{hello, little bird.}

Salutations. My name is Karen. I'm 25 living in Kansas City. Another blog where I actually write.Compliments & Constellations

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Expressive Portraits by Rosie Hardy Venture into the Stunning Realm of Fantasy

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4 year old Riley (aka Roozle) loves to draw herself to sleep each night. Her mom Casey Carey-Brown has taken these lovely photos of her after she has fallen asleep next to her drawings

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Stephanie Brown's Moleskine

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I am a self-diagnosed past addict. I pine for lost love. I think incessantly about love I never had, love I really want to have, love I’ll never have.

Tegan Quin (via aestheticintrovert)

[bobbycaputo]

Photographer Dad Creates Portrait Series Starring His Kids That Replicates Different Periods of the 20th Century

Photographer Tyler Orehek began a portrait series in 2012 starring his three-year-old son Tyler and two-year-old daughter Lauren in which he poses the children in meticulously staged photographs representing different eras of the 20th century. 

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matialonsorphoto: another try by matialonsor

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[insatiablefeelings]

The people who are meant to be in your life will always gravitate back towards you, no matter how far they wander.

(via nyjahatuatao)

[maisiewilliams]

“Mark was 24, I was 19 and Harrison was 33. He was like the big man on campus. You looked at him and you said to yourself, He’s going to be a star.” -Carrie Fisher

[bobbycaputo]

“In the clouds” |  Laurence Demaison

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Grrrls gone wild

[elliottsmithob]

Elliott Smith

Photographs by JJ Gonson

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[bobbycaputo]

Larry Fink’s “The Beats”

In 1958, at the age of eighteen, the photographer Larry Fink left his childhood home on Long Island and moved to a one-bedroom apartment in Greenwich Village. Fink was immediately drawn to New York’s counterculture, and he soon met a group of artists, writers, and musicians affiliated with a late stage of the Beat Movement. This group of what Fink calls “delusionary revolutionaries” included the painter and writer Lawrence “Turk” Le Clair and the poets Amiri Baraka (LeRoi Jones) and Robert Cordier. Though he shared the hedonistic propensities of these artists, Fink never felt welcome among them, a distance he attributes, in large part, to his Marxism. He has written, however, that the group “desperately needed a photographer to be with them, to give them gravity, to live within them, record and encode their wary but benighted existence.” Fink readily assumed the role. Not long after he arrived in New York, he travelled with the group on a cross-country trip to Houston and Mexico. “Marxism notwithstanding, I was called to service, to be on the road.”

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[pitchfork]

Watch the first trailer for the upcoming Elliott Smith documentary Heaven Adores You.