"Itās about how horrible being famous is.ā (taylor before playing "the lucky one" in arlington, texas)
clara bow - the last great american dynasty - nothing new - the profecy - the lucky one
let's talk about Bridgerton tea, my ask is open
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@hiimtheproblemitsme13
"Itās about how horrible being famous is.ā (taylor before playing "the lucky one" in arlington, texas)
clara bow - the last great american dynasty - nothing new - the profecy - the lucky one
what's so clever about Clara Bow is that when she references her own name at the end, she's not talking about the present but the future, quoting the inevitable way people are going to one day talk about her, imagining it will only be in regards to the woma(e)n who surpass her. because there will be someone who surpasses her, eventually. that's the cycle of fame, isn't it? we're simultaneously captivated by the alluring trick of the past while looking for the next big thing. we compare current stars to the lights that shined before them, "you look like taylor swift." but we're also constantly waiting for someone new and greater to take the crown and captivate us anew, "you've got edge she never did." And half the song is about acknowledging that being revered is hell on earth for the people who are in it, because you're always trapped between what came before and what will come after. you're only safe insofar as you remain shiny. But the real beauty of the song is that it never succumbs to this dichotomy, but embraces it. It's Taylor acknowledging she wouldn't be who she is were it not for the women who came before her, who shared the same dreams, and recognizing her place in the chain of the women who will come after. The future's bright, dazzling.
I BROKE MY OWN HEART CAUSE YOU WERE TOO POLITE TO DO IT??????
how dare she put this in a song
The trivialization of my songwriting as if it were a predatory act of a boy crazy psychopath
I had to make it stop because it was starting to really hurt
If I only hung out with my female friends, people couldn't sensationalize or sexualize that, right? I would learn later on that people could and people would.
You, who heard the wink and humor in "blank space" and maybe even empathized with the pain behind the satire.
You, who knew that maybe a girl who surrounds herself with female friends in adulthood is making up for a lack of them in childhood (not starting a tyrannical hot girl cult)
she really hid her heartbreak in the 1989 vault
not even just heartbreak but emotion period. she was trying in life and in her image during 1989 to be cool and level-headed and not even publicly dating (and it may have helped her feel more sane too) but it also didnāt reflect how she was feeling and idk hearing her scream āi love youā or that say sheās gonna hurt herself to get attention (not actually do it) idk i just??? itās so real of her. and i get why she locked it away. itās harder. especially when the world is listening. but iām so happy we get to hear it.
WHY CAN I PICTURE HIM LIKE THIS
Not the official ESPN account posting thisš
FAVORITE TAYLOR MOMENTSĀ /Ā ā
āHey, I found your blog on Tumblr-ā
directed by Taylor Swift
British Vogue interview (2014) // Dancing With Our Hands Tied (2017) // This Is Why We Canāt Have Nice Things (2017) // Lover music video (2019) // folklore long pond studio sessions (2020) // peace (2020) // Lavender Haze (2021) // Lavender Haze music video (2022)
I donāt care about whose DNA has recombined with whose. When everything goes to hell, the people who stand by you without flinching -they are your family.
āJim Butcher, Proven Guilty
the way her fishbowl went from being a confined, claustrophobic space to an infinite universe is so sweet. sheās really found so much peace in her life since the lover era and it makes me so š„¹š„¹š„¹š„¹
honey the koi fish are in our room again
To you, I can admit that Iām just too soft for all of it
the planets and the fates and all the stars aligned
we were cleaning incense off your vinyl shelf
from sprinkler splashes
Okay, @taylorswift! I see what you did there!