Greta Vivian-Sloane du Bois, 28, has called Coronado home for all their life. As a retired teen model-actress-video jockey-heartthrob and professional partier and influencer, their world is steeped in an obscene number of unanswered texts, cocktail cherry stems tied by a tongue, and an unfinished reflection caught in the bottom of a glittery eyeshadow pan. Often found tanning, pulling lucky sevens at the Hippodrome, and leaving someone else to pick up the bill, they move through life with Fame is a Gun by Addison Rae in their ear.
oh my god, it's like you're obsessed with me or something--
full name: Greta Vivian-Sloane du Bois age + birthdate: 28 + august 15 gender + pronouns: cis woman + she/her positive traits: playful, confident, flirtatious, negative traits: pleasure-seeking, flippant, blunt likes: vanilla sugar body scrub, tanning stickers, peach rings, radio, yapping, sleeping in, self-employment, free drinks, gambling, dancing, billiards, big-ass purses for carrying around all your shit during the day, cunty little purses for going out at night dislikes: read receipts, short nails, contracts, retainers, being lied to, flat shoes resigned to: violent crime, family strategy meetings, quarterly planning, charging her phone, drinking water in lieu of diet cherry vanilla coke occupation(s): -formerly contracted teen model with Divine designer jeans (they're not denim, they're divine!) if you were a teen at the Mall of Coronado back in the day, congrats, you're probably familiar with a giant billboard featuring her sixteen year-old ass -formerly reoccurring guest role in popular teen drama The Day After Tomorrow is Today, scream queen in Dark Delights, MECHANOPHOBIA, and Scarlet Summer (a particular favorite among slasher fans for a scene involving a sprinkler and white t-shirt) -formerly rotating video jockey and co-host LoL (Live out Loud), a live countdown show for music and celebrity on a popular teen network where she briefly popularized belly rings. the lucky top-voted music artist of the week got a kiss from greta! -founder + admin of The CorCut, a lifestyle + fashion blog for hot young things -founder + admin of glittergab, a social media account for gossip + blind items {think page six, deuxmoi} -devoted curator of your social feed from AM to PM -star performer in your boyfriend's wet dreams family: -parents: dominic (father) + georgiana (mother) du bois -sisters: angelica du bois (oldest), eleanora du bois (youngest) -cousin: tatiana du bois alliance: du bois
tw: sexual harassment, exploitation, choking/asphyxiation
What you need to understand is that none of it actually matters.
Purpose is a manufactured thing. Like velvet lipstick. Edible glitter. Caovilla heels.
People like it because it looks good and it feels good. But you can buy it. Dress it up. Sell it off. Its shelf-life is temporary. It’s ultimately disposable. Toss it in the trash and try again.
Did you know that no one is going to save you?
Greta turns thirteen when she signs her name on the dotted line. She's just gotten the hang of cursive, adds a little extra flair to her oversized 'G'.
It's an eleven year talent contract with the du Bois media and entertainment machine. Total media exclusivity– print, digital, television, film –the works! Ten years would have been good, but that extra year? It shows how badly the want her.
(And oh, they're gonna want her.)
Maybe she should've known when she was soft-launched onto the scene, playing a forgettable role on a medical drama as a girl who absorbed her twin in the womb, and along with it her twin's emergent genetic disorder. Culture is a vacuum. It demands to be filled. Feed it and you control it.
Are you feeding it? Do you know what you're feeding it? Did you realize that it's swallowing you?
She's not very good, but it's, like, whatever. It doesn't matter (none of it matters.) She looks good, bright-eyed and fresh (people like it if it looks good and feels good, that's how you get their attention, that's how you feed them, and you know now what happens after feeding.)
It snowballs from there. Who could have seen it coming?!
They all did. That was the point, or rather, the plan.
Adults read newspapers. Adults watch the news. But children, they watch TV. They watch TV with their families. They see that nice, pretty du Bois girl. They like her. She feels like their friend, their daughter. She beams into their living room while they eat their TV dinners. She carries a backpack on the cover of a catalog that shows up in the mail. They buy the backpack and bring it to school and tell other children about the du Bois girl who inspired them to buy it. Children become teenagers who go to the movies, the mall, that one road with all the billboards, and see that du Bois girl, though she's not so much girl anymore. She's teen too, but she looks older, grown-up with her heavy makeup and big hair and low top. She feels like their friend, their girlfriend, their fantasy. They want to be her. They want to be with her.
Culture is a vacuum. Feed it and you control it. Control, of course, is for the greater good. If you're not in control someone else is. No one is going to save you, so you might as well do it yourself.
Greta is fed– in pretty free clothes, in invitations to parties, in attention, in beloved notoriety, in cheques that route back into the family coffers. Greta does the feeding. She's like those songs. You know the ones. You hear it at the grocery store. You don't think much of it. Maybe even dislike it. But then there it is on the radio as you drive to work. While you sit in the waiting room before an appointment. Before you know it it's stuck in your head. You find yourself humming along. You like it, you decide. No, you love it. Maybe you'd even do anything for it. Trust it. Rebel a bit for it.
The gossip rags sink their teeth into Greta, publicly pick her apart, only to put her back together in some garish, tasteless imitation of the person she thinks she is. Hands occasionally linger longer than they should at photoshoots or attaching mic packs, to say nothing of wagging tongues that confuse obscenity for winning sensuality.
But the ends justify the means. The means don't matter (Did you already forget? None of it matters.) The discomfort, the confusion, the lack of agency. Blah, blah, blah. It does not matter. It does not matter. No one is coming to save you.
At twenty-four, on the eve of her expiring contract, Greta is the culture. The culture is her. She can feel its hands around her neck like a diamond choker (she was gifted one of those you know, didn't have to pay a cent.)
For the first time she picks up her hands and grabs back.
She has a lot of friends now, important, fun, influential people, not to mention all the hundreds of thousands of people she's never met who consider her their friend. She has influence.
It takes a few years, building this little online empire of hers, but it sticks. A post of the mouse food at 9 Spoons sends a line out the door. A cheeky photo draped over the roulette table at the Hippodrome spikes foot traffic, yielding additional profits to funnel back into du Bois plans trained and deployed underground. People want to spend time with her, invite her to dinners, parties, poolside soirees, just so they can tell her things she's all to happy to repeat (who cares if it's true, was it ever true when the gossip was about her?), things that influence how people think, feel, act.
The culture's grip tightens. Greta presses her thumbs against its windpipe in response. We'll see who stop breathing first.
















