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Misplaced Lens Cap
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Not today Justin
2025 on Tumblr: Trends That Defined the Year
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Doebelly Shines Here — The Last Street Performer of Deep Deuce
Remembering the Last Street Performer of Deep Deuce and the Vanishing Heart of Oklahoma City’s Jazz District. Doebelly Shines Here — Milton R. Trice’s life-sized Stereo-Realist painting honoring Doebelly, one of the final living connections to Oklahoma City’s historic Deep Deuce jazz district. A reflection from Milton R. Trice Part VI Street Presence: Art, Survival, and the Unseen Narratives…
ART and ANCESTRY
From the Personal Reflections and Artistic Memory of Milton R. Trice An intimate story of rediscovery, belonging, ceremony, and the spiritual connection between art and ancestral memory. There are moments in life that arrive quietly, almost accidentally, yet remain spiritually alive within a person forever. For artist Milton R. Trice, one of those moments began during his freshman year of high…
Your Next Art Opportunity Could Change Everything
Global Artist Open Calls & Competitions | Opportunities for Artists Worldwide As artists, we spend countless hours creating, experimenting, and refining our work. Yet one of the greatest challenges many artists face is not making art—it’s finding the right opportunities to share it with the world. Whether you’re a painter, sculptor, photographer, printmaker, mixed-media artist, or digital…
Art is more than creativity—it is culture, memory, and identity. Explore artistic traditions from around the world through the Global Art Tour 22/24 and discover the stories that connect us across continents. #GlobalArtTour #ArtAndCulture #CulturalHeritage #GlobalArtForms #WorldwideArtAdvocacy #TraditionalArt #WorldCultures #CulturalIdentity #ArtHistory #CreativeHeritage
Beads of Belonging
Did You Know?Maasai beadwork is so specific that you can “read” a person’s marital status, age group, and even clan just by looking at what they’re wearing. Beads of Belonging
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Spirits in the Stitches
Did You Know?Ainu embroidery is so spiritually vital that unfinished robes were believed to leave the wearer vulnerable to harm. The act of stitching was a form of prayer. Spirits in the Stitches
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“You’re Better Than You Think—You Just Forgot Your Mirror”
—A Heartfelt Wake-Up Call for the Hopeful and the Tired Ever tried running uphill while carrying an invisible bag full of unpaid bills, unmet expectations, and the weight of “you’re not doing enough”?Yeah, me too. Welcome to the mountain of life. Please watch your step. Some mornings, I wake up and ask the ceiling, “Is […]“You’re Better Than You Think—You Just Forgot Your Mirror”
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Adornment and Identity
Did You Know?The Konyak Nagas were once known as tattooed headhunters. Facial tattoos were not aesthetic—they were marks of battle-earned honor and tribal heroism. Adornment and Identity
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Some artists paint what they see. Others paint what they feel. Indian artist Ruckshana Khan transforms poetry, silence, emotion, forests, birds, moonlight, and memory into vibrant acrylic paintings filled with atmosphere and realism. Working primarily from her home studio in Guwahati, her artistic journey reflects a deeply personal connection between colour and emotional expression — where poetry slowly becomes painting. Explore the feature story of Ruckshana Khan now on Worldwide Art Advocacy. #RuckshanaKhan #WorldwideArtAdvocacy #ContemporaryArt #IndianArtist #AcrylicPainting #WomenArtists #NatureArt #PoetryAndArt #VisualStorytelling #ArtFeature
From Poverty to Paintings
The Story of Satish Kumar Patel’s Journey Through Art and Survival — Published by Worldwide Art Advocacy There are artists who choose art. And there are artists whose lives slowly force them toward it. For Indian painter Satish Kumar Patel, art was never part of an easy or predictable path. It emerged quietly—from hardship, survival, sacrifice, and the need to transform pain into something…
MUNEZERO Benjamin: Painting Rwanda’s Living Memory Through Wildlife, Consciousness, and Human Coexistence
Bowery Boys: Street Presence, Childhood Memory, and the Hidden Narratives of Oklahoma City
A reflection from Milton R. Trice Part V Street Presence: Art, Survival, and the Unseen Narratives of the City A reflection on youth, curiosity, rebellion, and the quiet moments that shape creative memory. By Worldwide Art Advocacy The Bowery Boys Are Still Among Us One day, I drove downtown in Oklahoma City, stopping near the historic Colcord Building. As I stepped out of my car, a couple…
Why Some Artists Stay Stuck — And Others Leave Home to Transform Their Careers
What if the next stage of your artistic growth is waiting somewhere completely unfamiliar? Many artists spend years trying to grow inside the same environment that no longer challenges them creatively, professionally, or emotionally.• The same routines.• The same audience.• The same limitations. And sometimes, without realizing it, artistic growth quietly becomes artistic survival. This is one…
The Theatre, The Fog, and the Message
A reflection from Milton R. Trice Part IV Street Presence: Art, Survival, and the Unseen Narratives of the City By Worldwide Art Advocacy There are moments in a city that seem ordinary at the time—until years later, they reveal themselves as something else entirely. “Side Walk Poet” I went downtown to paint the old Centre theatre one day and I saw this man walking away from the ticket…
What happens when an artist refuses to turn another human being into a symbol? In Steven in the Doorway, contemporary artist Milton R. Trice reflects on a real encounter that became a profound meditation on privacy, perception, homelessness, and the ethical tension between observer and observed. Rather than painting the man he encountered, Milton turned inward—creating a philosophical work exploring fractured perception, social narrative, and the question: “Am I my brother’s keeper?” This powerful text expands the ideas behind Stereo-Realism, where meaning exists not in certainty, but in contradiction, reflection, and the spaces between perspectives. Read the full story on Worldwide Art Advocacy.
Daria Belykh: Constructing Meaning Between Symbol, System, and State
The Grocery Cart: From Invention to Survival
A reflection from Milton R. Trice Part II By Worldwide Art Advocacy Little did I know that the homeless would later become my genre. One of my earliest oil paintings in downtown Oklahoma City captured something I hadn’t planned—a homeless man wandered into the scene at the last moment. I remember pausing at the irony of a sign that read “Coney Island”—a symbol of leisure and escape—set against…