Why bother arguing in support of trans people if youāre not trans?
very simple concept called believing in human rights
Misplaced Lens Cap

pixel skylines
dirt enthusiast
Not today Justin
Game of Thrones Daily
hello vonnie
d e v o n
he wasn't even looking at me and he found me
I'd rather be in outer space šø
styofa doing anything
TVSTRANGERTHINGS
occasionally subtle

shark vs the universe
Peter Solarz

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Discoholic šŖ©

romaā
šŖ¼
KIROKAZE
trying on a metaphor
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@guiammaga
Why bother arguing in support of trans people if youāre not trans?
very simple concept called believing in human rights
Humans are adorable.
Supporting evidence:
1. Humans say āowā, even if they havenāt actually been hurt. Itās just a thing they say when they think they might have been hurt, but arenāt sure yet.
2. Humans collect shiny things and decorate their bodies and nests with them. The shinier the better, although each individual has a unique taste for style and colouring
3. Humans are not an aquatic or even amphibious species, but they flock to bodies of water simply to play in it. They canāt even hold their breath all that long; they just love to splash!
4. When night falls and the sky goes dark, humans become drowsy and begin to cocoon themselves in soft, fluffy bedding.
5. Some humans spend time in each otherās nests! Just for fun! Itās not their nest; theyāre just visiting each other.
6. Some humans use pigments and dyes to make their bodies flashy and colourful! They even attach shiny dangly bits to their cartalidgous membranes!
7. Humans are very clever, and sometimes adopt creatures from other species into their family units. They donāt seem to notice the obvious differences, and often raise them alongside their own young!
8. If a human sees another creature in distress, they can commonly be observed trying to help! Even at their own risk, most humans are deeply compassionate creatures!
9. If a human hears a particularity catchy sound or tune, it will often mimic it, even to the point of annoying themselves!
10. Sneezes are entirely involuntary, and completely adorable. Especially when the human in question becomes frustrated
11. Humans love treats!!! Some more than others. Many humans will save these treats specifically for a later date when they are in need of comfort or reassurance. IE, pickles, pop tarts, Popsicles, etc
12. Theyāre learning to travel in space!!! They canāt get very far, but theyāre trying!!! So far, theyāve made it to the end of their yard, and have found rocks
this sounds like it was written by a really enthusiastic alien humanologist
Writers?
This is an excellent example of a very specific point-of-view coloring and shaping the narrative, and how effectively it is being used to do so.
I would definitely say itās an enthusiastic alien who is a humanologistā¦who is trying to explain why humans are fascinating and fun to study, giving these talking points to a class full of younglings.
girls donāt like boys, girls like the pastoral escapist fantasy of living in a large house with many friends and several pets on a beautiful chunk of land with no financial, political, or medical anxieties. also, bread.Ā
#this is 90% of the women I know Proven by the viral string of reblogs linking us to one another.
We have more Gods and Goddesses than you can shake a stick at. Our Mythology Encyclopedia features over 3,700 weird and wonderful Supreme Beings, Demons, Spirits and Fabulous Beasts from all over the world. Explore ancient legends and folklore, and discover Gods of everything from Fertility to Fluff with Godcheckerā¦
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ā¦I love lists like this!!
We should have universal healthcare and universal basic income. We can fund it by taxing rich people.
But taxation is theft, you say? Fine. Make it voluntary. Businesses can opt out of paying taxes. If they donāt want government involved in their business, then government wonāt be involved.
But that means no government involvement at all, even when it benefits them. That means no patents, trademarks, or copyrights, since those wouldnāt exist without government. They want a free market? Then they can compete with someone else stealing their customers by selling their products at a lower price.
If a company loses money, theyāll foot the bill for once and not us. No government bailouts when they intentionally make dumbass business decisions.
They want government subsidies for not paying their workers enough? Too fucking bad, Wal-Mart, youāre not getting special treatment for being shitty employers anymore.
Oil/gas/coal companies want to keep people from using their own solar panels and wind generators? Go to hell, you donāt get to write the laws anymore.
Also no taxes, no special labels. So if you want to label your product āmade in Americaā, but donāt pay your taxes, too bad. Want to use government certifications? You better pay those taxes. FDA approval? Better be paying those taxes. Run out of money? Too bad you didnāt pay your taxes, cause you canāt file for bankruptcy.
No no no, itās not just that
You wanna deliver your goods? Tax money paved those roads. You want electricity? Too bad, govt-run power grid.
Holy shit, this is getting better each time.
*ā¦hums to self, writing & rewritingā¦*
if youāre reading this
a lump sum of money is on the way to you
it happened today, damn that was like 3 days maybe?
It Works the money is on its way!
Need this.
Of course
It worked tho
Hit me, universe
How to Create a Plot Outline in Eight Easy Steps
by Glen Strathy
Hereās an easy way to come up with a brief plot outline for your novel.
One of the most powerful secrets to creating plots that are emotionally compelling is to incorporate the 8 Basic Plot Elements. Starting with your story idea, you only need to make eight choices to ensure the plot of your future novel hangs together in a meaningful way.
The best part is that you can make these choices and construct a brief plot outline in less than an hour.
Sound intriguing? Then letās get started.
Continuar lendo
Helpful things for action writers to remember
Sticking a landing will royally fuck up your joints and possibly shatter your ankles, depending on how high youāre jumping/falling from. Thereās a very good reason free-runners dive and roll.Ā
Hand-to-hand fights usually only last a matter of seconds, sometimes a few minutes. Itās exhausting work and unless you have a lot of training and history with hand-to-hand combat, youāre going to tire out really fast.Ā
Arrows are very effective and you canāt just yank them out without doing a lot of damage. Most of the time the head of the arrow will break off inside the body if you try pulling it out, and arrows are built to pierce deep. An arrow wound demands medical attention.Ā
Throwing your opponent across the room is really not all that smart. Youāre giving them the chance to get up and run away. Unless youāre trying to put distance between you so you can shoot them or something, donāt throw them.Ā
Everyone has something called aĀ āflinch responseā when they fight. This is pretty much the brainās way of telling you āget the fuck out of here or weāre gonna die.ā Experienced fighters have trained to suppress this. Think about how long your character has been fighting. A character in a fist fight for the first time is going to take a few hits before their survival instinct kicks in and they start hitting back. A character in a fist fight for the eighth time that week is going to respond a little differently.Ā
ADRENALINE WORKS AGAINSTĀ YOU WHEN YOU FIGHT. THIS IS IMPORTANT. A lot of times people think that adrenaline will kick in and give you some badass fighting skills, but itās actually the opposite. Adrenaline is what tires you out in a battle and it also affects the fighterās efficacy - meaning it makes them shaky and inaccurate, and overall they lose about 60% of their fighting skill because their brain is focusing on not dying. Adrenaline keeps you alive,Ā it doesnāt give you the skill to pull off a perfect roundhouse kick to the opponentās face.Ā
Swords WILL bend or break if you hit something hard enough. They also dull easily and take a lot of maintenance. In reality, someone who fights with a sword would have to have to repair or replace it constantly.
Fights get messy. Thereās blood and sweat everywhere, and that will make it hard to hold your weapon or get a good grip on someone.Ā
A serious battle also smells horrible. Thereās lots of sweat, but also the smell of urine and feces. After someone dies, their bowels and bladder empty. There might also be some questionable things on the ground which can be very psychologically traumatizing. Remember to think about all of the characterās senses when theyāre in a fight. Everything WILL affect them in some way.Ā
If your sword is sharpened down to a fine edge, the rest of the blade canāt go through the cut you make. Youāll just end up putting a tiny, shallow scratch in the surface of whatever you strike, and you could probably break your sword.Ā
ARCHERS ARE STRONG TOO. Have you ever drawn a bow? It takes a lot of strength, especially when youāre shooting a bow with a higher draw weight. Draw weight basically meansĀ āthe amount of force you have to use to pull this sucker back enough to fire it.ā To give you an idea of how that works, hereās a helpful link to tell you about finding bow sizes and draw weights for your characters. Ā (CLICK ME)
If an archer has to use a bow theyāre not used to, it will probably throw them off a little until theyāve done a few practice shots with it and figured out its draw weight and stability.Ā
People bleed. If they get punched in the face, theyāll probably get a bloody nose. If they get stabbed or cut somehow, theyāll bleed accordingly. And if theyāve been fighting for a while, theyāve got a LOT of blood rushing around to provide them with oxygen. Theyāre going to bleed a lot.Ā
Hereās a link to a chart to show you how much blood a person can lose without dying. (CLICK ME)Ā
If you want a more in-depth medical chart, try this one. (CLICK ME)
Hopefully this helps someone out there. If you reblog, feel free to add more tips for writers or correct anything Iāve gotten wrong here.Ā
How to apply Writing techniques for action scenes:
- Short sentences. Choppy. One action, then another. When thereās a lull in the fight, take a moment, using longer phrases to analyze the situationāthen dive back in. Snap, snap, snap. - Same thing with words - short, simple, and strong in the thick of battle. Save the longer syllables for elsewhere. - Characters do not dwell on things when they are in the heat of the moment. They will get punched in the face. Focus on actions, not thoughts. - Go back and cut out as many adverbs as possible. - No seriously, if thereās ever a time to use the strongest verbs in your vocabulary - Bellow, thrash, heave, shriek, snarl, splinter, bolt, hurtle, crumble, shatter, charge, raze - itās now. - Donāt forget your other senses. People might not even be sure what they saw during a fight, but they always know how they felt. - Taste: Dry mouth, salt from sweat, copper tang from blood, etc - Smell: OP nailed it - Touch: Headache, sore muscles, tense muscles, exhaustion, blood pounding. Bruised knuckles/bowstring fingers. Injuries that ache and pulse, sting and flare white hot with pain. - Pain will stay with a character. Even if itās minor. - Sound and sight might blur or sharpen depending on the character and their experience/exhaustion. Colors and quick movements will catch the eye. Loud sounds or noises from behind may serve as a fighterās only alert before an attack. - If something unexpected happens, shifting the characterās whole attention to that thing will shift the Audienceās attention, too. - Aftermath. This is where the details resurface, the characters pick up things they cast aside during the fight, both literally and metaphorically. Fights are chaotic, fast paced, and self-centered. Characters know only their self, their goals, whatās in their way, and the quickest way around those threats. The aftermath is when people can regain their emotions, their relationships, their rationality/introspection, and anything else they couldnāt afford to think or feel while their lives were on the line.
Do everything you can to keep the fight here and now. Maximize the physical, minimize the theoretical. Keep things immediate - no theories or what ifs.
If writing a strategist, who needs to think ahead, try this: keep strategy to before-and-after fights. Lay out plans in calm periods, try to guess what enemies are thinking or what they will do. During combat, however, the character should think about his options, enemies, and terrain in immediate terms; that is, in shapes and direction. (Large enemy rushing me; dive left, circle around / Scaffolding on fire, pool below me / two foes helping each other, separate them.)
Lastly, after writing, read it aloud. Anyplace your tongue catches up on a fast moving scene, edit. Smooth action scenes rarely come on the first try.
More for martial arts or hand-to-hand in general
What a characterās wearing will affect how they fight.Ā The more restricting the clothes, the harder it will be.Ā If theyāre wearing a skirt that is loose enough to fight in, modesty will be lost in a life or death situation.
Jewelry can also be very bad.Ā Necklaces can be grabbed onto.Ā Bracelets also can be grabbed onto or inhibit movement.Ā Rings it can depend on the person.
Shoes also matter.Ā Tennis shoes are good and solid, but if youāre unused to them thereās a chance of accidentally hurting your ankle.Ā High heels can definitely be a problem.Ā However, they can also make very good weapons, especially for someone used to balancing on the balls of their feet.Ā Side kicks and thrusting kicks in soft areas (like the solar plexus) or the feet are good ideas.Ā They can also (hopefully) be taken off quickly and used as a hand weapon.Ā Combat boots are great but if someone relies more on speed or arenāt used to them, they can weigh a person down.Ā Cowboy boots can be surprisingly good.Ā Spin kicks (if a character is quick enough to use them) are especially nasty in these shoes.
If a character is going to fight barefoot, please keep location in mind.Ā Concrete can mess up your feet quick.Ā Lawns, yards, etc often have hidden holes and other obstacles that can mess up a fighter.Ā Tile floors or waxed wood can be very slippery if youāre not careful or used to them.
Likewise, if itās outside be aware of how weather will affect the fight.Ā The sunās glare can really impede a fighterās sight.Ā A wet location, inside or outside, can cause a fighter to slip and fall.Ā Sweat on the body can cause a fighter to lose a grip on an opponent too.
Pressure points for a trained fighter are great places to aim for in a fight.Ā The solar plexus is another great place to aim for.Ā It will knock the wind out of anyone and immediately weaken your opponent.Ā
It your character is hit in the solar plexus and isnāt trained, theyāre going down.Ā The first time you get hit there you are out of breath and most people double over in confusion and pain.Ā If a fighter is more used to it, they will stand tall and expand themselves in order to get some breath.Ā They will likely keep fighting, but until their breath returns to normal, they will be considerably weaker.
Do not be afraid to have your character use obstacles in their environment.Ā Pillars, boxes, bookshelves, doors, etc.Ā They put distance between you and an opponent which can allow you to catch your breath.Ā
Do not be afraid to have your character use objects in their environment.Ā Someoneās coming at you with a spear, trident, etc, then pick up a chair and get it caught in the legs or use it as a shield.Ā Bedsheets can make a good distraction and tangle someone up.Ā Someoneās invading your home and you need to defend yourself?Ā Throw a lamp.Ā Anything can be turned into a weapon.
Guns often miss their targets at longer distances, even by those who have trained heavily with them.Ā They can also be easier to disarm as they only shoot in one direction.Ā However, depending on the type, grabbing onto the top is a very very bad idea.Ā There is a good likelihood you WILL get hurt.
Knives are nasty weapons by someone who knows what theyāre doing.Ā Good fighters never hold a knife the way you would when cutting food.Ā It is best used when held against the forearm.Ā In defense, this makes a block more effective and in offense, slashing movement from any direction are going to be bad.Ā If a character is in a fight with a knife or trying to disarm one, they will get hurt.Ā
Soft areas hit with hard body parts.Ā Hard areas hit with soft body parts.Ā The neck, stomach, and other soft areas are best hit with punches, side kicks, elbows, and other hard body parts.Ā Head and other hard parts are best hit using a knife hand, palm strike, etc.Ā Spin kicks will be nasty regardless of what youāre aiming for it they land.
Common misconception with round house kicks is that youāre hitting with the top of the foot.Ā Youāre hitting with the ball.Ā Youāre likely to break your foot when hitting with the top.
When punching, the thumb is outside of the fist.Ā Youāll break something if youāre hitting with the thumb inside, which a lot of inexperienced fighters do.Ā
Also, punching the face or jaw can hurt.Ā
It can be hard to grab a punch if youāre not experienced with it despite how easy movies make it seem.Ā Itās best to dodge or redirect it.
Hitting to the head is not always the best idea.Ā It can take a bit of training to be able to reach for the head with a kick because of the height.Ā Flexibility is very much needed.Ā If there are problems with their hips or they just arenāt very flexible, kicks to the head arenāt happening.
Jump kicks are a good way to hit the head, but an opponent will see it coming if itās too slow or they are fast/experienced.
A good kick can throw an opponent back or knock them to the ground.Ā If the person youāve hit has experience though, theyāll immediately be getting up again.
Even if theyāve trained for years in a martial art, if they havenāt actually hit anything before or gotten hit, it will be slightly stunning for the person.Ā It does not feel the way you expect it too.
Those yells in martial arts are not just for show.Ā If done right, they tighten your core making it easier to take a hit in that area.Ā Also, they can be used to intimidate an opponent.Ā Yelling or screaming right by their ear can startle someone.Ā (Generally, KHR fans look at Squalo for yelling)
Biting can also be used if someoneās grabbing you.Ā Spitting in someoneās eyes canāt hurt.Ā Also, in a chokehold or if someone is trying to grab your neck in general, PUT YOU CHIN DOWN.Ā This cuts off access and if theyāre grabbing in the front can dig into their hand and hurt.
Wrist grabs and other grabs can be good.Ā Especially if itās the first move an opponent makes and the character is trained, there are simple ways to counter that will have a person on their knees in seconds..
Use what your character has to their advantage.Ā If theyāre smaller or have less mass, then theyāll be relying on speed, intelligence, evasion, and other similar tactics.Ā Larger opponents will be able to take hits better, theyāre hits may be slower depending on who it is but will hurt like hell if they land, and size can be intimidating.Ā Ā Taller people with longer legs will want to rely on kicking and keeping their distance since they have the advantage there.Ā Shorter people will want to keep the distance closer where itās easier for them but harder for a taller opponent.Ā Punching is a good idea.
Using a personās momentum against them is great.Ā Thereās martial arts that revolve around this whole concept.Ā They throw a punch?Ā Grab it and pull them forward and around.Ā Their momentum will keep them going and knock them off balance.Ā
Leverage can used in the same way.Ā If used right, you can flip a person, dislocate a shoulder, throw out a knee, etc.
One note on adrenaline:Ā All that was said above is true about it.Ā But, in a fight, it can also make you more aware of whatās going on.Ā A fight that lasts twenty seconds can feel like a minute because time seems to almost slow down while moving extremely rapidly.Ā You only have so much time to think about what youāre doing.Ā Youāre taking in information constantly and trying to adjust.Ā Even in the slow down adrenaline gives you, everything is moving very rapidly.Ā
Feelings will be your downfall even more so than adrenaline.Ā Adrenaline can make those feelings more intense, but a good fighter has learned not to listen to those feelings.Ā A good fighter may feel anger at being knocked down or in some way humiliated - their pride taken down.Ā Yet they will not act on the anger.Ā Acting on it makes a fighter more instinctive and many will charge without thinking.Ā Losing control of anything (adrenaline rush, emotions, technique, etc) can be a terrible thing in a fight.
Just thought Iād add in here.
YES. YES.
Such good writing tips! @myebi
@jmlascar youāve probablyĀ seen this already, but in case you havenāt, itās got some good info on fight scenes :)
Pretty important for the scenes Iām focusing on right now. Thanks for the writing tips!!
This has crossed my dash before, but I forgot to reblog it.
Underwriting: ways to boost your word count
I wrote a fic recently and the word count for the first draft came to about 40,000 words ā roughly the length of a novella or ficlet. And thatās fine because I wasnāt striving for a novel or a 100K slow-burn coffee shop AU.
But coming to edit my first draft I realised something about myself. I am an underwriter. My fic could actually be at least 10k (maybe 20k) longer. Of course itās not all about word count, itās about the story, but in this case a smaller word count isnāt because Iām a fantastically efficient storyteller itās because Iāve missed out a lot of stuff. Like, Important Stuff.
So as I set out to add muscle to the skin and bones Iāve already created in draft one I thought Iād share five tips for my fellow underwriters to help you flesh out your writing too.
1)Ā Ā Ā Ā Make sure to describe the place and space in which the action happens.
There are quite a few places in my first draft where thereās no indication as to where things are taking placeā or there is, but itās the bare minimum and not really enough to build up a clear picture. This probably because as the writer I know exactly what the place looks like so I make the assumption that a bare minimum description will mean the reader knows too.
Now Iām not saying go into masses of detail about what your settings look like. In some cases itās not useful to describe setting in a lot of detail (e.g. during really fast paced action sequences) but doing a verbal sketch of the space is essential for putting your characters in context and reader understanding.
I really is a fine balance (which is why beta readers are your friend!) But definitely go back to your setting descriptions if youāre an underwriter, they might need some work.
2)Ā Ā Ā Make sure to describe your characterās appearance.
Similar to the above point ā you know what your characters look like, but unless you describe them, the reader wonāt.
Itās fair to say that descriptions are open to reader interpretations, but that doesnāt mean you shouldnāt describe them in a healthy amount of detail. So you might try to nail down some of the interesting quirks about your characters to help the reader build a picture ā not only will it help the readers understanding, itāll boost your word count too!
Note: This one functions a little differently in a fic because the readers are probably familiar with how the character looks, but there is nothing wrong with adding your interpretation (or even reminding them, especially if the characters are from a book.)
3)Ā Ā Include character reactions outside of what they say out loud.
Real life conversations arenāt just about the stuff that comes out of our mouths. So much of human interaction is about body language ā so include it in your writing! Saying that the character covers their mouth with their hand when they talk suggests shyness. While another character crossing their arms shows theyāre defensive -perhaps because theyāre feeling threatened. In real life we donāt always say what we mean ā but a lot of the time our actions give away what weāre really thinking. By including these actions around dialogue writers can influence how we as readers view characters and how we interpret interactions between characters. And it can boost your word count too.
The big stuff:
4)Ā Ā Ā Ā Check your pacing.
When you write it feels like your scene is taking place over hours, days, weeks because when youāre writing it takes time. Reading, on the other hand, is much quicker. A seasoned reader can fly through a 100 page novel in a few hours ā a seasoned writer can spend hours writing a 100 words.
When you read back your writing, make sure to check your pacing. You might just find that the Impossible Task you set for your characters at the start of the story is suddenly resolved within the next fifty pages. To boost your word count you might want to start by adding more obstacles between the character and their goal.
For example; your character has to find an object such as a precious jewel. Sounds relatively easy, right? But what if the jewel is lost in the mines of an ancient people, amongst thousands of other treasures that look very similar? What if no one has found this jewel because itās guarded by a fire breathing dragon? What if the ancient mines and dragon are located in a mountain which is miles and miles away across dangerous lands? What if your characters need to enlist the help of someone with a very specific skill set?
You take one simple objective (finding the jewel) and you put into play a series of obstacles that must be overcome in order to complete the objective. Your underwriting tendencies, like mine, might just mean that there arenāt enough metaphorical (or real) dragons in your story!
5)Ā Ā Ā Sub-plots.
A sub-plot is a smaller scale plot - often involving the supporting characters - which runs secondary to the main plot. It can be directly linked to the main plot, i.e. the info provided in the subplot directly influences events in the main plot. Or it can simply be linked through place, time or themes of the overall story (e.g. Hermioneās elf rights campaign āS.P.E.Wā in Harry Potter and the OoTP is linked to the overall theme of oppression.)
Sub-plots are great because they can serve as some respite from a traumatic main plot; your character is fighting a war (main plot) but also fighting and failing (in hilarious ways) to win the affection of their love interest (sub-plot).
Plus, sub-plots can also help with characterisation, can cause your main character to have the moment of realisation which allows them to overcome the obstacles they face in the main plot and is generally a better reflection of real life! Sub-plots often centre on side-kicks and other characters ā people who might not be as devoted to the end goal as the protagonist is. In fact, well written side characters seemingly live their own lives with their own goals. You might choose to showcase this in your sub-plot by letting the conflict of interest cause more problems for the protagonist to overcome.
Either way you could find your word count sky rockets as soon as you add in a few clever sub-plots.
I hope this helped!
Got any questions? Send me an ask
This is good advice, and itās nice to see advice for the under-represented underwriters among us
Happy Pride Month Eleanor Roosevelt was queer, the Little Mermaid is a gay love story, James Dean liked men, Emily Dickinson was a lesbian, Nikola Tesla was asexual, Freddie Mercury was bisexual & British Indian, andĀ black trans women pioneered the gay rights movement.
Florence Nightingale was a lesbian, Leonardo da Vinci was gay, Michelangelo too, Jane Austen liked women,Ā Hatshepsut was notĀ cisgender, and Alexander the Great was a power bottom
Honestly just reblogging for that last one
Probably not historically backed but fuck yes
Eleanor Roosevelt wrote love letters to Lorena Hickok
Love letters Hans Christian Anderson wrote to Edvard Collin contain elements that appeared in The Little Mermaid, which he was writing at the same time
Several people who knew James Dean have talked about his relationships with menĀ
Letters and poems allude to a romance between Emily Dickinson and at least two womenĀ
Nikola Tesla was adverse to touch. He said he fell in love with one women but never touched her and didnāt want to get marriedĀ
Freddie Mercury is well known for his attraction to men but was also linked to several women, including Barbara Valentin whom he lived with shortly before he died. Friends have talked about being invited into their bed and walking in on them having sex (documentary Freddie Mercury: The Great Pretender)Ā
Marsha P. Johnson and Sylvia Rivera are two of the best-known activists who fought in the Stonewall riots
Florence Nightingale refused 4 marriage proposals and her letters and memoir suggest a love for womenĀ
Leonardo da Vinci never married or fathered children, was once brought up on sodomy charges, and a sketch in one of his notebooks is 2 penises walking toward a hole labeled with the nickname of his apprenticeĀ
Condivi said that Michelangelo often spoke exclusively of masculine love
Jane Austin never married and wrote about sharing a bed with women (Jane Austen At Home: A Biography by Lucy Worsley)
Hatshepsut took the male title Pharaoh (instead of Queen Regent) and is depicted in art from the time the same way a male Pharaoh would have been
āAlexander was only defeated onceā¦and that was by Hephaestionās thighs.ā is a 2,000 year old quote
I want to hire you to follow me around and defend my honor with meticulous research
site that you can type in the definition of a word and get the word
site for when you can only remember part of a word/its definitionĀ
site that gives you words that rhyme with a word
site that gives you synonyms and antonyms
THAT FIRST SITE IS EVERY WRITERāS DREAM DO YOU KNOW HOW MANY TIMES IāVE TRIED WRITING SOMETHING AND THOUGHT GOD DAMNĀ IS THERE A SPECIFIC WORD FOR WHAT IāM USING TWO SENTENCES TO DESCRIBE AND JUST GETTING A BUNCH OF SHIT GOOGLE RESULTS
the phrase ācuriosity killed the catā is actually not the full phrase it actually is ācuriosity killed the cat but satisfaction brought it backā so donāt let anyone tell you not to be a curious little baby okay go and be interested in the world uwu
See also:
Blood is thicker than waterĀ The blood of the covenant is thicker than the water of the womb.
Meaning that relationships formed by choice are stronger than those formed by birth.
Letās not forget that āJack of all trades, master of noneā ends with āBut better than a master of one.ā
It means that being equally good/average at everything is much better than being perfect at one thing and sucking at everything else. So donāt worry if youāre not perfect at something you do! Being okay is better!
These made me feel better
Also, āgreat minds think alikeā ends with ābut fools rarely differā
It goes to show that conformity isnāt always a good thing. And that just because more than one person has the same idea, doesnāt necessarily mean itās a good idea.
what the fuck why havenāt i heard the full version to any of theseĀ
āBirds of a feather flock togetherā ends withĀ āuntil the cat comes.ā
Itās actually a warning about fair-weather friends, not an assessment of how complementary people are.
Iāve always felt like these were cut down on purpose.
I really like these phrases and plan on spreading this knowledge.
The early bird catches the worm, but the second mouse gets the cheese.
I want to make designs out of these.
Funny how all the half-finished ones encourage uniformity and upholding the status-quo, while the complete proverbs encourage likeā¦living exciting, eclectic lives driven by choice and personal passion.
The legendary thread is back
Bonus: The second mouse tells us itās okay to sleep in and get plenty of rest, which fuck if we donāt all need to follow that advice.
Hi everyone,Ā
Hereās a link to my Patreon. I tweaked the rewards so that patrons will receive above and beyond for their support. Even if you canāt help me out, please share this with anyone you think would be interested! The overview explains who I am and what Iām making.Ā
I am on Patreon because I currently work five jobs to support myself for basic living needs, such as my $400/month health insurance, medicine, physical therapy, food, rent, car payments, etc. I work 7 days a week and feel exhausted, so any helpāeven $1āwill mean so much to me.Ā
Thank you!Ā
Are you already a member of Tarjaās Winter Storm Official Fan Club? www.winterstormofficial.com Enrol to the official mailing list and join your local fan club to receive news and updates and to take part in all initiatives reserved to the members, such as competitions, meet&greets, and pre-listening sessions. A new competition to win the signed #TVOF hoodie in the picture will be organised soon⦠donāt miss it! ;)
Check out the new music video for No Bitter End, the first single from The Brightest Void! The song is also available as iTunes Instant Grat with immediate effect as part of the preorder of the album. Enjoy! ;)
Filming images for a new video clip for The Shadow Self album.
GRAMMY Amplifier is a way for musicians to share their music and get a shot at being heard by some of the biggest artists in the world. Check out this tune. If you like what you hear, Amplify it! #GetAmplified
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