Absolute cinema!!!!!!!!!
#Ciize saw her opportunity #and took it one handed - @fluent-in-lesbianism too good to leave it in the tags

if i look back, i am lost
DEAR READER

tannertan36
taylor price
PUT YOUR BEARD IN MY MOUTH

No title available
$LAYYYTER
Cosimo Galluzzi
noise dept.
ojovivo
he wasn't even looking at me and he found me

Kaledo Art

PR's Tumblrdome

@theartofmadeline
Jules of Nature

#extradirty
will byers stan first human second

shark vs the universe
One Nice Bug Per Day
art blog(derogatory)

seen from Malaysia

seen from Sweden
seen from Portugal
seen from Lebanon

seen from Malaysia
seen from Germany

seen from Iraq

seen from Germany
seen from Brazil

seen from Malaysia

seen from United States
seen from Brunei

seen from Argentina

seen from Bangladesh

seen from Brazil
seen from Saudi Arabia
seen from United States
seen from Russia

seen from Indonesia
seen from Dominican Republic
@homosexualextremist
Absolute cinema!!!!!!!!!
#Ciize saw her opportunity #and took it one handed - @fluent-in-lesbianism too good to leave it in the tags
Calm down. What's gotten into you today? I'm punishing you. You were really hard on me today.
ENEMIES WITH BENEFITS (2026)
May 30, 2026 | Cooheart x 1st Fansign
nothing hotter than a woman beating the hell out of a horrible man 😌👏
ENEMIES WITH BENEFITS (2026)
They can imagine it in real life 🤭
The moment Ju Taeseon realized Lee Chaeha wasn't the one who grew up to be a monster.
And he had it wrong all along.
this man is objectively the funniest character in the entire show
happy disability pride month and once again, FUCK lazy subtitles. fuck the [speaks foreign language] instead of actually transcribing the words, fuck shortening sentences and changing whats been said for no reason, fuck censoring swearing in captions but not in audio and fuck anyone who says youre being 'too sensitive' for being upset about a lack of accessibility
Yeah, yeah, yeah, Jay and Sun are kissing or whatever, but Pakin figured out that Sky is afraid of cameras because someone secretly filmed him, and Sky specifically threw the fact that Pakin shoots NUDE photos back in his face as a response.
WHO HURT YOU SKY?! POINT THEM OUT TO SUN! POINT THEM OUT TO ME!
If someone made him pose for or shoot sexually explicitly content against his will or without his consent . . .
MURDER
Me and Thee, EP.5
imagine you go out to have some fun and end up with a pink bunny headed twink riding you to hell and sobbing on your dick (not in the sexy way in the this-is-the-only-way-i-can-feel-something way) only for him to throw money at you like you're the stripper and disappear and this is so psychosexually imprinted on your brain you spend the next five years searching for him and morphing it into an almost divinely romantic encounter to finally discover he's the very same feral stray you've been seducing and deceiving and instructing and protecting the one that bites back at every advance and treats his body as a weapon but reacts like a real kiss might break him what do you do
take him to your mother's grave
naomi osaka for wimbledon 2026
‘I worked 20-hour days to make Naomi Osaka’s Wimbledon dress’
The Japanese designer Hana Yagi created the striking all-white bridal-inspired kimono that drew cheers from the crowd at the All England Club
The Japanese kimono and the traditional western wedding dress are difficult enough to walk in, let alone play tennis. But Naomi Osaka did so anyway, emerging on to Wimbledon’s Court 3 in a gown that was a hybrid of both garments to play a round of practice shots.
The dress, which drew cheers and wolf whistles from the crowd, was the Japanese player’s latest fashion display, following the gold sequinned outfit that she wore at the French Open and her extravagant turquoise and green dress at the Australian Open in January. Her Wimbledon effort was the work of Hana Yagi, a 26-year old Japanese designer, who created it alone in ten days in her studio in Tokyo.
2026 French open, designed by Kevin Germanier in collaboration with Nike:
Yagi was asked to create an outfit for the “walk on”, when players enter the court before the beginning of a match, a well-established opportunity for fashion statements. At the French Open, Osaka compared her sparkling dress to the illuminations of the Eiffel Tower. Her extraordinary Australian Open outfit was inspired by jellyfish.
Australian Open 2026, designed by Robert Wun for Nike:
But Wimbledon imposes strict rules — above all that all clothes must be completely white (Roger Federer once got a telling-off for wearing shoes with orange soles). “First, it had to be all white,” says Yagi. “Visually, [Harper] gave me the image of a kimono or junihitoe [a traditional 12-layered kimono of the Japanese imperial court]. As a part of the concept, they wanted to reinterpret the tradition in the context of sport.”
The vintage wedding dresses she had in her own stock were cream and ivory — shades unacceptable at Wimbledon. She went to shops in Tokyo and bought the pure white western style wedding dress that forms the lower part of the Osaka gown, and a shiromuku, the traditional nuptial kimono in which brides are wrapped for delivery to their new husbands.
It is this, embroidered with brocade images of cranes and cherry blossoms, that forms the upper part of the dress, but drastically restructured to allow freedom of movement. “I didn’t want her to walk with small steps — in this she won’t have any difficulty walking,” Yagi says. “And it’s not like a tight corset, but a dress that Naomi herself can adjust.” Osaka wore her playing dress, created by her sponsor Nike, below Yagi’s creation, so it had to be lighter than a conventional kimono. The other condition was that the player had to be able to put on and remove the dress quickly.
“It was my first experience of that, because all my past works were art pieces, and not really aiming to be functional,” she says. “But this has to come on and off in three minutes. I kept it putting it on myself over and over again to confirm that it worked.” The secret ingredient? Extensive strips of Velcro.
Some more of Naomi Osaka's show-stoppers:
US Open 2024. Designed by Yoon Ahn for Nike:
US Open 2025. Designed by Osaka herself:
One of the inspirations for cinematographer James Laxton for his work on the film Moonlight was Dutch art photographer Viviane Sassen. Her work had a huge influence on Laxton’s choice of colors for some of the film’s most iconic scenes like the swimming lesson, set in it high contrast colors and crystalline blues. The moment feels biblical as Juan holds Chiron in what looks like a pieta over the waves. As Juan releases him to float, Chiron quickly steadies himself and Juan says, “Right there, you’re in the middle of the world”. In the midst of this pivotal moment of self-discovery there’s a real awareness of the camera as the water is lapping against the lens. Laxton had to maneuver a 200-pound camera in an underwater housing for the scene. The waves distort the lens to accentuate the feeling of being present at such an intimate moment.
Moonlight (2016) dir. Barry Jenkins