HA$H T0NGUE

Phoebe. Sagittarius. Edinburgh / Shetland.

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[roserosette]

Rainbow Man, 1949, Kiyohiko Ushihara

[eyesaremosaics]

[contac]

[iconist]

Maurizio Di Lorio

[untrustyou]

[eyesaremosaics]

Anita Louise as Titania in A Midsummer Night’s Dream ,1935

[80s90sthrowback]

[the-rouge-rose2u]

Antique Princess Bed

[genterie]

[eerriinnffrroosstt]

Ruth Thorne-Thomsen, Dot Lady, 1983

[bookoffixedstars]

Mardi Gras - The Bear and the Goat - Poraj, Poland, 1966. Photo: S. Stępniewski. © IEiAK UŁ.

[culturaladoption2world-deactiva]

Furyô banchô: Ikkaku senkin (1970)

[bombshellssonly]

[teddiekane]

From the moment she first met Ronnie Bennett, LaLa Brooks had noted her sexual precocity, her seductive, come-hither manner.

“I can see her now with her minidress, her hair up, and a drink in her hand…woo! She look grown! Ronnie was just down-to-earth, sleazy—but on a nice level. She would say “Girl, how the fuck are you?’ Ha, ha, ha ‘Girl you are so fucking pretty…’ That was how she spoke. She was always open and she was always a good hearted person from the day I met her.

We’d be in the studio, and she’d have these nice, sexy little outfits on— I think all the musicians would be thinking, Voom, Voom Voom! She carried herself sexy with everyone in the studio so you wouldn’t think of her as just Phil’s—even though she was.” - Tearing Down the Wall of Sound: The Rise and Fall of Phil Spector By Mick Brown

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Beatle

[aloneandforsakenbyfateandbyman]

Marisa Mell on the set of Danger: Diabolik (1968)