I am widely hated by the Bovine community.
I am widely hated by the south no i will not elaborate
Jules of Nature
RMH

Love Begins

JBB: An Artblog!
styofa doing anything
$LAYYYTER
NASA
sheepfilms

pixel skylines

★
dirt enthusiast
h

ellievsbear
YOU ARE THE REASON

Janaina Medeiros

Andulka

shark vs the universe
let's talk about Bridgerton tea, my ask is open
🪼

#extradirty
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@gjisord
I am widely hated by the Bovine community.
I am widely hated by the south no i will not elaborate
if you ever think you’re down bad then remember somebody wrote harry styles x harriet tubman fanfiction on wattpad
Am Stealing toes, and beheading rich. everymonkey want bannana, give bananna to monkey who need
QUESTION IDEAS #4
Here’s more question-based dialogue to include in your writing. (Be creative and use these in any context you desire)
“What is wrong with you?”
“Are you done yet?”
“Can you show me?”
“What makes you think that?”
“Do you want to be alone?”
“What’s taking you so long?”
“How did this happened?”
“Can you wait for me?”
“What if it doesn’t work?”
“Do I want to know?”
“Did I do something wrong?”
“Am I going to be okay?”
“What do you really think of me?”
“Can I come in?”
“Will you please just tell me?”
“What’s the problem?”
“Can we leave?”
“Does that bother you?”
“Why would you do that?”
“Is it okay for me to be here?”
PHYSICAL CONTACT IDEAS
Whether it’s romantic, platonic, sexual, etc. here are some ways to imagine your characters making physical contact with each other:
holding hands
hugging
kissing
cuddling
carrying
caressing
tickling
nudging
massaging
patting on the back
linking arms
shaking hands
high fiving
pinky swearing
playing footsie
playing with the other’s hair
sitting on the other’s lap
putting an arm around the other’s shoulders/back
resting their head on the other’s shoulder/chest
tapping the other to get their attention
DOMESTIC IDEAS #2
Person A and Person B trying to converse while one (or both) of them brushes their teeth
Person A comforting Person B, who is afraid of storms, during a massive thunderstorm
Person A removing a splinter from Person B’s body
Person A bringing Person B breakfast in bed because it’s their birthday or they’re sick or no reason at all
Person A and Person B running around the house trying to kill a fly/mosquito/etc
Person A forgetting their keys and banging on the door until Person B finally hears them and lets them into the house
Person A desperately needing to pee/shit but Person B is in the shower and there is only one bathroom
Person A waking up in the morning to see that Person B has been up all night playing video games
Person A mistakenly opening a package that came in the mail for Person B and it turns out that it was a gift that Person B was planning to give to Person A
Person A having a broken leg and Person B has to carry them up and down the stairs to their bedroom every night/morning
I don't know if this has already been done, but what about prompts for non-verbal ways of saying "I care about you" but not necessarily "I love you" (random examples: fixing someones tie, ruffling their hair, ecc)?
Hi :)
I have a list here for love language. It’s more about showing “I love you” but a few of them could be used for just caring as well.
And here are some more ideas:
Love Language - Showing you care
fixing someone’s tie
ruffling their hair
making an effort to spend time together
smiling at them from across the room
encouraging them to talk in a bigger group
making and bringing them food
asking them how their day was
giving them a random hug
showing them things that reminded them of them
fixing their jacket collar or hood
clapping them on the shoulder
keeping promises
asking them about things they enjoy talking about
watching movies and shows together
offering to help with chores
remembering things they told them
Hope you enjoy them and have a nice day!
- Jana
Bear vibing in a river ⊂( ̄(エ) ̄)⊃
aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa precious
WORDS TO USE INSTEAD OF: HAPPY
Do you ever find yourself over-using the word “happy” to describe characters in your writing? Try using these words/phrases instead:
joyful / joyous / overjoyed
perky
cheerful / cheery
content
gleeful
jolly
elated
chipper
peppy
bubbly
beaming
tickled
upbeat
euphoric
chuffed
ecstatic
giddy
delighted
on cloud nine
walking on air
Songs For Fic-Writing
Well no one asked for this, but I know music really helps me get into a specific mood for different writing. So heres some songs and categories that may help you with your writing, or even get you in the mood for reading!!! (Spotify playlists of that category are connected to the tittle of the section)
ANGST/SAD
Scar Tissue - Red Hot Chili Peppers
The Less I Know The Better - Tame Impala
So It Goes - Mac Miller
Swans - Unkle Bob
idontwannabeyouanymore - Billie Eilish
Ocean Eyes - Billie Eilish
Lua - Bright Eyes
Doing It Wrong - Drake
Daddy Issues - The Neighborhood
White Ferrari - Frank Ocean
Poison Oak - Bright Eyes
The Letter - Kehlani
I Fall Apart - Post Malone
IN LOVE
Holy - King Princess
4 Leaf Clover (feat. Steve Lacy) - Ravyn Lenae
You - 11:11
Don’t Think Twice, It’s All Right - Bob Dylan
Landslide - Fleetwood Mac
Cherry Hill - Russ
Lullaby - Dixie Chicks
Self Control - Frank Ocean
Ivy - Frank Ocean
Provider - Frank Ocean
LOVE. FEAT. ZACARI. - Kendrick Lamar
HAPPY
Slide (feat. Frank Ocean & Migos) - Calvin Harris
Cool Cat - Queen
Fly - FJK Remix - June Marieezy
Nights - Frank Ocean
Brazil - Declan McKenna
Garden (Say It Like Dat) - SZA
Gypsy - Fleetwood Mac
Forrest Gump - Frank Ocean
Love of Mine - Felly
SMUT/LUST
Say It To My Face - Madison Beer\
Show Me - Alina Baraz
Unravel Me - Sabrina Claudio
Get Like - Kehlani
Bad Blood - Nao
Hypnotic - Zella Day
Best Part (feat. H.E.R) - Daniel Caesar
Love Galore - SZA
BADASS (?)
American Daydream - Electric Guest
Tokyo Drift - Teriyaki Boyz *** (don’t ask)
COPYCAT - Billie Eilish
On The Way - TWENTY88
Chains of Love - The Arcs
ICY GRL - Saweetie
Time of the Season - The Zombies
This Is America - Childish Gambino
CAREFREE/OPEN
Dunno - Mac Miller
Pink + White - Frank Ocean
Nikes - Frank Ocean
FACE - BROCKHAMPTON
Breezeblocks - alt-J
Vibin’ Out with (((O))) - FKJ
Dreams - Fleetwood Mac
When I’m Small - Phantogram
Self Care - Mac Miller
IF YOU WANT MORE, LET ME KNOW!!
Doing some research on perfumes to find a signature scent and found some charts that I thought would be useful!
Writing Relationships: Enemies to Lovers.
And other ‘hate to love’ relationships.
These types of relationships can be some of the most interesting and enjoyable, both to read and write, because they show us many sides of the same characters and the growth from a hatred to mixed feelings and finally to genuine love and acceptance is often heartwarming to experience. But relationships like also require finesse to portray in a believable, healthy manner.
Before we begin, some ground rules:
1. Stay away from abuse.
A hate to love relationship is not an “abuse to love” relationship, and none of these tips are aimed toward writing such a thing. Check this list for things to keep out of your healthy end-game relationships.
2. These characters need to be ‘ship-able’ already!
If your character would not naturally end up in the end-game relationship, you’ve got a problem. The character’s ability to be friends – shared interests, enjoyment of each other’s company, comparability in communication – is crucial for the transition from hate to love.
Now then, how do we set up this hate to love relationship?
1. Examine why the characters hate each other.
There’s a slew of different reasons two characters might start out hating each other, including (but certainly not limited to):
They come from opposing sides of a war, feud, or have some other group-oriented dislike.
They have very bad first impressions of each other.
They already hold distasteful misconceptions about each other based on what trusted companions have told them.
One (or both) of them are acting or believing something the other has good reason to hate.
In order to pull off the first part of the relationship – the hate – you have to both have a reason for the characters to hate each other and convince the reader that the reason is a good reason.
Unless you’re writing in omnipresent, you’re telling the story through your character’s eyes. No matter how good their current ‘enemy’ may be on the inside, the pov character won’t be looking for that goodness. They’ll see all the flaws and turn offs they anticipate the character to have, and this will likely (hopefully) effect them on an emotional level the reader can connect with.
2. What needs to change for this hate to be repealed?
Keep reading
Tips for Writing Sad Scenes
Remember not all characters express emotions the same way. For example, some characters are more closed off than others and will act accordingly. What makes one character collapse into a sobbing, wailing mess, might make another grieve quietly in a way people who don’t know them well might not even notice. That doesn’t make either reaction less impactful, it simply highlights the differences between the characters’ personalities.
Avoid melodrama. Going overboard with intense expressions of sadness can make them unintentionally humorous. Basically, make the intensity of characters’ emotions suit the situation and don’t let characters endlessly wallow in sorrow throughout the story. While it’s perfectly understandable for emotions to linger, dwelling on the same one with minimal variation risks losing the reader’s interest.
Use buildup judiciously. Sometimes, you might decide to reveal that a bad situation is even more dire than the characters’ first thought, leading them to feel hopeless. Other times, the sad event might strike the characters as suddenly as a lightning strike.Giving characters and readers nuggets of hope can be especially effective. That’s because those lead people to believe that a positive outcome is possible, thereby making it hurt all the more when things take a turn for the worse.
Show characters seeking and giving comfort. Whether they try to drown their sorrows in alcohol or hug their friends close, moments where characters seek or give comfort show how much a sad event is impacting them. This provides good opportunities for bonding and possibly more conflict. Plus, coping mechanisms speak volumes about characters. Do they try to comfort others when they’re practically falling apart themselves? Do they seek some kinds of comfort but avoid others?
Emphasize lost opportunities. What will characters’ find much harder or even impossible now? If a character dies, who or what are they leaving behind? Who misses them now that they are gone? What dreams did they leave unfulfilled?
Tips for Writing Healthy Romantic Relationships
Don’t base them exclusively on physical and/or sexual attraction. While these kinds of attraction can certainly strengthen relationships, they can’t create anything but a weak foundation for a relationship on their own.
Know how your characters like to show and be shown affection. Not everyone shows their interest in others the same way. Some people like to give gifts. Others like to cuddle. Still others like giving compliments. Different people like to receive different kinds of affection as well.
Remember that love at first sight is a myth. You can have lust at first sight and romantic interest at first sight, but true love takes time to develop.
Show the characters interacting and getting to know each other. This should be obvious, but it is all to common for a character to be given a love interest at the last minute or to be paired off with someone the reader hasn’t seen them interact with much. Remember, the reader doesn’t have to see every little thing they do together, but the relationship will feel forced to the reader if they don’t see the characters interacting and establishing that they genuinely care about each other in a significant way. If the reader views your character’s significant other as little more than a stranger, then you’re doing something wrong.
Have both characters do things for each other and contribute to the relationship in meaningful ways. Relationships are two way streets. While you don’t need to keep score of exactly who does what for who (Relationships are not a competitive sport!), the relationship should seem fairly balanced or, if it’s not, then the characters should be working to change that.
Don’t give your characters completely incompatible traits. While it’s healthy for people to differ from each other, there are some differences that even people that are otherwise perfect for each other probably can’t overcome. For example, a environmental activist would have a hard time having a healthy relationship with someone who wants to chop dow a forest. Basically, know your characters’ deal breakers so that you won’t try to match up characters who are simply incompatible with each other.
Have them share interests. This is a great way to add substance to relationships outside of physical attraction and compatible personalities. Maybe they both like fishing. Maybe they share a passion for baking. Whatever you decide to have them like, don’t be afraid to use your characters’ shared interests as opportunities for them to bond. Also, if your characters don’t share a lot of interests/hobbies, consider having one character introduce the other to their hobby or have one character take initiative to try something the other likes. This is a great way to show how much your characters care about each other because it demonstrates your characters’ genuine interest in what makes their partner happy.
Let the relationship experience at least a few bumps in the road. No relationships are perfect. Let your characters disagree, argue, and maybe even have a full on fight. Relationships that withstand obstacles seem stronger to readers, especially if the characters grow as people because of these hardships.
How do you recommend writing a brother relationship. It’s pretty crucial to my story. The older one is serious, and strict while his brother is dreamy and gentle
How to Write Siblings
A lot of people struggle when it comes to writing siblings.They make their relationship too stilted and forced, to the point where they’realmost glorified acquaintances.
A sibling relationship isn’t just about quipsand annoying each other, though those things may be a big part of it, so if youwant to write a believable pair of siblings(with a good relationship with oneanother), here are some tips.
1. They Don’t Love Each Other THAT Much
Unless you’re writing about something that’s very not good, siblingsshouldn’t be too touchy-feely. When they’re older and aren’t living in the samehouse, siblings kiss each other on the cheek hello and goodbye, but teenagedsiblings rarely do that, if at all.
An older sibling may kiss a much younger sibling on thecheek, and there may be a lot of hugging involved, but in my experience,siblings who are close in age only kiss on the cheek if they’re older and don’tsee each other often. If you’ve had a sibling, you know that they DO NOT kisseach other on the lips. That’s just weird. (Yuck!)
2. They Have to Do Sibling Stuff Together
A good sibling relationship isn’t cultivated by ignoringeach other, though many siblings spend a lot of time doing just that. Even ifthey are annoyed by each other, they can’t just…not interact for the wholestory.
Sibling affection can be conveyed through various acts thatmay seem weird but to siblings are perfectly normal.
Jumping on each other/playful fighting
Real Fighting over weird things (My personal favoriteargument that I’ve had with my brother is which Smash Ultimate character is thethiccest)
Scaring each other
Playing video games together
Playing pranks on each other
Inside jokes
Weird rituals (Whenever we encounter each otheron opposite sides of a hallway, my brother and I just strike the do it to em’pose until one of us yields and thus proves their inferiority)
Staring contests
Violent footsie under the table
Spilling tea about bfs/gfs/friends/school drama
Watching Netflix together
Listening to music together
Simply sitting in the same room and enjoying eachother’s presence
Nicknames (Ever since I read A Gentleman’s Guideto Vice and Virtue I’ve referred to my brother exclusively as Goblin)
Contests/rivalry (who can run the fastest, whocan climb the highest, who can fit the most marshmallows into their mouthwithout choking, etc. Usually prefaced with “race ya” or the anxiety-inducing “readyset go”)
3. They Have to Be Supportive
Siblings stick up for each other. They comfort each other.Sometimes, when they’re feeling petty, they snitch on or berate each other ruthlessly.
They might get mad for a while and ignore each other, but eventually it’ll allbe okay because it’s really hard to stay mad at a fellow quasi-human who livesin the same house as you.
If a sibling is getting bullied at school, the vengeance inthe others will burn white hot for a person they haven’t even met; they mightlove embarrassing the sibling, but they’re the only one who’s allowed to bullythem. No one else. “Penalty for bullying a sibling is death.”
4. Some Movie/TV/Book Siblings to Reference
The Lightwoods (The Mortal Instruments)
Nani and Lilo (Lilo and Stitch)
Kenai, Koda, Sitka, and Denahi (Brother Bear)
T’Challa and Shuri (Black Panther)
Dash and Violet (Incredibles)
Hiro and Tadashi (Big Hero 6)
Felicity, Monty, and The Goblin (A Gentleman’s Guide to Vice and Virtue)
Sam and Dean Winchester (Supernatural)
Klaus, Luther, Vanya, Allison, Diego, Number Five, and Ben (Umbrella Academy)
Carter and Sadie (Kane Chronicles)
Scout and Jem (To Kill a Mockingbird)
The Weasleys (Harry Potter)
The Starks (Game of Thrones)
Hope this helped, and other people with siblings should feelfree to add stuff!
How to: write pain
Don't make paragraphs about it - battles are supposed to be fast-paced
Describe:
- the object used to harm the character
-where the injury is
-how long the character had had the injury
-how deep the cut is (for blades)
-whether or not the wound triggers other things (dizziness, bleeding)
There are different kinds of pain
punch/blunt force trauma:
-how it feels: aching, a single spike of pain before it fades into an ache, throbbing, numbness
-effects: swelling, bruising, broken bones, unconsciousness, dizziness, concussion, internal bleeding.
stab wound/cut
-how it feels: stinging (shallow wounds), burning
-effects: bleeding (the blood from arteries is a brighter red, like vermilion, the blood from veins is dark crimson), dizziness from the blood loss, unconsciousness, infection (if left unattended), death
gunshot
-how it feels: depends on the caliber bullet, from how far away they were shot and in what place
-effects: same as stab wounds
Things that an injured character may have/do
-heavy, harsh, ragged breathing
-panting, gasping, crying, grunting, hissing, groaning, whimpering, screaming, shrieking, clenching their teeth
-ears ringing, unable to speak
-pressing their hands on the injury to try and stop the bleeding, trembling, eyes rolling up into their head
-vision blurring, room spinning
Where to hit in a fight
temple and jaw - good for a knockout punch, but are near the skull so it will be dangerous if you miss (it can broke/dislocate your fingers)
nose/eyes - messes up the senses and distracts the opponent
neck: can mess up breathing, talking and the spinal cord
inner elbow: can disable the opponent's arm
solar plexus: hard to hit but very effective
liver: causes immediate pain, dizziness and loss of breath
kidneys
groin
outer/inner thighs
knees
-----------------
But not getting into a fight stops the injury for both the opponents :)
(thank you very much for all the support!!! i appreciate every single reblog/like/comment 💕 I'm happy I could help you)