「もっと不思議な咄を..」

Hinna-chan here!!! An animation student at RMIT and forever a nerd.

[solkorra]

How to stun a Spriggan in Fate GO

[konojsama]

im losing my mind over these two firefighter gays❄️🔥❄️🔥❄️🔥

[chenalii-deactivated20210920]

promare’s my excuse to draw shiny motorcycles and dynamic poses 😭

[m-dopa]

I’ve been listening to Inferno to the point of losing my own sanity

[helenmask]

I very quick bright Promare fan art

[percimo]

everytime this song plays I can only think of Lio screaming 

[mobpsycho100]

best detail of this episode (which is filled with amazing nuggets) is this part right here where it shows mogami who is colored in black against a stark white background and the image literally shatters (you can see for a split second between both scenes two line running across) to show mob who’s colored white with the endless space behind him signifying how mob’s compassion and growth is as infinite and vast as the universe itself while mogami is set against plain white signifying how empty his world is.

[logan-exe]

Fun Fact:

Do you want to watch your YT video while on being different applications or tab? Try this. This will put a stop to those split window viewing days.

Right click twice on the video and select [Picture in picture]. It should bring a popup page of the video that you can move around and rescale. The video stays up when on another application.

It should look like this:

and also this:

Enjoy.

[logically-asexual]

Omg this is the coolest thing.

[softestvirgil]

It even works on mac what the heck

[alithographica]

uhhhh WHAT

Amazing for art tutorials! So much easier to follow along.

This will really streamline my ability to do 400 things at once and none of them adequately

[sohmariku]

If you have time some day could you translate the timeline song by Mikazuki and Kogitsunemaru? Or Does anyone know has someone already translated it? Would love to know what they are singing about : )

Hey Anon,

here you go!

Keep reading

[elliejoys]

“We made it through”

[kinbari14]

Hyakkimaru illustration by Asada Hiroyuki

[hoina-hysteria-deactivated20221]

[pururin]

[tanuki-kimono]

Damn this “Winter mermaid” furisode by Iroca is impressive!

[tanuki-kimono]

Aaaaaaaaaaah!!!! Iroca has also tailored a version for a gentleman <3

It so great to see men kimono fashion getting wilder pattern and color wise! Those kind of very showy kimono are usually mostly seen worn by performer or rikishi (sumo wrestlers, see examples below) but underground fashion is making a nice come back :)

(pictures from this asahi shimbun article)

[feilusiana]

[sandreeen]

Concepts of Each Sword According to the Touken Ranbu Movie’s Stunt Coordinator

(This is a summarized translation of “Keypoint 3: Action” in Ginmaku no Touken Danshi, the behind the scenes special of the Touken Ranbu movie. The comments were made by Hibari Daisuke, the movie’s stunt coordinator.)

♔ Mikazuki Munechika - Fights with grace and beauty. His movements are akin to Nichibu (which, according to Wikipedia, “refers to a few dance genres such as kabuki buyō performed in theatre, and Kamigata mai that encompasses the style of dancing performed by geisha .”). And even when he’s in a pinch, he still seems like he’s got a handle on the situation.

♔ Yamanbagiri Kunihiro - Has a sword and a metal scabbard; He’s not exactly dual wielding but he could cut down enemies with his sword and use his scabbard to deal a blow. Some Battoujutsu (a combative quick-draw sword technique) was also incorporated into his fighting style.

♔ Yagen Toushirou - He’s a tantou so he’s a close combat fighter. He gets into his opponent’s space to take them down. His actor is very nimble, so the coordinator gradually added in more soaring jumps to being out more of his potential.

♔ Fudou Yukimitsu - He’s done somersaults and aerial stunts before, so the stunt coordinator incorporated the stunts the actor could do, and some moves similar to Druken Boxing but for a tantou.

♔ Heshikiri Hasebe - At first, the stunt coordinator had a totally different image in mind for Hasebe. Given the sword’s lines (“Oshikiru!” or “Pressure slash!”) and history, he had pegged Hasebe as the epitome of a Japanese period drama (Jidaigeki). When he first presented his idea to his actor, Wada rejected it, saying, “This isn’t what Hasebe’s like. He’s more cavalier, like a knight.” So he decided to rethink the concept. It didn’t feel enough to just make Hasebe’s moves knightly, so he incorporated so Chinese-style sword fighting into Hasebe’s repertoire, and he whirls his sword round and round as he fights.

Keep reading

[r-en-19]