In the club looking for the elusive "club sandwich" to enjoy with my dear compatriots, which are little more than gusts of wind in this terrible and mighty world. Thank you everyone.
KIROKAZE

pixel skylines
Sade Olutola

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shark vs the universe

JVL
occasionally subtle
cherry valley forever

izzy's playlists!

oozey mess
The Bowery Presents
Monterey Bay Aquarium
Sweet Seals For You, Always
$LAYYYTER
trying on a metaphor

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Cosimo Galluzzi

Love Begins
sheepfilms
almost home

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@harperflyyy
In the club looking for the elusive "club sandwich" to enjoy with my dear compatriots, which are little more than gusts of wind in this terrible and mighty world. Thank you everyone.
playstation advertisements in the 2000s
avril lavigne’s outfits in the 2000s
"we are going to adapt carrie but we will be subtracting her fatness, the bullying, her period trauma, her abusive homelife, the religious abuse, the critiques of 1970s evangelicalism, the interesting format, and we're going to just make it into a cozy high school powers au"
The thing you have to remember when you’re arguing with me is that I’m almost always eating delicious meals. So not only are you arguing with a beautiful woman, she’s eating scrumptious food while you aren’t. Bad position.
what running this blog feels like joke creds @stayanotherseason
Mike Flanagan's The Picture of Dorian Gray: Dorian and Sybil get married and Dorian is saved by the redemptive power of family.
Mike Flanagan's Dr. Jekyll and Mr. Hyde: Mr. Hyde is snapped out of it by his daughter (who he has in this version) nobly sacrificing himself so that she and Jekyll can live happily ever after.
Mike Flanagan's The Yellow Wallpaper: the narrator gets to see her baby and is so overcome with love that she recovers and rejoins the family.
Mike Flanagan's The Woman In Black: Arthur manages to reunite Jennet and Nathaniel's ghosts, and they walk off into the sunset together holding hands.
Mike Flanagan's We Have Always Lived In The Castle: Constance and Merricat hug it out.
Mike Flanagan's The Ring: Reiko adopts Sadako's ghost and raises her with Yoichi.
preacher boy
(EDIT: now on inprnt!)
remmick and the vampires present a false dichotomy
Hogwood (the man who sold the twins the mill) and the KKK are very obviously bad, they are outright malicious bigotry, they use the n-word and plan to lynch the moore's and their community, they are so blatantly racist and hateful it's unavoidably obvious
remmick and the vampires however say that they believe in equality, say that they want to create a community, and yet remmick's goal throught the movie is to both metaphorically and literally steal sammie's ability for his own goal of reconnecting with his irish ancestors, a white man wants to harm a young and upcoming black man and use talents for his own goals without giving any regard to said black man's autonomy or agency
when sammie sings 'I lied to you' in the juke joint and calls forth the spirits from the past and future, it's a blend of cultures; west african, east asian, native american, and african american song and dance blend together across time and space to tell the stories of blues; where it takes its inspiration from, the music genres it then inspired, the complex history of black american culture and its intersections with other peoples of colour in the USA
when remmick and the vampires kill and turn the people in the juke joint, and then perform rocky road to dublin, only remmick's irish culture is on display, there is no influence from the black and asian people he has forcibly assimilated into his song, it's juxtaposition with the earlier scene is blatant, remmick is more than happy to assimilate people of colour into his 'community' of 'equals', and yet its only whiteness that is celebrated, that is normative
remmick claims that he's doing people a favour by turning them immortal, conviently ignoring that he literally has to suck the life out of them to do so, trapping their spirits on earth, he claims that he's the good guy, that the KKK were gonna come and lynch everyone at the joint in the morning anyways, conviently ignoring that he's doing the exact same thing; a white man leading a mob to kill a bunch of black people
in the final confrontation with sammie remmick repeatedly dunks him into the river, a forceful baptism. both the celtic irish and enslaved west africans had their religions suppressed and destroyed by colonialsm, had christianity forced upon them by the british empire, and in that scene we see remmick repeating that cycle, using christianity to inflict harm, and sammie reclaiming christianity, despite all the complex emotions he has arround it, as many colonised peoples have and still do, when he recites the lord's prayer
remmick and the vampires are no less racist than hogwood and the KKK, are no less predatory or evil, they're just less blantant about their bigotry, they represent the system, the normalised white supremacy that is seeped into the very foundation of culture in america, the point isnt that remmick would call any of the black characters in the movie the n-word, i dont think he would, the point is that his exploitation and desacration and inserting-himself-into-when-he-wasn't-invited of the juke joint is a microcosm of what white people have done to black american arts and culture since ever since there have been black and white people in america, and even before that
theres a reason vultures are shown early on in this movie
SINNERS (2025) + Trivia
Ahead of the 98th Academy Awards, it has made history as the most nominated film of all time at the Oscars, with 16 nominations.
@creatingblackcharacters !!
nolan’s odyssey is such a textbook study on the idiocy and dangers of presentism. yes of course penelope is a modern day feminist who wants to rule ithaca by herself. they make telemachus say that GREECE IS THE GREATEST CIVILIZATION IN THE WORLD as if the entire point of the massing of achaeans at troy for one unified cause isn’t spectacular precisely because THERE IS NO CONCEPT OF A UNIFIED GREECE NATIONS DO NOT EXISTTTTTT YETTTTT. literally 101 on historical writing is making sure that you’re avoiding strict periodization because the people living in a “period” will not identify themselves that way. ever. five million cheeky nods to “the sea peoples” but we’re being cute and coy and calling them “the people from the sea.” the obsession with xenia but refusal to call it xenia yes let’s say “zeus’s law” a hundred times and reduce it to the literal expectation that any stranger could be a god in disguise. how was penelope just hanging out in the main hall of the palace with her husband’s dinner guests while they were playing with weapons with her HAIR COMPLETELY DOWN no veil no nothing just chilling casually. comical. stoppppp making movies that engage in historical viewpoints if you’re going to slather a modernized coat of paint over the top. “the past is a foreign country, they do things differently there.” or fucking whatever.
happy odyssey weekend
"we cut the nobody scene from the odyssey" "we cut the religious trauma and parental abuse from carrie" i'm starting to think that studios barely funding original films is starting to have an effect where directors make up a story and then slap an IP on it in order to sell. or maybe some bitches just can't read anymore idk it's one or the other
I think the issue is that people are describing this as a bad TV season, but it's really much deeper than that. The final season of Sherlock was a bad season, the final season of Game of Thrones was a bad season. TVL / IWTV 3 is anti-Black. It is misogynistic. It has an open and glaring disdain for its Black and brown characters, and chose to be virulently anti-Black in a time of increased anti-Blackness. You are watching the corpse/ghost of a Black girl hurl racist garbage in a time where Black people are regularly being called slurs for simply existing. You are watching a Black man be branded... BRANDED! You are watching the whitewashing and babying of an unquestionably racist white man who beat his Black partner / helped lynch (yes, lynch, not stone) his Black daughter. You are seeing this done at the expense of a brown man.
Keep in mind, the characters are not making independent choices, you are not watching a documentary —you are watching the deliberate choices of an all white writers' room and a white show runner in a period of time where seventeen Black people have been lynched this year. In a time where countless Black people have been murdered in cold blood in June and July 2026 alone. This shit doesn't exist in a vacuum and pretending it does only adds more insult to injury. There is no turning your brain off in the midst of a slow genocide of Black people in america.
The “nobody” scene in the odyssey is absolutely not just a clever pun—it’s a character defining moment for Odysseus because he refuses to be nobody. He devised an incredible plan that worked and he could have saved his men and returned home much sooner but he just had to yell to the cyclops that he isn’t nobody—he’s Odysseus, king of Ithaca so now Poseidon knows who to curse which severely fucks up the rest of the journey.
The “nobody” scene highlights both Odysseus’s cleverness but also his arrogance and those two traits define Odysseus throughout the entire story. It’s a foundational aspect of Odysseus’s character and cutting the scene displays a shocking level of ignorance and disregard for the themes in the source material.