This platform feels foreign to me now since it’s been a minute since I’ve had regular use.
Familiar but foreign.
I’m thinking I deadass wanna go back to using it for actual blogging and maintaining my tags.

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Misplaced Lens Cap
The Bowery Presents
ojovivo
Lint Roller? I Barely Know Her
Game of Thrones Daily

#extradirty
Cosimo Galluzzi
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Monterey Bay Aquarium
RMH

@theartofmadeline

JVL

❣ Chile in a Photography ❣
Show & Tell
sheepfilms
will byers stan first human second
NASA
Cosmic Funnies
Fai_Ryy
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@hell0howlow
This platform feels foreign to me now since it’s been a minute since I’ve had regular use.
Familiar but foreign.
I’m thinking I deadass wanna go back to using it for actual blogging and maintaining my tags.
We should be able to block certain tags on tumblr by now. It’s 2022 wtf
I think like, the death of Vine and Rabbit, Wikipedia constantly needing to beg for money, Discord depending so heavily on venture capital, Facebook turning towards spying on users to generate a return on all the venture capital that got them started, Adobe creative suite turning into a subscription rather than a single product you buy, the strangulation of streaming entertainment as every company pulls their content and makes it exclusive to their service, are all great examples of how like, it really doesn’t matter if something is legitimately useful, efficient, or beloved, it is next to impossible for a service to exist if it doesn’t make shareholders increasing amounts of money year after year. Which may seem like a “no duh” type of statement, but it’s a very simple window into how the profit motive makes products and services worse, not better. And how that’s not just a matter of certain companies or ceos being bad and greedy on an individual level, but is an inescapable factor of an economy where existence is dependent on generating capital.
MEGAN THEE STALLION Glamour Magazine: Woman of the Year (2021) / photographed by Kennedi Carter
Atlantis: The Lost Empire 2001, dir. Gary Trousdale, Kirk Wise
Tom Holland as Peter Parker
SPIDER-MAN: HOMECOMING, 2017
God, I loved it. “I’ll send you a copy.” Bam! Bitch went down. “I’ll send you a copy.” Bam! Sid, superbitch! You are so cool.
SCREAM (1996) dir. Wes Craven
SPICE WORLD (1997) dir. Bob Spiers
MULAN (1998) dir Tony Bancroft & Barry Cook
“i’m pmsing!”
alotta the reaction to the notion that queer people are promiscuous, sexually deviant, predatory, and so on is to reject that by focusing on romance, on softness, on domesticity in an effort to normalize us in the world’s eyes and while i get it i just cant get behind that method of pushback. the goal is to dismantle the idea that hookups are bad, that sex is bad, that multiple sexual partners is bad, that sex outside the norm is bad. the romance focused approach doesn’t address this and only leaves us with the same problem, but this time brushed under a rug.
The Descent (2005) dir. Neil Marshall
It has nothing to do with Satan, Mama. It’s me. Me. CARRIE (1976), dir. Brian de Palma
The Princess Diaries (2001)
You’re not just Amelia Thermopolis. You are Amelia Mingonette Thermopolis Renaldi, Princess of Genovia.
Me? A p- a princess? Shut. Up!
A Pink Music Room With Juliet Balcony in a London Townhouse - THE NORDROOM