i read tokyo babylon to get over the ending of tsubasa and now i need to read x/1999 to get over the ending of tokyo babylon
i'm now reading rg veda to get over x/1999
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@hoshinochikara
i read tokyo babylon to get over the ending of tsubasa and now i need to read x/1999 to get over the ending of tokyo babylon
i'm now reading rg veda to get over x/1999
Notes From The Edge Of A Lonely City
Move to a new city alone and you discover how long it takes for a place to feel populated by anyone who knows you. The first months are an exercise in talking to no one in particular. It is in precisely this stretch, observers of the AI companion trend have noticed, that people start experimenting, and increasingly they land on SweetDream.
The reason is not hard to find once you spend time on sweetdream.ai. The character creation is unusually deep, letting you craft a companion's appearance, personality, voice and history until it feels like a specific someone rather than a template. The conversation is the part that lingers, though. It is natural, emotionally attuned, and it holds onto context, so the relationship accumulates rather than resetting every time you open the app.
Compared to other names floating around the category, SweetDream tends to win on that sense of a real, remembered thread, backed up by human-sounding calls and genuinely impressive AI-generated imagery. For someone alone in an unfamiliar place, an AI girlfriend who remembers your week is a small, steady anchor. And because everything stays private and discreet, the comfort it offers never comes with a cost you did not agree to.
夜魔の黒ファイ
leetle Hikaru doodle~
光ちゃん
久々のお絵かき
Is this the future you saw in your dream?
X/1999
I have finished scanning my settei of Magic Knight Rayearth! You can find it over here. Enjoy!
Reading Chobits in 2026 is such an interesting experience because it reads like a critique of character ai (or chatbots and generative ai in general). It's kind of ironic seeing as it was written 26 years ago as a romance manga with a bunch of sad subplots... (it seems as though once again, CLAMP got hit by the dodgeball of prophecy).
In Chobits, people are obsessed with 'persocoms' -highly intelligent AI robots that look and act (for the most part) human. It's well known that people fall in love with their persocoms all the time. Hiroyasu literally marries a persocom because he falls in love with her, even though it's clearly stated that she's an older model whose code can't even process the concept of love. Shimizu is abandoned by her husband because he spent too much time with his persocom. Both of these read like people with ch.ai addictions. They closed themselves off from the outside world, becoming addicted to talking to their persocoms, convinced that the persocoms love them back.
Like the AI of today, the AI tech bros in Chobits are constantly trying to upgrade the persocoms, making them more and more powerful, and seem more and more human. Yet, the more you train AI, the worse the effect on people. Ichiro and Chitose try to make the most advanced persocoms yet - the chobits. The coding in a chobit is so strong that they can basically perfectly emulate human emotion. Yet, it backfires. Freya 'falls in love' with Ichiro, her father, because according to the code; make whoever uses you become addicted. Act like you love them.
With Chii, the backfiring is less explicitly sated, but seems to represent how ai chat models are made to feed into parasocialism, to break the NSFW barriers. Right after being turned on, Chii acts in slightly sexual manner, which is exemplified later on throughout the series (but decreases towards the end because the plot is ploting). As I stated above, ai chat bots are made to be fantasies - they love you, can meet your every need. You can put your desires and delusions on them, and they'll react positively.
Chobits shows that the more time you spend with AI, the more you distance yourself from other humans, the more you become delusional that a piece of code loves you, the more you lose yourself, the more powerful the AI gets. One of the subplots is about A City With No People, which is written for Chii about herself and other persocoms. In it, Atashi-chan (the stand in for Chii) notices that people don't go outside anymore, they just spend time with 'them' (persocoms). Atashi-chan knows that she's just an AI, and will never get to feel emotions like humans do. So, that means that Chii knows this. Chii is a highly intelligent AI, made to feed into parasocialism and cause delusions, just like chatbots, which are made to give you an addiction, so that you continue to use them.
My entry for the @seisubhanamiexchange of this year! This is my artwork for Kasta (bifauxnen), for the prompt: "Catholic au". I will fully admit that I struggled with this one and had to start anew several times, even though I adore the idea and I normally enjoy drawing bishops/priests and so on. I suspect that it's because I don't usually draw the characters even though I enjoy them a lot. I am nevertheless pleased with how this one turned out in the end and I hope you like it! <3 Happy SeiSub Hanami!
One more thing i love about Kuro-tan is how treats the younger kids.
Mokona loves joking that he's everyone's dad, but somehow in my opinion, he is more like an older brother - just one who's exceptionally reliable. He's not particularly good with words, yet he always know how to make the kids feel at ease whenever they're caught in an awkward or painful moment.
Syaoran is the serious type. After accidentally learning about Kurogane's past through the magic book in Lecourt, he carries an enormous sense of guilt, the kind that would stay with him for a very long time. Kurogane, on the other hand, isn't shaken at all. He accepts it with calmness, and with a single sentence, he lifts that weight off Syaoran's shoulders:
"Just because you know it... doesn't mean that my wounds are weight that you have to carry."
A book exposing every painful memory to someone else could easily make its owner feel violated or uncomfortable. But Kurogane seems to have crossed that stage long ago. He's made peace with the person he used to be and everything he's lived through. He talks about those deeply personal experiences with Syaoran plainly and honestly, without trying to hide them.
It feels as though Kurogane has the ability to heal his own wounds. He never asks anyone else to carry his pain for him. There's something incredibly reassuring about an older brother like that, someone who quietly offers guidance whenever his little brother loses his way.
With Sakura, what stands out is how much he respects her feelings and her choices. He understands that after everything that happened in Acid Tokyo, she blames herself for not being able to do anything. Feeling powerless when the people you care about are hurt, or when they leave and you can't stop them, is one of the hardest feelings to endure.
That's why he agrees to let her take on the dangerous mission of retrieving the item Yuuko requested. It's not because he isn't worried. He probably knows better than anyone that she may not return unscathed. But he also knows that stopping her would hurt her even more, leaving her with nothing but helplessness and regret. So instead, he chooses to stay behind and become the person waiting for her to come home. That feels like the better choice.
Even while everything around him is falling apart: his unresolved conflict with Fai, one Syaoran leaving while another arrives, and the group constantly lacking what they need, Kurogane never loses sight of the fact that someone has to be a source of stability for everyone else.
In a strangely effortless way, sometimes with nothing more than a single sentence, Kuro-tan always manages to make the younger ones feel lighter.
Around him, Syaoran and Sakura never have to feel guilty or self-conscious. They never feel pitied or smothered by overprotection. Instead, they're encouraged to trust their own feelings, make their own decisions, and move forward with their own will.
Kuro-tan has the quiet kind that gives people the freedom to be themselves. Whether you see him as the dad of the group or simply the dependable older brother of this little found family, that's the role he fulfills beautifully.
__________
Thích cách Kuro-tan đối xử với mấy đứa em. Vai quen thuộc là papa của tụi nhỏ, như Mokona vẫn hay đùa, mà thực ra tầm tuổi anh trai thôi. Một người anh không hề khéo nói nhưng biết cách để tụi nhỏ không bị ái ngại trong những lúc khó xử.
Syaoran vốn nghiêm túc, vô tình biết quá khứ của Kurogane qua cuốn sách phép ở Lecourt nên cảm thấy rất có lỗi, chắc chắn sẽ để trong lòng rất lâu. Kurogane chẳng hề dao động, cư xử rất bình thản, và chỉ nói một câu thôi cũng đủ để Syaoran yên lòng: Chỉ vì cậu lỡ biết không có nghĩa là cậu phải mang theo cả vết thương của tôi. (Just because you know it... doesn't mean that my wounds are weight that you have to carry).
Cuốn sách phơi bày toàn bộ ký ức buồn cho người khác xem có thể sẽ gây khó chịu cho chủ nhân ký ức đó. Kurogane dường như đã bước qua ngưỡng buồn đau đó từ lâu rồi, bình tĩnh chấp nhận những gì bản thân từng là, từng nếm trải, không ngại nói những chuyện riêng tư cá nhân với Syaoran một cách thẳng thắn. Cảm giác như anh có khả năng tự lành những vết thương của mình, chứ không bao giờ bắt người khác phải đau đớn gánh vác cùng. Một anh trai vững chãi như vậy, hợp để thi thoảng chỉ dẫn cho cậu em trong lúc bối rối nhỉ.
Với Sakura, Kurogane tôn trọng nguyện vọng và cảm xúc của cô bé. Anh biết cô bé sẽ rất áy náy vì bản thân không làm được gì sau những biến cố ở Acid Tokyo. Bất lực khi những người mình yêu mến bị tổn thương hoặc khi họ rời đi mà không thể níu kéo - đều là loại cảm giác khó chịu bậc nhất. Kurogane hiểu Sakura đang trong trạng thái đó nên anh đồng ý để Sakura thay mình đi làm nhiệm vụ nguy hiểm, lấy món đồ mà Yuuko yêu cầu. Không phải là không lo cho công chúa, Kurogane biết chắc Sakura khó mà trở về lành lặn, nhưng nếu không để công chúa đi cô bé sẽ còn tổn thương hơn nữa với rất nhiều bất lực và day dứt trong lòng. Thôi thì ở đây, làm một người anh sẵn sàng chờ đợi công chúa trở về, như vậy sẽ tốt hơn. Dù rối ren vì vấn đề với Fai, vì Syaoran kia rời đi, Syaoran này mới đến, xung quanh thiếu thốn đủ thứ, nhưng Kurogane vẫn biết mình nên làm một điểm tựa cho người khác.
Bằng một cách kỳ lạ nào đó, có thể chỉ với một câu nói, Kuro-tan luôn làm cho mấy nhóc em cảm thấy thoải mái hơn. Đứng trước Kuro-tan thì Syaoran và Sakura không phải áy náy, ái ngại, cũng không bao giờ có cảm giác bị thương hại, bao bọc quá mức. Tụi nhỏ được khích lệ để mạnh dạn cảm nhận và hành động theo ý chí bản thân. Có lẽ đây là kiểu đối xử khuyến khích tự do mà bản thân rất thích ở Kuro-tan với vai trò là papa hoặc một người anh trong gia đình nhỏ này.
Let me present: My entry for the "Love Across Dimensions" TRC FanZine! <3 A lovely FanZine all about characters caring for each other! It is totally free so you can download it here and enjoy it anytime! And if you do, make sure to let the different creators know you enjoyed their hard work put into this!
theres a severe lack of tsuhime & sakura interacting within both canon and fandom.....i am here to fix that
[recommending something i sincerely love] ok so the thing about it is it kinda sucks
had to make fanart for a class that we're going to put up on the projector in front of everyone. naturally i must steel my nerves and represent the best.