"Seeing people pushing back brings me out of the paralyzing horror. It challenges me to have a fraction of their courage."
Mike Driver

Andulka
Today's Document
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izzy's playlists!
TVSTRANGERTHINGS
todays bird
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let's talk about Bridgerton tea, my ask is open
NASA
Xuebing Du
Not today Justin
Game of Thrones Daily
Jules of Nature

roma★
trying on a metaphor
Aqua Utopia|海の底で記憶を紡ぐ
d e v o n
One Nice Bug Per Day
tumblr dot com
seen from Pakistan
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seen from Finland
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seen from Türkiye

seen from Bangladesh

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@houseofpurplestars
"Seeing people pushing back brings me out of the paralyzing horror. It challenges me to have a fraction of their courage."
These trailers are writing checks the intrepid heroes cant cash lol
The ICC exists to deliver justice for victims of atrocities and hold perpetrators accountable.
"[Rubio's] arguments read like a tacit admission of wrongdoing – suggesting concerns that US officials could one day be held accountable for actions that may amount to crimes under international law, including deporting people to torture in El Salvador’s prisons or the campaign of extrajudicial killings in the Caribbean and Eastern Pacific. The only reason he would have to fear the ICC is if US officials have committed such crimes outside the United States and the US government is unwilling to hold them genuinely accountable.”
(Quds)
Pro-Palestine activists disrupted a presentation by Amazon Vice President and CTO Werner Vogels at the UN’s 'AI for Good' summit in Switzerland.
The activists condemned the UN International Telecommunication Union’s partnerships with tech giants including Amazon, Google, and Microsoft, accusing them of complicity in Israel’s genocide and apartheid.
These companies provide cloud and AI technologies to the Israeli government and military through Project Nimbus, a $1.22 billion contract that enables AI systems used in the Gaza Strip to kill Palestinians.
Pamela Colman Smith
The Woman Behind the Tarot
Pamela Colman Smith (1878–1951) was an artist, writer, and occultist whose most enduring legacy is her work illustrating the Rider-Waite-Smith tarot deck. Born in London, Smith grew up between Jamaica and New York, where she absorbed a mix of cultures and artistic influences that would shape her career. She was known for her vibrant personality and storytelling, often weaving Jamaican folktales into her work, notably through her Annancy Stories. Raised in a creative and international environment, she was deeply influenced by mysticism and symbolism, which played a pivotal role in her art and writing.
In the early 1900s, Smith became involved with the Hermetic Order of the Golden Dawn, a secretive occult society focused on esoteric and mystical knowledge. It was through this group that she met the mystic Arthur Edward Waite. In 1909, Waite approached Smith with a commission to illustrate a tarot deck, a project that would ultimately transform tarot's visual language. Although Waite provided her with specific occult and symbolic instructions, it was Smith’s unique artistic style—bold lines, vivid colors, and her ability to capture human emotion—that brought the deck to life.
The deck, originally known as the Rider-Waite Tarot (named after its publisher, William Rider, and Waite), was revolutionary in several ways. Unlike previous tarot decks, Smith’s designs featured fully illustrated Minor Arcana cards, not just the Major Arcana. This change made the cards more accessible and intuitive for interpretation. Her art emphasized narrative scenes, rich with symbolism, helping readers connect more easily with the meanings behind each card. Despite the importance of her contribution, Smith was paid only a flat fee for her work and received no royalties or further recognition during her lifetime.
Her designs are full of hidden symbols and esoteric references, many of which were derived from Waite’s occult instructions, but Smith also drew on her own creativity and mystical vision. Her personal monogram, featuring a snake entwined around her initials, can be seen on some of the cards, a quiet assertion of her authorship. Yet, for decades, the deck bore only Waite's name, and it was not until more recent years that Smith’s contributions were properly acknowledged. Today, the deck is referred to as the Rider-Waite-Smith Tarot, reflecting her essential role in its creation.
Smith was a woman of many talents beyond the tarot. She founded The Green Sheaf, a magazine focused on women’s writing, folklore, and mysticism. She was also involved in the women’s suffrage movement, using her art to support political causes. Despite her rich artistic output and connections with prominent figures such as W.B. Yeats and John Masefield, she lived much of her later life in poverty, passing away relatively unknown. However, her tarot illustrations have since become the standard for modern tarot, ensuring her posthumous fame.
Pamela Colman Smith spent her later years living with Nora Lake, a close companion who supported her during a period of financial and creative hardship. They shared a home in the village of Bude, Cornwall, where they lived a quiet, spiritually centered life, regularly attending church. While some speculate about the nature of their relationship, whether romantic or platonic, there is no conclusive evidence. Nonetheless, Lake remained a steadfast presence in Smith's life, around 20 years, until Smith's death in 1951, helping to manage her affairs and ensuring her memory endured, even though Smith's contributions had largely been forgotten at the time.
Pamela Colman Smith’s life is a testament to the often-overlooked contributions of women artists in history. Her work on the tarot deck continues to inspire millions, making her an icon in the world of mysticism and beyond.
References:
https://gcn.ie/pamela-colman-smith-designer-tarot-deck/
https://1890s.ca/wp-content/uploads/smith_bio.pdf
https://academic.oup.com/liverpool-scholarship-online/book/42400
YOU MEAN WE COULD HAVE BEEN CALLING IT THE PIXIE DECK THIS WHOLE TIME?!?!?
[Image id: a screenshot of a tiktok video showing a white person covering their face with their hands. Text reads: "I can't celebrate my achievements because, in my mind, it was my obligation to achieve them." Underneath the text is a picture of the ten of wands from the Pixie deck (Rider-Waite-Smith tarot). /end ID]
image description: an illustration of a bee using an orange watering can to water a small yellow flower with green leaves, with a caption that reads, "You are the love you give, not the love you receive." / end description
September 18, 1990 - When developers and the town of Oka wanted to start building a golf course on stolen land that belonged to them and that contained a sacred grove and a burial ground, the Mohawk tribe around Kanehsatake, Quebec, rose up and occupied the area.
Mohawk people from nearby Kahnawake supported the occupation by blockading an important bridge. The army landed on Tekakwitha island to search houses of supporters of the occupation, but met fierce resistance.
From this great documentary: [Kanehsatake: 270 Years of Resistance]
After more than two years, my main account @DrDarine has been terminated. This account was not just a social media profile. It was the platform through which I shared my family's suffering with the world, especially Mariam's stories. It was my only way to connect with people, raise awareness about our situation, and make our voices heard.
In very brief summary:
● Many of our family members were killed during this war.
● We lost everything, especially our HOME, our heaven, and now we live in a tent with rent.
● Faced unimaginable displacements and famine, and we continue to suffer from illness caused by the harsh living conditions here in Gaza.
Before the war, we were ordinary people, living normal lives. But unfortunately, I don't feel that anymore. I don't even know who we've become. All I can see and feel is my life collapsing before my eyes.
💳 Please donate - ✅️ Vetted # 15
I kindly ask everyone to stand by my side, and especially by Mariam's side. Please don't let the termination of my account, or any other action, become another burden that adds to our pain and suffering.
Please don't forget us. Stay by our side. Donate now. ❤️
Dr.Darine
We've known Darine for more than two years now. What happened to her and the termination of her account are simply unacceptable.
For many of us, that account was how we followed Mariam's story and stayed connected to the family. Taking it away means cutting off their only direct line to hope and support.
Please share their blog as widely as you can, and if you're able, please consider making a donation today.
#15 on @/gazavetters vetted gfm list, promoted by @/gazavetters, promoted by @/nabulsi
A UN report has found that Israel has continued to commit genocide by deliberately targeting Palestinian children in Gaza! And that is even after the so-called ceasefire agreement on October 2025! It is heartbreaking to think about Israel targeting little children like Maryam, who should be enjoying a carefree childhood! Please help Maryam, Darine and their family!
@wilwheaton
This is the last time you will see me. … They brought me here to kill me.”
Palestinian doctor and former Kamal Adwan Hospital director Hussam Abu Safia makes a final appeal from Israeli prison while facing an immediate threat to his life.
transmascs : hey so our lives are closely tied to women's rights, we are affected by legislature restricting reproductive rights, and we would not be able to express ourselves at all if it wasn't for the work of feminists in the last two centuries and -
TRFs : transmen need to shut THE FUCK UP about feminism it's not about YOU birthday boy, check your privilege #bombthatkillsallTMEs #transfeminism
Gonna piss off other transfems even more now. Yall, I think transmascs genuinely have a good case for having more stake in feminism than us.
Reproductive rights and body autonomy are no fucking joke, and the patriarchy wants nothing more than to force them to be women. Cause, if people can just stop being women, if they can just be men, then the patriarchy has no real power.
The liberation of trans men is the final boss of the patriarchy, proof that people can be free to simply walk away from what it has assigned to them.
Liberating trans men is how we liberate us all; we have to stand with them, for our own survival just as much as theirs.
We can't lose them; I don't know why so many of my transfem sisters can't see how important transmasc people are, but know that if we lose them we are all damned.
If you won't stand with our transmasc siblings out of love, I frankly can't understand you; but if standing with them has to be selfish, then know that our only hope of being free to live our own lives rests with them just as much as us. You can't be free without them; if for whatever gods forsaken reason you can't love them, remember you need them.
Sometimes, time seems to move in a vicious cycle, repeating itself in a painfully astonishing manner, as if mocking humanity's ability to learn from its mistakes. Two images are separated by 79 years, yet they appear as though no time has passed, as if the gap between them is merely a few fleeting moments.
The first image: A Palestinian elder holding the keys to his home, from which he was forcibly displaced after the Nakba of 1948. An image filled with pain, with tears that dried on faces, and hearts that collapsed under the weight of loss. Yet, hope for return still filled those hearts.
💳 Please donate - ✅️ Vetted # 15
The second image: A recent photo that tells the same story, but this time, the protagonist is my young sister, Maryam, holding the keys to our home from which we were displaced and demolished after the Nakba of 2023.
There is no difference between the two stories, except that this time, the story is even harsher and more painful.
@wilwheaton
🚨 EMERGENCY MUTUAL AID: Our flour is running out in Gaza 🚨
I am writing this with a heavy heart, reaching out for your humanity and support. We are a family in Gaza, and we are currently facing a critical food shortage. Our flour supply—our main source of daily bread—is almost gone.
We have not received a single donation in the past 23 days, and we have no money left at all. Every donation we previously received has already been spent on the most basic necessities for our children.
Without your help, we do not know how we will feed our family in the coming days. Even a small contribution can help us buy flour and other essential food items.
If you are unable to donate, please consider sharing our story. Your kindness and solidarity mean more than words can express.
vetted by @gazavetters, and (#287) on their list of verified campaigns.
My name is Bethany-Grace, and I am the founder of The Gaza Giving Tree, a volunteer initiative dedicated to amplifying the voices of civilia
Thank you for standing with Gaza and for giving our family hope. ❤️🇵🇸
@wilwheaton
What if we asked what psychoanalysis might learn from the insurrectionary (rather than how psychoanalysis can explain insurrection)? Robinson's almost passing observation that the disorder of rebellion can “be quite therapeutic and soothing” points toward something worth taking seriously. Psychoanalysis has sophisticated tools for thinking about why people invest libidinally in structures that damage them, why the oppressed might desire their own oppression, how the past refuses to stay past. But even in the most socially oriented versions of the tradition, the street, the uprising, and the moment of collective rupture remain more metaphors or case studies, less forms of therapy. What it might mean for psychoanalysis to theorize moments of genuine social rupture as therapeutic remains an open question, although one posed by Fanon.
Spahr, J. (2026) 'Debts to the Dead: Idris Robinson’s Political Theology', Parapraxis, 12 July. Available at: https://www.parapraxismagazine.com/articles/debts-to-the-dead (Accessed: 14 July 2026).
Sometimes, fanfiction is carefully plotted out stories, with plot points and call backs and themes that all tie it up in a meaningful and exciting way.
And sometimes fanfiction is, ‘Watch me do a fucking KICK FLIP off this cool sentence!! Also here's some sex'
Both are beautiful forms of writing.
Vinushka - a proper translation
And still about translations: the official translation of my favourite song, Vinushka makes my skin crawl. This is a poem, not a dadaist succession of individual sentences with no rapport to each other. Let me put my Japanese MA to good use - told you I’m a pretentious motherfucker - and give you a proper translation. You’re welcome.
Vinushka, or Dear guilt (1)
Dear guilt,
Holding my breath as I trade whispers with the clouds, It dawns on me that I am but a blind shell, a body scorched by shadows, who longs to forget, - with a desire to sink into anthills - and to be born again.
May tomorrow sleep, may I take comfort in looking back, and may it carry me back, back into the jagged swell of feeling. Even though the undulating current proves that I am still alive, it beckons a tomorrow that drowns in its tears.
I have become but this writhing(2) Dogra Magra(3), my mottled hurts, have eyes that no longer revel in the spectrum of all colours, - will I too, be swept away by hypocrisy? Standing alone on a crimson stage, wishing upon rising stars, - only in them lies my truth.
And yet I can’t hide, in the remote corners of my heart, that I still want to be here, - so who is it that I cannot bring myself to forgive? With my voice gone cold, I send out its ringing sound, as I make my vows. Walking hand-in-hand with my karma, with this I shall go, with my body separating Heaven and Earth I shall scream, with my punishment carved in me, I shall give myself over to the wind, - and what proof of me shall remain? I have now gazed at the unchanging moon, for so long that I grew tired, watched it fail to turn me to wolf. Instead I went mad, instead, it made want to devour necks, instead, it made me want to turn them to fragile wreckages, instead, it made me want to keep you awake, for I have reached an age where I crave tenderness, and for you, my Lady of the Night(4), I’d go mad. Everyone, fooled into thinking it is happiness, reaches out a hand, only it makes them turn to demons lurking in the dark, forms born from the void, crawling back into the womb, to rot. And there is a truth that no one dares to touch, an ear-shattering truth, a truth of repressed wills, and for that sin you should atone, and begone from this life! Fleeting antitheses to the weeping Earth, my bones I bury, in the mass grave submerged in the thesis, - the melancholy I shoulder, shall be swept away by a caustic deluge. For I am a man who found no value in life, - I spent it laughing through bitter tears - I shall hang myself at the top of my thirteen steps(5), facing you, a crowd that cheers in complacent concord privy to your weak-willed ideologies that do nothing but wound. You, are far too sad. You, crush underfoot your blood-splattering primal instincts. You, speak of death. Walking hand-in-hand with my karma, with this I shall go, with my body separating Heaven and Earth I shall scream, with my punishment carved in me, I shall give myself over to the wind, - and what proof of me shall remain? And there is a truth that no one dares to touch, an ear-shattering truth, a truth of repressed wills, and for that sin you should atone, and begone from this life! You, crush underfoot your blood-splattering primal instincts. You, speak of death. Walking hand-in-hand with my karma, with this I shall go, with my body separating Heaven and Earth I shall scream, with my punishment carved in me, I shall give myself over to the wind, - and what proof of me shall remain? And there is a truth that no one dares to touch, an ear-shattering truth, a truth of repressed wills, and for that sin you should atone, and begone from this life!
If I too, am a villain, am I guilty if I want to live?
--
(1) According to Kaoru in an interview I wasn't able to find again (so you'll just have to trust my word for it), the word Vinushka is a creative spin-off of the Russian word вина (guilt). Since -ушка is a diminutive used to make a name or word sound more endearing, I chose to translate the song title as “Dear guilt”. Yes, I took some artistic liberties here because I find that’s the title that fits best.
(2) In this verse Kyo uses a made-up word, うえつく (uetsuku). Unsurprisingly, he often uses made up words. I took the liberty of translating it as “writhing” because it sounds like it derived from the verb 飢える (ueru), which means to writhe. It fits the rest of the stanza, so why not.
(3) Dogra Magra is the title of a notorious Japanese avant-garde horror novel by Yumeno Kyosaku. The phrase in itself means nothing. In the context of the book, it can be read as some sort of incantation that fits the novel’s themes of psychosis and dissolution of the self. Fun fact: the band Sukekiyo borrowed its name from an eponymous character in this novel. I wrote a whole post about it here.
(4) I translated 小夜 as “Lady of the Night", which is a bit of a shot in the dark. The kanji spells the female name Sayo, and Kyo does sing "Sayo". But because the literal meaning of the name is “small night”, and since there are no other references in the poem to "Sayo", I took some creative liberty to translate it as “Lady of the Night” because it fits the theme of the stanza.
(5) In Japan’s modern penal history, prisoners are hung from a platform reached by a staircase that has 13 steps.
-- A few words on Vinushka. This is a work of great stylistic brilliance. It has a very complex structure, which is uncommon in the corpus of Japanese poetry that prefers simplicity over intricacy. What refers to the narrator and what refers to the "others" he is trying to address lies in very subtle indications that I tried to transpose as accurately as I could. The narrator oscilates between wanting to remain and wanting to be gone. He despises "the others", probably humankind, but recognises that he is one of them. This generates a sense of guilt, thus the title of the song. References to being reborn, karma and crawling back into the womb can be inferred to be an allusion to eternal recurrence. Through the times, humankind repeats the same sins, the same cruelty and the same blindness to the truth, but also the same survival instinct, the wish to remain.