Sun Dominant Themes — 𝐍𝐚𝐤𝐬𝐡𝐚𝐭𝐫𝐚 𝐎𝐛𝐬𝐞𝐫𝐯𝐚𝐭𝐢𝐨𝐧 𝐒𝐞𝐫𝐢𝐞𝐬 𝐩𝐚𝐫𝐭 𝟏𝟑
Understanding why planets exalt in certain nakshatras, and houses, will give you an even better foundation for all nakshatra lords. For example, Venus loves being in Revati because this is where it can be unrestricted and as flourishing in its themes as it desires to be, since Revati is peak freedom and transcendence; Ketu loves being in Jyestha because this Scorpio nakshatra continuously releases so much heat which allows it to function at its highest level; and Sun is its best version when it is in Ashwini, because this Aries nakshatra allows the Sun to be as hyper-independent and selfish as it desires to be, and Ashwini being Ketu helps one attract resources to further advance oneself — a theme I am seeing in all the Sun nakshatras.
The symbol of Krittika nakshatra is a sharp knife, and its deity is the fire god, Agni. This emphasizes the heat in Krittika which is connected to its transformative nature. This is seen in the refinement of blades, where the beginning stages involve forging – the process of heating and shaping of the metal – and then heat treating. Resources are used with precision in Krittika, anything unnecessary being cut away as resources are channelled with focus so that one rises to the top. The ruling deity of Uttara Phalguni nakshatra is Aryaman, the guardian of social contracts and hospitality. Aryaman is a solar deity, giving more emphasis to the life-giving heat and brightness of this Sun nakshatra. With Uttara Phalguni, resources are built and sustained through agreements, partnerships and community. Creating mutual connections and valuing generosity will lead to later pleasures, as this nakshatra is symbolized by the back legs of a cot and the word Uttara in Sanskrit can mean "latter," "subsequent," or "final." Uttara Ashada is ruled by the Vishwadevas, the universal gods, this indicating the superior, hyper-independence and highly resourceful nature of this nakshatra. This enables mastery in resource mobilization and strategic planning.
Uttara Ashada Sun Orlando Bloom portrays the character Will Turner in Pirates of the Carribean, who starts out as an accomplished blacksmith by trade – his fantastic swordsmanship a product of his work with tangible resources like metal and tools, demonstrating his ability to make effective use of his environment.
The agency of the self and one's independence is due to the aftermath of the Ugra nakshatras having burned away previous barriers & roots, killing off enemies in order to pour into the world through love, beauty and creativity (Venus themes). This propels Sun nakshatras to be unbound, having them focus on making anything into a useful resource, so that one's inner solar light aligns with their material plane. This is interestingly explored in films through the so-called "American Dream".
The "American Dream" refers to the belief that anyone, regardless of their socio-economic status and background, can achieve their dreams and make a better life for themselves in a society where upward mobility is accessible to all. The core ideals of this belief are explored in the film The Pursuit of Happyness, starring Uttara Phalguni Sun Will Smith who plays a struggling salesman rising from poverty to attaining professional success as a stockbroker — his character being driven by persistent effort, ambition, and belief in upward mobility.
The theme of the human spirit's resilience in the pursuit of personal dreams is also seen in the film Forrest Gump, starring Uttara Phalguni ASC Tom Hanks who plays a low IQ man who goes through many challenges and still never gave up on his dreams.
Sun nakshatras are more commonly associated with strong themes of ambition, leadership and success.
Aja Naomi King has Uttara Ashada Sun and Uttara Phalguni Moon, making her a dominant fire rashi native. She portrays the character Michaela Pratt in How To Get Away With Murder. She is a young woman who is an ambitious overachiever, possessing an intense fire in her and is relentless in chasing after her goals with focused determination.
The character Paris Geller from Gilmore Girls, portrayed by Uttara Ashada Moon native Liza Weil, is known for her relentless ambition, being an aggressive perfectionist, and possessing a fear of failure which mirrors Michaela Pratt’s personality, often the cause of her clashing with others.
Sun natives are able to sacrifice and delay gratification for their goals. The elephant tusk of Uttara Ashada represents enduring strength, the nakshatra also being in the first section of the Capricorn rashi (Saturn supporting themes of endurance and delays). Uttara Phalguni's symbol is a bed or hammock, which represents the rest after hard work and generosity, completing the journey from Purva Phalguni in this final stage. And Krittika being the blade, or razor, signifies it as a cutting force able to slice through obstacles, fuelled by a desire to execute excellence.
Daniel Plainview in There Will Be Blood exemplifies the darker, more ruthless and capitalistic side of this "American Dream" — operating more Ketuvian as he is portrayed by Ashwini Moon native Daniel Day Lewis, drawing parallels with Ashwini Moon Christian Bale in American Psycho (further emphasizing why the Sun exalts in Ashwini, as Ashwini possesses this pure, ungovernable and all-consuming masculine energy which can become self-building).
The book Oil! follows the son of an independent oilman who initially idolizes his father's rise to power which has a rags-to-riches quality to it. The book highlights the nefarious strategies that oilmen employ through the main character's sympathy towards the underdog people (oilfield workers), a solar theme which will support further points I'll be touching on. But this corruption of the self from accumulating so much intoxicating power is definitely the darker side of Sun nakshatras.
The character Plainview uses oil as a lucrative resource and leverages it to build his empire, also coming from humble beginnings. He embodies this 'self-made', hyper-independent archetype in which hard work highlights one's determination and ability to turn opportunities into wealth. But the writer of the film, and the author of the novel Oil!, shine light on the emptiness and loneliness of this accumulation.
In the story, The Great Gatsby, the character Jay Gatsby initially comes from a poor background, and he meets a high-status woman who he falls in love with. She becomes one of the reasons for his drive, shaping his desire to escape poverty and become successful.
Uttara Phalguni's ability to outwardly evolve to positions of power and have access to things which are symbolic of pleasure and luxury emphasizes the inward radiance and resilience they possess to overcome challenges.
There is a Solar archetype which possesses a type of independence and a resourcefulness that doesn't translate into dominance, but rather into strictly following one's own path of righteousness — remaining strong willed no matter the people one is surrounded by. And there is a level of generosity and duty to this archetype, as Surya, the Hindu Sun god, embodies Dharma (which is related to duty, righteousness and upholding truth).
Will Turner fully embodies this archetype. Even when he's surrounded by pirates, and learns of his familial background of piracy, he stubbornly sticks to what he believes is right. His character has consistently been a strong moral compass in the franchise, upholding righteousness and truth — pointing to the higher leadership and moral integrity important in Uttara Ashada, as this nakshatra is ruled by the Vishwadevas, who are believed to reward those who follow moral principles and righteous paths.
Being burdened with so much duty, Surya (the Sun god) has to endure distant relationships with his close familial bonds. Will Turner mirrors this exactly, his duty as the Captain of the Flying Dutchman (a powerful evolution of his character as he initially started as a humble blacksmith) binds him to a duty higher than his mortal life. Because of this, he could only see his son and wife every once a decade, much like how Surya cannot be close to his sons and spouses.
A lot of sacrifices that they endure include cutting away human attachments, although this archetype is moreso explored from the hyper-independent lens in Claire Nakti's Sun Dominant Men video, as they voluntarily become absent fathers/deadbeats from their inherent selfishness — very much opposing the ideals of many Sun gods, but a correct negative manifestation nonetheless.
All Sun gods support this solar archetype of justice, leadership and source of nourishment. Helio, in Greek mythology, personifies the Sun, bringing light to the world, also regarded as the god of sight. Surya is a source of vitality and justice. Ran, the Egyptian Sun god, serves as a great protector, encompassing intense sun rays which ward off evil.
Characters which embody this protective, superior force are often played by Ketu and Sun nakshatra natives (and as Ketu nakshatras are seen as dominant forces in nature, we see how Sun nakshatras adapt in isolation, and become dominant as well, using tools and resources to remain resilient). Claire Nakti already explored this with Mula's connection to Hercules, while I connect the nakshatra Uttara Ashada to characters such as Robin Hood & Tarzan. Just as the Sun gods symbolize a life-giving energy which keeps stability in the universe, George of the Jungle and Tarzan are characters who both protect the jungle and its inhabitants from poachers and other humans with bad intentions — their presence alone warding off evil. Both characters serve as guardians to ensure harmony in the jungle.
The elephant tusk (of Uttara Ashada) often signifies, in many cultures, the protection of wildlife, especially from those who want to exploit and dominate nature. It also symbolizes a tool for survival, and it is associated with higher stature and power. This theme of one being the source of life and resources is seen in Robin Hood, a character which has Uttara Ashada influence. Robin Hood is known for safeguarding the well-being of his community, ensuring that their nourishment and dignity is preserved as he distributes wealth from the rich to the poor.
The bridge between Purva Ashada and Uttara Ashada could be represented by the purpose of Sagittarius — the archer aiming straight for victory. Uttara Ashada can be the release of the arrow, the culmination of focus to execute the final victory, as its stars lie close and pointing to the Galactic Center (signifying the bullseye). Uttara Ashada carries the final stage of the archer's triumph, embodying this legacy after the swift release of the arrow.
Much like Tarzan and George, Robin Hood lives in nature. Sun makes one completely self-sufficient, free from societal and religious roots which holds one back from finding their true essence. And the forest or woods represent a place one can explore their true selves and burn away what's false. The dominance of the Sun is seen in these characters' ability to comfortably live in such a place full of hidden threats like wild animals, bandits, or poachers. While for Ketu this theme signifies their huntress and taming power over the wild, for Sun it signifies their radical freedom and adaptability. Living in the forest, Robin Hood represents the figure of the outsider.
In the 2011 film Red Riding Hood, the character Peter is a woodcutter who embodies the archetype of the lone wolf. He is portrayed by Krittika Moon & Uttara Ashada ASC native Shiloh Fernandez. He knows the forest very well, and is often associated with the pure, wild aspects of it. He is very much like George of the Jungle, in that his love interest is also played by a Magha native, which I found this Sun-Ketu association very interesting.
His free nature and rough exterior (representative of his authenticity, making him a misfit in society) is what misleads the viewers into thinking that he is the werewolf that's been killing the townsfolk, but the truly animalistic and consuming force of the story is the character played by Ashwini Moon Billy Burke.
This lone wolf archetype supports their ability in being resourceful within their surroundings, often seen in survival stories in which the Solar native is stranded and is literally isolated from civilization.
Blue Lagoon (1980) is a survival film about two children living on an island after a shipwreck. Krittika Moon Christopher Atkins plays Richard, who becomes deeply attuned to the rhythms of the island, learning how to make use of the natural resources for their survival.
In the film Mad Max: Fury Road, Uttara Phalguni Sun Tom Hardy embodies this lone wolf archetype through the character Max. The story has a hyper-patriarchal system which is built around the hoarding of resources and exploitation of others. Max is completely removed from this society, prioritizing his own survival and maintaining his autonomy above all else.
His detachment makes him representative of someone who can solely rely on their resourcefulness and sharp instincts. This film is great as it stars two Phalguni natives; the character Furiosa being portrayed by likely Purva Phalguni ASC native Charlize Theron. Her warriorship is based around seeking a better future for the feminine, which is marked by love and autonomy.
Furiosa, being Venus and an Ugra nakshatra, represents the fight for liberation and happiness, particularly on the freedom of Immortan Joe’s enslaved women, and her own freedom from such a restrictive society unfit for the feminine. The women's rejection of the patriarchy mirrors Max’s independence outside the system. Initially, he aligns with her merely out of necessity as she and the wives possess resources beneficial for his survival. But he treats them as equals, recognizing their autonomy and agency. Max's collaboration with them emphasizes Uttara Phalguni’s purpose of creating alliances and partnerships for higher purposes, supporting the journey that started from Purva Phalguni nakshatra.
After aiding Furiosa, Max returns to his hyper-independent lifestyle; burning the attachments he formed with the women, and returning to his path that is away from the society.
This ability to survive by oneself, to reshape one's environment, mobilizing resources even in barren circumstances, is a theme for Sun nakshatras — further exaggerating this lone wolf, mysterious archetype (as seen with Max in Mad Max: Fury Road and Peter in Red Riding Hood).
The Sun is the natural giver of light and energy, but it does not receive light in return. Solar natives, often being so self-sufficient, give to others but rarely lean on them for much support. The character Elliot Alderson from Mr. Robot is a hacker, his final achievement towards the end of the series making him a modern day Robin Hood. His mission to expose corruption and empower the oppressed is akin to the Sun being a source of illumination, Krittika especially being known to cut away illusion. He is played by Krittika Sun Rami Malek.
Elliot remains emotionally isolated, as he has noticed that anyone who gets too close to him burns in the end — very similar to how the Sun god, Surya, burns and shines too brightly that his wife, Samjna, runs away from him. Elliot's solitary nature makes him feel extreme loneliness, but he maintains a distance from others, his hyper-independence stemming from his traumatic past and his mistrust of others.
There's a genre of film which explores the cause of such imbalanced independence, much like how Max's reason for burning attachments being due to trauma and previous lose. Christmas Carol movies often have Sun natives casted in them, portraying characters that possess a level of misanthropy and selfishness which drive them into further isolation.
The famous character, Ebenezer Scrooge, is a miserly, bitter, and cold-hearted old man who despises Christmas as it is associated with things of generosity and happiness. His name has literally become synonymous with selfishness, cynicism, greed and a lack of compassion. Ebenezer leads a solitary life, being estranged from family and detached from community due to his cold demeanour and focus on material gain. A Christmas Carol is a tale of Scrooge's redemption through three spirits, who highlight moments of lost joy, compassion, and the choices that led to his current misery and his future lonely funeral.
After his epiphanies, thanks to the spirits who took him on a journey of rediscovery, his redemption is seen when he wakes up on Christmas morning being transformed into a generous, joyful person — helping the community and reconnecting with his family. His renewed sense of compassion from being such a mean, wicked old man could be interpreted as the Sun burning away negativity to rekindle the warmth and generosity that the Scrooge has repossessed within himself. This tale is retold in the 2008 Barbie in a Christmas Carol, in which the character Eden Starling is a glamourous singer who is extremely self-centered and arrogant. She does not believe in Christmas and even refuses her employees from celebrating it.
She is voiced by Uttara Phalguni Sun and Uttara Ashada Moon native Morwenna Banks. Much like the timeless festive tale, three ghosts visit her on Christmas Eve, taking her on a journey through her Past, Present and Future. This leading her to have epiphanies regarding how much of her light had been dimmed and how lonely her future will be. These scrooge characters were once so brilliant and bright, but their inner light became eclipsed by bitterness, lose, or regret, leading to a life devoid of merriness — and being cold and frosty towards others.
Life’s challenges, such as betrayal, lose or disillusionment, leads these solar natives to retreat into isolation and despair. In the film Jingle Jangle, the character Jeronicus is a vibrant inventor, radiating so much brilliance and inspiring those around him.
Though not as cruel as Scrooge was, his arc still mirrors the Christmas Carol tale, in that his light becomes renewed. His young and redeemed older self both embody the festive spirit and joy of Christmas, acting as conduits for the magic, wonder, and generosity for the season.
The transformative journeys of these solar characters also extend to the Grinch, from the 2000 film How the Grinch Stole Christmas, the character portrayed by Uttara Ashada Sun native Jim Carrey. The tale was originally created by Uttara Phalguni Moon native Dr Seuss, first published in 1955.
The Grinch absolutely despises Christmas, much like Scrooge, being deeply consumed by resentment and envy while he isolates himself from the joyous Whoville community. His redemption is seen in him integrating himself into the community with newfound warmth, after experiencing an epiphany through a little girl’s unwavering joy and forgiveness. He returns the gifts he has stolen, realizing that Christmas is about love, not material possessions.
There are solar symbolisms in Christmas traditions, besides the gift-giving and festive feasting. These traditions can be traced back to ancient winter solstice celebrations, which made the symbolic rebirth of the sun, as the daylight hours began to increase after the winter solstice.
In 2018's The Nutcracker and the Four Realms, the character Clara, portrayed by Krittika ASC Mackenzie Foy, experiences a journey which can be symbolic of the winter solstice. The story begins with Clara in a dark emotional space following the death of her mother, this darkness being much like the world descending into the longest night at the winter solstice. But Clara seeks the key to her mother’s gift, which signifies as a source of life, fertility, and illumination that unlocks potential — the gift quite literally being a golden egg. Clara and her companion must retrieve the key and restore harmony to the unstable magical land. This theme of restoration, new hope, and redemption in a lot of these scrooge films, is symbolic to the Sun’s rebirth during the solstice — the return of life.
The practice of illuminating the Christmas tree with lights and ornaments mirrors the Sun's return, symbolizing a brighter future with the coming year. The infectious joy and generous acts during this festive season reflect the gratitude for the life-sustaining force that the Sun is, and the light for new hope it represents, as it promises abundance for the year ahead. The twin deities of Ashwini nakshatra are associated with rejuvenation, new beginnings, and vitality; this resonates with solar qualities, further explaining why Sun feels naturally at home in Ashwini. The Ashwini Kumaras are divine healers who bring restoration and renewal, just as the Sun sustains all living beings with its energy.
The character Robin Hood, much like the Sun, is a symbol of hope for the downtrodden, fighting off the darkness of evil and corruption. He sustains the spirit of his people by redistributing wealth and restoring their faith in justice, consistently being a force of resistance. The Sun serves as a profound symbol of redemption, perfectly embodying the cycle of renewal and the promise of transformation on earth. Its daily rise eliminates darkness, rejuvenating life and reinstituting balance in nature after its lengthy absence. Sun illuminates the paths which signify growth, healing, and change. The very pure symbolism of the Sun makes it an enduring metaphor for hope, forgiveness, and the power to provide. Robin Hood's actions literally restore the imbalance, which was created by corruption and darkness, giving the poor a chance to continue building their lives. Robin Hood stands as a symbol of light against injustice, signifying a timeless reminder that even in the face of darkness, renewal and justice are always within reach. The character Elliot Alderson is also the perfect representation of this, for anyone who has watched Mr. Robot (the only series I'd happily recommend to anyone — it's very dark though).
Merry belated Christmas! 🎄
