if i look back, i am lost
shark vs the universe
almost home
EXPECTATIONS
Show & Tell
š
Jimmy Eat World
Cosimo Galluzzi
macklin celebrini has autism
$LAYYYTER
bliss lane
No title available
No title available
Phantogram Three
sheepfilms
Today's Document
oozey mess
One Nice Bug Per Day
The Bowery Presents
noise dept.
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@goddessofromance-asmara
Reblog this if you would not only accept, but welcome fan art, moodboards, etc. of your fics
All of these used to be so common for people to show their appreciation of different fics and authors, and I think itās a shame people donāt do it anymore. I love seeing fan work for my fics!!
I have an account on AO3 but I'm scared to post on there bc of the curse :(
How bad is it guys??
So far I've survived
PĢ¶rĢ¶oĢ¶bĢ¶aĢ¶bĢ¶lĢ¶yĢ¶ bĢ¶eĢ¶cĢ¶aĢ¶uĢ¶sĢ¶eĢ¶ IĢ¶ hĢ¶aĢ¶vĢ¶eĢ¶nĢ¶'Ģ¶tĢ¶ pĢ¶oĢ¶sĢ¶tĢ¶eĢ¶dĢ¶ iĢ¶nĢ¶ lĢ¶iĢ¶kĢ¶eĢ¶ aĢ¶ yĢ¶eĢ¶aĢ¶rĢ¶.Ģ¶.Ģ¶.Ģ¶
"One of these days I'm gonna get a full nights sleep" I whisper as I open another ao3 tab "It won't be tonight, but one of these days"
Reblog if you don't use Generative AI to write fanfics/original fics or to create fanart/original art.
svsss fic where there's a third transmigrator, but they died reading an unofficial fan translation and slowly realizes that the translator took some very major liberties
Do NOT give me ideas
Been thinking about the potential of a Luo Binghe transmigration fic where he has a similar experience to Shen Yuan's -- meaning, he transmigrates into a story that didn't originally have a "Luo Binghe", but rather a different character with a similar name, and Bingmei himself still has his canonical personality and broad strokes modern version of his backstory (i.e. abandoned, adopted, orphaned, struggling with the foster system, etc), whereas the character he transmigrates into has a different background and personality.
So, concept: Luo Binghe transmigrates into Su Binghe, the spoiled prince of the demon realms, son of Tianlang Jun and Su Xiyan and scum villain of the novel he read.
In said novel, Su Binghe was driven by a perpetual lack of satisfaction with things. He had almost everything handed to him on a silver platter, but none of it seemed to actually matter to him. His parents were powerful and loving, but also extremely busy and somewhat distant. His sibling relationships were soured by the fact that they were all basically raised separately by different groups of servants and expected to compete with one another for the supreme throne of the demon realms one day. The servants who raised him also had only limited authority over him, thanks to his rank, so he was encouraged to be self-centered and tyrannical from an early age because behaving that way helped him get whatever he wanted. Yet he felt ultimately purposeless and lonely, lacking any actual friends or companions.
Shen Yuan, the main character, was the third son of a wealthy noble house and was stolen by demons during a raid on his family's properties. He was rescued by Tianlang Jun's people, who officially disapprove of attacks on humans (special cases like Huan Hua Palace being an exception), but not before the rest of his family was killed or else sold off into less friendly territories. Shen Yuan himself was subsequently taken on as a ward of the emperor, as a sort of apology for the whole deal, and inserted into the somewhat younger Su Binghe's household as a companion and tutor to try and curb the prince's loneliness. The empress also took Shen Yuan on as a personal disciple, as the only person able to teach him human-style cultivation.
This worked about as well as anyone expected, which was to say that the spoiled prince treated his weakling human tutor like his own personal chew toy, blowing hot and cold, manipulating and mistreating, jealously resenting Shen Yuan's attention from his mother while also taking every opportunity to insert himself into the additional lessons as well.
Eventually the situation came to a head, with Shen Yuan lashing back after being pushed to the limits, and Su Binghe using the "attack" as an excuse to exile him in the midst of hostile demon territory. Thus began the protagonist's power-up montage segment, where he was forced to fight and survive, leveling up his skills until he came across Xiu Ya.
Xiu Ya was a legendary sword that had been wielded by an equally legendary human cultivator, an actual secret ancestor of Shen Yuan's, long ago. It was sealed away by a past Heavenly Demon emperor, after its wielder managed to use it to successfully kill one of their kind (a difficult feat). By sealing the blade deep within the demonic realms, the past emperors had assured themselves that no human cultivator would successfully venture so deep into their territories nor uncover its hiding place, and so they mostly warded it against other demons (who might want to return it to the humans in order to sabotage the Heavenly Demons). Thus, Shen Yuan successfully liberated the blade, and after winning a harrowing battle against an ancient evil (boss fight!) with it, he ascended to godhood.
But, even the heavens weren't merciful in this story, and Shen Yuan was tasked with using Xiu Ya to end the threat of the Heavenly Demon race once and for all before he could claim his rightful place among them. If he failed, his soul would be forfeit and Xiu Ya would shatter, eternally condemning the mortal plane to the tyranny of demonic rule.
Luo Binghe absolutely loved the character of Shen Yuan, even though his story was kind of trash, and he did not want to transmigrate into Su Binghe, especially not with a mandate hanging over his head that he had to one day cast his favorite protagonist out into the wilds, and then let him kill Binghe in order to fulfill a mandate from the heavens!
Featuring:
-Modern day culinary student Bingmei, absolutely revolutionizing food prep in the demon realms and desperately wishing he could change the genre to one of those slice-of-life cozy escapist novels instead.
-Bingmei being actually a thousand times sneakier and more self-aware than his predecessor, taking Su Binghe's absolutely pathetic attempts at politics and making it work for him instead (between the foster care system and the food service industry, Bingmei takes no prisoners).
-Su Binghe originally had a sprawling harem by the time Shen Yuan reunited with him. Luo Binghe wants nothing to do with it, so he has to just keep on dodging his parents attempts to set him up in political matches.
-Some of Shen Yuan's original household and family actually did survive, so Luo Binghe dedicates himself to rescuing the rest of them to try and farm points with the protagonist. This results in him retrieving Shen Yuan's brother, Shen Jiu (asshole rat bastard feral cat of a guy, Luo Binghe almost wishes he'd failed), Shen Yuan's personal companions the Liu siblings (terrible decision, Shen Yuan's always waxing poetically about how beautiful they are), Shen Yuan's younger sister Yingying (annoying but nice), Shen Jiu's situationship Yue Qi (there is something deeply wrong with that guy), and the son of the family's head servant, Shang Qinghua (weird rodent man, somehow has evil advisor vibes despite also looking sort of like the designated non-threatening one in an idol group).
-Bingmei identifies Mobei Jun as a fellow transmigrator pretty early on, when he absently whistles the notification sound for a smart phone and Mobei reaches for his pocket. Mobei Jun's approach to transmigrating is basically to say and do as little as possible. Bingmei subsequently doesn't find out that he is in fact the author of the original book until some time after the main plot has passed.
-Despite not wanting to, Bingmei is fully prepared to die in order to secure Shen Yuan's eventual destiny as a god. He only hopes he might go out cleanly and with more sympathy than the original goods got. Imagine his horror when Shen Yuan decides he's going to fight the gods instead of wiping out the Heavenly Demons.
I have zero words on chapter five of Ultimate Traveler, I have a fic of which I haven't even finished chapter one, I have an idea that's been plaguing my mind for a while now
but the parasites in me want to start a new fanfic
Update: posted!
concept for a tv show: a cute simple love story between an assistant and a chauffeur or bodyguard or whatever else rich people have and in the background the rich people are having the wildest telenovela level drama that we only catch glimpses of
(Flustered assistant) "So... do you want to go on a coffee date?" (Very flustered bodyguard) "I'd love to!"
(While they're looking at eachother cutely, we hear a woman screaming in the background "WHAT DO YOU MEAN YOU CHEATED ON ME WITH MY BROTHER???" . Then somebody jumps off a window)
Exactly you get me
I had a dream last night where I built and released a computer game called HORSE and all it is is that you play as a horse and most of the gameplay is you being ridden and having to obey cues from your rider (which are visually displayed on the screen). You move through beautiful vast 3D vistas while you hear and see the story of your rider, a young nobleman who's just been given his first horse, happen around you. He makes friends with a ragtag group of adventurers and might romance one of his party members et cetera but you have no part in that, your job is to be a horse. How good a horse you are affects your bond with him and if you're really bad you can get sold to a glue factory. It's an intensely narrative game where this young boy grows up and might overthrow the king or be banished and flee on his treasured horse or might do a variety of other things all depending on how good he is at controlling his horse and on whether his horse takes him where he wants to go or charges off into the woods and gets him kidnapped by bandits or whatever. You don't have any special powers or anything you're literally just a horse.
In my dream this game did incredibly well for no reason, but when I woke up all I could think of was how my dream self had ripped off my previous game idea, Fine, you can play as a magic sword, which is a card battler where you're the magical sword of destiny in the hands of the Chosen One and the story depends on what battles you win or lose; you can intentionally get a weak Chosen One killed and end up in the hands of someone stronger who'll get you cooler cards for your deck but could become an evil tyrant, that kind of thing.
Is HORSE from a first-horse or a third-horse perspective?
First-horse. And if you're too disobedient a horse then they can put blinders on you to restrict your vision and make you listen to your rider more.
Important side not about HORSE is that you cannot understand the language that the human characters speak. You should learn any verbal riding commands pretty quickly just through gameplay, but you can never be one hundred per cent sure what's specifically happening in intense plot scenes and thus can't make deliberate long-term plans to control the narrative yourself. You have to trust that your human rider knows what he's doing and is making good decisions. You're just a horse.
god I would play the fuck out of conlang horse game
if they had bad horse actions I would be the most obedient horse of all time except I would bite or step on feet every time the game offered me the prompt, only prince dingdong gets to stroke me, everyone else gets chomped or stomped
Horse Girl Book type behaviour
I would totally watch that show and/or watch a play-through of that game.
In Horse, would the game world be designed around a horse's prey animal instincts (large, unfamiliar objects being potential hiding places for lion monsters, etc.)? And does Prince Dingdong gradually get better as he learns to ride, and gain your trust?
Further HORSE!Game suggestions:
have a team play option, where one person plays as the rider, and one as the horse; if you choose this option, it is randomized which role you play. Neither player knows which they'll be until the game begins. Once the game begins, you can't switch.
(unless, of course, there's a wizard, and horse and rider have their minds switched into each other's bodies, mid-adventure. Being a horse in a human body doesn't change the fact that you don't understand human language. Being a human in a horse body doesn't change the fact that you don't know how to carry yourself on four legs)
Have a four-player option, with two horse & rider teams playing each other.
if the rider is too harsh/cruel when trying to get the horse to obey (pulling too hard on the bit, using the whip too much), or is simply a poor rider, and causing pain to the horse because they're imbalanced in the saddle, the horse can buck you off and leave without the glue factory penalty.
A lot of the time, irl, when the horse spooks, it's not really anything dangerous. In the game, randomize the spooky thing, so that there's a non-zero chance it's an actual monster. Have that chance go up the further you're away from home. Assuming your horse is being bad/disobeying increases your chances of being barbecued by a dragon.
One more thought:
6. In the solo, first-Horse perspective, if your rider is bad/cruel, and you run away, the objective of the game changes. You now have to get back to your home pasture and herd without getting recaptured. Or you have the option of finding a new, more competent, kinder human to team up with.
I support the "fiction isn't real so nothing matters" mindset but tbf at a certain point it can tip over into "the curtains are just blue" territory
like yes actually there is a conversation to be had about how a characters actions are framed and how they thematically fit with the rest of the story and it can in fact reflect the author's beliefs. some authors are even trying to make a point
not all depiction is glorification but sometimes it is and you need to be able to tell the difference. not because your immortal soul will be tainted by reading The Bad One, but because you need to have reading comprehension skills
peer reviewed
New chapter posted!
Chapters: 8/? Fandom: äŗŗęø£åę“¾čŖęē³»ē» - å¢Øé¦éč | The Scum Villain's Self-Saving System - MĆ²xiÄng TĆ³ngxiĆ¹, ééē„åø - å¢Øé¦éč | MĆ³dĆ o ZĒshÄ« - MĆ²xiÄng TĆ³ngxiĆ¹, ģė¤ģė ENNEAD (Webcomic), ģ ģ§ģ ė ģ ģģ - ģ±ģ | Omniscient Reader - Sing-Shong, å°čæé - åé åæ | QiÄng JƬn JiĒ - TĆ”ng JiĒ QÄ«ng, 天å®čµē¦ - å¢Øé¦éč | TiÄn GuÄn CƬ FĆŗ - MĆ²xiÄng TĆ³ngxiĆ¹, Original Work, å±±ę²³ä»¤ | Word of Honor (TV 2021), 天ę¶Æ客 | Faraway Wanderers - priest, ę¶äŗŗę³č¦ę¢ęäøäø | I Want to Be A Big Baddie (Webcomic), ē»ä»£åéŖ | Handsome Siblings (TV 2020) Rating: Teen And Up Audiences Warnings: Creator Chose Not To Use Archive Warnings, No Archive Warnings Apply Relationships: Original Male Character(s)/Original Male Character(s) Characters: Kim Dokja, Shen Zechuan, Luo Binghe, HuÄ ChĆ©ng, XiĆØ LiĆ”n, Shang Qinghua, Jiang Xiaoyu, Jiang Wuque | Hua Wuque, Liu Qingge, Liu Mingyan, Horus (ENNEAD), Seth (ENNEAD), Shen Yuan, S-Ling (I Want To Be a Big Baddie) Additional Tags: THE BIGGEST BL CROSSOVER EVER, youd think im high while writing this but surprisingly im not, read the desc on every chapter, honest to god i have no idea where this is going, More tags to be added, Rating May Change, Reincarnation, Past Lives, im just mixing all the plots in here so... yeah, this is gonna get crazy Summary:
Kim Dokja was a nobody, a simple accountant in a company he didn't care about, but he had one passion: a Chinese webnovel he had been reading for over 25 years!
Kim Dokja was reading the latest chapter, ch. 34,824, that only said this:
āDue to personal reasons, I will be cancelling this novel.ā
He then dies and surprise! He is reincarnated in the villain of the novel. He's already so done with this.
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Or: in which I somehow mix the plot of all those fandoms you see tagged and create this montruosity. what have i done. Anygays I have no idea how I came up with this and have absolutely no updating schedule whatsoever and I can't promise that I will or will not make any spicy scenes, so bear with me on this journey.
you don't need to know all of the originals btw.
I call upon the fan fic writing gods to bless you with the perseverance to finish one of your unfinished drafts.Ā
May your fingers dance along the letters upon your device with ease, may the devil of distraction stay far from you, and may your work not need much editing.
I pass this blessing upon every fan fic writer out there.
As it came to me I give it to you.
The Neurodivergent Writerās Guide to Fun and Productivity
(Even when life beats you down)
Look, Iām a mom, I have ADHD, Iām a spoonie. To say that I donāt have heaps of energy to spare and I struggle with consistency is an understatement. For years, I tried to write consistently, but I couldnāt manage to keep up with habits I built and deadlines I set.
So fuck neurodivergent guides on building habits, fuck āeat the frog firstā, fuck āitās all in the grindā, and fuck āyou just need time managementāāhere is how I manage to write often and a lot.
Focus on having fun, not on the outcome
This was the groundwork I had to lay before I could even start my streak. At an online writing conference, someone said: āIf you push yourself and meet your goals, and you publish your book, but you havenāt enjoyed the processā¦ Whatās the point?ā and hoo boy, that question hit me like a truck.
I was so caught up in the narrative of āYouāve got to show up for whatās importantā and āPush through if you really want to get it doneā. For a few years, I used to read all these productivity books about grinding your way to success, and along the way I started using the same language as they did. And I notice a lot of you do so, too.
But your brain doesnāt like to grind. No-oneās brain does, and especially no neurodivergent brain. If having to write gives you stress or if you put pressure on yourself for not writing (enough), your brainās going to say: āHuh. Writing gives us stress, weāre going to try to avoid it in the future.ā
So before I could even try to write regularly, I needed to teach my brain once again that writing is fun. I switched from countable goals like words or time to non-countable goals like āfunā and āflowā.
Rewire my brain: writing is fun and Iām good at it
I used everything I knew about neuroscience, psychology, and social sciences. These are some of the things I did before and during a writing session. Usually not all at once, and after a while I didnāt need these strategies anymore, although I sometimes go back to them when necessary.
I journalled all the negative thoughts I had around writing and try to reason them away, using arguments I knew in my heart were true. (The last part is the crux.) Imagine being supportive to a writer friend with crippling insecurities, only the friend is you.
Not setting any goals didnāt work for meāI still nurtured unwanted expectations. So I did set goals, but made them non-countable, like āhave funā, āget in the flowā, or āwriteā. Did I write? Yes. Success! Your brain doesnāt actually care about how high the goal is, it cares about meeting whatever goal you set.
I didnāt even track how many words I wrote. Not relevant.
I set an alarm for a short time (like 10 minutes) and forbade myself to exceed that time. The idea was that if I write until I run out of mojo, my brain learns that writing drains the mojo. If I write for 10 minutes and have fun, my brain learns that writing is fun and wants to do it again.
Reinforce the fact that writing makes you happy by rewarding your brain immediately afterwards. You know what works best for you: a walk, a golden sticker, chocolate, cuddle your dog, whatever makes you happy.
I conditioned myself to associate writing with specific stimuli: that album, that smell, that tea, that place. Any stimulus can work, so pick one you like. I consciously chose several stimuli so I could switch them up, and the conditioning stays active as long as I donāt muddle it with other associations.
Use a ritual to signal to your brain that Writing Time is about to begin to get into the zone easier and faster. I guess this is a kind of conditioning as well? Meditation, music, lighting a candleā¦ Pick your stimulus and stick with it.
Specifically for rewiring my brain, I started a new WIP that had no emotional connotations attached to it, nor any pressure to get finished or, heaven forbid, meet quality norms. I donāt think these techniques above would have worked as well if I had applied them on writing my novel.
It wasnāt until I could confidently say I enjoyed writing again, that I could start building up a consistent habit. No more pushing myself.
I lowered my definition for success
When I say that nowadays I write every day, thatās literally it. I donāt set out to write 1,000 or 500 or 10 words every day (tried it, failed to keep up with it every time)āthe only marker for success when it comes to my streak is to write at least one word, even on the days when my brain goes ānaaahhhā. On those days, it suffices to send myself a text with a few keywords or a snippet. Itās not āsuccess on a technicality (derogatory)ā, because most of those snippets and ideas get used in actual stories later. And if they donāt, they donāt. Itās still writing. No writing is ever wasted.
A side note on high expectations, imposter syndrome, and perfectionism
Obviously, āSetting a ridiculously low goalā isnāt something I invented. I actually got it from those productivity books, only I never got it to work. I used to tell myself: āItās okay if I donāt write for an hour, because my goal is to write for 20 minutes and if I happen to keep going for, say, an hour, thatās a bonus.ā Right? So I set the goal for 20 minutes, wrote for 35 minutes, and instead of feeling like I exceeded my goal, I felt disappointed because apparently I was still hoping for the bonus scenario to happen. I didnāt know how to set a goal so low and believe it.
I think the trick to making it work this time lies more in the groundwork of training my brain to enjoy writing again than in the fact that my daily goal is ridiculously low. I believe Iām a writer, because I prove it to myself every day. Every success I hit reinforces the idea that Iām a writer. Itās an extra ward against imposter syndrome.
Knowing that I can still come up with a few lines of dialogue on the Really Bad Daysādays when I struggle to brush my teeth, the day when I had a panic attack in the supermarket, or the day my kid got hit by a carāteaches me that I can write on the mere Bad-ish Days.
The more I do it, the more I do it
The irony is that setting a ridiculously low goal almost immediately led to writing more and more often. The most difficult step is to start a new habit. After just a few weeks, I noticed that I needed less time and energy to get into the zone. I no longer needed all the strategies I listed above.
Another perk I noticed, was an increased writing speed. After just a few months of writing every day, my average speed went from 600 words per hour to 1,500 wph, regularly exceeding 2,000 wph without any loss of quality.
Talking about quality: I could see myself becoming a better writer with every passing month. Writing better dialogue, interiority, chemistry, humour, descriptions, whatever: they all improved noticeably, and I wasnāt a bad writer to begin with.
The increased speed means I get more done with the same amount of energy spent. I used to write around 2,000-5,000 words per month, some months none at all. Nowadays I effortlessly write 30,000 words per month. I didnāt set out to write more, itās just a nice perk.
Look, Iām not saying you should write every day if it doesnāt work for you. My point is: the more often you write, the easier it will be.
No pressure
Yes, Iām still working on my novel, but Iām not racing through it. I produce two or three chapters per month, and the rest of my time goes to short stories my brain keeps projecting on the inside of my eyelids when Iām trying to sleep. I might as well write them down, right?
These short stories started out as self-indulgence, and even now that I take them more seriously, they are still just for me. I donāt intend to ever publish them, no-one will ever read them, they can suck if they suck. The unintended consequence was that my short stories are some of my best writing, because thereās no pressure, itās pure fun.
Does it make sense to spend, say, 90% of my output on stories no-one else will ever read? Wouldnāt it be better to spend all that creative energy and time on my novel? Well, yes. If you find the magic trick, let me know, because I havenāt found it yet. The short stories donāt cannibalize on the novel, because they require different mindsets. If I stopped writing the short stories, I wouldnāt produce more chapters. (I tried. Maybe in the future? Fingers crossed.)
Donāt wait for inspiration to hit
Thereās a quote by Picasso: āInspiration hits, but it has to find you working.ā I strongly agree. Writing is not some mystical, muse-y gift, itās a skill and inspiration does exist, but usually itās brought on by doing the work. So just get started and inspiration will come to you.
Accountability and community
Having social factors in your toolbox is invaluable. I have an offline writing friend I take long walks with, I host a monthly writing club on Discord, and I have another group on Discord that holds me accountable every day. They all motivate me in different ways and itās such a nice thing to share my successes with people who truly understand how hard it can be.
The productivity books taught me that if you want to make a big change in your life or attitude, surrounding yourself with people who already embody your ideal or your goal huuuugely helps. The fact that I have these productive people around me who also prioritize writing, makes it easier for me to stick to my own priorities.
Your toolbox
The idea is to have several techniques at your disposal to help you stay consistent. Donāt put all your eggs in one basket by focussing on just one technique. Keep all of them close, and if one stops working or doesnāt inspire you today, pivot and pick another one.
After a while, most ātoolsā run in the background once they are established. Things like surrounding myself with my writing friends, keeping up with my daily streak, and listening to the album I conditioned myself with donāt require any energy, and they still remain hugely beneficial.
Do you have any other techniques? Iād love to hear about them!
I hope this was useful. Happy writing!
if I write until I run out of mojo, my brain learns that writing drains the mojo. If I write for 10 minutes and have fun, my brain learns that writing is fun and wants to do it again.
site that you can type in the definition of a word and get the word
site for when you can only remember part of a word/its definitionĀ
site that gives you words that rhyme with a word
site that gives you synonyms and antonyms
THAT FIRST SITE IS EVERY WRITERāS DREAM DO YOU KNOW HOW MANY TIMES IāVE TRIED WRITING SOMETHING AND THOUGHT GOD DAMNĀ IS THERE A SPECIFIC WORD FOR WHAT IāM USING TWO SENTENCES TO DESCRIBE AND JUST GETTING A BUNCH OF SHIT GOOGLE RESULTS
This oneās an always-reblog, because who knows who needs it and hasnāt seen it yet?
Something I found on Twitter that really puts things in perspective as a creator.
That's something I always think about. Like 1-3 people that's like telling friends something. I'm showing you a drawing I'm really proud of during class. I'm talking about my favorite characters during lunch. That's a solid amount of buddies that are willing to listen to you.
Like hi, your my buddy, hi. Do you want to listen about my OC? My newest fixation? My current favorite au?
10-30 people is insane to me. More is crazier. I'm literally so happy when a few people see and like my stuff, even more people I'm excited. 100 people is a LOT of people. A lot of people that like you and your stuff.
I feel like a kid showing a few friends a lizard I caught but there's so many friends. And they all care about the silly little lizard I caught. And it's so nice
Pst btw if you've ever wanted to use / look at / make handwriting headcanons about Chinese calligraphy, this site allows you to search a character and then pulls up an image list of that character in tons of famous calligraphers' styles!!
It's also organized by different script styles (standard, seal, semi-cursive, cursive) for different uses!
?????Š±?,?é·Ø,????,×??,????,????,????,????,?Å“?,????,?é·Ø??,?Öµ?,??ŃÆ
If you click on the blue names under the pictures, the site pulls up a list of every character it has indexed as written by that particular calligrapher too, so very helpful to find individual styles : )
Ok as someone pointed out if you access it using the original link/on mobile it gives you a security warning but on desktop it's fine afaik. I know the link looks weird and shady honestly I have no idea where my Chinese calligraphy professor found it but she gave it to us so blame her
the author's barely disguised. you can tell it's just them in a fake mustache.
existence and stories
Lovely talk
