Tsubasa Iwahashi - Relation house, Hyogo 2015. Photos © Yoshiro Masuda.
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Tsubasa Iwahashi - Relation house, Hyogo 2015. Photos © Yoshiro Masuda.
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LS 24 | Road Suggestion
William Eggleston -2-1/4
www.landscapestories.net
William Eggleston, Mystagogue by Bruce Wagner Do we care for anything but mystery? And does anything matter more than its apprehension? During our days, we try so hard to find and hold it; at night, we find it then can’t remember. Though our nights and days begin, unfold and end, soaked in it, we want schedules, agendas, and appointments to give mystery dumb order. A birthday does that. A supermarket. A handgun. A phone book. A driver’s permit. These form the diary of our days. Bill Eggleston has spent a lifetime composing a different calendar, and in that sense, each of his photographs is a numbered day–our days are numbered–and together, they make a wall calendar of mystery that might hang in the very garages of Mr. Eggleston, in a natty undertaker’s suit, might stumble upon midst his meanderings. We can speak of the nature and theory of photography, its philosophy, its formality and offhandedness, the random solemnity and theorem of arbitrary borders and cropped fields; we can even speak of the fabled, magical mundaneness of Mr. Eggleston’s cars–some bright, some husks–and merciless, merciless facades, his unapologetic faces and deadpan dogs, his bright-dark trees and monolithic, colored, geomantic vision (colors at once faded and vivid), urban and country. but what do these things tell us, collectively? These sharecropped fields, these flat, sacred landscapes? Are they sorrowful images? Are we already dead, looking at them? Is a radiator of itself a sad thing, sadder still when topped by artificial flowers? No: neither sad nor ironic but rather the thing Mr. Eggleston’s itinerant eye fell upon and snagged–there’s mystery in what is selected but that isn’t our concern–and he feels such tenderness toward those things, those transcendent characters, radiators and false flowers, colloquial signs and ghost cafes, gasoline and soda logos and startled foliage (there’s a tree in this calendar that a saint decamped from moments before it was photographed) beneath blue skies. There is more than mere utilitarian mystery in power lines and obsolescent vats. And there are people, too, neither said nor ironic–like everything captured by Mr. Eggleston’s expeditionary eye, like everything he sees, they are heartbreaking and indifferent then we are heartbreaking and indifferent, watching them. So we are left with a mirror, and a calendar that is a prayerbook, for a religion we will not join: mystery. We like to think ourselves practicing mystagogues, but we will not abide. * * * Not long ago, the photographer was watching the sky at dusk. It was cloudy and there was no moon. A boy beside him asked, ‘Mr. Bill? Are there stars always out?’ How that moved him! The images in this 2 and ¼, then, are those small stars. A calendar of psalms dedicated to mystery. They are sad and joyful and indifferent, and will not go away when daylight comes. - Bruce Wagner
Ugo Rondinone at The Bass Museum.
test_0576
Yunhee Min
Commemorating Sol Lewitt
Elmgreen & Dragset: Van Gogh’s Ear at Rockefeller Center, New York.
Ayacucho School, The Carmelite Vine, 18th century, oil on canvas, Monasterio de Santa Teresa, Ayacucho, Peru.
Florian Maier-Aichen (top), Edward Burtynsky (bottom).
LS 23 | Japan Curated by 3/3
Yosuke Yajima – Ourselves, 1981
www.landscapestories.net
Stephen Shore, U.S. 97, South of Klamath Falls, Oregon, July 21, 1973
LS 23 | Japan Curated by 3/3
Yosuke Yajima – Ourselves, 1981
www.landscapestories.net
Call for submissions: Slideluck Potshow London IV
Above Slideluck Potshow London III. (Courtesy of Slideluck Potshow).
Taking the theme of Gender and Identity, Slideluck Potshow returns to London in April with it’s unique programme of slideshows and a ‘potluck-style’ dinner, which combine to form a unique evening of photography, food and socialising. For it’s fourth UK edition, the slideshows will be curated by Fiona Rogers founder of Firecracker — the online platform dedicated to promoting and supporting European female photographers — and Harry Hardie of HERE.
Contrasting male and female interpretations of Gender and Identity, the curated slideshows will explore the chosen theme from a myriad of perspectives, from historical and cultural, to social and emotional.
Slideluck Potshow London will take place at 81 Leaonard Street on 25 April 2012. Details on how to submit work on the theme of Gender and Identity can be found here. For information on Slideluck Potshow events taking place around the world visit the charities homepage.
Pivot Doors
Every couple of years architects seem to hop on the same bandwagon and follow one trend. Maybe it’s me, but it seems like oversize pivot doors are the latest architectural fetish. Pivot doors are nothing new, one of the doors included in this photo set is in a Corbusier project, but lately improvements in the reliability and functionality of this technology have made these doors the preferred way to add interest to a residential entrance.
Check out these pivot doors:
Town House in Antwerp Sculp[IT]
Heidi Weber Pavilion Le Corbusier
M08 Réhabilitation d’une Chartreuse BAST - Bureau Architectures Sans Titre
D House Marston Architects
The Musicians Mews Andy Martin Architects
Butterfly House Feldman Architecture
Harbor Residence Joeb Moore & Partners
Cumbaya House Diego Guayasamin Arquitectos
Montee Karp Patrick Tighe Architecture
Fink Zone Duplex DesignARC
(via Retro Photoshop Toolbar Pin | Colossal)
My buddy Max made this. It’s pretty cool!
LS 23 | Japan SUBMISSION
Dorothee Nowak - In between
www.landscapestories.net
Christian Dupraz - House in Chalméry, Bex 2016. Photos © Laura Keller Sanna.