By Joao Canziani
almost home
Cosmic Funnies

blake kathryn
Lint Roller? I Barely Know Her
todays bird

oozey mess
YOU ARE THE REASON

roma★
occasionally subtle
No title available

Jimmy Eat World
No title available
"I'm Dorothy Gale from Kansas"

if i look back, i am lost
Game of Thrones Daily
noise dept.
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Today's Document

❣ Chile in a Photography ❣
Noah Kahan
seen from Serbia
seen from Brazil
seen from United States

seen from Malaysia
seen from United States
seen from Venezuela

seen from France
seen from United States

seen from United States

seen from Philippines

seen from Nigeria
seen from India
seen from Philippines
seen from Colombia
seen from United States
seen from T1
seen from Bolivia
seen from United States

seen from United Kingdom
seen from United States
@grxve
By Joao Canziani
read a girl who dates books
(18+)
Me: *sees my stuffed animal on the floor next to my bed*
Me: Why wasn't I a better parent
me: *lowkey wishes people take more photos of me in a poetic way*
also me: *smacks anyone pointing a camera in my direction*
My grandma sent me this video on the trans bathroom controversy. His name is the Liberal Redneck and he is now my best friend.
Oh. My. God. 🙏🙏🙏🙏🙏
No. 8, Feb. 16
Maus II: And Here My Troubles Began by Art Spiegelman
Throughout the two Maus books, there have been moments where Spiegelman chooses to represent a photographic image that actually exists. Spiegelman incorporates them fully into the text, choosing to render them in the aesthetic he has chosen for Maus. Visually, he continues the metaphor he has crafted throughout the text: rendering the subjects of these photographs as mice. In comparison, in McCarthy’s memoir, we are given the photographs that she references in a supplemental section of the text. The renderings of the photographs bleed off the page, unfettered by the gutters of the panel Photographs, as McCarthy explores in her memoir, are an important access point for the readers, an assertion of a kind of undeniable truth. The piling of the photographs of various family members taken before the Holocaust asserts a presence—a tangible part of history. Spiegelman, through the publication of Maus, makes a personal history tangible and accessible to the public. As Vladek laments, “All what is left…it’s in the photos” (115). Perhaps this is why graphic narrative is the way chosen to represent Vladek’s stories as a method of perserving his story in a familiar format.
I'd like to discuss a topic that came up in my Media Literacy class.
I read a series of books called Maus (I & II). They are labelled 'graphic novels' and are called such because they disclose a more heavy historical background (the holocaust) as opposed to a 'comic'. Regardless, they both tell stories using pictures and illustrations to portray the story. While this is a true work of nonfiction, it is an interview between a man named Art Spiegelman and his father Vladek Spiegelman, it fades in and out of his fathers story about being a well off Jew; hiding; being caught; slowly losing his wealth, family, and possesions; and his love for his wife Anja. One thing that makes this books so strangely alluring to me is the fact they portrayed different types (ethnicites, races) with different animals: Jews being mice, Poles being pigs, Germans being cats, and so on and so forth. Along with that, they have little to no expression, yet you can feel every part of their emotion. While having a conversation with my teacher, she brought up the question, "Why did they simplify these humans into animals instead of just using actual people?" Some guessed lack of talent on the artists end, and some guessed things more on the more thought provoking side like the mice live in fear of the cats, but then you ask what about the other animals. One thing that is for certain is that once you simplify a character from a real-life looking portrait to a simple quick sketch of a mouse it becomes easier to relate to because it essentially has no face. A few students argued that they really still couldnt connect with the character because he was already given a name, Vladek. This is indeed true but so is the fact that a real living man's story of surviving such a brutal thing such as the holocaust can easily be simplified to a mouse metaphor baffles me. Going back to my teacher's question about why he chose mice and cats and pigs, I bought his third book that explains everything (MetaMaus) and has the actual tape recordings of the interview and he said it basically derived from him trying to draw people with darker skin color and one of the comics had a "cat and mouse" metaphor & it made him realize his ancestors had their own "cat and mouse" metaphor on a bigger scale. You probably didnt read all this, especially because it was just jabber that interests me.
So as some of you may know, I have taken a brief break from tumblr as my stress levels have been climbing. I decided to pick up filming again & it has helped me calm down quite a bit. sO IN OTHER woRDS IM BACK BETCHES!!!!!!!1!1!1!1!1 subscribe to me on youtube bye
I’m the one in the group chat who reads everything but never replies
I’m the one in the group chat that messages all the time and never gets replies
Handsome princes indeed.
SOMEONE PLEASE ADD HANS AND KRISTOFF
Prince CHarming’s face is the only one that looks normal.
TARZAN’S HEAD IS ALMOST COMPLETELY DETACHED FROM HIS BODY
DIDNEY WORL
Didn’t you forget someone~?
OH MY GOD STOP
I physically injure myself laughing every damn time this comes around
I JUST PISSED MYSELF
oH MY fuCKIgN GOd