I have a feeling you got everything you wanted
And you’re not wasting time stuck here like me
You’re just thinking it’s a small thing that happened
The world ended when it happened to me
“we hug now” - Sydney Rose
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taylor price
almost home
will byers stan first human second

Origami Around
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if i look back, i am lost
Sade Olutola
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JVL

祝日 / Permanent Vacation
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Aqua Utopia|海の底で記憶を紡ぐ
AnasAbdin
Peter Solarz
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@gloomysapphic
I have a feeling you got everything you wanted
And you’re not wasting time stuck here like me
You’re just thinking it’s a small thing that happened
The world ended when it happened to me
“we hug now” - Sydney Rose
Poem for Natalie
The survivor.
The antler queen.
The huntress.
She learned early
that living comes with a debt.
That every breath taken
has to be paid for later.
She started saving.
She carried the rifle
like a confession.
Heavy.
Necessary.
Something you don’t put down
once you’ve picked it up.
She never forgot.
That was the punishment.
Javi haunted her dreams.
Small hands,
cold skin,
eyes that kept asking why
she let him die.
Coach Ben too;
the space where he should’ve been,
the echo of a man
who couldn’t survive
what they became.
Everyone who died out there.
Everyone she consumed.
Every choice framed as mercy
and swallowed anyway.
The others learned how to forget.
How to soften the story.
How to wear crowns
and call it fate.
She kept the truth sharp,
let it cut her palms
every time she held it.
Now it consumes her.
The hunger turning inward.
The wilderness learning her name.
A girl who lived
because she fought,
and stayed human long enough
to feel every second of it.
The survivor.
The antler queen.
The huntress.
Still awake.
Still carrying it.
Poem for Travis
His father loved the Yellowjackets
in a way that felt public.
Applause-love.
Sideline-love.
The kind of love that wears a whistle
and forgets to come home.
Travis learned early
how to stand just outside of it.
How to be the extra body
in the backseat of a team bus.
How to watch his dad beam at girls
who weren’t him.
He thought the wilderness
might finally make them equal.
It didn’t.
It took his father first;
left him hanging like a warning sign
in the trees.
Left Travis holding a rifle
he barely knew how to carry
and grief he didn’t know how to name.
The girls looked at him differently after that.
Like he was a resource.
Like he was meat with opinions.
Doomcoming tasted like rot and berries.
Like something sweet
that shouldn’t have been swallowed.
They circled him,
crowns of flowers,
eyes glassy and feral,
laughter too sharp to be playful.
He said no.
They heard hunt.
There is something worse
than being chased by wolves.
It’s being chased by girls
who used to share classes with you.
He ran because he wanted to live.
Because no one else in that clearing
was thinking about tomorrow.
And then Javi came back.
Small.
Silent.
Miracle-shaped.
Travis didn’t let himself believe it at first.
The wilderness doesn’t return things
without taking something else.
He tried to be careful with him.
Tried to be big-brother steady.
Tried to make the world small enough
for Javi to survive it.
But the ice does not care
about older brothers.
It swallowed Javi
like it had been waiting.
And the same girls who once painted their nails
and braided each other’s hair
watched the water close
and chose not to look away.
Travis screamed.
Not at them.
Not at the lake.
At God.
At his father.
At the part of himself
that was still hoping someone would choose him
the way it chose Javi.
After that,
he was alone in a way
that has no word for it.
The wilderness didn’t just take his family.
It left him alive.
Which might be worse.
Back home,
people wanted stories.
Survival anecdotes.
Something cinematic.
But they didn’t want the truth.
They didn’t want to know
that sometimes,
when he closes his eyes,
he’s still running through the trees
flowers at his throat,
hands reaching,
someone laughing behind him.
They didn’t want to know
he never really made it out.
Travis is not the hero of the story.
He’s not the Antler Queen.
He’s not the butcher or the saint.
He’s just the boy
who kept surviving
long after he stopped wanting to.
And no one ever clapped for that.
Poem for Taissa
She learned early
that fear is a weakness
you outrun.
Knees pumping through suburban streets,
heart steady,
mouth set in a line that said
“I will not break”
Taissa Turner does not believe in ghosts.
She believes in grades,
in scholarships,
in the clean geometry of victory.
She believes in becoming untouchable.
But the wilderness
does not care what you believe.
It splits her open
like bark under frost.
By day, she is discipline;
sharp jaw, sharper plans,
the girl who maps escape routes
while everyone else prays.
By night,
she is teeth.
Dirt packed under her fingernails.
Sleepwalking through pine shadows.
Breathing something older than language.
Something that hums
when the trees lean in closer.
There are two of her.
One who kisses Van
like it’s a promise.
And the other
who leaves the cabin at midnight,
who follows symbols carved into trees,
who kneels at an altar no one admits building.
Van sees both.
That’s the problem.
Van, with her split-open face
and stubborn, sly grin.
Van, who survives fire
and calls it fate.
Van, who looks at Taissa
like she’s both miracle
and omen.
Love in the wilderness
is not gentle.
It is clutching someone’s wrist
as wolves circle.
It is whispering I’m here
while something inside you
answers back,
“but I’m not”
Taissa builds a life after—
law degrees and lawn signs,
a wife, a child,
a house that smells like lemon cleaner
instead of blood.
She runs for office
because power feels safer
than prayer.
She tells herself
the other one is gone.
But you cannot starve
what learned to feed in the dark.
It waits
in reflections.
In cracked mirrors.
In the quiet stretch
between sleep and waking.
It waits
for dirt.
For bone.
For the taste of something sacrificed.
Taissa Turner does not believe in ghosts.
But sometimes she wakes
with her mouth full of earth
and Van’s name
caught between her teeth
like something she almost swallowed whole.
Poem for Misty
Misty learned how to be useful
before she learned how to be loved.
If she could stitch the wound,
mix the right dose,
press her hands hard enough against a chest,
maybe they wouldn’t leave.
But they always do.
Everyone close to her dies—
not always by her hand,
but never without her watching.
Never without her memorizing the moment
they realize she’s all that’s left.
Crystal, smiling too wide,
trusting her with secrets and songs,
falling out of reach.
Natalie, sharp and breaking,
finally choosing to stay,
only to slip away anyway,
right in front of her,
like punishment disguised as fate.
It’s always her fault.
Even when it isn’t,
it feels like it is.
She needs to be needed
the way some people need air,
the way a heartbeat needs a body.
She offers herself in pieces:
a skill, a secret, a cure,
a favor you didn’t ask for
but can’t survive without.
She tells herself crying is for babies,
for people who expect comfort afterward.
She swallows it down,
locks it behind her teeth,
pretends she doesn’t need
what no one has ever offered her.
But sometimes it leaks out anyway;
quiet,
humiliating,
alone in a bathroom or a dark room,
her face pressed into her hands
like she’s trying to disappear.
At night, fear curls up inside her ribs:
the fear of being unnecessary,
of standing useless in a room full of living people,
of being seen
and still unwanted.
So she stays.
She fixes.
She hovers.
She wipes her face clean.
She fixes her smile.
She stays useful.
She mistakes survival for love
and calls it devotion.
And somewhere deep inside her,
there is a girl still waiting to be chosen,
terrified that if she ever lets go,
if she ever lets herself fall apart,
there will be no one left
to save her.
And she doesn’t know
who she is
without that.
I don’t know where you end and I begin
we were girls once—
before hunger spoke,
before the woods answered.
jackie,
you wore certainty like a letterman jacket,
clean, inherited,
already warm from someone else’s body.
i followed you the way shadows do—
close enough to feel important,
far enough to disappear.
they say best friends share clothes,
but we shared oxygen.
i breathed when you breathed.
i learned my smile by watching yours
in the mirror of bathroom sinks,
lip gloss smeared like a promise
neither of us planned to keep.
you were the center of every room.
i was the room.
sometimes i think i loved you
the way girls are taught not to—
quiet, consuming,
like if i swallowed you whole
i’d finally be real.
other times i think i hated you
for how easy the world felt in your hands,
how it never asked you to bleed
to earn its softness.
out there,
the wilderness didn’t care who we were.
it peeled us down to bone and instinct.
it taught me that hunger sounds like prayer
and love can look a lot like taking.
jackie,
you stayed frozen in the girl you were.
i kept changing.
i kept surviving.
i learned how to live with your name
lodged somewhere between my ribs,
a splinter i never pulled out
because pain meant you were still here.
they ask me when i lost you.
i don’t know how to tell them
i was losing myself first.
now i carry you everywhere—
in my mouth when i’m silent,
in my hands when they shake,
in the way i measure goodness
by who gets to stay warm.
i don’t know where you end
and i begin.
i only know the girl i was with you
is still starving somewhere inside me,
waiting for permission
to be forgiven.
ghost girl
the cold preserved her,
almost beautifully.
like the world knew she mattered too much
to let her decay.
she was close enough to the alive jackie
that I could forget the difference—
close enough to hold entire conversations
with a body that never answered back
but never left either.
her face stayed soft.
her hands stayed clean.
the snow learned her shape by heart.
forever a girl.
forever a yellowjacket.
I talked to her like she could hear me.
apologized like apologies still worked.
told myself if I stayed close enough,
I wouldn’t have to become
what I was becoming.
the cold didn’t make her distant.
it made her eternal.
a version of jackie that never changed
while the rest of us learned
how to rot and keep moving.
she lives in guilt that fails to decay—
in full stomachs,
in warm beds,
in the way her name still stops my breath
like a prayer I don’t believe in
but say anyway.
forever alive through guilt
that refuses to soften,
that refuses to forgive,
that keeps her seventeen
and keeps me awake.
ghost girl,
you are not what we lost,
you are what we carry,
preserved in the cold space
between survival
and shame.
Shauna’s POV:
I hated her
the way you hate a mirror
that tells the truth first.
Jackie walked through the world
like it would always open for her.
Doors. Mouths. Futures.
And I stood just behind her shoulder,
learning how to be smaller.
I wanted her life
before I wanted her.
Her ease.
Her certainty.
The way people chose her
without asking what it would cost.
Loving Jackie felt like losing
before anything was taken.
Out there, the hate sharpened.
Every smile a theft.
Every clean memory
another reason to starve.
I loved her
and I wanted her gone
and those two things learned
to share a pulse.
I tell myself it was the cold.
I tell myself it was fate.
I don’t tell myself
how easy it was
to let the night finish her sentence.
Jackie never left.
She moved in.
She sleeps in my ribs,
asks questions in my own voice,
watches me touch my stomach
like I’m still counting ghosts.
Sometimes she’s angry.
Sometimes she’s seventeen forever,
hair perfect,
waiting for me to explain myself.
Sometimes she’s soft
and that’s worse.
I loved her.
I hated her.
I learned how to live
by choosing myself over her body
and I will never be forgiven,
not by God,
not by memory,
not by the girl
who still wears my face
when I close my eyes.
Shauna POV:
I was a girl once.
Before the plane,
before hunger learned my name,
before my body stopped being mine
and started being useful.
I was supposed to leave.
I was supposed to become someone else.
Instead, the sky split open
and handed me nineteen months
that never stopped counting.
Girlhood didn’t fade.
It froze solid.
It stayed sixteen and shivering,
waiting for permission
that never came.
Jackie stayed clean.
That’s what hurts the most.
She never learned how to get ugly enough to live.
She stayed soft.
She stayed warm in her beliefs.
She stayed the girl I was orbiting,
even when I pretended I wasn’t.
I loved her wrong.
I loved her quietly.
I loved her in comparison,
in shadow,
in hunger.
The wilderness didn’t care about any of that.
It only cared about what we could give it.
My body became evidence.
Then shelter.
Then a grave I had to keep breathing inside.
I lost my baby.
But first I lost the idea
that life arrives gently.
I lost the belief that wanting something
could keep it alive.
I carried him through snow and blood
and learned that hope
can rot just like anything else.
Those nineteen months
rewrote every future I was promised.
I came back older than my face,
younger than my guilt,
hollowed out in places no one sees.
I smile now.
I cook.
I remember birthdays.
I play the part of a woman who survived.
But there is still a girl in the woods
with my name in her mouth,
kneeling beside a frozen body,
learning too late
that love is not protection.
I left the wilderness.
It never left me.
Just yassified Vecna
The way I IMMEDIATELY hopped on faceapp/editing apps when I saw these pics
Fem Steve edit using a still from the volume 2 trailer 🥰
Fem!Billy/Billie dump
hey gays, I made a new fem billy/billie edit 🥰
How tf am I so late to seeing this photoshoot??? Embarrassing.
Fem!Eddie <3 (reposting since I was impatient and posted this in the middle of the night lol)