vs Need paradigm here, then katara is the Want while the avatar state is the Need.
the same arc is mirrored with zuko in the book 2 finale, drawing upon the two charactersâ relationships as narrative foils. both zuko and aang choose wrong â choose the Want â and pay the price. then comes sozinâs comet and the agni kai, and the conflict of love vs power returns again with katara as its lynchpin â but this time, when zuko leaps in front of azulaâs lightning, we know itâs the right choice because the story has established the choice of katara as the Need, as the completion of zukoâs actualization as a character. in aangâs arc, the choice of katara represents divergence, leading him further away from his destiny; in zukoâs arc, itâs a convergence, the re-alignment of who he was with who heâs destined to be.
and if the show had followed through with what had been initially set up, this moment would have happened simultaneously with aang letting go of katara, making peace with his grief and so earning the avatar state on his own terms in his fight against ozai â completing the reverse triangulation of the CoD plot. but instead aangâs side of this story thread is dropped entirely, fracturing the narrative symmetry between him and zuko, and his own character development in the process. and so, despite how hard both the show and the fandom have attempted to retroactively justify it, aang choosing katara over the avatar state is less a grand romantic gesture and far more an example of one of the showâs biggest narrative failures and frustrating wasted potential.
âPut him on his knees give him something to believe inâ has the exact same energy and depth of meaning as anything Hozier puts out on the regular but since itâs sung by Megan Thee Stallion no one takes it seriously. In this essay I will-
To flesh this out a little bit more: both Megan Thee Stallion and Hozier write and sing really sexual songs, but theyâre different in that Hozierâs music is typically âlet me worship youâ while Meganâs is usually âIâm worshipping myself,â which makes all the difference because itâs an acceptance of power rather than the giving of it. Heâs the sinner, sheâs the saint. However, taking their difference in genres out of it, people donât usually seem to take Megan Thee Stallionâs music seriously in comparison to Hozier because a) her lyrics are more overtly and blatantly sexual and b)sheâs claiming her sexuality for herself, and that scares a lot of people. The secret, no-one-wants-to-talk-about reason is that sheâs a confident black woman, which terrifies people way than sex does. In conclusion, Hozier and Megan Thee Stallion are two sides of the same poetic, sexual coin, but people just donât want to admit it. Which is WHY a collaboration between Hozier and Megan would be so powerful that it would change the timeline as we know it yes I will elaborateÂ
Ocean date
Imagine being the gays at a pride event in 2004 living their lives when someone grabs the microphone and announces to the room that Ronald Reagan was pronounced dead. Can you even imagine the hype, the celebration, the pure elation
This is the Pride Month that It will happen. I feel it in my gay bones