BUST UP (2026) ― S1E03

Discoholic 🪩
I'd rather be in outer space 🛸

izzy's playlists!

tannertan36

❣ Chile in a Photography ❣
todays bird
No title available

Product Placement

#extradirty
Claire Keane
No title available

ellievsbear
almost home
d e v o n

Love Begins

@theartofmadeline
Xuebing Du
let's talk about Bridgerton tea, my ask is open
occasionally subtle
Not today Justin

seen from Czechia
seen from United States
seen from United States

seen from Malaysia
seen from United States
seen from United States
seen from United States
seen from United Kingdom

seen from United Kingdom
seen from Costa Rica
seen from Germany
seen from United Kingdom

seen from Germany

seen from Malaysia

seen from United States

seen from United States

seen from United States

seen from Australia

seen from Türkiye
seen from Germany
@hatchetation
BUST UP (2026) ― S1E03
If I didn’t know any better I’d say Doctor Isles was trying to seduce Detective Rizzoli
totally worked.
@xxstolenglances 😏😉
This is to me the moment where their entire trajectory changes.
Mihi asks Deb to stop, and Deb does, and from that point onward, Deb tries to move on. Does it go great? No. But she tries. She accepts that whatever is between them, it's not enough to make Mihi want to actually be with her.
But in order to get to this point, in order to get Deb to back down, Mihi has to admit the truth.
It's the first present tense statement she makes about Deb. She's admitted that she fucked up, she's admitted that she loved Deb, she's apologised for hurting her, but she's still claiming it's all in the past.
And then she says "I know that you know me" - and that does sound a lot like "I know that I love you" in this context. She admits that she needs Deb stop, because she can't keep pretending that Deb is wrong.
So Deb does, and grieves.
Meanwhile Mihi can't escape the truth she faced.
Her entire facade, the veneer she's been so carefully maintaining, crumbles.
Suddenly, she's out here asking the difficult questions, "can we still work together?", saying "we should talk tomorrow", and that's before Deb gets attacked in any way.
After that, it's bitching at Sonny, buying cheese toasties and asking Deb to stay the night (apparently forgetting the fact that she has a whole ass husband at home), it's "I still care about you" and cursing in her car because she can't deal with the box of emotions she opened back up.
any deb mihi headcanons you’d like to share?
I don’t really have that many headcanons, I mostly have a lot of questions. I mean it, a lot of them.
Like - how come Deb knows all of Mihi’s extended family, but Mihi has never up until now met “Undiagnosed” and Dad? What's that about? Fear? - no, I doubt that considering the nose boop of "I know what you are" after one look of Deb's towards Mihi. Rita might be a self-medicating with red wine and a thousand wild projects, but she is emotionally bright enough to see right through Deb. So then what? Logistics? In opportunity? Shame...?
On the other hand, in what way does Mihi’s family know Deb? I mean Sonny clearly knew what was up, but somehow I doubt someone who runs away scared “because I didn’t know what you meant for my future” - would be open with her family to an extent they knew what Deb meant to her. Still they know her. How often did she tag along with Mihi when she went home? How often was she bent over a plate of food alongside the rest of them? Who knew why? Who suspected as much?
I want to know how Deb would react if the roles were reversed. I mean we have this woman who straight up steps in between a bank robber and their hostages. Who goes kamikaze cave spelunking because her person is trapped and alone. What would she be like if the woman she loved was put in harms way? A gun to Mihi’s head, a stray punch, a verbalised threat. Would she keep that calm and collected pragmatism or would it break? I don’t really think it’s a veneer with Deb, it’s just who she is. She is the kind of person who steps in between a stranger and danger, and she does it with calm and level-headed motivation. But if you lit a fire beneath her what would happen? If Mihi’s life was put on the line what would Deb do to that line?
And I want to know about Mihi. Why, despite seemingly having a better relationship in many ways than Deb with her family - why is there such a frosty veil between Mihi and her mother? When and how did that relationship slip and side into cordial awkwardness? Was that before or after Deb? Was that part of why she didn’t know what Deb would have meant for her future? Or did Mihi raise that wall herself when she was too scared to be vulnerable and open with who and what she was?
Then according to Mihi they were together for “six months, maybe a bit more-”, but how come they slip so easily back into caring and playing off of each other? Sharing grins, looks, food, ideas. That doesn’t feel like six months. That feels like a relationship that was left brewing for months and months before it turned physical, before it took on a name. It’s a relationship with too much definition, too much character to only have lived for six short months. That ingrained affection and deep caring, even with the “long winter” between them it rises to the top again with an effortless ease. It feels deep, rooted and like it had time to mature before it was cut off at the stem, leaving a dormant core that somehow survives sleeping for a decade and still manages to start growing again. That’s not six months.
I want to know if Mihi ever referred to herself as Deb’s girlfriend. I want to know if that filled her with pride and joy or if it just terrified the shit out of her. Probably a bit of both, if those words ever did actually leave her tongue in a setting with more of an audience then her own reflection in the mirror.
How did they find out that nosebleeds were a thing? One of the reasons it’s so easy to fall in love with Deb even as a viewer is because of her facial expressions. Imagine that, imagine the look on her face as Mihi bleeds all over her. That look of utter befuddlement, dash of fear and then morphing into a sly and rakish grin when it becomes clear Mihi is fine, Mihi is in fact very fine. I would have wanted to see that face.
And did either of them count how many tears were shed? And for how long? Deb had her box of “DON’T!”, but what did Mihi have? An advanced ability to compartmentalise? Impeccable skills of self-denial? Or were there tears? Was there pain? What did it look like? Was it fiery and red? Or was it grey and quiet? How did it feel when everything seeped back in as she put those binoculars to her eyes and spotted Deb in the middle of a bank robbery with a samurai sword in her face? What did that visual stir in her chest as her lips fell apart and a breath was stolen from her lungs?
So no, I don’t really have any headcanons. I just have a shitload of questions. And that's before we even begin with what happens after that finale.
Deb's awesome face tax if you actually read through all of that.
Whoever did the music for this show is a little bit sadistic and I applaud them. There were so many scenes that had the perfect music overlay to amplify the emotions portrayed with an almost alarming accuracy. Like this scene where they straight up tore my heart to shreds on behalf of Deb. The way that the music played into that wistful, dreamlike and sad letting go as the pain begins to drizzle before it eventually takes hold (at the end of the episode when she cries alone in the dark).
It's so well done though, with the way this is the climax of an entire episode of Deb being denied. I mean the scene even starts with a shot of Give Way-sign. One event after the other through the whole episode to drive home the point that Mihi could never be hers again, that whatever they had it is now dead. First, Mihi straight up telling her she loves Milan and treating that as a full stop. Then the Sarge informing her in a very straightforward way that there can be nothing between Mihi and Deb or she will be forced to report them. So even if there wasn’t the wall Mihi had put up, the circumstances are still against them, personally and professionally. Whatever they had in the past, the present does not have room for it: one event linked to the next - all of them forcing Deb to accept that as an undeniable reality. Only for it to peak in this scene. It’s kind of the final rejection and the moment it so clearly sinks in for her. She sees an echo of a future in which she is an outsider looking in. Mihi’s future is with her husband, with a family of her own and behind that white picket fence of which Deb is trapped on the wrong side of. It’s just the final nail in the coffin, extinguishing the tiny little flame of hope “lesbian seagulls” had lit inside of her. Hope slashed, dream dead and the pain on her face as you see her realise it is intense. Makes your own eyes a little watery in sympathy for her.
But what I also love is the other side of that coin. For what Deb sees is one facet, she sees reality through a very specific Gaussian blur. She sees the happy smiling family that could be. What she doesn’t see is that Mihi’s nephew is actually a buffer between Mihi and Milan. In that moment he is what links them together, because the actual bond between them is struggling to hold its strength. Deb sees the picket fence, but what she doesn’t seem to realise is how weather-worn it is, how the paint is chipped and that the murky wood beneath is exposed. Deb doesn’t acknowledge that they step through that gate towards her, or that the kid rides off with her and Mihi, that they leave Milan behind. That part doesn’t click for her.
Or the way that Deb’s socially awkward response to Milan telling her “I hope you feel better soon” and him receiving a “you too, man” becomes it’s own echo of what is to come. An all thumbs comment which accidentally highlights what none of them have yet to acknowledge out loud, that he has already lost his marriage to a relationship that was never properly ended, merely put on hold.
It’s funny how metaphors work like that, the statistics of emotion – they can be used to tell whichever story you want them to, but for the main part your view of them are going to be coloured by your confirmation bias. Deb thinks she’s lost whatever second chance she had with Mihi, so that is what she sees. She doesn’t see the crumbling marriage, the divide or the choices made which further the newly formed abyss.
Also, it’s fun to compare Mihi’s reaction in this to how she reacts when Deb has her house broken into. The whole “It’s cool, Milan - Roger will take care of you, I need to scram” to “You are coming with me – fuck what my superior tells me”. Often the most telling choices are the subconscious ones. But that's in the future, because in this specific moment and in this specific scene, fuck me I felt bad for Deb as you watched her give up her final strands of hope.
So stoked to share the official trailer for the Avatar Aang movie, now releasing JULY 25th on Paramount+!!
I’m so proud of our crew and honored to have been a part of this.. for everyone who has waited to watch the official release in order to support the artists and animators, I just want to say thank you so much, from the bottom of my heart - it truly means so much!!
An Archive of Our Own, a project of the Organization for Transformative Works
Sonny grins. “I’ll soften that up a bit as not to let every criminal element in town know immediately who your soft spot is, yeah?”
five conversations, in the aftermath of the finale.
BUST UP (2026) ― S1E06
BUST UP (2026) ― S1E02
BUST UP (2026) ― S1E06
BUST UP (2026) ― S1E06
RJ DECKER ― S1E04
RJ DECKER ― S1E08
Tracy Chapman 1999
really factual recounting with no embellishments whatsoever
the best fanfiction you've ever read was written by a woman in her 40s before she made dinner for her kids. it was written by a teenager after school when they should've been studying for a history test. and a barista came up with the idea while they cleaned the espresso machine and busser fact-checked it on their break and the post-doc edited between writing grant proposals and the nurse apologized for typos in the notes after a long shift and behind every drabble and one-shot and multi-chapter fic there is a person with a wonderful and interesting and chaotic life and it is such a privilege that we get to be apart of it because they decided to do this thing we all share, for fun.
sdl ep. 562 & 564