Jon Bernthal Week - Day 1. ↳ Favorite TV Show/Character - Shane Walsh (The Walking Dead)
Aqua Utopia|海の底で記憶を紡ぐ
Sade Olutola

JVL
art blog(derogatory)
wallacepolsom

No title available

⁂
i don't do bad sauce passes
No title available
dirt enthusiast
cherry valley forever
Not today Justin
Peter Solarz
NASA
we're not kids anymore.
TVSTRANGERTHINGS
Three Goblin Art

tannertan36
No title available

Janaina Medeiros

seen from Malaysia
seen from United States

seen from United States
seen from Romania

seen from United Kingdom

seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from South Korea
seen from Brazil

seen from United Kingdom

seen from United Kingdom
seen from United States
seen from United States

seen from Spain
seen from United States

seen from Romania

seen from United States
@honestmurder
Jon Bernthal Week - Day 1. ↳ Favorite TV Show/Character - Shane Walsh (The Walking Dead)
killrusso.
“Fighting Third, huh?” His whole demeanor shifts then. Doesn’t quite soften but comes close enough to it to almost smile –– it’s slight, a small hitch at the corner of his mouth, but it counts. “Ain’t that the truth. Knew a couple men myself who served Third. They always got these stories to tell, you know, real heavy shit that, uh––that sticks with you. You think about it later, pull it apart. All those pieces that just made it sound like goddamn child’s play, like they didn’t carry the war back with ‘em.” There’s a measure of respect in the way he says this, and how he looks to the clear sky as if he were searching for something. His gaze drops a moment after. Back to the ground, to the dirt and filth and years of wear on his boots.
“Yeah, that’s that Marine shit. Sixteen years, three tours as a Marine Force Recon. I was a, uh … scout sniper, and I was––hell, I was one of the best there was, you know, I loved it. When I was out in the field … I’ll tell you, man, there was nothin’ else fucking like it. Nothing could beat that feeling. But that was my problem, see, I––I put too much trust in a government with hand’s in everybody’s goddamn pockets, you know, and, uh … there were things I did, things––things I got involved in that damned every single one of us. There was no honor in what we did. … anyway, I’m, uh––I’m sorry, you know, about your grandfather. That’s dark shit. Curtis, he knew a couple of brothers who, uh … who punched their timecard ahead of schedule too.”
“Christ. Sounds about like New York, except, uh––it wasn’t just the hospitals. Yeah … I remember they, uh, they brought the Humvees into the streets, you know, they were blocking roads, thinking they could get people into quarantine. Had these––these tents set up in Manhattan and one or two other boroughs for a little while after all the hospitals were flooded. Corpsmen stationed at each, one to a tent, you know, and––those tents, man, they had at least ten or twenty people a piece. Didn’t last long. Few hours, maybe less, ‘till they started gunning everyone down. All that blood, man, it was everywhere, it was all in the streets––blood and shit and people missing their limbs, halves of whole goddamn bodies, people turning and grabbing whoever was closest. First place I went was to get Karen, told her, uh … told her to lock the door, you know, she worked in this office, so I told her to lock the door ‘n stay there ‘till I come for her. Gave her another clip for that hand cannon she carried. Went to get Curtis, ‘cause by that point, the lines were going down. Took him to Lieberman’s ‘n then I went back for her. I knew I shouldn’t have left her, man, she––by the time I got to her, everyone in that goddamn building was either dead or, uh, dead and walking. At least ten or fifteen of ‘em, ‘n they were all trying t’ get to her, you know, they were after Karen. I’ll never forget the look on her face, man, it was––it was like she … she thought I wasn’t comin’ back, even if it was just for a second. After I put ‘em down, I got her and Curtis, Lieberman ‘n his family, got ‘em the hell out of the city quick as I could.”
Your girls. He was prepared for his body to have an adverse reaction to that –– prepared for it to go cold and stiff. It didn’t.
“Loretta, man, she’s … she’s been through some shit. Never had a doubt in my goddamn mind that I’d find her alive, you know. She’s a tough kid. Karen was a, uh––she was a journalist, a front-page reporter for the Bulletin, you know, a tabloid newspaper in New York, so she got the stories first before anybody else. Talked to me about it one night when she got home from work, she was … she couldn’t let it go, man, she was sitting on the goddamn couch with her Pad Thai, you know, eating that shit right out of the container and talkin’ to me about it, and I mean she––she was goin’ on about it for hours, asking me what I thought ‘n before I could say a goddamn word, she’d launch off again. Could hardly keep up with her. Karen’s––she’s one of the smartest women I’ve ever met. Gotta be honest with you, man, I don’t … I don’t know where I’d be without her. … you said, uh, said Rick was in the hospital when the shit hit the fan. What happened?”
"those were what my gramps considered bedtime stories, man, he — he was tellin’ me shit before i was old enough t’ understand half’a what it meant. before i could, uh, could appreciate ‘em for what they were, ‘n even when i got older, y’know, i, i’d never claim t’ know where he was comin’ from. ‘cause i was never there myself, i never served, never went t’ war. sure you two would’a had a lot t’ talk about, huh.” he says it with an equal measure of respect, but holds off on the thank you for your service speech; his grandfather had never much cared for it, and he has a feeling that frank wouldn’t either.
the more he listens, the more he hears, the more he can think back on the news and acknowledge just how much was left out. he’d only caught fragments, because new york was a world away. but they’d spun it a whole lot different. stamped a nickname on the man, played him off as some crazy vet with an itchy trigger finger and no real motivation. like he’d woken up one day and started to unload on just about anyone. he’s quieter, again. “— curtis, that’s the man that you lost? i’m sorry ‘bout that, too, it’s — it ain’t easy, don’t matter how many times y’ go through it.” he doesn’t dwell on things; that doesn’t mean they have no impact.
“... quarantine. shit, i remember that.” there’s a scoff, almost. “’member hearin’ about a refugee center in atlanta, that’s where everybody was headed. s’ where i was takin’ rick’s family but we never made it past the highway. good thing we didn’t, ‘cause that same night’s the night they were droppin’ napalm in the streets. karen, she, uh — she sounds like somethin’ else, man. that would’a bothered the hell outta me, too, knowing all that, wanting answers ‘n just — just diggin’ up more questions, like the whole damn world’s losin’ their minds ‘n you’re the only one who’s got any sense left. whatever happened, man, whatever y’all had t’ fight through just t’ get here, seems like she’s in it for the long haul. it’s good, y’know, it’s good havin’ people stand behind you like that.”
another pause, a beat longer this time. then, “yeah. yeah, he, uh — he got shot, on the job. we got this call, one’a those all hands on deck things, they were pullin’ in units from king county, linden county — two armed suspects in a vehicle, that’s what they told us. had officers chasin’ ‘em all over the backroads, y’know, just this — this pair of idiots, tearin’ through the damn countryside. so we drive out ‘n we help take ‘em down, but there was a third guy. a third man, just ... came outta nowhere, ‘n that was on me, y’know, i — i should’ve seen him. rick, he’d caught a round in his vest, ‘n he was lookin’ right at me, tellin’ me, uh — tellin’ me not t’ tell his wife, ‘n that’s when this third suspect comes out. i put a buckshot in him, but he’d already fired on rick, ‘n it was — it was bad, man. tell y’ somethin’, i thought he was gonna bleed out right there on the side’a the road. paramedics came, took him into surgery, tried t’ fix him up best they could. i went in there every day, talkin’ to him, just ... hopin’ he’d come around, y’know, that he’d wake up ‘n we could go back t’ how it was. two weeks, man. that’s all it took. two weeks ‘n people were dyin’ in the halls, killin’ each other in the streets. i thought he was dead, s’ that simple. so i made that call. that’s, uh ... that’s the one thing i look back on ‘n wish i’d done different, but it just is what it is, man. y’know, you make these choices ‘n then you have t’ live with ‘em.”
killrusso.
“Yeah … used to, uh, used to hear this saying all the time about the bullet that kills you, you know, how you don’t hear the shot before it gets you. Always thought that was the biggest steaming pile of horse-shit I’ve heard in my goddamn life. Lookin’ back, it’s always the bullet with your name on it that you can hear and see with perfect goddamn clarity. It’s the one that ain’t got shit on it that you gotta worry about, ‘n that’s––that’s the thing with these goddamn meat-sacks, you know, they don’t discriminate. They don’t care who or what you are. Guess I’m just preachin’ to the choir now, huh?”
“guess so, but that don’t mean it ain’t true. that’s that, uh, that marine shit again, right? somethin’ ‘bout ‘to whom it may concern,’ somethin’ like that? yeah. that’s all it is with these things, man, that’s all it ever is. to whom it may concern. nobody’s, uh — nobody’s singled out, y’know, it’s just, it’s timing. it’s timing ‘n you either get out alive or y’ don’t, that’s it. but it’s — i mean, watchin’ your own back, that’s one thing, but when you got people t’ think about, people who — they count on you, man, they depend on you, that’s when it sticks. that’s when you start thinkin’ surviving ain’t the hard part.”
👊
their whole group’s been a melting pot brought to a steady boil for days. supplies are scarce; the nearest weapons cache, one of frank’s, allegedly one of many he’s got scattered across the country, had been cleaned out. coming to blows was an inevitability. it’s the lack of a build - up that has him chasing the impulse to draw while his hand flexes at his side.
he can take a punch. learned that a long time ago, way back in middle school the first time somebody squared up on the playground. he’s lost count, since then. but frank doesn’t hit like a kid or a pissed off perp or rick or jenna — frank hits like a damn tank. must’ve held back a little, shane thinks, otherwise his jaw would’ve cracked under the pressure and he would be doing more than spitting blood and what looks like a molar onto the dirt. that’s still an ache he’ll be feeling for days.
“— so that’s how it is, huh?”
he spits again, wipes his mouth with his palm. everything’s red. his hand, the ground, the whole world painted crimson. the rise and fall of his chest is heavy. anger, exertion. it takes everything not to return the favor.
if there’s an explanation, frank doesn’t offer it. just stares him down with the same look he’s probably given dozens, hundreds, of others before now. hundreds of others who’d flinch, maybe put their hands up in surrender, start to beg, whatever else. all shane does is stare him down right back.
“look, man, you do what you gotta do. feel like y’ wanna take another swing, beat my ass int’ the ground, that about right? least gimme a reason for it, see, ‘cause last i checked, you ‘n me — we’re on the same side.”
prompt / @killrusso.
send 👊 for your muse to just fucking deck mine
send ↻👊 for the reverse
killrusso.
“Thought right. There were, uh … five or six of ‘em, came at us from all sides. Her knife got stuck on somethin’, bone or cartilage, maybe, she couldn’t pull it loose––goddamn walker had her by the hair when I turned around, I mean just grabbed her, you know, about had its jaws around her before I put him down. I told her later, I said … rethinkin’ that haircut? Yeah. She didn’t like that. It is what it is. Shit happens, that’s what I said. Doesn’t make it any easier. Especially not for her.”
“hell, we’ve all been there, right? we’ve all had that moment, man, that moment where it just goes in slow motion — people talk about adrenaline, how it, uh, how it speeds things up, but that ain’t always true. it slows down ‘n you can see it, y’know, see where it went wrong, ‘n that stays with you. she’ll get past it, man. she will.”
killrusso.
“Yeah, I’m, uh … t’ be honest, I’m more worried about her, you know, she’s––she’s blaming herself for what happened out there, thought I was chewin’ her out for it. ”
“— close call, huh. thought that’s what it was. she’s just gotta work through that on her own, man, she’s gotta make peace with it. whether, uh, whether y’ chew her out or keep tellin’ her it ain’t her fault, that’s just — that’s just somethin’ she’s gotta do herself.”
killrusso.
“–– heard all that, huh? Figures.” @honestmurder
“might’ve, uh — might’a walked by for some of it. you good, man?”
‘ so, who’s taking care of you? ’
“this your way of, uh, of volunteering, ‘s that it? don’t go gettin’ all sweet on me now, girl. there’s plenty’a work t’ go around ‘n not enough able bodies willin’ t’ get their hands dirty. seem t’ recall you never havin’ that problem.”
it’s a dig, but there’s no animosity behind it. they’ve been throwing looks back and forth for days and what feels like every time he turns around, there she stands. the way she addresses him — officer, just like before — started out snide and gradually became something else, something a little more teasing than derisive. he notices, even if he doesn’t speak on it. there isn’t much that happens in camp that he doesn’t notice.
“y’ didn’t answer my question, officer.”
and there it is again; his brow goes up like it’s caught with a fish hook, and damned if her smile isn’t almost coy by this point. she’s planted herself just inside arm’s reach, hand on her hip. waiting.
"you just don’t let up, huh? okay, then. tell y’ what, how ‘bout we take a drive, get these fine folks their drinking water, ‘n you can decide for yourself if i’m, uh — if i’m bein’ taken care of, how’s that sound?”
prompt / @honestnature.
leon, posing for the camera
comin for that ass, leon
* born blue prompts
born blue is a novel by han nolan. tw: suicidal ideation.
‘ five, six days. i lost track. ’
‘ didn’t scare me. ’
‘ i’ll take good care of you, sweetheart. ’
‘ you look real pale. ’
‘ could i call them and let them know you’re here, safe, with us? ’
‘ don’t you trust me? ’
‘ you act like you don’t care if you live or die, sometimes. but i care. ’
‘ someone could really hurt you. ’
‘ just keep your eyes open. ’
‘ that must be your motto. ’
‘ you don’t want to get too friendly with them. ’
‘ go on! leave! leave me alone! ’
‘ you’ll be sorry. ’
‘ i bet you need something to eat. ’
‘ you sick? ’
‘ but you said the cops were sniffing around. ’
‘ you feeling all right, baby? ’
‘ let’s go, now. ’
‘ what time is it? where are you? ’
‘ you don’t let anyone care about you. ’
‘ won’t hurt to listen. ’
‘ this is the right place. ’
‘ that’s the way it’s going to be, okay? ’
‘ so get out. ’
‘ don’t sweat it. ’
‘ yeah? and how come? ’
‘ they’re tranquilizers. ’
‘ you broke your fever. that’s good. ’
‘ in this house we let each other know where we’re going to be so no one worries about us. ’
‘ this is my home. i’ve come back home. ’
‘ you did that on purpose! ’
‘ i can’t talk to you. ’
‘ you can’t learn well if your body isn’t fed right and you don’t get enough sleep. ’
‘ shouldn’t you be in a hospital or something? ’
‘ where is your home? ’
‘ you don’t, that’s your problem. ’
‘ and whether my life is big or small, at least i know it will be honest and good and full of the people i love and who love me. i don’t need anything else. ’
‘ do you try to hurt me on purpose? is that it? ’
‘ it’s like you want to fight all the time. ’
‘ i don’t care. do what you want. ’
‘ so, who’s taking care of you? ’
‘ i got places to go. ’
‘ do you ever think even a minute ahead? ’
killrusso.
“I tried t’ be, but, uh … didn’t always work out. Maria––she could be brutal, you know, rip my heart right out of goddamn chest, eat that shit for lunch, then she’d … she’d turn around ‘n smile at me, ‘n I was just done. I was done, it was over. Always thought––you know, becoming a Marine, shit, I was eighteen years old, fresh out of high school ‘n I thought I was real hot shit, you know, thought I had all the experience I needed. There wasn’t shit they could teach me that I didn’t already know other than how to hold a gun. How to shoot the damn thing. Yeah. Couple days into training, I had this––this drill sergeant, right, he was right up in my ear screamin’ this whole tirade of bullshit, man, I mean he was chewing my ass to pieces. That’s when I realized. Call it a moment of clarity, call it whatever the hell you want, but that’s when I realized all that life experience I thought I had––it didn’t amount to shit. Funniest thing about it, you know, being a Marine taught me all kinds of different shit, but still couldn’t teach me how to talk to a woman. Guess you ain’t ever had that problem, huh? Figures, man, you remind me of, uh … those kids I used t’ beat the shit out of ‘cause they’d walk around that school, right, act like the only thing that mattered in life was how many notches they could get on their goddamn belt by the end of the year. Jenna, you know, she, uh … she sounds like a wild card. Seen her out there talkin’ to Karen a few times.”
There’s nothing that could measure up to a loss like that. He hopes Shane never finds that out for himself. He hopes that his world will always have color and that his heart won’t ever break like his has, to that same earth-shattering degree that turns a man into a monster. That he won’t have to pick up one of those pieces, use it to cut open his palm just to see that color again. To pour it out into the streets because that’s all he lives for anymore. “… yeah. Took me a long time to accept that. For a while, you know, I looked at Karen and––and all I saw was everything they could take away from her, you know, all the shit that … it makes her who she is. Loretta, man, they’ve––the whole goddamn world’s been takin’ her apart piece by piece since she was barely old enough t’ stand up, but she always … she always fought back. They both did. I’ve tried pushin’ ‘em away, you know, both of ‘em, swear to Christ, but they don’t let me go easy. Think they’d probably kick my ass up ‘n down that goddamn road if I ever pulled that shit again. Guess in a way, they, uh … they keep me safe, too. Just do me a favor, yeah? Keep your old lady at an arm’s distance from Lieberman. Guy might shit his pants if she takes a crack at him, ‘n that’s one mess I am not gonna clean up.”
"— no shit? you never fired a weapon before all that? that’s, uh — that is a hell of a way t’ start, i’ll give ya that much. scout snipers, man, that’s the shit they make movies about. think i was sixteen when rick ‘n i started talkin’ about it, y’know, talkin’ 'bout what we wanted t’ do after high school, that whole talk. told him i was either gonna enlist or join up with the sheriff’s department like my old man — came down to it, i guess i had more, uh, more inclination t’wards the latter. see, my old man, he had a good long run’a bein’ sheriff, never let anybody forget it. he took me out shootin’ for the first time when i was ... hell, couldn’t’a been more than five or six. he loads me up in the cruiser ‘n he drives us all the way out t’ the boonies, man, nothin’ but field ‘n trees for miles all ‘round. then he takes out this li’l bitty shotgun, y’know, this, uh — this mossberg .410, tells me it ain’t gonna kick like a 20 gauge but it still damn near knocked me on my ass. by the time i was old 'nough for the shooting range, he’d had me hittin’ targets for five years already. he, uh — he was a hardass, but he taught me right. never looked at one’a them things ‘n thought it was a toy, y’know, i — he made damn sure i had the discipline for ‘em, ‘n i did that, man, i did that with every kid i ever taught after that.” the line about notches on his belt pulls another chuckle. “yeah, you ain’t wrong. prob’ly would’a beat the shit outta myself, too, if we’re bein’ real honest here. started steppin’ up my game freshman year when i realized i was stuck with this face.”
you don’t measure those losses, not really. he thinks he can understand that, the drive to isolate, to be alone — but there are just as many downfalls as benefits. you don’t measure those, either. he gets by because his focus is clearer now than it’s been in a long time. survival is simple. the rest of it, not so much. “think they’d do more than kick your ass, man. look, if — i know it ain’t my place, ‘cause i don’t know ‘em like you do, but if they was gonna cut you loose y’ gotta figure they’d’a done it by now. we, uh ... we need that. people like that. much as y’ think it’d be easier without anybody, man, it ain’t. s’ just how it is. ain’t no reason t’ stay alive when you got nothin’ t’ stay alive for.” one of his brows twitches up; he throws a glance in lieberman’s direction, feels his expression shift a little with that hook of amusement. “— he sure looks the type, huh. remind me, uh, remind me not t’ make any sudden moves where he can see ‘em, i’d hate t’ be the cause’a that heart attack.”
‘ i’ll make it up to you somehow. ’
“… rick, i — i thought you were dead. that’s what i believed, i believed that, ‘n i — y’know, i, i went t’ that hospital, i went back for you. i went back for you ‘n it was just — soldiers, man, soldiers shootin’ people down in the halls, everybody just … scrambling, just tryin’ t’ figure out which way was up, ‘n you … rick, you were gone, i swear on my life, man, you — you had no pulse. you had no pulse, you were — you were hooked up t’ these fuckin’ machines ‘n after the power got knocked out i — i couldn’t hear a heartbeat. i couldn’t feel one. they — they’d told us, y’know, they’d told us before it all went to shit, that they was gonna med evac you, get’cha to atlanta, but they … they never made it that far. it was so quick, man. whole damn world went crazy, just overnight it seemed like. patty — you remember patty taylor, sophomore year? yeah, she, uh, she turned — right there in the station, man, i had t’ put her down, ‘n right after that’s when i went back for you. i swear i did. all i was thinkin’ about, all i could think about, was gettin’ you outta there.”
sometimes he still hears it, if he pushes his consciousness aside and lets a little animal instinct take over. he can hear the screams, the gunfire, all that noise that didn’t add up to anything but chaos. chaos, and panic, and pure, visceral fear. and maybe this is too little, too late. maybe if they’d had this conversation sooner, long before rick had put the pieces together about lori, they wouldn’t have needed to draw blood just to get here.
“shane …” there’s a strain in rick’s voice, that quiet stoicism again, that set of his jaw. “i’ll make it up t’ you, brother. i’ll make it up t’ you somehow.”
“— nah, man, that’s …” he swallows, throat like sandpaper. the taste of copper and gunpowder thick on his tongue. “you — you don’t gotta do that, man, we — look, i know we ain’t seen eye t’ eye on things. hell, we ain’t seen eye t’ eye on anything lately, but i — see, i never wanted this. i just … i want’cha t’ know that.”
but what he wants, what any of them want, doesn’t carry enough weight anymore. want has been taken out of their hands, if it was ever there to begin with. therein lies the crux of the problem. the reason he’s torn, between needing to walk the other way and feeling like he’s bound here, bound to rick, bound by some unspoken obligation to do right by someone he’s considered family for longer than he can recall. frustration chokes him, sucks the air clean from his lungs.
“i know,” rick tells him. “i know.”
he laughs, then; a tired breath of a sound, palm running over the crown of his head. “so what do we do, man? where do we go from here, how do we, uh … y’know, how do we — how do we make it right, how do we come back from this?”
unless they don’t. unless that’s the part neither of them wants to admit: there’s no coming back from this.
prompt / @honestsurvival.
You can spend minutes, hours, days, weeks, or even months over-analyzing a situation; trying to put the pieces together, justifying what could’ve, would’ve happened… or you can just leave the pieces on the floor and move the fuck on.
Tupac Shakur.