Stranger Things
"I'm Dorothy Gale from Kansas"
Claire Keane
TVSTRANGERTHINGS
AnasAbdin
taylor price
trying on a metaphor

Janaina Medeiros

shark vs the universe
hello vonnie
Sade Olutola
Game of Thrones Daily
Peter Solarz
One Nice Bug Per Day
$LAYYYTER

@theartofmadeline
h
let's talk about Bridgerton tea, my ask is open

祝日 / Permanent Vacation
Monterey Bay Aquarium

seen from Italy
seen from Malaysia
seen from Singapore

seen from Malaysia
seen from Australia

seen from Malaysia

seen from United States
seen from United States

seen from India

seen from Germany

seen from United Kingdom
seen from United States
seen from Thailand
seen from Italy

seen from Indonesia

seen from China

seen from United States

seen from T1
seen from India

seen from Malaysia
@hauntedhotline
Dahling you simply must read this book! It’s all about this devious little caterpillar who simply gorges himself on all manner of divine things
I just love it when things are earnest like everyone get more earnest now
me, when literally anything happens: maybe it’s a sign
I figured it out— Hokum has Over The Garden Wall vibes
Someone will make a post like “Why isn’t anyone talking about this incredibly obvious plot point” like it’s not spelled out for the audience and warrants deeper analysis
in a way i am my own dead wife
Michelle Paterok (Canadian, 1994), Transformer, 2025. Oil on linen on board, 14 × 11 in.
I have GOT to stop spending $30
Ummm determined to finish this pioneers chapter
a little reminder! by annalaura_art
"The creator definitely didn't put that much thought into it" well then clearly someone else has to and I think I'm the weirdo for the job
From “𝐼 𝑆𝑝𝑦 𝑀𝑦𝑠𝑡𝑒𝑟𝑦” (1993), photographed by Walter Wick.
So Clark was obviously the real villain of the story— he’s an alcoholic who at the very least verbally abuses his wife and he ropes two of his young staff members into helping him map the backrooms when he knows they’re dangerous. I’d even argue that he has no concrete evidence that the still lives aren’t cognizant or feel pain and yet he hurts them without hesitation, something Mary objects to. Also, if still lives are memories or impressions of living people then symbolically the red haired still life in business attire represents Clark’s law student wife who instinctively runs away in terror from Pirate Clark. They’re mimics of their real world counterparts. In the end he refuses to take accountability for anything he’s done his refusal to change is what kills him— Pirate Clark, the literal amalgamation of the worst parts of him, eats him alive. And you can’t even really be mad at the monster then because it’s just doing what it’s wired to do.
The moral to the story of Backrooms is that nostalgia is the real killer. To live in warped memories, ignorant of the real world and its problems, while initially comforting will consume you entirely in the end if you let it.