yeah, Sonny Boy is beautiful
he wasn't even looking at me and he found me

oozey mess
"I'm Dorothy Gale from Kansas"
Misplaced Lens Cap

roma★
One Nice Bug Per Day
Sade Olutola

shark vs the universe
occasionally subtle
No title available

PR's Tumblrdome
h
Lint Roller? I Barely Know Her
d e v o n

@theartofmadeline

Andulka
No title available
Monterey Bay Aquarium
hello vonnie
Today's Document

seen from Bangladesh
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@gretsgretss
yeah, Sonny Boy is beautiful
天使のたまご // ANGEL'S EGG (1985) dir. MAMORU OSHII
Yoshitaka Amano: Angel’s Egg (1985)
(vía Leon Krier)
Aldo Rossi, Pavilion in the forest of the Villa, Borgo Ticino (Pavia) 1973
Own scans form Aldo Rossi Serie Architectuur #1
passage of time
Summer in Romania
Eastern blocks Berlin, Germany 1991 Bernard Tschumi (1944–)
Several early theoretical texts were illustrated with Advertisements for Architecture, a series of postcard-sized juxtapositions of words and images. Each was a manifesto of sorts, confronting the dissociation between the immediacy of spatial experience and the analytical definition of theoretical concepts. The function of the Advertisements —reproduced again and again, as opposed to the single architectural piece—was to trigger desire for something beyond the page itself. When removed from their customary endorsement of commodity values, advertisements are the ultimate magazine form, even if used ironically. Because there are advertisements for architectural “products,” the logic of the Advertisements for Architecture asks, Why not advertisements for the production (and reproduction) of architecture?
Parc de la Vilette, 1st phase, in Paris, 1988. Designed by Bernard Tschumi.
Scan
Art by Ryan Thompson
Sergio Sarri — Situation and Machine (acrylic on canvas, 1972)
Art by 小小鹿 喝多了
the birdkeepers daughter
prints available here