If you enjoy my silly Disco Elysium art⌠perhaps you will also enjoy my 80k word Disco Elysium fanfic? It has jokes in it, and mystery. One drawing of a ghost. And also Explicit Content.
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I forgot people might not instantly connect my AO3 username with my tumblr. Genius manoeuvre.
Itâs the fifth anniversary of me coming out and being disowned by my parents tomorrow, and BOY have I become reliant on those âhey you have a fanfic commentâ emails in the last few weeks. If youâve left me a nice comment recently⌠thank you! It has done more for my mental health than youâd imagine!
When I was drawing that isometric interior a while ago I read an anecdote that suggested that older bulldog harnesses used to buckle at the back so people had to be fastened into them. I guess my brain shut down
ON MONDAY, I (FINALLY) MADE IT ALL THE WAY THROUGH THE NEWEST ERAGON BOOK!
MURTAGH
âA Book I Readâ
It took three very patient friends of mine to encourage me to finish reading this. I took notes the whole way through, and I am now sharing those in hope of finding loving community with my fellow haters.
Important context:
I loved Eragon, which came out when I was roughly eleven
Christopher Paolini was the first author to ever disappoint me
I used to love epic fantasy, until feminism, coming out, and learning about literary criticism made me just too mean to enjoy it
Since 2015, whenever Iâve had writerâs block, Iâve found inspiration by looking at this screenshot:
Christopher has managed to create a life where his mum has never stopped doing his laundry or his editing for him. He has never worked a job in his life. He has infinite time to work on his craft, and yet, with all of those advantages, he writes the way he does. I donât hate him, but I do want to destroy him in single combat.
LET US BEGIN.
17 November 2023
I forgot how obsessed this man is with proving he knows rare words. Picking up my phone to google the word âtrenchantâ.
He really just didnât want to say the dragon had a sharp sense of humour huh? Oh, no, itâs TRENCHANT. It wasnât even for dialogue I identified as comedy but Murtagh thought it was TRENCHANT. He and Thorn have been alone in the wilderness for too long
NOT NASUADA BEING DESCRIBED AS HAVING ALMOND EYES
Of course the protagonist has grown a beard. Heâs A Man Now.
I have a theory that this book is about coming to terms with marriage. Murtagh is like âour bond⌠our bond that lasts until death⌠the oldest magic⌠only the two of us understand each other. But, weâre also trapped with each other,â and Iâm like hm. Fascinating. Say more
Instantly Murt befriends a child, to prove he is good really.
Itâs so weird to read a book by a grown man with kids who is like âhow did we all start out so innocent and pureâŚâ like have you MET five year olds
This whole fork fight scene makes me feel second hand embarrassment deep in my soul. Itâs SO This Guy Is The Best And Coolest
âFencing with effortless easeâ I do not care how well trained he is: you cannot kill four men with long swords by stabbing them with a little fork in âfour hard impacts.â Itâs just not happening.
Iâm really dwelling on the idea of magic as âimposing your willâ on something. Itâs very.., something. Murtagh cleans his shirt by âimposing his will on the garmentâ like. Okay, I suppose in a way that is how all laundry is done, but itâs. Hm.
How come heâll clean a shirt with magic but not shave with magic? Why are these books SO obsessed with beards and shaving and how to do shave and using magic for shaving etc etc, Eragon was also majorly preoccupied with this
Paoliniâs got so many complexes on the page. All the âweâre half brothers and your dad killed my dadâ stuff is A LOT
The naming stuff⌠SMH what would Ursula Le Guin say about all this
Iâm obsessed with how even as (gasp) an OUTCAST!! Murtagh canât not be the coolest guy ever for any time at all. Itâs like a disease
Giving the child the enchanted killing fork was the worst decision ever made. Murtagh gives her a murder weapon and is then moping like âwhatâs it like⌠to live without killingâŚâ literally pages later.
Iâm really startled that Murt is delighted to see a tiny flying magical grass boat come down from the sky and circle him instead of being like âwtf, Iâm being Watched,â which would be the true act of a man we are told is paranoid
I just got to the bit where Murtagh offhandedly says that magic users who âare the heaviestâ always have the most spell reserves.
LikeâŚâŚâŚ what???? Magic eats your fat?? It burns glucose??
You could be a better mage if you just, ate a bunch of raspberry frogs before each fight??????
Itâs food powered??? You really want to go there, Paolini????? Wizards in the candy shop, eating sweeties like Mistborns?
GOD, if only Galbatorix had chugged a bottle of red cordial before his last big fight!!!!!!!!!!!!!!
(I return after losing my mind about this to my partner for forty minutes)
If it was âif youâre hungry you canât FOCUSâ Iâd get it. But I always assumed it was like, you know how other fantasy does it? Some kind of pool of ADDITIONAL energy that you are accessing and that can be used up (until you go too far and start using life force or whatever). Like, itâs CHANNELLING it that makes you tired, not that itâs literal food energy.
Murtagh is always running or doing his sword forms or whatever and now Iâm like âDUDE, NO!!!?!? DONâT BURN YOUR WIZARD CALORIES!!?!?â
I like when magic canât do EVERYTHING, when itâs consistent or limited in some way, but I do hate the idea that itâs this predictable. Food energy becomes raw magical power. I GUESS.
(A little later)
Screaming at the suggestion Thorn can tell when Murtagh is horny.
I donât like the euphemisms. It makes it worse
The fact he canât talk to his dragon whenever theyâre âtoo far apartâ (distance never specified) is making me insane. Why did I pick up the dragon riding book if itâs mostly about leaving your dragon locked up at the bike rack
I know Thorn is basically a rescue dog with anxiety, but it bothers me how much heâs left on his own. The narrative just has no idea what to use him for other than speedy transport for the first um⌠200 pages, it seems? Heâs meant to be his own creature with his own intelligence. He doesnât go anywhere without Murtagh though. So what is he doing all the time
I think Paolini WANTS his world to be big and mysterious (his introduction literally just keeps saying things in the world of the story are mysterious) but he HAS to keep explaining everything
24 November 2023
Iâve figured out something that annoys me about the world of this book, in terms of just how the worldbuilding is not actually that magical. It has the D&D problem!!! Which is to say that every regular person on earth is Level One and every important character is like, level 12. And part of what makes that even worse is that all women in this world are level zero.
Iâve been watching my friend Chris play the first Alan Wake game and we realised that all the faceless enemies that are possessed by Evil in the game are⌠working class men. The protagonist is this literate wealthy New York writer who is constantly killing faceless workersâfarmers, loggers, coal miners, builders. And thatâs not an INTENTIONAL commentary by the game, but itâs very revealing. And This book is the same in that: there is no such thing as a complicated poor person. Theyâre all either Dirty Evil or Dirty Good. Murtagh is going around, writing poetry in his head and inventing magical computer code, and then every child is an urchin who is like Oi Guvnah, and every dad is gruff, and every woman is worried.
The language used to describe everyone who isnât a Fighting Man is so demeaning. And even then, we only need to respect the leaders of those men. The leaders are the only ones with depth who might need to be taken seriously.
Itâs like Murtagh has a tally in his head where he is going âfinally, a guy who is level 6â!
Most people in this world exist to deliver information to the protagonist.
Paolini either thinks his readers are too dumb to understand that his characters exist between scenes, or he doesnât understand himself that we donât need to see every time Murtagh enters a city under a new name and how he does it. Or know what he ate for dinner and how he prepared it and where he slept and what he dreamed and, and, andâ
Itâs weird because Paolini is being self indulgent as fuck but it is NOT fun to read. This dude really just needs to go write a survival story or something⌠A guy in the woods depending on nothing but his wits and his axe and his beard and his libertarian values
I donât understand the stakes at play. All the magic scenes with Mind Penetration are so sudden and hard to actually understand as action. And the way it works is about brute force, so the dragon is not going to be at risk of being taken over except by another, even bigger dragon
It would be fun to read the Murtagh city sleuth segments if Thorn was backseat driving a little. I think that their bond should not get thinner over distance. The fact that it does just defeats the point of a magical bond.
Why does the dragon have to stay so far away? Like⌠itâs established that thereâs a spell to conceal a dragon from sight. Dude. You could just go fucking invisible
Thereâs so many decisions that just are so bonkers to have made. The whole fetch quest for information pissed me off so bad. âYou have to join the guardâ (40 pages of emotions about uniforms ensue). This guy learned about plots from video games
Paolini had kids apparently, but you can tell he doesnât really understand kids. âHow do they all start out so innocent and pure,â says a man who has never heard a seven year old describe someone being killed by farts before.
The description of Murtagh carrying a cat that doesnât want to be carried is very funny. I donât know if Paolini has ever carried a cat before. If youâre carrying a cat that doesnât want to be carried close to your chest, and you tighten your grip when it squirms⌠say goodbye to your nipples, my man
Itâs strange how much Paolini doesnât explore the things that seem to be the point. FOR EXAMPLE, the fantasy soul bond trope loves to say âeven during sex!??! đâ because itâs about INTIMACY, and some alien presence always being there. The dragon rider trope is popular because dragons are powerful and wise but also Beasts. Magic is fun to read about because it can do things that canât be explained.
Paoliniâs world is big, but nothing in it has any real substance. Nothing in it has any real consequence, and it makes it impossible to really invest in anything that happens. None of these poor city folks have a life once they leave the scene of delivering Murtagh information⌠or if they are a woman, delivering him a hot meal. Thereâs no sense of a world that exists outside Murtaghâs point of view!
25 November 2023
The towns so far donât feel at all distinctive to me! I was interested in the one with the massive lake, but then it having this massive fish in it was the only point of interest. It would be fun to have been like âoh the fish has ruined our summer festival! Itâs ruined the nobility pleasure cruises! Itâs also eating fishermen!â Or âWhy do all these fishing boats have huge spikes on the prow? Well,â
Again, these guys are all level one in peasant dirt town. They have no capacity for individual thought and no ability to adapt.
Itâs like Paolini doesnât know what makes people and places in fantasy feel distinct, or have culture. Itâs so evident in how much he HASNâT thought about. For example, the bonkers amount of restrictive gender norms that he doesnât seem AT ALL CONSCIOUS OF? Everyone who died in the war was A Man. No women died in the war. But that hasnât resulted in any social changes. There arenât more women doing work, for example, like being fishermen
I remember being thirteen or so and reading the bit in the second book where Arya explains to Eragon that sheâs better and stronger than a human woman, because she is an elf, so Eragon doesnât have to worry about her in battle. I was this kid there like âman, that sucks. I assume heâs coming back to that assumption later,â and⌠he never did. He still hasnât. And that sucks
The dragon riders were not THAT long ago, in the world of these books. It makes me wonderâwere none of them human women? I always assumed that some were human women, but⌠did dragons only choose elf men, elf women, and human men? If they chose human women, then even being accepted into a paramilitary dragon force didnât change gender expectations in the rest of the world. What the fuck. Heâs really never thought about this.
Women keep showing up as cunning-mysterious, as humble dirtmothers, or as innocent children. Oh my god Iâm just describing maiden mother crone. Thatâs all heâs capable of.
I just got up to where he rescues the werecat baby (innocent girl child) and settles in to hear the stories of elder werecat (cunning-mysterious)
I noticed the Arya Problem with how Nasuada is described in this book, too. Every woman has to be the best, most capable, most powerful woman ever, to be worth the attention of The Boys. Otherwise they canât respect her. Only two literal queens can be considered worthy of just two average guys who got pet lizards. Even then, theyâre not actual equals.
âShe still empathised for me.â Yes, donât worry, Murtagh, I remember thatâs what women are for.
I should note that the reason Nasuada is considered so powerful and so much worthy of his love and is her strength as a person. This is proven in the Eragon books because âshe still empathisedâ with Murtagh whilst he was medieval torturing her. He was medieval torturing her for like⌠most of a book and thatâs how they fell in love. Because she could see in his eyes that this guy torturing her⌠was Complicated. He didnât really WANT to be medieval torturing her so she actually felt worse for him than he felt about how he was (and I canât stress this enough) medieval torturing her
I just canât imagine that THE QUEEN OF A WHOLE CONTINENT would still prefer the guy who sadly tortured her. Heâs her top preference. Out of EVERY OTHER MAN IN THE WORLD
I put the book down until the day before I was meant to have finished the book for book club:
10 March 2024: from page 274 onwards
The evil witch is called BACHEL?????!!?!??!? Fucking BACHEL. Pronounced âbuh-SHELLâ, the guide at the back says. You changed one letter in Rachel, donât lie to me Paolini
I got so mad being reminded the evil king Galbatorix was defeated by âEragon forcing empathy upon himâ so that he magically exploded himself out of guilt that I had to put the book down and complain to Charlie for five straight minutes
I guess thatâs why Galbatorix made Murtagh torture Nasuada for him. He knew that if heâd done it himself she would have empathised with him too hard and he wouldâve exploded himself
Murtagh has never met a single person he has respected. Murtagh is the specialest boy in all the land. Eragon had to leave the country because they were both too special to share a continent
Murtagh decided on where to go and he was immediately surrounded by armed guards who took him to where the plot was
Paolini uses the fucking word âadmixedâ while discussing EATING A PIE. The flavours admixed in his mouth. Just because you know a word⌠doesnât mean itâs a word to deploy about eating a pie
I HATE how the only people strong enough to do the strongest magic are Elves Or Human Riders. Itâs fucking magic my guy! Why is it checking your goddamn DNA! Also, hey! Wasnât it supposed to come down to the strongest wizards being the guys who ate the most for lunch?
In a world of Magic how come every wizard battle ultimately comes down to who is a better Professor X?? I came here for fireballs, not Mind Battles. I donât care about your Mental Wards
Hahaha Murtagh!!! Get trapdoored, bitch!!!!
Dragon panic attacks: conceptually cool but a bit ?? Like ah⌠the plot literally comes to scoop him up and carry him away. Yet again something outside of Murtagh makes a decision for him about what to do next
Murtaghâs poetry is going to make me explode myself like Galbatorix in book 4
If thereâs something I like about this book so far itâs just the bits where he and Thorn are camping. Not flying, because then Murtagh is using the time to think and thatâs horrible. The bits where they make campfires or whatever feel like something is actually happening. A guy and his dragon hanging out
Man. The way this novel is plotted really reminds me that itâs not actually that hard to write a book.
Murtagh goes to the evil village (oh yeah thereâs an evil village. It is where Bachel lives. She is evil because she does magic without using the magic language). The village is called:
NAL GORGOTH
But I couldnât remember this so I kept referring to it in my head by another, more familiar, name
Murtagh is so freaked out by finding a village with architecture that he doesnât recognise. Heâs like âMy god!!! Nasuada has to be warned!!!â Ok but about what??? New ways of building pillars???? The art deco movement threatens the land??
Kinda fascinated by how much this village represents a threat to CULTURE. The architecture, the people⌠Everything about it so far is designed to be A Foreign Threat. The inhabitants are Of All Races (except elves they are too cool too pure etc). The humans have A VARIETY OF SKIN COLOURS, which memorably never happens in Alagaesia, a continent once explicitly described in the Eragon books as only having two (2) black people on it at all (then one died) (the other is Nasuada) (the one who died was her dad)
This guy with a goatee isnât quite human. He is maybe part urgal and he is so uncomfortable to look at! Mainly he has arms that are a bit too long!! Bachel isnât a human and also isnât an elf, and thatâs also deeply unsettling.
Bachel also fundamentally represents a threat to THE STRUCTURING POWER OF LANGUAGE, huh??
Bachel is so far the most interesting character in the book!
Bachel has: ALMOND EYES and AMBER SKIN
Murtagh is so upset and confused when Bachel calls him âmy sonâ like⌠Iâm cryign. âBut sheâs not my mother! I know my mother!!â he thinks, in a panic.
If this was a fantasy novel written twenty to thirty years ago, then the sexual tension between Murtagh and Bachel would be absolutely insane. Alas, this is a world of abstinence, and sexuality is only ever meaningful looks between a queen and the guy who tortured her (it is weird how he keeps caressing Nasuadaâs face on the gold coins)
Itâs very funny that Bachel has specifically fourteen warriors. The prose keeps telling us that thereâs fourteen of them. So you get Murtagh stepping forwards and then sentences like âthe fourteen warriors attending Bachel shiftedâ
She seems like a perfectly normal cult leader to me? Why is she automatically a threat to Nasuada! How come the two of them canât arrange a toxic political marriage that becomes⌠something more đđđ
Nothing annoys me more in this book than Murtagh being able to identify specific vintages of wine. It keeps happening and it pisses me off
Bachel is a half elf!!! âIt had never occurred to him that such a thing might be possible.â This is truly and absolutely unbelievable to me. Nobody in this world ever has sex
How did it take so long to get to such an objectively cool village!!! Like this is just a cool place!!! Sorry that Nar Nar Goon is evil but like FINALLY something has style
Three thoughts at once:
Iâm so bored that Paoliniâs mind canât get more interesting than temple virgins, let alone wearing white to represent ritualistic purity. Like⌠nobody in this world fucks anyway, why does it matter!
Murtagh should also wear white all the time
Lesbianism doesnât count as a violation of being temple chosen. AlĂn is wearing lesbianism
Paolini has never once written a woman who is Normal. He just canât conceive of it. You can feel how he starts sweating.
Murtagh finally realised it was a cult. What sets it apart as a cult is that the followers appear to be âhalf-witsâ to him
Iâm going to detransition to break his fucking neck
Paolini has learned nothing since he had a woman deliver the exact same line in like 2008. The fact that another editor just thumbsed this up. The fact that this is in a book published in 2023. Well, now Iâm REALLY embarking on an antagonistic reading: thatâs right, I am reading women as capable.
Obsessed with Bachel. She is a girlboss and Iâm a feminist xxx
Book is constantly weird about how much she is capable of eating and drinking at her feasts and how it makes her appear swollen and bloated etc etc. Murtagh is so weirded out by this because he feels it is unfeminine⌠as though she is not a witch and we werenât told earlier that how much magic you have is directly equal to how much you eat. (Meanwhile he is only picking at his food and eating just enough of it âto be politeâ as though this is not making a decision to have less magic than her)
She has so much charisma compared to anyone else in the book. If my choices are her or Murtagh then sign me up boys!!!
Okay but much like how this wouldâve been a VERY charged relationship 30 years ago, Iâm weirdly disappointed Bachel she isnât not described as megahot? Like the book keeps telling me about this virginal templemaiden or whatever, because Murtagh is only attracted to women he can rescue. But Iâm actually just like⌠I think this woman is hot. Tell me more about her. Itâs wild that this book is written by a guy like Paolini, who told me all about Oromisâ pubic hair in 2008, and who barely thinks women are people. Yet he doesnât want to discuss her tiddies?
This book could, and should! have started when Murtagh landed his dragon in the evil village of Nar Nar Goon. Thatâs the point that stuff got actually interesting. Everything before this was literally video game fetch quest logic plotting that earned him the right to fly to Nar Nar Goon.
Boar hunt. More like BORED hunt. And then suddenly there are so many pigs, a comical number of them flying everywhere
This motherfucker using the phrase âthe boar was lying athwart himâ in a sentence in an action scene????
Murtagh is nearly dead and the boar is lying athwart him?
Iâm going back in time and bullying the author at school
RIP Murtagh, trambled to death by 30-50 wild hogs
Oh god every time someone knocks Murtagh out he has a vision or a bad dream or a flashback or whatever and itâs so tiring
âEXISTENCE WAS A TOMB WHEREIN THE SINS OF THE PAST LAID INTERRED???â Do you ever read a sentence that sounds so much like the author is jerking it? âAll had been lost, and there before him lay the instrument of their destructionâ he is furiously jerking it oh my god. âDestroyer of hope, eater of lightâ oh, god, heâs still going
âŚThis book is. Weird about mothers
Murtagh flies into a rage because Bachel mercy killed a guy who was dying bc of boar trampling because âI COULD HAVE HEALED HIM!!!!!â And the mercy killing is proof it is a cult. Because doing it Bachelâs way meant the guy was too relaxed and at peace when he died
Paoliniâs family were in a cult, as I understand. So itâs kind of weird how much he doesnât really understand how being in a cult works
I donât really remember how religion works in this world, but I do remember tuning out of a long boring passage in book 2 or 3 where Eragon learned about all the gods and decided he was an atheist. Itâs especially weird to be like âholy shit, an EVIL religion??!â In a book where religion has absolutely never come up before now
Oh my god, AlĂŹn was whipped for being âtoo familiarâ with Murtagh!!! Thatâs because sheâs so pure and a helpless victim girl in all white :â((
In my mind Bachel and AlĂŹn COULD be in a fucked up lesbian relationship with bad BDSM etiquette. Of course Paolini canât imagine a world where women have enough personality or agency to fall in toxic love with each other. Also even though he has people tied up and strapped down and whipped and being tortured etc in every book donât think he knows that BDSM like. Exists. Boooooo
Murtagh: killing one guy who is dying of a punctured lung is the ultimate evil!
Also Murtagh: I know an invisibility spell, but to sneak out of my room I am going to suffocate seven men to death
Genuinely upsetting to read those men dying. He made it impossible for air to enter or exit their lungs with a word. Veins popping clawing at faces etc. God, what a way to go. So unnecessarily cruel. Yep, there goes the good guy
The main way the village is evil is that there are unsettling carvings everywhere. Paolini read some Lovecraft, but he did not understand what was up with it. Or maybe he did, because this book did get a lot more weird about Racial Purity once Murtagh arrived in Lovecraft Village
11 March 2024
Thereâs a bloodstain that âfilled Murtagh with the apprehension of evilâ and it confused me because these books are so gory. Earlier he killed four men with a fork. But like oh yeah I guess itâs because when Murtagh murders people now itâs bloodless. I guess. His murders are good you see
This chapter is called The Bad Sleep-Well you can tell Paolini thought he was a real genius for this one
Okay but why are there bats⌠roosting⌠in a cave⌠at night. And why is Murtagh worried that red light will risk waking them? Animals cannot see red light?? SOME FARM BOY YOU ARE, PAOLINI
Okay I have to stop nitpicking. I have to restrain myself until my Vyvanse kicks in
âMurtagh felt a sense of not just age but antiquity. Whoever had built the stairs had done so long before Alagaesia had been a settled place. What was it Bachel had said? That the cultists had lived in Nal Gorgoth since before elves were elves... He was starting to think she had told the truth.â
Sorry uhhhh, Alagaesia was settled?? When they talk about The Grey Ones, are they talking about a race PRIOR TO COLONISATION?????????
âHe continued forward. Deeper into the womb of the earth. Deeper into the black unknown, seeking, seeking, always seeking a farther shore, every sense razor-sharp and razor-scraped, skin all goosefleshed, cold sweat dripping down the back of his neck and gathering around his belted waist.â
God itâs so overwrought...
He found the well!!
Oh my god. The well is a natural magic hotspot and that means it âwasnât the sort of thing that the Draumar ought to have dominion over.â Itâs a natural resource???
âNot that he would want Du Vrangr Gata to assume control over such an important location either. This was exactly what the Riders had been created for: to oversee and mediate that which could destabilize the land.â
Murtagh is going to bring democracy to the Middle East
Heâs too scared to mentally contact his dragon with Bachel around. If he was a proper horse girl he would find a way
Oh Galbatorix BECAME evil because he met Bachel and she manipulated him. Haha oh dear. No, you canât just come to the conclusion the dragon rider paramilitary force who controls the resources are bad on your own. Not just because they sent you into the mountains when they knew it was dangerous and wanted to find out if youâd be killed up there! No, a manipulation had to have happened
Itâs funny to me that the evil ancient witch queen who lives in seclusion in the mountains uses the new name for the city of Uruâbaen. Oh no, she knows it as Ilirea. Sheâs hundreds and hundreds of years old. You know what that is? Evidence of Find And Replace, to me.
Bachelâs eyes are âglowing with fevered ecstasy.â I could make her feel that way. Also. Because, I know about sex
Always with the fucking passing out at the end of the chapter for Christopher James Paolini
NOW Bachel is being described appropriately as a hottie. FINALLY. GOD! It only took Murtagh being mind controlled in his brain but I. I!!! I could see the glorious light of truth!!
âHe followed, dumb and wildered.â Well, not as much as that sentence. (You can be bewildered. But can you ever just be wildered????)
The dedication to making Murtagh the most pitiful little meow meow in existence in the Galbatorix flashbacks Iâm⌠what happened to the joys of a guy who is evil because he was convinced or was tricked, not because he was fully brain abused???
The Urgals are racially⌠uncomfortable. Yellow eyes and Murtagh just straight up saying âhow do you speak Englishâ
The evil guys have masks and they put them on and like channel the animals the masks are of and on one hand itâs an idea I THINK is cool but also combined with the everything it really has this âtribal stuff is threateningâ vibe all over it
âWhat do you want, witch?â
âI want you.â
Obsessed with how heâs shackled to a table and thereâs still an incredible lack of sexual energy to this scene. This is like a day at the office for both of them.
⌠oh, but she is wearing claws and claws DOES equal a threat of penetration. Maybe a little sexual? As a treat??
Him being tortured reminds him of torturing Nasuada. Wow, it was their first date!
Itâs just like. Itâs fucked up imo. She should never kiss you Murtagh!!!
Is anything more boring than a torture scene.
Also, was he not drugged right before this scene? How is he able to mentally evade her and power his wards etc?
Iâm mad that when heâs brought fancy foods by AlĂŹn he doesnât share his food with Ubek the Urgal
Oh my god Ubek tells him a story where the moral is just him outright saying at the end, âitâs important to stay close to the people we care for, even if we donât always fit in so easilyâ lmao. Subtlety of a mallet
Is anything more boring than a torture scene? How about a torture chapter!!!1!1!1!
This chapter is interminable. Oh my god.
Oh, so we did all that and he gives in I guess. I canât believe how little agency this man has had throughout this book????
Haha oh my god, Bachel is studying his nude and compliant body in front of her court. Telling him to turn around so she can inspect his back (no mention of his ass even though it is out, tragic). Fucking love it. Now thatâs bdsm. Pledging my allegiance to her instantly.
I am BORED. I liked when he was at least doing things of his own volition!
He flies his dragon off on Bachelâs orders and we get the line âNever had air smelled so⌠so⌠delicious.â Cryign
GASP heâs killed⌠CHILDREN!!!!!!! I hate how it only becomes horrifying for him to have done these murders once he realises theyâre HUMAN children. Urgal children? The implication is that wouldâve been a bit tacky but ultimately fine
Prison brothers blood pact. I feel so little about this. Ubek is 5000x more interesting than Murtagh but heâs been slotted into what is unfortunately a sort of magical indigenous person trope but where instead of being a human being, he is an orc. Which makes the whole trope much worse
Murtagh touched AlĂŹnâs face⌠gasp! Sheâs been corrupted by the Touch Of A Man!!!!! (I do not care about this.)
(I care a little. For example she didnât touch HIM. He just reached out and she didnât pull away. This is the biggest decision about this characterâs life, and she isnât even allowed to be the one who makes it. He decides on her behalf, and she must be okay with it. Because she doesnât pull away or fight him off.)
(Also Paolini doesnât seem to be aware that âa woman who has been pledged not to be touched by a manâ would um. USUALLY be understood by a reader as euphemistic. Not that her purity could be forever ruined by a man literally just touching her face)
The way Paolini fills Murtaghâs brainwashed dialogue with oops all ellipses makes me want to tear the book apart with my teeth
Worst: how Grieve the guy who is part urgal is perpetually referred to as âheavy-browed.â âthe heavy-browed Grieveâ Iâm sorry but I missed phrenology school, is that bad??
Also if heâs maybe part Urgal but Murtagh is now given a chance to making it clear that some of his best friends are urgals... Why is Grieve so distastefully described? Whatâs wrong with being half urgal? My suspicion: itâs the bloodlines intermingling
I suspect I can just skip every fucking dream sequence and flashback. Nothing of any value in these
This one guy, Lyreth, who trapdoored Murtagh for 2.5 seconds ages ago in the book, is TWICE referenced as holding/ touching the waists of âvillageâ or âcultistâ women in his dialogue tags. Thatâs the full extent of it. Itâs not that thereâs a giggling tavern girl sprawled in his lap while heâs speaking. These faceless women are exclusively sketched into existence by how a named male characterâs hand is on their waist. We donât know anything about how they are responding to his touch, which is extra in-your-face considering that Murtagh just obliterated a womanâs ritual purity by touching her face without asking. And itâs only ever these womenâs waist. Itâs not their hips or thighs or boobs. Heâs not kissing their necks. Iâm sure in Paoliniâs mind this guy touching womenâs waists is meant to read as sexual, which is supposed to reinforce that heâs a scumbag⌠but it doesnât work because itâs so impersonal. These women are just⌠unmoving waists that he is just touching. It serves as a good illustration of how womenâand sex and sexuality and bodiesâare handled in these books. Men are never ruled by their strong and muscular bodies. Men have minds, and magic, and telepathy battles. Even when Murtagh is on a torture table or when heâs naked in front of a powerful woman who is actively inspecting his body, he doesnât feel vulnerable. He doesnât have an ass or a dick. The wind doesnât make him shiver. Heâs just a Mind. But women, well. They only have bodies when men touch them. The course of Alinâs life is defined by Murtaghâs touch, and even Nasuada, a fucking queen, only gets physical description via the coins Murtagh has in his possession and his memory of the cuts and bruises he left on her body. And women also have no mindsâunless theyâre werecats or elves or half elves, the only kind of woman who are remotely threatening, the only kind of women who are âas good asâ the baseline of human men. Nasuada is proven as Murtaghâs equal because she was able to overcome the torture of her body. If he hadnât tortured her, or if she had broken down, she wouldnât have proven herself worthy of being his romantic partner.
Eragonâs romantic interest also started out being tortured. Not by him, but âgirl who is tortured but is too strong to give up her secretsâ was her entire characterisation for a book and a half, until he rescued her. Thatâs uh. Thatâs how you find girlfriends who are good enough for your protagonists.
THESE FUCKING BOOKS.
Bachel has put Thorn in a special wrought iron muzzle. Yet again, this is just objectively cool
We learn about who the cult worships: evil dragon underground. He makes fumes come out of the earth and they brainwash people and give them visions. He will come out of the ground and eat the sun unless every living thing worships him.
Really Bachel is not leading a cult she is leading an environmental rescue mission. Quick we gotta get everyone to worship this evil dragon STAT, or heâs going to wipe out all life on earth.
Why does an evil dragon living under the earth with the power to eat the sun (?!??!) actually want or need to be worshipped by âevery living thingâ. What is his motivation?? And why would that stop him eating the sun?
âThe sculptures would have horrified most any artist in Alagaesia, no matter their race.â Mark this down as one of the worst sentences he has written yet!!
I realise now Iâve been misremembering multiple main charactersâ names
I like Bachel telling Thorn to stay, like heâs a dog. Thatâs good to me
Murtagh is learning about the power of friendship to heal himself last minute, I guess
Why is Murtagh pausing to duel fucking Lyreth, the most boring man in the world. Is it because of the waists he touched??? I have never felt this man was worth any time at all
NOT Paolini specifically pointing out that Lyreth âsmelled of a cloying peach scented perfumeâ and that heâs physically weaker than Murtagh as Murtagh overcomes him. Lyreth was too feminine to be strong, in the end
This book is obsessed with the word âyoungling.â Murtagh says to Thorn âdonât kill any younglings.â Heâs fighting Lyreth but heâs not worried because he himself is âno longer a younglingâ. Fucking fuck off! just say youth. Child. Kid. Teenager even!! Come on!!
Murtagh going âthis is taking too longâ in the duel: me at the whole book thus far
âIs wrong-think to worship Bachel or Azlagur,â says Ubek. This is real dialogue in a book published in real 2023. Oh yeah btw everything he says is written like this
Oh, the urgalâs size and brute strength makes him Murtaghâs equal. I see
Grieve is legitimately yelling âkill the non-believers!!â and calling them desecrators??? Cartoon hours
To start winning the fight, all Murtagh had to do was find his magic sword! It stores all his potency and he inherited it from his father. Freud?? Donât worry about it
The cultists are bleeding green blood???? Does this mean theyâre not human or is it the lighting or what.
Groups of dragons are always being described as a Thunder Of. Theyâre only ever being described in visions but itâs always being described as âa thunder of dragonsâ, because Paolini is very proud of inventing his very own collective noun for dragons I guess
Buncha little pasty freaks showing up.
Murtaghâs ultimate challenge: he has to fight one hundred gollums
Paolini inventing new guys for his dungeon at unprecedented rates
Murtagh is legitimately busy trying to think of new names for his sword NOW?? He is just going to stop in the middle of this urgent fight to go find where the bad woman (Bachel) took the good woman (AlĂŹn) to go âmy sword has a bad name. It could have a good name.â Did he not have time while he was mouldering in the dungeon to think about this
Heâs checking his compendium, like in video games.
Books have never been worse. If Murtagh/Paolini calls this sword Scar I will legitimately never know peace
Oh the sword is called Freedom now. Get it? Like America? Itâs the most important value??
âSeeing the armor, Murtagh realized that the leather garb the cultists had donned for the festival of black smoke had been made to resemble Bachel's fantastic suit.â
what a sentence
This is the worst
I hate how her spear has a name and a dramatic history. Like come on
Fucking mind battles again
Alin is just⌠Iâm sorry to her, but sheâs not a real person. Sheâs a cardboard cutout in distress
The final boss fight should not be taking place in the magical world of the mind
Now sheâs calling him âinfidel?â Okay
The ultimate battle: the structuring power of masculine language versus the primeval chaos of raw womenâs emotion!!! Who will win!! Hint: Christopher Paolini wrote this!
âShe seemed merely a woman again.â
âMerelyâ is how Paolini always describes women (when he thinks theyâre worth describing of course)
Wait⌠is the only reason Bachel has been intimidating REALLY just because sheâs been channelling a tough evil boy dragon? Once the mask is gone and heâs not empowering her⌠sheâs merelyâŚ
Iâm going to kick Christopher Paoliniâs fucking ass
Murtagh feels so emotionally close to Bachel. As he splits her skull. Normal book
For real why were ALL the Riders so afraid of Bachel??? The gas fumes? Face masks not invented?? This seems pretty easy to solve like if theyâd just. Sent more than one guy?
He passes out and the chapter ends of course. Then he wakes up in the city
Ah, Alin is blonde and blue eyed. She was a pale skinned virgin who needed rescuing from an evil and also foreign almond eyed amber skinned woman who was whipping her. You know how it goes
I hate how AlĂŹn always calls Murtagh âmy lord.â Sheâs like one of those medieval fighting game banners of a sexy woman. Sheâs a cartoon.
Isnât it a shame that when Murtagh hastily gets out of bed to bow to Nasuada he is wearing pants. So much funnier if he wasnât
Iâm so over this book holy shit
Oh, for being the apparently only sole survivor of Murtaghâs obliteration of her cult and everything sheâs ever known, AlĂŹn is being promoted to⌠Nasuadaâs maid. Thatâs not what she asked for. Thatâs just what sheâs being told sheâs going to do from now on. Fucking hell.
Nasuada is Jealous of this blonde woman and I was afraid for her because Nasuada is also famously the only black woman on the continent. But of course she has nothing to fear because only the most powerful woman in the land could ever be remotely Murtaghâs equal, which she proved by being stronger at being tortured than him
She asks him to stay and she touches his hand just lightly
The END??
They donât even kiss?!!!?!! I had to read it twice to be sure. SEXLESS BOOK.
I usually try to be pretty nice when I talk about critical reading and approaches to writing on this blog, because Iâm generally talking about writing and reading fanfic and am super conscious Iâm talking about writers who arenât getting paid.
SO if youâre interested in what my reading process looks like when thereâs no holds barred, especially when it comes to pulling out themes and biases in traditionally published books⌠maybe youâll enjoy me ripping this recent fantasy novel a new one.
BOY HOWDY I am mean to Christopher Paolini in this one. But the thing is: ITâS DESERVED.
whenever I talk about how when Iâm writing fanfic I try to be intentional about what themes from the original work Iâm bringing across (and how sometimes it canât be done) this is why!
i love your takeaway from the JJ Abrams Mystery Box was "it's because what's in the mystery box is developed/good/exists. you wouldn't get it."
It only works if you set up several conflicting theories as to what is in the mystery box that are all equally plausible. The audience has to feasibly be able to reach the "correct" answer, but they can never be sure. That's intrigue! Otherwise, all you're doing is telling the audience that a really deep and well written story is happening just off screen I promise.
One of the writers of LOST came to speak at my school once. He told the crowd "I could totally tell you guys what the island is but I'm not gonna" And the crowd went nuts. That shit made me so mad. It has been a decade since that show went off the air. If you had an actually narratively satisfying answer for that question, you would have said it by now. Or better, you would have put it in the damn show.
Theres that story J.J. tells, about how he bought a home magic kit with a mystery box, and he loved the feeling of speculating on what might be in the box.
I agree! I think mystery can be an excellent narrative force! I love engaging with a world through speculation. But the thing about an at-home-magic kit is its a real thing that exists within the context of the real world. There's only a set amount of objects that can realistically be in there. You're not going to get a live cat, or an egg sandwich, or the country of Poland in that thing. The speculation has bounds. You can realistically guess the "correct answer."
Mystery boxes are done well when the box is opened, and you go "of course! I never would have guessed! But the pieces were all there in front of me!"
When I'm writing there's a related rule of thumb I use that I call "The Agatha Christie Principle". The rule is simple:
Anything I rely on later in the plot must be on the page somewhere before I use it. The earlier it appears in the story, the better.
IDK enough about Ms. Christie herself to know if she ever talked about it, but part of the reason she was so insanely popular as an author is that she played fair with readers. The details that allow Poirot and Miss Marple are shown to the reader when they are shown to the detectives, if not even earlier, so the reader has an edge on them! By the time we get to the famous Accusing Parlor scene, the reader has all the details that the detective will use to solve the mystery.
In that sense, the mystery in the box is not the mystery, the mystery is the connections between the evidence the detective has made.
And this relates to the Mystery Box in that the evidence itself is like the outside dimensions of the box. It gives you hints as to the shape and size of the thing inside, and raises the stakes of the guessing game. In fact, the more evidence you can provide and the more you can tell the reader about the contents of the box before the reveal, the better, because it gives them that exciting tip-of-the-tongue-I-KNOW-I-know-this! Feeling. Like how impact force is more powerful when concentrated to a small point, the emotional impact of the reveal hits so much harder when the reveal itself is only a TINY detail.
So as a writer, there's three steps to executing the mystery box well.
1. Know DAMN WELL what the actual reveal is FIRST.
IIRC, part of the reason that LOST fell apart the way it did was that nobody writing the show actually had a solid, coherent explanation of that the hell was actually going on. So they contradicted themselves every other episode and dropped plot lines they hoped the watchers would just forget, and they lost the tension of the guessing game.
Then you write the story backwards from the reveal by adding your obscuring factors like red herrings and bad witness accounts and the linear nature of time etc, to it. That way, when the reader reads the story forwards, they get to see the obfuscation come off in what looks like a very natural way, and you don't contradict yourself.
So step one is to decide on what is actually in the box, and what the box itself looks like.
Step 2: Abandon the fear of being known and not being the smartest guy in the room, and accept the love of being known. Publish, and do not retroactively edit. That's the devil talking.
This is where I think JJ fails. It's hard and frightening actually, to be a creative person and meet someone who can see right through the shiny exterior of your work and makes comments on the mechanics within, sometimes pointing out parts you didn't know you put in there. You feel extremely seen.
"Fuckor" I think the kids call it.
But listen to me.
That person who sees behind the curtain and stands there talking about the mechanisms of the Oz machine? That person loves your Oz Machine. They would not be studying it this hard if they didn't. In a parasocial sort of way, that person loves you, and the discussion of how you foreshadowed that bit and made that literary reference is a love letter to you.
Yes, this person is probably smarter than you, but what a privilege, to be adored by such a divine and enlightened being.
It's okay if the readers guess the reveal. That means you did the explanation right and they're not disappointed at how 'simple' the mystery is- they're delighted to be in on the joke with you. It's okay if you follow a trope- there's a reason it's a popular trope in the first place. We like it. We like singing and playing along with you, author.
I may have gotten off topic but you get my point. Your story should contain its own spoilers, because the audience is reading the story for those spoilers.
people don't expect a stage magician to be a wizard, they expect them to be really skilled at slight of hand. even when you know how a trick is done, or that it MUST be a trick even if you can't see how, slight of hand is delightful.
to fear an audience's understanding is to believe that your true self is contemptible. that you will be dismissed once you are really known. that the only love you can gain is by deception. and that's a terrible place to live and a godawful position to write from.
The Ranged Touch podcast Homestuck Made This World talked a lot about the difference between a plot, and not revealing information to your audience.
You can keep many steps ahead of your audience if you keep saying like⌠âoh, based on foreshadowing, you thought this was happening? You foolish infant, this thing happened between scenes that I never showed you, so that foreshadowing was irrelevant the whole time.â Or âthis character went back in time and altered all this stuff so that a new thing is happening now.â Or âthis character was secretly under control of this other character,â or âthis villain was under orders from another, worse villain the whole time.â
âŚBut a lot of audiences donât derive satisfaction from a story that keeps going âSURPRISE!!! I bet you feel stupid now!!â, and one reason for this is that most people donât read fiction in order to feel like they donât know whatâs going on. Stories kind of structurally rely on the idea that youâre being given information you can rely on to be true in the world of the story. We like unreliable narrator stories because we know weâre being given information that is PARTIALLY correct, so once we identity that weâre being tricked we keep reading in order to figure out what weâre not being told. But if the narrator says âand none of the information is true,â it feels a bit like a playground game where a kid gets tagged and goes âyou know, this is all made up. I donât have to chase you. I can do anything I want,â and then, idk, hits you with a baseball bat and goes âSee how clever I am?â
We donât read stories because we want to say âgee, I got tricked again! Wow, The Author, youâre so much cleverer than me!â. And I think these kinds of stories are unsatisfying because itâs basically impossible to hang any sort of theme or character development onto them. They have to treat character arcs like disposable. A plot structure requires a character to start someplace and to progress to somewhere else⌠and thatâs too predictable, isnât it! We have to keep them guessing!
Iâm a reader with a SUPER low tolerance for this. I donât see any point in reading a story where the author is treating me like an antagonist to outwit at any cost. I donât see the point in this as a storyteller! I see readers as my collaborators. Readers are my equals and theyâve agreed to sit down and play a fun game with me. The game has rules, and if I cheat then I wonât keep their respect.
I grew up in the 00âs and SO many stories did this concealment-as-plot âoh you thoughtâ gotcha style bait and switch bullshit to me.
If you want an easy example⌠well, BBC Sherlock. Or the seventh Boy Wizard book, which abandoned all foreshadowing in order to surprise adult readers of the series because the author was reading all the fan forums and people had guessed what would happen. Or hereâs another; I loved the first Raven Boys book, found the second one Just Okay, and by the time I got to the third one it had forgotten so many character arcs and had stacked so many contrivances and plot twists on top of each other that I said, âoh, god. There is nothing left here to pay off. The author is never going to be able to land this plane.â And I gave up. This is also why I havenât read any more of The Locked Tomb after book two. Iâm not picking on stories with huge fandoms because I have a death wish, btw. Itâs that stories with these structures attract fans really well, because people want to come together to figure out whatâs happening. And this ends up with authors who are playing against the entire fandom as a generalised entity (which can guess way more than any individual reader), and a story that ends up being about how stories are made upâand maybe even about how readers are bad people for trying to figure out where a story is going.
Itâs not actually fun, as a reader, to look up from the fun game youâre playing and to see the author staring back at you. Itâs even less fun when you tag them and they pull out the baseball bat. The thing a lot of these stories have in common is authors who had a really strong starting concept, and then either didnât have an ending in mind, or who worried that the ending they had in mind was too easy and that their audience would go âhaha, you foolish infant, we were never surprised by you.â
Two things make this hard. The first is serialised fiction (TV, a book series releasing on a schedule, fanfic, webcomics, podcasts etc). As storytellers, we tell better stories if we write backwards from an ending we already know. That doesnât mean we have to have a really smart plot structure to start with, but it might mean having the wiggle room to go back and edit the beginning in order to make the ending more satisfying. Thatâs not possible in serialised fiction and it does require those retcon gotcha moments. And the other thing that makes it hard is fandom! Satisfying stories donât cause audience speculation. OFMD would not have made people rabid if the first season had ended with the protags getting and staying together. You have to leave things unaddressed if you want people to come back for season 2. But the more speculation there is, the more likely you are to think âoh geez, theyâve already outwitted me. I need to rewrite the next bit to surprise them.â
I said two things but I think itâs three things really. Or a culmination of things, which is that capitalism does not want us to produce satisfying stories so much as it wants to produce audience speculation. Fandom is (unfortunately) incredibly good free advertising (at least until it passes the threshold of going totally rabid and becomes more visible than the original work).
I think the weird late stage capitalism media landscape of fandom and story is a responsibility all storytellers have to reckon with. Us fan writers need to know that we are feeding the beast, and original fiction writers need to ask what our intentions are in creating the beast in the first place. Itâs very seductive to create a beast, am I right, monsterfuckers. But sooner or later you will end up in a game of trying to outwit it, and you will end up holding a baseball bat.
"1942. "Sunray, Texas. Carbon black plant workers washing up at the end of the day." Acetate negative by John Vachon for the Office of War Information."
see, THIS? YOUR TAGS, @ithrowshoesatconservatives ??? THIS IS WHAT IM TALKING BOUT:
#any industry related to molten metal will make you have religious experiences#i've worked within six feet of an open vat of molten aluminum#the scary thing about aluminum is it doesn't even glow#it's this silvery liquid that looks so incredibly touchable#i've walked along paths where they bring melt trucks with massive crucibles that drip beads of aluminum everywhere#and the ground is studded with a million tiny stars of aluminum that never come off because they're melted onto the concrete#they have these forges for scrap that are twenty feet tall and glow orange all across the inside and they dump whole bales in at once#and when a fresh bale goes in the forge spews flames that lick at the (thankfully fireproof) ceiling#i once stood between the plates of a die press the size of a living room#and realized 'if this closed on me what came out would not be recognizable as a human being'#i've seen the face of god and it's molten metal
When I used to work closing shift in the night pharmacy the pharmacist and I could guess that it was full moon based off the behaviour of our customers. In the same way, it is possible to figure out when Yuletide is because your fanfic comments get much weirder