You think you're just going to reread a few sections from The King's Men real quick as a break from studying, and suddenly its three hours later and you come out of a fugue stated having finished rereading the entire book
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@homeboy-chad
You think you're just going to reread a few sections from The King's Men real quick as a break from studying, and suddenly its three hours later and you come out of a fugue stated having finished rereading the entire book
It just goes on and on and on and on and on and on and on and on and on and on and on and on and on and on and on ₐⁿᵈ ᵒⁿ ᵃⁿᵈ ᵒⁿ ᵃⁿᵈ ᵒⁿ ᵃⁿᵈ ᵒⁿ ᵃⁿᵈ ᵒⁿ ᵃⁿᵈ ᵒⁿ ᵃⁿᵈ ᵒⁿ ᵃⁿᵈ ᵒⁿ ᵃⁿᵈ ᵒⁿ ᵃⁿᵈ ᵒⁿ ᵃⁿᵈ ᵒⁿ ᵃⁿᵈ ᵒⁿ ᵃⁿᵈ ᵒⁿ
Part 1
Backrooms (2026) - Kane Parsons, A24
Hey do you think that because of the two times Horatio kind of rebelled against/disobeyed authority he lost people he cared about, is why he is like that in loyalty and duty?
One of the benefits of watching psych (2006) is that in most shows with a weird protagonist you find yourself asking why are you like this but in psych you don't do that because you just saw. You just saw 10 minutes ago at the start of the episode when Henry was putting him in a trunk
(2025) ✨ the holy trinity of leverage ✨
here’s my only contribution
"Just remember, it takes eight minutes for light to travel from sun to Earth, which means you'll know we succeeded about eight minutes after we deliver the payload. All you have to do is look out for a little extra brightness in the sky. So if you wake up one morning and it's a particularly beautiful day, you'll know we made it."
Sunshine (2007) dir. Danny Boyle
There are two separate camps in film, both of which I have been a part of, celebrating greatness. I am immensely proud to report that "Mortal Kombat 2" firmly lands in both camps. Camp 1: 1. It passes the Bechdel Test. 2. It understands the material it is adapting, with a consistent tone and aesthetic down to a side-on match-up and ludicrous gibs. 3. The characters have parallel arcs in the form of Johnny Cage and Kitana, as well as matching, competent edits at the ending sequence. 4. It features themes of redemption and growth. 5. Hiroyuki Sanada is such an incredibly classy act that he delivers the line "I am Hanzo Hasashi. Hell bends to my will." With such power and gravitas that it actually works despite it being a "Mortal Kombat" line in his second fucking language. 6. Tadanobu Asano is such an incredibly classy act that he delivers the exchage: "You should be dead!" "You should be RUNNING!" with such power and gravitas that it actually works despite it being a "Mortal Kombat" line in his second fucking language. Camp 2: 1. Karl Urban teams up with a laser Australian to break into hell, where they must enlist Japanese Ghost Dad to steal an amulet, so that they may essentially turn off "Cheat Mode" for the villains; so that a non-sexualised lesbian may kill God.
Johnny: Hanzo, we need your help to navigate the Netherrealm so we can retrieve the amulet, beat Shao Kahn and save Earthrealm!
Hanzo: No, sorry.
Kano: Bi-Han is still alive.
Hanzo:
Mortal Kombat II (2025)
Andrew: get people’s attention, use it as a shield, make them love you, make them hate you, i dont care
Neil: instructions unclear, now Riko has murder in his eyes and a copy of my dna
Hornblower Letterboxd reviews: Loyalty
I just finished The Three Musketeers, and this might be the best book I've ever read in my life, mostly because every single character is batshit insane and drunk for 90% of their Big Plot Decisions. Lights up on d'Artagnan: he's new in town and he's already making enemies. He meets his three best friends by scheduling back to back duels with them, under the assumption that he won't have to fight the last two if he dies in the first one. He is twenty years old and has never even heard of a frontal cortex. This is made evident by every word he says. Athos, Porthos, and Aramis are supposedly in their 20s-30s, but barely any better. The moment they have any money at all, they siphon it directly into their alcohol budget. They make enemies everywhere they go and get into almost as many duels as d'Artagnan. Also worth mentioning: they see this crazed 20-year-old and choose to devote their lives to him simply because he has good vibes. We've got the cardinal, who seems only tangentially related to any kind of clergyhood. We've got the king, whose main personality trait is that he HATES his wife. We've got the queen, whose main personality trait is cheating on her husband. We've got the Duke of Buckingham, who is (unfortunately) English. We've got the Love of d'Artagnan's Life, aka somebody else's wife but he sucks so he can get cuckolded. And finally, we've got the prototype female manipulator, a character written with such intense feminism AND misogyny that I scarcely know what to say about her except "go off, queen" as well as the occasional "I don't support all women, some of you are stupid." Do yourself a favor and commit 5-12 weeks to reading this book, if for no other reason than the part where d'Artagnan tells a guy "I'll spring you from jail, don't worry, it's all part of the plan!" and then immediately forgets him in prison and flirts with his wife.