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How to Use Symbolism in Writing
Symbolism - a literary device wherein words, people, markings, locations, or abstract ideas represent something beyond their literal meaning.
The use of symbolism is not confined to works of literature; examples of symbolism appear in every corner of our everyday life. Road signs, logos, and emojis all employ symbolism, evoking ideas or moods.
Tips for Using Symbolism in Your Writing
While the subject matter of literature has varied with the ages, the definition of symbolism has remained relatively constant: a word or object representing something beyond its literal meaning.
Begin with story and characters. In your first draft of a novel, short story, play, or other creative writing endeavor, focus primarily on creating a compelling main character and placing them in an engaging story. Don’t preoccupy yourself with different symbols at this stage, lest they become the central focus of your writing. Once you’ve drafted (or at least outlined) your entire story, look for ways to insert symbols to represent themes already baked into your narrative. If you intentionally craft your literary symbols to service the themes already in your story, you will make your narrative all the more vivid and meaningful, without overrunning it with cosmetic detail.
Balance small-scale and large-scale symbolism. Fiction writers should try to strike a balance between different types of symbolism. Small-scale symbolism (such as the way a person dresses) can add texture to a work of literature and help your audience understand the inner life of your characters. Large-scale symbolism (such as weather events or physical descriptions of buildings or cities) can convey an overall mood or can make statements about broad themes like love, death, and power. The best works of literature combine both of these elements to imbue their story with thematic resonance and indelible imagery.
Don’t just use common symbols. There are certain symbolism examples that possess an inherent meaning based on their shared cultural associations. A red rose, for instance, generally represents love or passion. A sunrise represents a new beginning, while a dove may represent peace. Yet some of the best symbols in literature gain meaning through the plot and point of view of the story itself. In Animal Farm, different animals symbolize different political groups in Russian history. Normally, we wouldn’t associate Joseph Stalin with a pig. However, the brilliance of George Orwell’s allegory is its ability to create symbols and associations that are unique to the book.
Use symbolism to add emotional resonance. Symbols add emotional resonance to a story, which can create a lasting impression on a reader. For example, in William Shakespeare’s Macbeth, the guilt-ridden Lady Macbeth is tortured by a spot of blood on her hands that will not wash clean after she kills King Duncan. In Edgar Allen Poe’s The Raven, the bird represents the grief and torment of the memory of deceased loved ones. These works of English literature gain emotional depth and significance due to the symbolic meaning contained therein.
— Nizar Qabbani, ‘What Love Can Do’, from Arabian Love Poems: Full Arabic and English Texts (via lunamonchtuna)
THE PERFUME OF LOVE CANNOT BE CONCEALED THE PERFUME OF LOVE CANNOT BE CONCEALED
The Trans Agenda is to Keep My F*cking Friends Alive — sol rios
published as part of the Citizen Trans* {Project} by New Words Press
12 Red Herrings to Keep Your Readers Distracted
I’ve seen mystery/thriller authors use the same handful of red herrings too many times to count. So here are some (hopefully not as common) red herrings for your writing.
1. The Unreliable Narrator's Bias
Your narrator can play favourites and scheme and twist the way your readers interpret the story. Use this to your advantage! A character portrayed as untrustworthy can really be someone innocent the narrator framed, vice versa.
2. The Loyal Traitor
A character with a history of betrayal or questionable loyalty is an obvious suspect. They did it once, they could do it again, right? Wrong! They’ve actually changed and the real traitor is someone you trusted.
3. The Conflicted Expert
An expert—like a detective, scientist, or historian—analyses a piece of evidence. They’re ultimately wrong, either due to bias, missing data, or pressure to provide quick answers.
4. The Overly Competent Ally
You know that one sidekick or ally who’s somehow always ahead of the curve? They’re just really knowledgeable, your characters know this, but it makes it hard to trust them. Perfection is suspicious! But in this case, they’re actually just perfect.
5. The Misleading Emotional Clue
Maybe one of your characters is seen crying, angry, or suspiciously happy after xyz event. Characters suspect them, but turns out they’re just having a personal issue. (People have lives outside of yours MC smh). Or it could be a cover-up.
6. A Misleading Alibi
At first this character’s alibi seems perfect but once the protag digs into it, it has a major hole/lie. Maybe they were in a different location or the person they claimed to be with was out of town.
7. The Odd Pattern
Have a seemingly significant pattern—symbols left at crime scenes, items stolen in a specific order, crimes on specific dates. Then make it deliberately planted to mislead.
8. The Misinterpreted Relationship
A character was secretly close to a victim/suspect, making them a suspect. Turns out they were hiding a completely unrelated secret; an affair, hidden family connection, etc.
9. A Forgotten Grudge
Create a grudge or past feud and use it to cast suspicion on an innocent character. Introducing an aspect of their past also helps flesh out their character and dynamics as a group + plant distrust.
10. The Faked Death
Luke Castellan, need I say more (I will)? A supposedly innocent character dies, but turns out they faked it and were never a victim in the first place. They just needed to be out of the picture.
11. The Mistaken Eavesdropper
A character overhears a threat, argument, etc. They suspect B based on this convo, but turns out they just came to a false conclusion. (Or did they?)
12. The Forgetful Alibi
Someone confesses to hearing/seeing a clue, but turns out they were mistaken. Maybe they thought they heard a certain ringtone, or saw xyz which C always wears, but their memory was faulty or influenced by stress.
Looking For More Writing Tips And Tricks?
Check out the rest of Quillology with Haya; a blog dedicated to writing and publishing tips for authors!
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"Mission", Leonard Cohen
Writing Angry Scenes: Tips to Avoid Melodrama and Make It Real
Anger can be one of the most intense, relatable emotions to read—and one of the trickiest to write. When handled well, an angry scene can pull readers deep into the emotional world of a character, building tension and driving the story forward. But when handled poorly, anger can easily slip into melodrama, making the character’s feelings seem overblown, forced, or even cringe-worthy.
So how can you avoid these pitfalls and write anger that feels real and compelling? Here are some tips to make angry scenes powerful without overdoing it.
1. Understand What Fuels Your Character’s Anger
To write anger authentically, you need to understand its roots. People get angry for complex reasons—fear, frustration, betrayal, grief, and even love. Ask yourself what’s truly driving your character’s anger. Are they afraid of losing control? Do they feel abandoned or misunderstood? Are they hurt by someone they trusted? Anger rarely exists in isolation, so dig into the deeper emotions fueling it.
When you understand the core reasons behind a character’s anger, you can weave those nuances into the scene, making the anger more relatable and layered. Readers will feel the depth of the character's rage, not just the surface heat of it.
2. Show, Don’t Tell—But Don’t Overdo It
“Show, don’t tell” is classic writing advice, but it’s especially crucial in angry scenes. Don’t rely on generic phrases like “She was furious” or “He clenched his fists in anger.” Instead, look for unique ways to convey how this specific character experiences anger. Maybe their voice drops to a deadly calm, or their eyes narrow in a way that makes everyone around them uncomfortable.
That said, showing too much can backfire, especially with exaggerated descriptions. Over-the-top body language, excessive shouting, or too many “flaring nostrils” can tip the scene into melodrama. Use body language and physical cues sparingly and mix them with subtler reactions for a more realistic portrayal.
3. Use Dialogue to Reveal Hidden Layers
People rarely say exactly what they feel, especially when they’re angry. Angry dialogue isn’t just about yelling or throwing out insults; it’s an opportunity to show the character’s deeper thoughts and vulnerabilities.
Consider using controlled, icy responses or unexpected silences. Maybe your character says something hurtful in a low voice rather than screaming. They might express sarcasm, avoidance, or even laugh at the wrong moment. Anger often carries hidden layers, and using these nuances can help your character’s dialogue feel genuine, even haunting, without falling into dramatic clichés.
4. Control the Pacing of the Scene
The pacing of an angry scene can be the difference between a powerful moment and a melodramatic one. In real life, anger doesn’t always erupt instantly; it can simmer, spike, or deflate depending on the situation and the character’s personality. Experiment with different pacing techniques to create tension.
You might build the anger slowly, with small signs that something’s brewing. Or maybe the character explodes suddenly, only to calm down just as quickly, leaving a chill in the air. Controlling the pace helps you control the reader’s emotional engagement, drawing them in without overwhelming them.
5. Avoid Clichéd Expressions and Overused Reactions
When writing anger, avoid falling back on clichés like “seeing red,” “boiling with rage,” or “blood boiling.” These phrases have been overused to the point that they lose their impact. Instead, get creative and think about how your character’s anger might feel specifically to them.
Maybe their skin feels prickly, or their jaw aches from clenching it. Think about details that are unique to the character and to the moment. By focusing on small, unique sensory details, you’ll help readers feel the anger rather than just reading about it.
6. Let the Setting Reflect the Emotion
The setting can be an effective tool to amplify a character’s anger without overstating it. Small details in the environment—such as the hum of a refrigerator, the slow ticking of a clock, or the distant sounds of laughter—can create a sense of contrast or isolation that heightens the character’s rage.
For example, imagine a character seething in a peaceful park or a quiet library. The calm of the surroundings can make their anger feel more potent. Or maybe they’re in a crowded, noisy room where they feel unseen and unheard, which fuels their frustration further. This use of setting can add depth to the scene without the need for dramatic gestures.
7. Let Consequences Speak for Themselves
An effective way to avoid melodrama is to let the consequences of the anger show its intensity. Characters don’t always have to yell or physically react; sometimes, a single choice can convey more than any outburst.
Perhaps your character cuts off a close friend or says something they can’t take back. Maybe they throw away a meaningful object or walk out in silence. By focusing on the consequences of their anger, you can reveal the impact without over-explaining it.
8. Let the Emotion Simmer After the Scene Ends
Anger is rarely resolved in a single moment, and its effects often linger. When writing an angry scene, think about how it will affect your character moving forward. Are they holding onto grudges? Do they feel guilty or exhausted afterward? Does their anger transform into something else, like sadness or regret?
Allowing the anger to simmer in your character’s mind even after the scene ends creates a more authentic and layered portrayal. It shows that anger is complex and doesn’t just disappear the moment the scene is over, adding emotional weight to both the character and the story.
Show, don’t tell
"Show, don’t tell" means letting readers experience a story through actions, senses, and dialogue instead of outright explaining things. Here are some practical tips to achieve that:
1. Use Sensory Details
Tell: "The room was cold."
Show: "Her breath puffed in faint clouds, and she shivered as frost clung to the edges of the window."
Tell: "He was scared."
Show: "His hands trembled, and his heart thudded so loudly he was sure they could hear it too."
2. Focus on Actions
Tell: "She was angry."
Show: "She slammed the mug onto the counter, coffee sloshing over the rim as her jaw clenched."
Tell: "He was exhausted."
Show: "He stumbled through the door, collapsing onto the couch without even bothering to remove his shoes."
3. Use Dialogue
What characters say and how they say it can reveal their emotions, intentions, or traits.
Tell: "She was worried about the storm."
Show: "Do you think it'll reach us?" she asked, her voice tight, her fingers twisting the hem of her shirt.
4. Show Internal Conflict Through Thoughts or Reactions
Tell: "He was jealous of his friend."
Show: "As his friend held up the trophy, he forced a smile, swallowing the bitter lump rising in his throat."
5. Describe the Environment to Reflect Mood
Use the setting to mirror or hint at emotions or themes.
Tell: "The town was eerie."
Show: "Empty streets stretched into the mist, and the only sound was the faint creak of a weathered sign swinging in the wind."
6. Let Readers Infer Through Context
Give enough clues for the reader to piece things together without spelling it out.
Tell: "The man was a thief."
Show: "He moved through the crowd, fingers brushing pockets, his hand darting away with a glint of gold."
7. Use Subtext in Interactions
What’s left unsaid can reveal as much as what’s spoken.
Tell: "They were uncomfortable around each other."
Show: "He avoided her eyes, pretending to study the painting on the wall. She smoothed her dress for the third time, her fingers fumbling with the hem."
8. Compare to Relatable Experiences
Use metaphors, similes, or comparisons to make an emotion or situation vivid.
Tell: "The mountain was huge."
Show: "The mountain loomed above them, its peak disappearing into the clouds, as if it pierced the heavens."
Practice Example:
Tell: "The village had been destroyed by the fire."
Show: "Charred beams jutted from the rubble like broken ribs, the acrid smell of ash lingering in the air. A child's shoe lay half-buried in the soot, its leather curled from the heat."
my mother’s music by emilie buchwald
A quick way to get to know your characters
Want to get to know your characters? Write a list of what they keep in their pocket or bags!
Everyone treats their personal space differently, so the state and type of things someone keeps in it will tell you a lot about who they are.
Mood
"How do you write such realistic dialogue-" I TALK TO MYSELF. I TALK TO MYSELF AND I PRETEND I AM THE ONE SAYING THE LINE. LIKE SANITY IS SLOWLY SLIPPING FROM BETWEEN MY FINGERS WITH EVERY MEASLY WORD THEY TYPE OUT. THAT IS HOW.
Writing advice from my uni teachers:
If your dialog feels flat, rewrite the scene pretending the characters cannot at any cost say exactly what they mean. No one says “I’m mad” but they can say it in 100 other ways.
Wrote a chapter but you dislike it? Rewrite it again from memory. That way you’re only remembering the main parts and can fill in extra details. My teacher who was a playwright literally writes every single script twice because of this.
Don’t overuse metaphors, or they lose their potency. Limit yourself.
Before you write your novel, write a page of anything from your characters POV so you can get their voice right. Do this for every main character introduced.
This is legit good writing advice, especially the first bullet point! In playwriting class we did a bit where every bit of dialogue had to be an accusatory question and it was glorious.
Honestly? My main piece of advice for writing well-rounded characters is to make them a little bit lame. No real living person is 100% cool and suave 100% of the time. Everyone's a little awkward sometimes, or gets too excited about something goofy, or has a silly fear, or laughs about stupid things. Being a bit of a loser is an incurable part of the human condition. Utilize that in your writing.
That post about 30 year old coming of age stories?
I’ve been thinking about it all morning. What would the plot points be for that? What makes a 30 year old coming of age story?
Old folks sound off in the comments
A few ideas:
Burying a parent that never encouraged independence
Acknowledging a trauma you've spent your life ignoring
Finally opening yourself up to a truly mutual, non-transactional relationship (platonic or romantic)
Leaving a community (religious or otherwise) that has kept you from growing
Obtaining a diagnosis for a health condition (mental or physical) and finally getting treatment and recontextualizing your life.
Student loan forgiveness kicking in, suddenly you can afford to live. That one small change snowballs into something big.
Starting over after the end of The Big Relationship you thought would define your life. Engaging in a new hobby/social group that adds context to how small life felt in that relationship.
You find yourself with a pet you have to care for, which teaches you to care for yourself.
You take a class somewhere that unlocks skills you didn't know you had.
In limbo between leaving the job that used your degree and finding the job you know you actually want—either your "calling" or something that pays well, is low-stress, and you will be treated well.
You've settled the wild and restless needs of your youth, as well as the mistakes you made or opportunities you missed, and you realize the first 30yrs were training wheels. Your real life is just starting.
getting sober and realizing that just because habitual drug use wasn't life-ruining, bankrupt-level addiction, it still controlled your life
realizing when you were the bad person; trying to make amends & dealing with the ramification that people aren't obligated to accept an apology for the way you hurt them
getting a diagnosis for a long-suspected neurodivergent brain & living with the duality that comes with a) recontextualizing each time you got grounded, punished or each failure at school or with social situations, and b) figuring out that even with medication, you aren't "fixed", learning that neurodivergence is something you have to counterbalance & work with. the hard, ugly road to self love vs figuring out that self love is a journey not a destination
yes I am talking about myself what of it
not going to the memorial of the only parent you cared about because you've realized she was right about not worrying so much what people think OF you, so you go for a practice drive instead in the rain like she was always trying to get you to do and give an awkward ride home to a stranger on the road, and a year later you've started to understand how she managed to do so much for the people around her
you are now the proud owner of a single filing cabinet drawer and it is stressing you out but also working
Naomi Shihab Nye, from Fuel: Poems; “Hidden”
[Text ID: "If you tuck the name of a loved one / under your tongue too long / without speaking it / it becomes blood"]