Monterey Bay Aquarium

tannertan36

if i look back, i am lost

blake kathryn
he wasn't even looking at me and he found me
YOU ARE THE REASON

#extradirty

No title available
macklin celebrini has autism
trying on a metaphor

shark vs the universe
occasionally subtle
🪼
I'd rather be in outer space 🛸
d e v o n

roma★
DEAR READER
PUT YOUR BEARD IN MY MOUTH

祝日 / Permanent Vacation
dirt enthusiast
seen from Bangladesh
seen from Pakistan

seen from Italy

seen from United States

seen from Iraq
seen from Brazil

seen from Türkiye
seen from Uzbekistan

seen from New Zealand

seen from Bangladesh
seen from Dominican Republic

seen from Uruguay
seen from United States
seen from Türkiye

seen from Bangladesh

seen from United States

seen from United States

seen from United States

seen from United States

seen from United States
@goldenlightsup
A mask can be as revealing as concealing. “To masque the face” is “t'unmasque the mind,” English novelist Henry Field tells us. There are masks and costumes so powerful they obliterate the wearer’s personality and change him or her into another being entirely. The ceremonial mask, suggests Herbert M. Cole, professor emeritus of African art history at University of California, Santa Barbara, allows the wearer to truly say: “I am not myself.”
For more than 30 years, Phyllis Galembo has been fascinated by masks and costumes and photographed them in countries from Benin to Zambia. Most recently, she has turned her lens on Mexico. Her newly published book Mexico Masks/Rituals (Radius Books/D.A.P.) restores the mask — and the political, cultural, religious and social messages it can telegraph — from tourist commodity to its role as an artifact of ritual and celebration.
We spoke to Galembo by phone. The interview is edited for length and clarity.
A Photographer’s Vision Of The Magical Masks Of Mexico
Photos: Phyllis Galembo
BLUE BELT. #illustration #woman #fashion #fashionart #inspiration #shape #abstract #contemporaryart #jewelry #color #nudepalette #feminist #mouvement #lucieclementcestmoi https://www.instagram.com/p/B4KHSSroDOp/?igshid=1lhcznott69ur
Frank Sinatra performing in Monte Carlo 1958
Books by women, on women…
The Tigress of Forli: Renaissance Italy’s Most Courageous and Notorious Countess, Caterina Riario Sforza de Medici, by Elizabeth Lev
Sarah Churchill Duchess of Marlborough; The Queen’s Favourite, by Ophelia Field
Queen Anne: The Politics of Passion, by Anne Somerset
Fabricating Women: The Seamstresses of Old Regime France, 1675-1791, by Clare Haru Crowston
Athenais: The Life of Louis XIV’s Mistress, the Real Queen of France, by Lisa Hilton
Madame de Pompadour: A Life, by Evelyne Lever
Marie Antoinette: The Last Queen of France, by Evelyne Lever
Witch Craze: Terror and Fantasy in Baroque Germany, Lyndal Roper
International Women’s Day is annually held on March 8 to celebrate women’s achievements throughout history and across nations. It is also known as the United Nations (UN) Day for Women’s Rights and International Peace.
1909: The first National Woman’s Day was observed in the United States on 28 February. The Socialist Party of America designated this day in honour of the 1908 garment workers’ strike in New York, where women protested against working conditions.
1910: The Socialist International, meeting in Copenhagen, established a Women’s Day, international in character, to honour the movement for women’s rights and to build support for achieving universal suffrage for women.
1917: Against the backdrop of the war, women in Russia again chose to protest and strike for ‘Bread and Peace’ on the last Sunday in February (which fell on 8 March on the Gregorian calendar). Four days later, the Tsar abdicated and the provisional Government granted women the right to vote.
1975: The United Nations began celebrating International Women’s Day (IWD) on 8 March during International Women’s Year 1975.
appreciate what’s and who’s around you
2 of the many things that bring me happiness
a l o e i l a
Mexico bonito.
things are different now
🥀🥀