Hayalbaz

[tannhausergatorade]

Francois Schuiten’s chapter pages for Les Cités obscures

[thebristolboard]

Published in English as Cities of the Fantastic: The Invisible Frontier vols. 1 and 2 by NBM Publishing, 2002-04.

[weirdlandtv]

ALICE IN WONDERLAND illustrations by Nicole Claveloux. 1974.

[epifizz-deactivated20251103]

My Bed, Tracey Emin (1998)

[yagizout-deactivated20240606]

Johannes Stoetter

[90377]

Foggy memories of January by @90377

Instagram | Etsy shop

[ortut]

Bert Van Santen - From the serie Les Fleurs, 2019

[polkadotmotmot]

Matthew Cheyne - Take What You Need, 2018

[1jps]

[yagizout-deactivated20240606]

JaeHoon Choi

[lonelywoodland]

[akatako]

“Keeping Up the Pureness” by Fuyuko Matsui. Printed in Vol 1 & Becoming Friends.

[katreus]

[theflowerslooklikepeopleatlast]

In a simple experiment, researchers at the University of Chicago sought to find out whether a rat would release a fellow rat from an unpleasantly restrictive cage if it could. The answer was yes.

The free rat, occasionally hearing distress calls from its compatriot, learned to open the cage and did so with greater efficiency over time. It would release the other animal even if there wasn’t the payoff of a reunion with it. Astonishingly, if given access to a small hoard of chocolate chips, the free rat would usually save at least one treat for the captive — which is a lot to expect of a rat.

The researchers came to the unavoidable conclusion that what they were seeing was empathy — and apparently selfless behavior driven by that mental state.

“A New Model of Empathy: The Rat” by David Brown, Washington Post

[stitchy-queerista]

OH MY.

[fuck-benedict-cumberbatch]

this just in: rats are more humane than humans

[wormpearl]

rats r great

[amare-habeo]

Franz Radziwill (German, 1895-1983)

Canal with yellow bridge (Kanal mit gelber Brücke), 1928

Oil on canvas, 80,3×98 cm

Hamburger Kunsthalle

[amare-habeo]

Peter Paul Rubens (Flemish, 1577-1640)

Head of Medusa, 1617/18

Oil on canvas,  68.5 x 118 cm

[s0irenic]

[amare-habeo]

Carel Willink (Dutch, 1900-1983)

City View (Stadsgezicht), 1934 

Oil on canvas

via s0irenic

[amare-habeo]

Casimir Sauve (Italian-French, 20th century)

Box meeting between George Carpentier and Joe Becket, mid 30s

Oil on board, 73 x 100 cm

[stiab93]

Apocalypse environmental concepts.  

DA {here}, Flickr {here}, Instagram {here}