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Hello. This blog hasn’t updated since
2017
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todays bird
taylor price
KIROKAZE
Claire Keane
almost home
Cosmic Funnies
Cookie Run:Kingdom Official!
Xuebing Du
Keni

shark vs the universe

izzy's playlists!
𓃗
hello vonnie
Doug Jones
h
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Origami Around
noise dept.
2025 on Tumblr: Trends That Defined the Year

pixel skylines
seen from Ecuador
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seen from Malaysia
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@gladdecease
*taps the sign*
Hello. This blog hasn’t updated since
2017
If you click that follow button and I don’t already know you, I WILL assume you are a bot and immediately block and report you.
Кто я? Зачем я здесь? В чем мое предназначение?
“Who am I? Why am I here? What is my purpose?”
Crochet Playgrounds by Toshiko Horiuchi MacAdam
Japanese artist Toshiko Horiuchi-MacAdam is considered one of Japan’s leading fiber artists, using knitting and crochet as the foundation for much of her work.
Her website explains that she specializes in “creating large, interactive textile environments that function both as imaginative and vibrant explorations of color and form, at the same time as providing thrilling play environments.”
Instagram.com/WeTheUrban
Are these available for older folks too?
i love four (4) losers
the good place characters + alignment chart
Either explain it or don’t.
When authors include things that don’t fit within the real world–magic, time travel, anachronisms–there is an impulse to explain how it works. Which can be fantastic for worldbuilding, but if you don’t know what you’re talking about, it can make more problems than it solves.
Stephenie Meyer tried to explain some bizarre thing about chromosomes, and it made the biology of vampires and werewolves make no sense. Suspending disbelief worked better in that case before she tried to ground it in the real world.
Lemony Snicket, on the other hand, just has random anachronisms that are never explained, but because there’s nothing even close to resembling an attempt at an explanation, we can just shrug and go, okay, that’s how it works. The magic in Harry Potter seems to basically not be grounded in anything, but we can believe it within the context of the story because she doesn’t try to ground it in anything.
In Jim Butcher’s Codex Alera, on the other hand, he goes into a lot of magic theory, and it gives us a strong feeling of worldbuilding. There’s enough logically coherent explanation for it to feel grounded within itself.
It is possible to go too far (see: Orson Scott Card’s Xenocide and Children of the Mind) where the plot ends up so tied in the reader understanding intricately detailed scientific and pseudo-scientific minutiae that the story is incomprehensible without it.
Generally, though, if you’re going to make something up, either say it exists and leave it at that, or entirely figure out how it works. Halfway is always less believable than nothing at all.
#I have sometimes heard this distinction referred to as ‘hard’ vs ‘soft’ magic #by analogy with hard vs soft sci-fi #in hard sci-fi you spend an entire chapter explaining how dyson spheres work #in soft sci-fi spock does some technobabble and then suddenly reveals that vulcans have extra eyelids #similarly hard magic is when harry potter knows 10 spells with very specific effects #and soft magic is when gandalf appears and shines some weird light in the sky that drives the nazgûl away #I think hard magic is useful for having characters overcome obstacles in interesting ways #because we (the readers) get to see how the pieces work and then how they’re used to solve problems #whereas having the main characters solve problems with soft magic feels like a cop out #like if frodo suddenly revealed that hobbits have extra eyelids that can melt cursed gold #and just straight-up wrecked the ring right then and there #but soft magic is fine if the obstacles aren’t the main focus of the story #e.g. star trek TOS is more about the crew and the scenarios than it is about the science #so it’s still a good story even if the actual conflict resolution was largely technobabble #and I think it’s also really useful for conveying a sense of how big and complex a world is #like we learn a lot of specific things that hermione harry and ron can do #which is hard magic #but we also see dumbledore and voldemort dueling using things we know nothing about #which is soft magic and serves to underline how much the kids don’t understand #similarly frodo’s magic sword and lembas bread are hard magic #because they have well-defined rules for how they work #but gandalf running around doing crazy things underscores how much bigger the world is than frodo will ever be able to know #and thus gives the world a sense of enormity that it wouldn’t have if we understood all the magic in it #tag rants #sort of #magic (sufficientlylargen)
Photos by tessa
you know, if your advertising says “happy holidays!” but is covered in mistletoe and reindeer and elves shitting candy canes you might as well go ahead and say merry christmas because we all know you ain’t talking about chanukah
Deep Space Nine Nine
cutthroat kitchen
alton brown: alright chefs, the first item up for auction is...
(a single syringe appears in the dumbwaiter)
alton brown: the antidote
I’m the weirdo who mouths words while walking on the street because I’m listening to music and I have to sing along.
so this happened
Our astronauts are really paving the way and making history every day
They get so bored up there it’s nice to see them cheerful. Imagine being away from the internet, tv, your family, all your hobbies etc for months on end
people heal at different rates. people grow at different rates. i know it hurts to feel like you’re missing out, but it’s okay. take your time.
“This year we compete for the most elegant and regal of all prices.”
“A good guy will buy you flowers, the right guy will eat them for you.”
You know what I like to think about? Goku getting randomly excited about Gohan being all grown up.
its human nature to want a bunch of small jars