Do you promise to play nice?
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Do you promise to play nice?
Photos from the most recent Yu-Gi-Oh! cafĂŠ, feat. KISARA!
Thank you to @NaGarE_fnrb and @shamy0525 of Twitter for taking these photos. đ
I donât remember where I saw the inspo for this but have some tender Blueshipping đ
not naming names but some of you are so creative and talented it's an honor to have you in my phone
the thing with zutara is people think their dynamic is just pure heated sexy dark Enemies to LoversâŚâŚ..noâŚâŚ..they went from enemies (who STILL showed acts of compassion for one another) to allies with lingering tension of belligerence (which you canât help anyway, considering their history) to FRIENDS (genuine, actual, wholesome friends. a slow, deep friendship) to LOVERS (eventually. inevitably. agonizingly. beautifully)
I am so back to the Star Wars fandom (now this Din-pic is available as printđ )
Oil on canvas study
I've watched the movie a week ago, but I remember Zeb mentioning there possibly a uniform that could fit Rotta. Soooooooo I drew Rotta in a uniform designed purely for him because I don't see enough fanart of this guy.
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Across The Universe
Takes place immediately at the end of The Mandalorian & Grogu. Spoilers ahead. Comfort and fluff and slice of life with Din and Grogu on Nevarro.
I've now watched the movie 3 times and it was exactly what I wanted it to be: a low stakes, standalone, self-contained fun adventure story focused on Din and Grogu. So of course I had to write some Clan of Two comfort fluff. Hope you enjoy, and be warned of spoilers from the film of course!
Read below or on ao3.
************
It was late afternoon by the time they arrived home on Nevarro. One of those grey, dull days that barely got any light. But no rain though, which was a good thing, since the cabin still lacked a big chunk of roof thanks to that surprise visit from the Kyuzo bounty hunter. The teen who came once a day to feed the blurrgs when he was offworld had been kind enough to push some of their furniture to the sides so that it wouldnât get even more damaged if the weather took a bad turn. But it wasnât like they owned anything truly valuable.
Still, that roof would need to be fixed. And soon. But just how soon was a decision he really wanted to postpone for the time being.
âLetâs find something to eat,â Din said instead, and he felt Grogu nod enthusiastically from his spot on his shoulder.
ă°ăźçˇ´
All the Fun of the Faire (The Mandalorian)
Din and Grogu head into town on Nevarro for supplies, but find an unexpected celebration awaiting them. Hijinks ensue. Fluff, father-son shenanigans, and Din & Greef friendship. ~3800 words. Written for @red-velvet-panda, thank you for such a fun prompt with so many hilarious ideas!
bonus: Din and Grogu vs. the hover whirl ride đ
--
The blurrg made quiet little whuffing noises as she trotted along the lava flats. Today was meant to be a brief stop in the market, picking up only a few things, so Din had left the younger blurrg at home as she would not be needed for carrying their supplies back. Grogu laughed at the wind in his ears and the bouncy motion of the blurrg, sitting securely between Dinâs legs.Â
Din knew they could always get a speeder instead, but why waste the credits when they already had blurrgs? Besides, heâd grown fond of their galumphing gait, slower than a speeder but fast enough for their needs. The ride into town always gave him time to remember old friends.
The morning sun spilled over the lava flats, gilding ridges and crevices and creating deep blue shadows. There had been no new lava flows recently, no flickers of molten rock amongst the crags, but the rocky formations held a forbidding kind of beauty that Din had started to associate with home.Â
Grogu burbled a question up at him, a long stream of syllables Din thought he had the idea of. âNo, itâs just a short trip today. We have a lot of chores to take care of back at the house.â
Groguâs ears dipped down in disappointment, but the kid knew better than to argue.Â
Hm. Din reconsidered, noting Groguâs newfound maturity in not whining or fussing. Maybe a few of their maintenance chores could be pushed off until tomorrow⌠Grogu did always love the market, whether it was trying to sneak off with the best fruits, touching every shiny thing he could reach, or babbling at the stall keepers.Â
They crested the hill and looked down into the city.
âWhat the ââ
Even from a distance they could tell things were different. Far more ships and speeders than usual were lined up outside the city gate. Music, faint and piping, carried across the flats. Bright flags festooned the main gate, their colors flashing through the main streets. And the crowds of people â everyone from the city and the homesteads must be here to make such a throng.
Grogu squealed with excitement. Even the blurrg rumbled with curiosity. And they still needed supplies.
âWeâll go check it out,â said Din. âBut we canât stay long.â
--
You know what people like better than a Strong Female Characterâ˘, Filoni?
A strongly written character.
Season 2 finale of The Mandalorian, after a more fractious and character-driven episode of âThe Heiress,â has Mando begrudgingly asking Bo-Katan for help retrieving his kid only because itâs clear sheâs had experience hijacking and navigating around Imperial ships, she has numbers with Koska and Axe behind her, and she is a legitimately good fighter.
Bo-Katan initially scoffs and refuses. To her, he is either intentionally or unintentionally the reason she lost the shipment of Imperial arms and munitions, and their culture clash only drove the divide between them even wider. Now he wants her help? Is he insane?
âItâs Moff Gideonâs lightcruiser,â Mando says.
And that gives her pause. She sneers at him with both derision and suspicion, saying nobody can just track down an Imperial Moff, especially a Moff whoâs former ISB, especially by someone like you, Mando.
Mando grits his teeth and shows her verifiable proof and oh, noooooow sheâs whistling a different tune. She readily agrees, giving him the same warning about leaving Gideon for her to fight. Din doesnât care: his child is his only priority.
So the infiltration goes off and they get inside the ship with their collective crews. Mando beats Moff Gideon and saves his child, and then he shows up on the bridge with the Darksaber in hand, the tip of the blade humming at Gideonâs back.
Now Bo-Katan is even angrier. He, deliberately or not (and at this point sheâs certain itâs deliberate, him continuing to foil her at every turn), did the one thing she told him not to do, and now this- this outsider, this cultist who knows nothing, is standing there with her sword.
And then he has the audacity to offer it up in forfeit, right there in front of everybody. Thereâs no possible way sheâll be able to challenge him for the sword now because people will know that he never wanted it in the first place, so heâd obviously just be throwing the fight and sheâd have no legitimate claim over it.
He doesnât even want it.
âIt has to be won in combat,â she grits out through her teeth. She canât even attack him here, not when heâs already tried to yield it to her and heâs holding the foundling he saved as a result of winning said fight in his other arm. The Mandalorian ideal, wrapped up in this new suit laden with more beskar than sheâs seen in one place for a long time.
She canât even begin to say how much she hates him right now.
But then in her periphery she hears Moff Gideon chuckle, and Bo-Katan bristles, knowing exactly what heâs about to say as soon as she hears him laugh and itâs going to ruin everything, but sheâs too late
âWhy canât he forfeit the sword?â Gideon taunts. âThats how I got it from you.â
The bright flash of a blaster bolt sails through the air and hits Gideon square in the chest, knocking him back with a grunt as Bo-Katan strides forward to kill him with her bare hands. Thereâs an immediate clamoring of voices, the drop soldier hitting her like a brick wall and holding her back while everyone else tries to break up the impending fight, saying heâs a war criminal who needs to answer to the New Republic for his crimes. Gideon groans, falling back against the console as his plastoid chest plate smokes, and Bo-Katan Kryze trembles with rage.
Koska and Axe are behind her. She knows what expression sheâll see on their faces, the immediate disdain and loss of respect. She shouldnât have shot him. She shouldnât have shot him because thatâs more of an admission of guilt than anything, and now all of them know.
Gideon still somehow manages to chuckle weakly and she realizes that he knew exactly what he was doing. Even defeated and without recourse, he excels at psychological warfare and heâs just fractured any and all support she may have ever had at her back. The Nite Owls know. The cultist knows. The droptrooper, the assassin, the cloneâ
Everybody now knows that Bo-Katan Kryze, Mandalorian heiress to the throne of their homeworld, had at one point in time faced down Moff Gideon with the Darksaber in hand and had not fought to the death. They know that she forfeited the sword at the height of the Empireâs war, and they know that Mandalore fell either due to a malicious or cowardly surrender, or because she was foolish enough to believe the Empire would grant them mercy.
To them, sheâs completely inept and an idiot, or sheâs a traitor, or sheâs a coward, if not all of the above. Nothing about her actions was befitting of a Mandalorian and sheâs fought so hard for so long to keep anybody else from finding out. With two sentences Moff Gideon has ripped any support or chance of leadership and restoration away from her entirely. It doesnât matter what her intentions were when she surrendered; no one will ever truly know or believe her because there is no other way for them to see this freshly re-opened wound as anything other than a complete disgrace to her house, her creed, and her armor. Nobody will rally behind her now.
At the end of season 2, Bo-Katan is alone.
Criticism of Ahsoka Tanoâs Character and Role in Season 2 of The Mandalorian with Suggested Changes
Word Count: 2.8k
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Iâm largely indifferent to and more critical of Ahsoka Tanoâs live action appearances in The Mandalorian and The Book of Boba Fett than favorable. The short reason for why is that my introduction to her was the second season of Mando with âThe Jediâ episode, and your audience only cares about Gandalf the White if they already know Gandalf the Grey.
The longer reason is that I donât think sheâs utilized well for Mandoâs story. When I saw her for the first time I only knew through cultural osmosis that she was in TCW and was Anakinâs padawan. Thatâs it. I donât know anything about her character and that episode doesnât give me much to go on. I havenât seen The Clone Wars or Rebels cartoons and I think itâs unrealistic to automatically expect your audience to know who this person is when this show was introduced as a standalone story with brand new characters, simply set in the world of Star Wars. Thereâs no indication that I should have seen two unrelated cartoon shows before going into The Mandalorian, so if youâre going to have this pre-established character from another medium, she should be written as if youâre introducing her for the first time. Donât rely on what part of your audience knows about her, introduce her to this story as a new character because sheâs entirely new to your main character (who in this show is also the audienceâs proxy for new information). You shouldnât be relying on our hypothetical prior knowledge for us to trust her or know where sheâs coming from regarding the Jedi as a whole.
If your intention as the show runner is for your target audience to be people who have consumed select pieces/all of Star Wars media in the past forty years so you donât have to do a lot of (or better) exposition, you have to be okay with automatically limiting your audience and likely having casual viewers (of which Mando had many) drop off when you start writing in characters without having more thorough storytelling establishing their place in this show. From a casual viewerâs standpoint, her character isnât all that interesting, forthcoming, or fleshed out in âThe Jedi,â at least not enough for me to care about the fact sheâs apparently the main character of that episode since the central conflict/physical plot doesnât affect or pertain to Mandoâs overarching plot or character development, and the Thrawn name drop meant nothing to the audience regarding Mandoâs story that far andâ in the rest of two seasons of his own show and his participation in TBoBFâ has yielded nothing as a result.
What the episode did was introduce Ahsoka so she could get her own show and it largely wasted Mandoâs episode and his involvement with Ahsoka for that entire season. Weâre not given any indication that the information he gets could only come from her and not another Force user, and at that point the show would have been better served with an original character not constrained by or beholden to an established (apparently canon?) history or the episodeâs focus on her.